The contribution originates from the project “habitation and habitation politics” in Munich, a subproject of the DFG research group “urban ethics”. Using the example of the Goldgrund art and activist network, it demonstrates how middle-class actors react to the tense real estate and rental market in Munich with diff erent forms of protest. Among other things, Goldgrund designed fi ctitious real estate projects, was active against the privatization of public property and buildings and founded the social cooperative Bellevue di Monaco. The article analyzes this phenomenon at diff erent levels. First, it focuses on the role of the middle class in such activist movements and asks what motivates its involvement. Then, the “subversive” practices of this form of protest are analyzed. Furthermore, it looks into the ethical arguments in this network which strongly emphasize good life in the city and empathic urbanism. Finally, these activist endeavors and the foundation of a social cooperative resulting from it can be interpreted as a form of “social creativity” in David Graeber’s sense, which contributes to the creation of new social forms and institutional arrangements.
这篇文章来自慕尼黑的“居住与居住政治”项目，这是DFG研究小组“城市伦理”的一个子项目。以金地艺术和活动家网络为例，它展示了中产阶级演员如何以不同形式的抗议来应对慕尼黑紧张的房地产和租赁市场。除此之外，Goldgrund还设计了虚假的房地产项目，积极反对公共财产和建筑的私有化，并成立了社会合作社Bellevue di Monaco。本文对这一现象进行了不同层次的分析。首先，它关注中产阶级在这些激进运动中的作用，并询问他们参与的动机是什么。然后，分析了这种抗议形式的“颠覆性”实践。此外，它还探讨了这个网络中强烈强调城市美好生活和移情城市主义的伦理争论。最后，这些积极分子的努力和由此产生的社会合作社的基础可以被解释为David Graeber意义上的一种“社会创造力”，它有助于创造新的社会形式和制度安排。
{"title":"Protest and Social Creativity: An Art and Activist Network Furthers Debate on Problems of Urban Living Space","authors":"J. Moser","doi":"10.15176/VOL55NO208","DOIUrl":"https://doi.org/10.15176/VOL55NO208","url":null,"abstract":"The contribution originates from the project “habitation and habitation politics” in Munich, a subproject of the DFG research group “urban ethics”. Using the example of the Goldgrund art and activist network, it demonstrates how middle-class actors react to the tense real estate and rental market in Munich with diff erent forms of protest. Among other things, Goldgrund designed fi ctitious real estate projects, was active against the privatization of public property and buildings and founded the social cooperative Bellevue di Monaco. The article analyzes this phenomenon at diff erent levels. First, it focuses on the role of the middle class in such activist movements and asks what motivates its involvement. Then, the “subversive” practices of this form of protest are analyzed. Furthermore, it looks into the ethical arguments in this network which strongly emphasize good life in the city and empathic urbanism. Finally, these activist endeavors and the foundation of a social cooperative resulting from it can be interpreted as a form of “social creativity” in David Graeber’s sense, which contributes to the creation of new social forms and institutional arrangements.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42989037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rad predstavlja inicijalno etnolosko i kulturnoantropolosko promisljanje starenja i mogucih pristupa u istraživanju starosti na osnovi literature i terenskih opservacija praksi te naracija o starosti i starenju u glavnom hrvatskom gradu, Zagrebu. U teorijsko-interpretativnom smislu oslanja se na antropologiju starenja, antropologiju grada te antropologiju obitelji i srodstva, kao i na koncepte stvaranja grada, javnoga prostora i aktivnog starenja. U radu se krece od presjeka sociokulturnih istraživanja starosti, potom se (kriticki) razmatra koncept aktivnog starenja, te se zavrsava etnografskim uvidima u prakse i naracije (o) starosti u kontekstu hrvatskoga glavnog grada. Razmatraju se pojedine karakteristike neformalnih i formalnih praksi starih osoba u glavnome gradu te reklamni diskurs u okviru oglasavanja u javnom prostoru grada. Istraživanje je obuhvacalo analizu odnosa starenja i grada, starosti i urbanoga (javnog) prostora, te promisljanje paradigme “aktivnog starenja” u gradu Zagrebu. Cilj je ovog rada uputiti na opservirane, “osluhnute” elemente prikupljene etnografske građe vezane uz življene prakse starih osoba u javnom prostoru grada, kao i na suvremeni politicki i oglasivacki diskurs o starenju i starim osobama u Hrvatskoj i u glavnom gradu.
{"title":"Prakse i naracije (o) starosti u Zagrebu","authors":"Tihana Rubić","doi":"10.15176/vol55no201","DOIUrl":"https://doi.org/10.15176/vol55no201","url":null,"abstract":"Rad predstavlja inicijalno etnolosko i kulturnoantropolosko promisljanje starenja i mogucih pristupa u istraživanju starosti na osnovi literature i terenskih opservacija praksi te naracija o starosti i starenju u glavnom hrvatskom gradu, Zagrebu. U \u0000teorijsko-interpretativnom smislu oslanja se na antropologiju starenja, antropologiju grada te antropologiju obitelji i srodstva, kao i na koncepte stvaranja grada, javnoga prostora i aktivnog starenja. U radu se krece od presjeka sociokulturnih istraživanja starosti, potom se (kriticki) razmatra koncept aktivnog starenja, te se zavrsava etnografskim uvidima u prakse i naracije (o) starosti u kontekstu hrvatskoga glavnog grada. Razmatraju se pojedine karakteristike neformalnih i formalnih praksi starih osoba u glavnome gradu te reklamni diskurs u okviru oglasavanja u javnom prostoru grada. Istraživanje je obuhvacalo analizu odnosa starenja i grada, starosti i urbanoga (javnog) prostora, te promisljanje paradigme “aktivnog starenja” u gradu Zagrebu. Cilj je ovog rada uputiti na opservirane, “osluhnute” elemente prikupljene etnografske građe vezane uz življene prakse starih osoba u javnom prostoru grada, kao i na suvremeni politicki i oglasivacki diskurs o starenju i starim osobama u Hrvatskoj i u glavnom gradu.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol55no201","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43847109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Queer aktivizam i transformacija grada: kako se LGBTIQ zajednica bori za svoje prostore u gradu Zagrebu","authors":"Sanja Đurin","doi":"10.15176/VOL55NO204","DOIUrl":"https://doi.org/10.15176/VOL55NO204","url":null,"abstract":"","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO204","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43486420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Parades of Monuments and Memorials: Transformation of Memory, Place and Identity in a Slovak City","authors":"A. Bitušíková","doi":"10.15176/VOL55NO207","DOIUrl":"https://doi.org/10.15176/VOL55NO207","url":null,"abstract":"","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO207","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46801883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
U radu se izlažu neki od rezultata istraživanja zasnovanoga na intervjuima sa slijepim i slabovidnim osobama u Zagrebu. Rasprava pokazuje da je iskustvo slijepe osobe u javnim prostorima grada dio interakcije između njezina vlastita tijela, fizickih obilježja urbanoga okolisa te dominirajucih drustvenih diskursa o slijepima. U toj su interakciji drustveno i tjelesno uzajamno povezani. U prvome dijelu rada razmatra se prostorno-vremenska dimenzija mobilnosti slijepih osoba u urbanom prostoru. Analiza je pokazala da gradska struktura, uređenje i infrastruktura, koji su oblikovani primarno za osobe bez tjelesnih ostecenja, utjecu na prostorno- vremenske modele kretanja slijepih, sto se iskazuje u svođenju kretanja na ogranicen broj ruta i u vremenskim ritmovima koji su usklađeni s tijelom, s njegovim limitima i mogucnostima. U drugome se dijelu rad fokusira na stereotipe. Autorica dolazi do zakljucka da se u uobicajenim stereotipima o slijepima: a) identitet slijepe osobe svodi na njezinu sljepocu, b) slijepima se pripisuju neke “neobicne” karakteristike, c) podcjenjuje se sposobnost slijepih da samostalno obavljaju svakodnevne stvari, d) nesposobnost osobe da vidi generalizira se u pretpostavku njezine opce nesposobnosti. Pritom se stereotipi, koji tjelesno obilježje prerađuju u drustveni imaginarij, materijaliziraju u obliku drustvenih prepreka s kojima se suocavaju slijepi. Rezultati rada argumenti su za model invaliditeta koji bi prepoznavao realnost tijela s fizickim ostecenjem, a pritom bi osiguravao pravedan i nediskriminatoran drustveni okvir u kojem bi se sposobnosti osoba s invaliditetom mogle slobodno realizirati.
{"title":"Tijelo, društvo, prostor: iskustva slijepih u Zagrebu","authors":"Laura Šakaja","doi":"10.15176/VOL55NO203","DOIUrl":"https://doi.org/10.15176/VOL55NO203","url":null,"abstract":"U radu se izlažu neki od rezultata istraživanja zasnovanoga na intervjuima sa slijepim i slabovidnim osobama u Zagrebu. Rasprava pokazuje da je iskustvo slijepe osobe u javnim prostorima grada dio interakcije između njezina vlastita tijela, fizickih obilježja urbanoga okolisa te dominirajucih drustvenih diskursa o slijepima. U toj su interakciji drustveno i tjelesno uzajamno povezani. U prvome dijelu rada razmatra se prostorno-vremenska dimenzija mobilnosti slijepih osoba u urbanom prostoru. Analiza je pokazala da gradska struktura, uređenje i infrastruktura, koji su oblikovani primarno za osobe bez tjelesnih ostecenja, utjecu na prostorno- vremenske modele kretanja slijepih, sto se iskazuje u svođenju kretanja na ogranicen broj ruta i u vremenskim ritmovima koji su usklađeni s tijelom, s njegovim limitima i mogucnostima. U drugome se dijelu rad fokusira na stereotipe. Autorica dolazi do zakljucka da se u uobicajenim stereotipima o slijepima: a) identitet slijepe osobe svodi na njezinu sljepocu, b) slijepima se pripisuju neke “neobicne” karakteristike, c) podcjenjuje se sposobnost slijepih da samostalno obavljaju svakodnevne stvari, d) nesposobnost osobe da vidi generalizira se u pretpostavku njezine opce nesposobnosti. Pritom se stereotipi, koji tjelesno obilježje prerađuju u drustveni imaginarij, materijaliziraju u obliku drustvenih prepreka s kojima se suocavaju slijepi. Rezultati rada argumenti su za model invaliditeta koji bi prepoznavao realnost tijela s fizickim ostecenjem, a pritom bi osiguravao pravedan i nediskriminatoran drustveni okvir u kojem bi se sposobnosti osoba s invaliditetom mogle slobodno realizirati.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO203","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42571182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Croatia and Hungary have a centuries-old relationship, and although political systems have defi ned their boundaries, shared memories and cultural heritage remain. The river Drava has become a place of such sociocultural sharing, among the Sopje residents on the Croatian side and Podravina Croats on the Hungarian side. In early 2000, cultural artistic societies began to meet informally, culminating in the 2007 offi cial annual shared folklore festival called Dravsko proljeće (Drava Spring/Drávai tavasz). In this paper I present Dravsko proljeće through the pluralism of dichotomies arising from the perspective of festival actors, local policy, regional competitiveness and European cohesion.
{"title":"The Dravsko proljeće Folklore Festival in Sopje","authors":"Andreja Vrekalić","doi":"10.15176/VOL55NO103","DOIUrl":"https://doi.org/10.15176/VOL55NO103","url":null,"abstract":"Croatia and Hungary have a centuries-old relationship, and although political systems have defi ned their boundaries, shared memories and cultural heritage remain. The river Drava has become a place of such sociocultural sharing, among the Sopje residents on the Croatian side and Podravina Croats on the Hungarian side. In early 2000, cultural artistic societies began to meet informally, culminating in the 2007 offi cial annual shared folklore festival called Dravsko proljeće (Drava Spring/Drávai tavasz). In this paper I present Dravsko proljeće through the pluralism of dichotomies arising from the perspective of festival actors, local policy, regional competitiveness and European cohesion.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO103","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48805047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Forsythe x Ikeda: onkraj formule multiplikacije ili o algoritmu razlika","authors":"Leo Rafolt","doi":"10.15176/VOL55NO105","DOIUrl":"https://doi.org/10.15176/VOL55NO105","url":null,"abstract":"","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO105","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48178077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Storytelling and mythology are as old as humanity. According to some scholars the role of myths is “to unify the groups, tribes, nations or other entities where they are being told around certain common ideas, values and orientations” (Stugu 2003). Nations, in particular, need a unifying element, which they usually find in mythology, where the character of the hero often embodies desirable characteristics of the nation. Since mythology knew no boundaries until “the birth” of nation-states, some heroes are shared by more than one nation. One such hero is Petar Klepac (in Croatian)/ Peter Klepec (in Slovenian)/ Pitr Kljepc (in local dialects), a hero of the Kupa and Cabranka Valley in the Slovenian-Croatian border region, who still appears in the local narrative tradition. He is a mighty hero with a “dual citizenship” and hero legends about him are part of the heterogeneous intangible heritage of the valley. The subject of this article is the strength of this folklore hero, manifestations of his strength in the border region, as well as, more broadly, in the folklore and literary heritage throughout the territories of both countries, his diverse roles in the creation and mobilization of identities and in tourism promotion.
{"title":"Petar Klepac/Peter Klepec/Pitr Kljepc: A Borderland Hero and the Manifestations of his Strength","authors":"Anja Moric, Ana Perinić Lewis","doi":"10.15176/VOL55NO108","DOIUrl":"https://doi.org/10.15176/VOL55NO108","url":null,"abstract":"Storytelling and mythology are as old as humanity. According to some scholars the role of myths is “to unify the groups, tribes, nations or other entities where they are being told around certain common ideas, values and orientations” (Stugu 2003). Nations, in particular, need a unifying element, which they usually find in mythology, where the character of the hero often embodies desirable characteristics of the nation. Since mythology knew no boundaries until “the birth” of nation-states, some heroes are shared by more than one nation. One such hero is Petar Klepac (in Croatian)/ Peter Klepec (in Slovenian)/ Pitr Kljepc (in local dialects), a hero of the Kupa and Cabranka Valley in the Slovenian-Croatian border region, who still appears in the local narrative tradition. He is a mighty hero with a “dual citizenship” and hero legends about him are part of the heterogeneous intangible heritage of the valley. The subject of this article is the strength of this folklore hero, manifestations of his strength in the border region, as well as, more broadly, in the folklore and literary heritage throughout the territories of both countries, his diverse roles in the creation and mobilization of identities and in tourism promotion.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44171374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines how the documentary Vedo Rosso may be seen as a form of Yugonostalgia on the part of the Italian minority living in Rovinj, Croatia. Based on a textual analysis and video elicitation, this project explores the multiple and somewhat ambivalent ways in which this specifi c community has reacted to a visual reconstruction of the 1980s under socialism. A combination of interviews conducted by the authors and interviews presented in the documentary enables the reconstruction of a memoryscape infl uenced by intragenerational factors, as well as by the broader geopolitical changes that have transformed, at several times and in several ways, the Istrian Peninsula and the maritime town of Rovinj in particular. Deeper links between memory and nostalgia were the subject of detailed analysis in what is now vast and rich interdisciplinary literature. This article is an attempt to contribute to the existing debates on Yugonostalgia, in the sense that it shows that Yugonostalgia, as a form of memorialization, represents a complex and articulate way to interpret a mutable and uncertain present on the part of a relatively marginal ethno-linguistic minority in contemporary Croatia.
{"title":"“That Thin Red Line”: Memory and Yugonostalgia among the Italian Minority in Istria","authors":"Roberta Altin, C. Minca","doi":"10.15176/VOL55NO107","DOIUrl":"https://doi.org/10.15176/VOL55NO107","url":null,"abstract":"This article examines how the documentary Vedo Rosso may be seen as a form of Yugonostalgia on the part of the Italian minority living in Rovinj, Croatia. Based on a textual analysis and video elicitation, this project explores the multiple and somewhat ambivalent ways in which this specifi c community has reacted to a visual reconstruction of the 1980s under socialism. A combination of interviews conducted by the authors and interviews presented in the documentary enables the reconstruction of a memoryscape infl uenced by intragenerational factors, as well as by the broader geopolitical changes that have transformed, at several times and in several ways, the Istrian Peninsula and the maritime town of Rovinj in particular. Deeper links between memory and nostalgia were the subject of detailed analysis in what is now vast and rich interdisciplinary literature. This article is an attempt to contribute to the existing debates on Yugonostalgia, in the sense that it shows that Yugonostalgia, as a form of memorialization, represents a complex and articulate way to interpret a mutable and uncertain present on the part of a relatively marginal ethno-linguistic minority in contemporary Croatia.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO107","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44496169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Strah, žudnja, histerija: bilješke uz jedan zapisnik sa suđenja vješticama","authors":"Nataša Polgar","doi":"10.15176/VOL55NO110","DOIUrl":"https://doi.org/10.15176/VOL55NO110","url":null,"abstract":"","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/VOL55NO110","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47942262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：