Rad donosi studiju slučaja propale tvornice konca i pamučnog prediva Dalmatinka u Sinju, s fokusom na radničku kulturu kao uporište društvenog sjećanja. Počevši s historijatom tvornice, preko koncepta radništva u kontekstu jugoslavenskog socijalizma, u tekstu se detektiraju ključni elementi za konstrukciju sjećanja radnika na tvornicu. Na temelju kazivanja nekadašnjih radnica istražuje se relacija radnik-tvornica kroz međuodnos koncepata životne povijesti i osobne povijesti te u vezi s konstruktom socijalističkog čovjeka. U posljednjem dijelu rad se koncentrira na suvremene interpretacije nematerijalnog nasljeđa Dalmatinke. Analiza djelovanja izložbeno-edukativnog projekta usmjerenog na revalorizaciju njezina doprinosa razvoju grada u infrastrukturnom, ekonomskom i kulturološkom pogledu pokazuje čvrstu ukotvljenost Dalmatinke u društvenom sjećanju lokalne zajednice.
{"title":"Radnička kultura kao uporište društvenog sjećanja","authors":"Jozefina Ćurković","doi":"10.15176/vol57no104","DOIUrl":"https://doi.org/10.15176/vol57no104","url":null,"abstract":"Rad donosi studiju slučaja propale tvornice konca i pamučnog prediva Dalmatinka u Sinju, s fokusom na radničku kulturu kao uporište društvenog sjećanja. Počevši s historijatom tvornice, preko koncepta radništva u kontekstu jugoslavenskog socijalizma, u tekstu se detektiraju ključni elementi za konstrukciju sjećanja radnika na tvornicu. Na temelju kazivanja nekadašnjih radnica istražuje se relacija radnik-tvornica kroz međuodnos koncepata životne povijesti i osobne povijesti te u vezi s konstruktom socijalističkog čovjeka. U posljednjem dijelu rad se koncentrira na suvremene interpretacije nematerijalnog nasljeđa Dalmatinke. Analiza djelovanja izložbeno-edukativnog projekta usmjerenog na revalorizaciju njezina doprinosa razvoju grada u infrastrukturnom, ekonomskom i kulturološkom pogledu pokazuje čvrstu ukotvljenost Dalmatinke u društvenom sjećanju lokalne zajednice.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46521228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Although the aim of this paper is primarily to provide a theoretical contribution to our understanding of silence, it is also based on an ethnographic study conducted in Lika, a region of Croatia marked by a history of conflict and violence. Silence, in addition to having diverse functions and effects, is also characterised by different durations (it can be measured in seconds as well as in decades). It can be, and often is, filled with other potentially communicable non-verbal aspects (emotions and affects, gestures, sounds, etc.). It can also be more or less dependent on – and even steered by – the opinions, experiences and viewpoints of other individuals and communities. In short, this paper deals with the silences found in the course of the research within the framework of numerous typologies of silence, focusing on contextually dependent and ambivalent effects of silence, its “emptiness”, duration and actors (both individuals and communities). This paper deals with silences and silencing at the macrolevel (which includes their affective and social functions), as well as their effect at the microlevel of interpersonal interaction, everyday life and fieldwork encounters. The effects of the network of silences on the public presentation of the findings resulting from studying silence will also be discussed.
{"title":"The Silence of Fear, Silencing by Fear and the Fear of Silence","authors":"J. Markovic","doi":"10.15176/vol57no108","DOIUrl":"https://doi.org/10.15176/vol57no108","url":null,"abstract":"Although the aim of this paper is primarily to provide a theoretical contribution to our understanding of silence, it is also based on an ethnographic study conducted in Lika, a region of Croatia marked by a history of conflict and violence. Silence, in addition to having diverse functions and effects, is also characterised by different durations (it can be measured in seconds as well as in decades). It can be, and often is, filled with other potentially communicable non-verbal aspects (emotions and affects, gestures, sounds, etc.). It can also be more or less dependent on – and even steered by – the opinions, experiences and viewpoints of other individuals and communities. In short, this paper deals with the silences found in the course of the research within the framework of numerous typologies of silence, focusing on contextually dependent and ambivalent effects of silence, its “emptiness”, duration and actors (both individuals and communities). This paper deals with silences and silencing at the macrolevel (which includes their affective and social functions), as well as their effect at the microlevel of interpersonal interaction, everyday life and fieldwork encounters. The effects of the network of silences on the public presentation of the findings resulting from studying silence will also be discussed.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol57no108","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41618717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article deals with textile workers’ memories of a socialist factory and industrial work in Slovenia, and their experiences during numerous contemporary restructurings and social transformations. It argues that textile workers were heavily marked by the disintegration of their community and loss of social recognition. The loss of the factory was experienced as personal and social loss, the loss of dignity and self-worth. Such experiences are connected to historically shaped meanings of factories, the role and position of industrial workers in the past socialist landscape, with particular memories and experiences of work. The metanarrative of socialist industrialization depicted them as protagonists of modernization and social development. They were co-creators of the industrial miracle, local infrastructure and social standard. They now felt robbed and dispossessed in a material and symbolic sense. The society showed little interest in their experience of such a loss. The absence of research and little attention paid to such questions by the society is connected to the way in which the society dealt with economic restructuring in Slovenia. The local experience is compared with other post-socialist ethnographies and industrial worker ethnographies in the transformed capitalist world.
{"title":"Our factory","authors":"N. Vodopivec","doi":"10.15176/vol57no103","DOIUrl":"https://doi.org/10.15176/vol57no103","url":null,"abstract":"The article deals with textile workers’ memories of a socialist factory and industrial work in Slovenia, and their experiences during numerous contemporary restructurings and social transformations. It argues that textile workers were heavily marked by the disintegration of their community and loss of social recognition. The loss of the factory was experienced as personal and social loss, the loss of dignity and self-worth. Such experiences are connected to historically shaped meanings of factories, the role and position of industrial workers in the past socialist landscape, with particular memories and experiences of work. The metanarrative of socialist industrialization depicted them as protagonists of modernization and social development. They were co-creators of the industrial miracle, local infrastructure and social standard. They now felt robbed and dispossessed in a material and symbolic sense. The society showed little interest in their experience of such a loss. The absence of research and little attention paid to such questions by the society is connected to the way in which the society dealt with economic restructuring in Slovenia. The local experience is compared with other post-socialist ethnographies and industrial worker ethnographies in the transformed capitalist world.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol57no103","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47265296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the highly heterogeneous social structure of female workers at two fish canneries: Kvarner on the island of Lošinj and Plavica on the island of Cres. The heterogenous workforce reflected certain characteristics of Yugoslav society. First, there was regional and ethnic diversity. Second, there were differences created by rapid modernization, especially between educated and uneducated women who possessed different types of knowledge and embodied different behavioral norms. The third set of differences between workers was based on a traditional patriarchal idea of female propriety which existed simultaneously alongside the socialist idea of a “working woman”. Lastly, the position of workers was also shaped through the tension between appreciation of industrial and physical labor in socialism and tourist imagination of the Adriatic coast. Workers’ narratives and the visual material testify to social hierarchies and differences, but also to negotiations of these positions and different affiliations, all of which depended on their various situations and interests. The stories from different factories also point to different possibilities of social relations, interactions and community building. While workers from Kvarner in Lošinj on occasions remained disintegrated, workers from Plavica on Cres traversed boundaries more easily and formed a close-knit network and community. This was due to the different working and living conditions in the two factories, including a policy of organized leisure and social events, which were a consequence of different periods in which the factories operated, different roles that they had in the local community and different factory management.
{"title":"“What Is There to Talk About with These Women?”","authors":"Iva Kosmos","doi":"10.15176/vol57no101","DOIUrl":"https://doi.org/10.15176/vol57no101","url":null,"abstract":"This article explores the highly heterogeneous social structure of female workers at two fish canneries: Kvarner on the island of Lošinj and Plavica on the island of Cres. The heterogenous workforce reflected certain characteristics of Yugoslav society. First, there was regional and ethnic diversity. Second, there were differences created by rapid modernization, especially between educated and uneducated women who possessed different types of knowledge and embodied different behavioral norms. The third set of differences between workers was based on a traditional patriarchal idea of female propriety which existed simultaneously alongside the socialist idea of a “working woman”. Lastly, the position of workers was also shaped through the tension between appreciation of industrial and physical labor in socialism and tourist imagination of the Adriatic coast. Workers’ narratives and the visual material testify to social hierarchies and differences, but also to negotiations of these positions and different affiliations, all of which depended on their various situations and interests. The stories from different factories also point to different possibilities of social relations, interactions and community building. While workers from Kvarner in Lošinj on occasions remained disintegrated, workers from Plavica on Cres traversed boundaries more easily and formed a close-knit network and community. This was due to the different working and living conditions in the two factories, including a policy of organized leisure and social events, which were a consequence of different periods in which the factories operated, different roles that they had in the local community and different factory management.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol57no101","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48793155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article discusses the social world formed around canneries in small coastal and insular towns in the northeastern Adriatic. Although associated with hard, unpleasant labor and demanding work conditions, the fish canning industry, particularly in the period of late socialism, offered a framework in which a meaningful social life was organized and lived. In this way, the local impact of canneries reached much beyond providing financial means to its employees. To understand the social meaning of fish canning in the Yugoslav Adriatic, the article focuses on the relationship between the now largely vanished local fish canning industry and tourism that is increasingly becoming the dominant (and the only) source of income for local communities. Lefebvre’s concept of rhythmanalysis proves to be a productive lens to view the complex and often ambiguous relationship between the two industries, and to narrate the history of fish canning through the senses – what was seen, heard, smelled, felt. These intense, embodied, sensorial memories caution us that the dominant claims and narratives which interpret the replacement of industry with tourism (and other tertiary sector activities) as a necessary, inevitable and desirable developmental step should not be taken for granted.
{"title":"Fish Canning Industry and The Rhythm of Social Life in the Northeastern Adriatic","authors":"T. Petrović","doi":"10.15176/vol57no102","DOIUrl":"https://doi.org/10.15176/vol57no102","url":null,"abstract":"The article discusses the social world formed around canneries in small coastal and insular towns in the northeastern Adriatic. Although associated with hard, unpleasant labor and demanding work conditions, the fish canning industry, particularly in the period of late socialism, offered a framework in which a meaningful social life was organized and lived. In this way, the local impact of canneries reached much beyond providing financial means to its employees. To understand the social meaning of fish canning in the Yugoslav Adriatic, the article focuses on the relationship between the now largely vanished local fish canning industry and tourism that is increasingly becoming the dominant (and the only) source of income for local communities. Lefebvre’s concept of rhythmanalysis proves to be a productive lens to view the complex and often ambiguous relationship between the two industries, and to narrate the history of fish canning through the senses – what was seen, heard, smelled, felt. These intense, embodied, sensorial memories caution us that the dominant claims and narratives which interpret the replacement of industry with tourism (and other tertiary sector activities) as a necessary, inevitable and desirable developmental step should not be taken for granted.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol57no102","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46680424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Iako se emocionalni registri često zanemaruju u evaluaciji konceptualnih projekata, ovaj članak tvrdi da je, primjerice u slučaju projekta Janez Janša, koji se služi strategijom subverzivne afirmacije, upravo njegova afektivna ambivalentnost ono što ga čini relevantnim i u umjetničkom i u političkom smislu. Mijenjanje imena trojice umjetnika u ime identično imenu političkog dinosaura Janeza Janše dovelo je do kompleksnih reakcija njihovih obitelji, prijatelja i umjetničkog konteksta kojem pripadaju. Te afektivne reakcije duboko su relevantne za razumijevanje ovog projekta, koji istovremeno želi i ne želi biti umjetnički, odnosno realizira se kroz vlastitu neodlučivost u tom smislu.
{"title":"Ambivalentni emocionalni registri subverzivne afirmacije kao političko-umjetničkog postupka","authors":"Una Bauer","doi":"10.15176/vol56no202","DOIUrl":"https://doi.org/10.15176/vol56no202","url":null,"abstract":"Iako se emocionalni registri često zanemaruju u evaluaciji konceptualnih projekata, ovaj članak tvrdi da je, primjerice u slučaju projekta Janez Janša, koji se služi strategijom subverzivne afirmacije, upravo njegova afektivna ambivalentnost ono što ga čini relevantnim i u umjetničkom i u političkom smislu. Mijenjanje imena trojice umjetnika u ime identično imenu političkog dinosaura Janeza Janše dovelo je do kompleksnih reakcija njihovih obitelji, prijatelja i umjetničkog konteksta kojem pripadaju. Te afektivne reakcije duboko su relevantne za razumijevanje ovog projekta, koji istovremeno želi i ne želi biti umjetnički, odnosno realizira se kroz vlastitu neodlučivost u tom smislu.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol56no202","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43748178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Među brojnim književnim žanrovima što ih je Pavao Ritter Vitezović (1652. – 1713.) uključio u svoj vrstovno hibridan “spjev” Odiljenje sigetsko (1684) posebno mjesto pripada poslovicama. Raspršene u sva četiri dijela teksta, poslovice su jedan od najzastupljenijih žanrova u Odiljenju, ali i u Vitezovićevu bogatom i raznorodnom stvaralačkom opusu uopće. U radu se stoga upozorava na značenjsku (semantičku) raznolikost poslovica u Odiljenju sigetskom, istražuje njihovo moguće porijeklo (usmena/pisana književnost) i funkcija unutar samoga “spjeva”, a uspoređuje ih se i s poslovicama iz nekih drugih Vitezovićevih djela na hrvatskom jeziku. Analiza će pokazati da je sveprisutnost poslovica u Odiljenju zapravo odjek izrazite barokne sklonosti (usmenoknjiževnim) poslovicama i paremiologizmima, ali i jasan dokaz Vitezovićeve želje da svoje djelo približi (i) slabije obrazovanim čitateljima.
在众多的文学流派中，帕沃·里特尔·维特佐夫（1652）。1713.）包含在其混合“梦想”部门的sigetsko（1684）一个特殊的地方属于企业。在文本的所有四个部分中，商业是奥迪利亚最具代表性的流派之一，但也体现在Vitezovic丰富多样的创作复发中。U radu se stoga upozorava na značenjsku（semantičku）raznolikost poslovica U Odiljenju sigetskom，istražuje njihovo moguće porijeklo（usmena/pisana književnost）i funkcija unar samoga“spjeva”，一位名叫Vitezovićevih djela na hrvatskom jeziku的医生。分析将表明，该部门的工作实际上拒绝向企业和病理学家表达调酒师的倾向，但也清楚地证明了Vitezovic希望让他的作品更接近受过教育的读者。
{"title":"Poslovice u Vitezovićevu Odiljenju sigetskom","authors":"Vanja Budišćak","doi":"10.15176/vol56no207","DOIUrl":"https://doi.org/10.15176/vol56no207","url":null,"abstract":"Među brojnim književnim žanrovima što ih je Pavao Ritter Vitezović (1652. – 1713.) uključio u svoj vrstovno hibridan “spjev” Odiljenje sigetsko (1684) posebno mjesto pripada poslovicama. Raspršene u sva četiri dijela teksta, poslovice su jedan od najzastupljenijih žanrova u Odiljenju, ali i u Vitezovićevu bogatom i raznorodnom stvaralačkom opusu uopće. U radu se stoga upozorava na značenjsku (semantičku) raznolikost poslovica u Odiljenju sigetskom, istražuje njihovo moguće porijeklo (usmena/pisana književnost) i funkcija unutar samoga “spjeva”, a uspoređuje ih se i s poslovicama iz nekih drugih Vitezovićevih djela na hrvatskom jeziku. Analiza će pokazati da je sveprisutnost poslovica u Odiljenju zapravo odjek izrazite barokne sklonosti (usmenoknjiževnim) poslovicama i paremiologizmima, ali i jasan dokaz Vitezovićeve želje da svoje djelo približi (i) slabije obrazovanim čitateljima.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43575905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Etnografski zapisi s kraja 19. i početka 20. stoljeća, nastali u suglasju s Osnovom za sabiranje i proučavanje građe o narodnom životu te objavljeni u Zborniku za narodni život i običaje južnih Slavena, nude mogućnost razgradnje popularnog narativa o zlatnom dobu dojenja u prošlosti, prije razvoja industrije dojenačkih mliječnih pripravaka, te podupiru razumijevanje dojenja, suprotno diskursima o njegovoj prirodnosti, kao kulturno i društveno utemeljene prakse. Na temelju čitanja spomenutih etnografskih zapisa ovaj se tekst bavi odstupanjima od norme postavljene u Osnovi, a prihvaćene i u stručnoj literaturi, po kojoj (u seoskoj sredini na prijelazu stoljeća) (svaka) majka doji svoje dijete. Tekst se tako bavi problemima vezanim za dojenje i laktaciju s kojima su se susretale majke novorođenčadi i dojenčadi te tzv. umjetnom prehranom najmanje djece, a upućuje i na prakse davanja djeteta na dojenje, kombiniranja ženskog rada i brige o malome djetetu i sl. što sve govori i o uvjetima u kojima se dojenje odvijalo a koji su bili, za žene i djecu, izrazito nepovoljni. Tekst također upućuje na potencijal povezivanja uvida koje nudi Zbornik za narodni život i običaje sa suvremenim diskursima o dojenju.
19世纪末的民族志记录20世纪初。几个世纪以来，与人民生活图书馆出版的《人民生活公民收藏和研究基础》和南斯拉夫的习俗相一致，提供了在母乳行业发展之前发展母乳喂养黄金时代的流行历史的可能性，并支持对乳房的理解，而不是对其性质的争论，作为文化和社会凝聚力的实践。在阅读上述民族志记录的基础上，本文讨论了对《基本法》中规定的规范的贬损，这在专业文献中也被接受（在本世纪中期的农村过渡时期）（每个）母亲母乳喂养她的孩子。这就是本文如何处理新生儿和婴儿的母亲遇到的母乳喂养和哺乳问题等。乌姆杰特诺姆·纳杰曼杰（umjetnom preranom najmanje djece），一个乌姆杰特诺姆·纳吉曼杰（upućuje i na prakse davanja djeteta na dojenje），kombiniranjaženskog rada i brige o malome djetetu i sl.što sve govori o uvjetima u kojima se dojenj odvijalo a koji su bili，zažene i djecu，izrazito nepovoljni。该文本还指出，国民生活委员会提出的观点与当代乳房辩论的习惯之间可能存在联系。
{"title":"Svaka majka doji svoje dite, samo ako ima mlika","authors":"Iva Pleše","doi":"10.15176/vol56no203","DOIUrl":"https://doi.org/10.15176/vol56no203","url":null,"abstract":"Etnografski zapisi s kraja 19. i početka 20. stoljeća, nastali u suglasju s Osnovom za sabiranje i proučavanje građe o narodnom životu te objavljeni u Zborniku za narodni život i običaje južnih Slavena, nude mogućnost razgradnje popularnog narativa o zlatnom dobu dojenja u prošlosti, prije razvoja industrije dojenačkih mliječnih pripravaka, te podupiru razumijevanje dojenja, suprotno diskursima o njegovoj prirodnosti, kao kulturno i društveno utemeljene prakse. Na temelju čitanja spomenutih etnografskih zapisa ovaj se tekst bavi odstupanjima od norme postavljene u Osnovi, a prihvaćene i u stručnoj literaturi, po kojoj (u seoskoj sredini na prijelazu stoljeća) (svaka) majka doji svoje dijete. Tekst se tako bavi problemima vezanim za dojenje i laktaciju s kojima su se susretale majke novorođenčadi i dojenčadi te tzv. umjetnom prehranom najmanje djece, a upućuje i na prakse davanja djeteta na dojenje, kombiniranja ženskog rada i brige o malome djetetu i sl. što sve govori i o uvjetima u kojima se dojenje odvijalo a koji su bili, za žene i djecu, izrazito nepovoljni. Tekst također upućuje na potencijal povezivanja uvida koje nudi Zbornik za narodni život i običaje sa suvremenim diskursima o dojenju.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42846927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S aspekta kognitivne semantike razmatraju se primjeri u Brešanovim dramama u kojima se izravno kontrastiraju jedenje i govorenje. Riječ je o primjerima kojima se posreduju književni toposi i konvencionalni izrazi koji svoje utemeljenje imaju u konceptualnim metaforama: ideje su hrana i um je spremnik i koji su i oblik specifičnoga tematiziranja jezika u novim pučkim komadima. Polazeći od klasičnih kognitivnih razmatranja (Lakoff i Johnson 1999) i Deleuzeova (2015) razmatranja dijalektike jedenja i govorenja kao odnosa unutarnjeg i vanjskog artikulira se dvojakost kulturnog modela gozbe – manifestacija razmjene ideja, svijesti i duhovnog te manifestacija hedonizma, unutarnjeg, nesvjesnog i tjelesnog – koja u Brešanovim dramama nalazi specifičan socijalnokritički oblik.
在认知语义方面，布列山戏剧中的例子与食物和言语直接矛盾。Riječje o primjerima kojima se posreduju književni toposi i konvencionalni izrazi koji svoje utemeljenje imaju u konceptuanim metaforma：ideje su hrana i um je spremnik i koji su i oblik specificčnoga tematiziranja jezika u novim pučkim komadima。继经典认知检验（Lakoff and Johnson 1999）和Deleuze（2015）对饮食和言语方言等内外篇关系的分析之后，盛宴文化模式的二元性表现为思想交流、意识交流和精神享乐的表现，布列山戏剧的无意识性和身体性是一种特殊的社会无意识形式。
{"title":"Dijalektika jedenja i govorenja u dramama Ive Brešana","authors":"Gordana Čupković","doi":"10.15176/vol56no107","DOIUrl":"https://doi.org/10.15176/vol56no107","url":null,"abstract":"S aspekta kognitivne semantike razmatraju se primjeri u Brešanovim dramama u kojima se izravno kontrastiraju jedenje i govorenje. Riječ je o primjerima kojima se posreduju književni toposi i konvencionalni izrazi koji svoje utemeljenje imaju u konceptualnim metaforama: ideje su hrana i um je spremnik i koji su i oblik specifičnoga tematiziranja jezika u novim pučkim komadima. Polazeći od klasičnih kognitivnih razmatranja (Lakoff i Johnson 1999) i Deleuzeova (2015) razmatranja dijalektike jedenja i govorenja kao odnosa unutarnjeg i vanjskog artikulira se dvojakost kulturnog modela gozbe – manifestacija razmjene ideja, svijesti i duhovnog te manifestacija hedonizma, unutarnjeg, nesvjesnog i tjelesnog – koja u Brešanovim dramama nalazi specifičan socijalnokritički oblik.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41364571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present paper analyzes the media representation of the idea of the “third force” in politics. The research focuses on how the notion is being staged and visualized in order to create the impression of a new and fresh agent in the race for power. The case of MOST, a political coalition which gained importance in the 2015 Croatian parliamentary election, seems particularly important and adequate for the purpose. I do not discuss programs, political aims or visions of the main political parties. Rather, I propose a semiotic analysis of public communication. Attention will be paid to performative aspects of television broadcasts, organization of the space where negotiations were held, visual relations between political actors. The broadcasts, and the broadly taken space of public contact, will be treated as a stage, and actions taking place on such a stage as a political drama, with a screenplay which may be, but is not necessarily, conscious and planned. When seen from this perspective, the focus of interest does not lie on the purposeful layout of seating in a meeting or a public communique, but on unconscious cultural patterns which have a great impact on our decisions, choices, and perceptions. Ultimately, the electoral success of MOST was related not only to its program, but also–or maybe mostly – to its performative policy and its consistent positioning as a new actor in the political field.
{"title":"Semiotics of the “third force”","authors":"M. Falski","doi":"10.15176/vol56no102","DOIUrl":"https://doi.org/10.15176/vol56no102","url":null,"abstract":"The present paper analyzes the media representation of the idea of the “third force” in politics. The research focuses on how the notion is being staged and visualized in order to create the impression of a new and fresh agent in the race for power. The case of MOST, a political coalition which gained importance in the 2015 Croatian parliamentary election, seems particularly important and adequate for the purpose. I do not discuss programs, political aims or visions of the main political parties. Rather, I propose a semiotic analysis of public communication. Attention will be paid to performative aspects of television broadcasts, organization of the space where negotiations were held, visual relations between political actors. The broadcasts, and the broadly taken space of public contact, will be treated as a stage, and actions taking place on such a stage as a political drama, with a screenplay which may be, but is not necessarily, conscious and planned. When seen from this perspective, the focus of interest does not lie on the purposeful layout of seating in a meeting or a public communique, but on unconscious cultural patterns which have a great impact on our decisions, choices, and perceptions. Ultimately, the electoral success of MOST was related not only to its program, but also–or maybe mostly – to its performative policy and its consistent positioning as a new actor in the political field.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15176/vol56no102","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49644846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：