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Being part of a winning team: a problem-based approach to teach sustainability adoption in collegiate athletic uniforms 成为获胜团队的一员:以问题为基础的方法,在大学运动服中教授可持续发展的采用
Q3 BUSINESS Pub Date : 2022-06-27 DOI: 10.1080/17543266.2022.2089240
Charles Freeman, B. Orzada, K. Cobb, Amit Talukder
ABSTRACT Sustainability adoption in the collegiate athletic uniform market, while gaining popularity, remains a significant concern. The purpose of this project was to engage students in a problem-based learning assignment focused on sourcing collegiate athletic uniforms and training gear from 100% sustainable or regional (within 100 miles) sources. Student teams selected a sport and met with coaches, equipment managers, and players to design and develop uniforms and training apparel to be sourced from Oeko-Tex certified manufacturers or regional producers. Post-production interviews were conducted with teams to evaluate their understanding of sustainability and its impact on sourcing decisions. Overall, student teams reported the difficulty with sustainably sourcing materials, which provides the industry an opportunity to ease this process. In doing so, future product developers will choose to source sustainably.
在大学运动制服市场中,可持续性的采用虽然越来越受欢迎,但仍然是一个值得关注的问题。这个项目的目的是让学生参与一个基于问题的学习任务,重点是从100%可持续或区域(100英里内)的来源采购大学运动服和训练装备。学生团队选择了一项运动,并与教练、设备经理和球员会面,设计和开发制服和训练服,这些制服和训练服将从Oeko-Tex认证的制造商或地区生产商那里采购。制作后与团队进行访谈,以评估他们对可持续性的理解及其对采购决策的影响。总体而言,学生团队报告了可持续采购材料的困难,这为行业提供了一个简化这一过程的机会。这样,未来的产品开发人员将选择可持续的来源。
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引用次数: 2
Drivers and barriers for sustainable fashion consumption in Spain: a comparison between sustainable and non-sustainable consumers 西班牙可持续时尚消费的驱动因素和障碍:可持续和非可持续消费者之间的比较
Q3 BUSINESS Pub Date : 2022-06-21 DOI: 10.1080/17543266.2022.2089239
Silvia Blas Riesgo, M. Lavanga, M. Codina
ABSTRACT This research identifies and portrays the under-researched segment of sustainable fashion consumers, drawing a comparison with the average consumers in Spain, and defines the drivers and barriers for sustainable fashion consumption, further contributing to the attitude-behaviour gap literature. Based on a sample of 1,063 respondents and 23 focus group participants, and following the Theory of Planned Behaviour, the results indicate that lack of trust in fashion companies and their sustainable statements is the main reason preventing consumers from buying sustainable products or doing it more often, followed by higher prices. It appears that the more sustainably conscious consumers are, the less they buy brand-new, preferring alternatives such as second-hand (mainly) and renting. Sustainable fashion consumers demonstrate greater fashion consciousness, environmental concern, perceived consumer effectiveness, and a higher subjective norm than average consumers. Conversely, price is still a critical purchasing driver for the average consumer.
本研究确定并描绘了可持续时尚消费者的研究不足部分,与西班牙的普通消费者进行比较,并定义了可持续时尚消费的驱动因素和障碍,进一步促进了态度-行为差距文献。基于1063名受访者和23名焦点小组参与者的样本,并根据计划行为理论,结果表明,对时尚公司及其可持续声明缺乏信任是阻止消费者购买或更频繁地购买可持续产品的主要原因,其次是价格过高。消费者的可持续意识越强,他们购买新车的次数就越少,他们更喜欢二手(主要是)和租赁等替代品。与普通消费者相比,可持续时尚消费者表现出更强的时尚意识、环境关注、感知消费者效能和更高的主观规范。相反,对于普通消费者来说,价格仍然是一个关键的购买驱动因素。
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引用次数: 4
Educating for change?: An investigation into consumers’ perception of sustainability and the educational drivers needed to support sustainable consumption 为改变而教育?消费者对可持续性的认知和支持可持续消费所需的教育驱动因素的调查
Q3 BUSINESS Pub Date : 2022-06-10 DOI: 10.1080/17543266.2022.2083694
Kirsty Bennetta, Jemma Helen Oeppen Hill
ABSTRACT The research focused on consumer perceptions of sustainability within the fashion industry and how influential education is in changing consumer habits and increasing the likelihood of sustainable consumption. The research, using a mixed-method approach, also asks what drivers are needed to support this transition. Using a quantitative survey widely distributed (varied sample) and qualitative semi-structured individuals with fashion students, results show that education on what sustainability means for fashion is largely gained through mainstream social media and documentaries with no formal compulsory education in place. It shows that many consumers saw sustainability as a motivating factor in purchasing; however, price was still a barrier for most. Respondents believed that intervention in school curricula was the best way to educate future generations about sustainability and that having the skills to maintain longevity in clothing use was a key factor to a more sustainable fashion future.
摘要:本研究主要关注消费者对时尚行业可持续性的看法,以及教育在改变消费者习惯和增加可持续消费可能性方面的影响。这项使用混合方法的研究还询问了支持这种转变需要哪些驱动因素。通过对广泛分布(不同样本)的定量调查和对时尚专业学生的定性半结构化个人调查,结果表明,关于可持续性对时尚意味着什么的教育主要是通过主流社交媒体和纪录片获得的,而没有正式的义务教育。这表明许多消费者将可持续性视为购买的激励因素;然而,价格对大多数公司来说仍是一个障碍。受访者认为,在学校课程中进行干预是教育后代可持续发展的最佳方式,而拥有保持服装使用寿命的技能是实现更可持续时尚未来的关键因素。
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引用次数: 0
Re-Framing the arts dissertation: the visual research abstract as an alternative, innovative and creative approach to fashion research. 重新构建艺术论文:视觉研究摘要作为时尚研究的替代,创新和创造性方法。
Q3 BUSINESS Pub Date : 2022-06-10 DOI: 10.1080/17543266.2022.2084773
Karen Ryan
ABSTRACT The Visual Research Abstract (VRA) was initially conceived as a pedagogical strategy to assist undergraduate students to navigate and understand the structure of their dissertation and the theoretical activities relating to fashion research at its earliest stages. The paper is guided by action research and collects data using a structured online questionnaire across the third-year (L. 6) and second-year (L. 5) fashion students at a UK Arts University and is aimed to evaluate and refine the pedagogical method. The research explores the student experience regarding their application of the tool, and the proposed strategies for refinement. The findings reveal that the VRA is a useful pedagogical strategy in fashion education to navigate the theoretical structure of the written dissertation closely aligned to a student’s final major project. Consequently, this approach has been discussed in the paper and adopted by several subject disciplines within the Arts University environment.
视觉研究摘要(VRA)最初被认为是一种教学策略,以帮助本科生导航和理解他们的论文结构和与时尚研究有关的理论活动的早期阶段。本文以行动研究为指导,使用结构化的在线问卷收集数据,调查对象是英国一所艺术大学时装专业三年级(L. 6)和二年级(L. 5)的学生,旨在评估和完善教学方法。本研究探讨了学生在使用该工具方面的经验,并提出了改进策略。研究结果表明,在时尚教育中,VRA是一种有用的教学策略,可以使学生的书面论文的理论结构与最终的主要项目紧密结合。因此,本文讨论了这种方法,并被艺术大学环境中的几个学科所采用。
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引用次数: 0
Gender differences in adaptive clothing: applying functional, expressive, and aesthetic (FEA) needs of people with movement impairments 适应性服装的性别差异:应用运动障碍人群的功能、表达和审美需求
Q3 BUSINESS Pub Date : 2022-06-04 DOI: 10.1080/17543266.2022.2071468
May Chae
ABSTRACT Although previous studies have investigated issues related to disabled people’s social appearance and the shopping barriers younger generations face, the literature has not focused on people with mobility impairments while taking into consideration of factors in gender differences. Therefore, the purpose of this study was twofold: to conduct clothing needs assessment of people aged 18 and older with mobility impairments and to compare clothing needs assessments between genders, applying the functional, expressive, and aesthetic (FEA) needs model. The study, through personal interviews, found 10 major themes pertaining to FEA needs. Men and women from their early 20s to mid-60s did not differ greatly in their perception of clothing issues. Regardless of gender or age, the participants believed that retailers should provide more accessible clothing options that meet their needs, promoting the products at consumer-friendly price points.
虽然已有研究对残疾人的社会形象和年轻一代面临的购物障碍进行了调查,但在考虑性别差异因素的情况下,文献并未关注行动障碍人群。因此,本研究的目的是双重的:对18岁及以上的行动障碍人群进行服装需求评估,并应用功能、表达和审美(FEA)需求模型比较性别之间的服装需求评估。该研究通过个人访谈,发现了与FEA需求相关的10个主要主题。从20岁出头到60多岁的男性和女性对服装问题的看法没有太大差异。不论性别或年龄,与会者都认为零售商应提供更方便的服装选择,以满足他们的需求,以消费者友好的价格推广产品。
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引用次数: 3
The new face of mimicry consumption: understanding the mediating role of social media 模仿消费的新面貌:理解社交媒体的中介作用
Q3 BUSINESS Pub Date : 2022-06-02 DOI: 10.1080/17543266.2022.2083695
Jeongah Shin, Yoo‐Kyoung Seock
ABSTRACT The study investigated the relationship between consumer subjective well-being and conscious mimicry consumption. Due to social media's increased impact on human behaviour, the study also explored the role of Instagram activities (broadcasting, browsing, and interaction) in mediating that relationship. A total of 233 responses were analyzed using SPSS. Hypotheses were tested using Hayes’ PROCESS macro Model 4 with a parallel multiple mediator model. The findings show that subjective well-being has a positive effect on mimicry consumption and Instagram activity. Also, this Instagram activity further leads to mimicry consumption. These findings reframe mimicry consumption by exploring the role of social media and the positive psychology behind it.
摘要本研究探讨了消费者主观幸福感与有意识模仿消费的关系。由于社交媒体对人类行为的影响越来越大,该研究还探讨了Instagram活动(广播、浏览和互动)在调解这种关系方面的作用。采用SPSS软件对233份问卷进行分析。采用Hayes’s PROCESS宏观模型4,采用平行多中介模型对假设进行检验。研究结果表明,主观幸福感对模仿消费和Instagram活动有积极影响。此外,这种Instagram活动进一步导致了模仿消费。这些发现通过探索社交媒体的作用及其背后的积极心理学,重新定义了模仿消费。
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引用次数: 0
Retail Technology Acceptance Model for online at offline (O@O): Comparing different generations of data analysis techniques 零售技术对线上和线下的接受模型(O@O):比较不同世代的数据分析技术
Q3 BUSINESS Pub Date : 2022-05-26 DOI: 10.1080/17543266.2022.2078892
Sookhyun Kim
ABSTRACT The purpose of this study is to examine consumers’ intentions to use retail technologies and to identify factors that affect their decision by extending the Technology Acceptance Model. This study employs Regression and Partial Least Squares Structural Equation Modeling to test the same construct in the proposed model, and the results were compared to find out similarities and differences. The result shows that depending on the consumers’ shopping orientation profile, they evaluated a technology differently. Also, depending on the types of technology, the factors that significantly affect consumers’ intentions to use are different. For an unfamiliar technology, consumers need to evaluate before confirming their intention to use (i.e. the mediating effect of evaluation between consumer’s profile and intention to use). Not all technologies require high usefulness for high intention to use, contrary to previous research. The PLS-SEM analysis was more appropriate than the regression for a newly developed model.
本研究的目的是通过扩展技术接受模型来检验消费者使用零售技术的意愿,并找出影响他们决策的因素。本研究采用回归和偏最小二乘结构方程模型对所提出模型中的相同结构进行检验,并对结果进行比较,找出异同。结果表明,根据消费者的购物取向,他们对一种技术的评价是不同的。此外,根据技术类型的不同,显著影响消费者使用意愿的因素也不同。对于一项不熟悉的技术,消费者在确认其使用意愿之前需要进行评价(即评价在消费者形象与使用意愿之间的中介作用)。与之前的研究相反,并非所有技术都需要高有用性才能高意图使用。对于新建立的模型,PLS-SEM分析比回归分析更合适。
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引用次数: 1
How to speak ‘sustainable fashion’: four consumer personas and five criteria for sustainable fashion communication 如何谈论“可持续时尚”:四种消费者角色和可持续时尚传播的五项标准
Q3 BUSINESS Pub Date : 2022-05-26 DOI: 10.1080/17543266.2022.2078891
G. Kaner, L. Baruh
ABSTRACT The hazardous impact of the fashion industry has prompted institutions, manufacturers, and brands to provide more sustainable conditions. However, many consumers have little of knowledge about sustainable fashion products and procedures. This study provides findings on fashion consumers’ informational needs on sustainability, and strategies for communicating sustainable fashion product information. The data comes from six focus group meetings and two conference workshops. The findings indicate that consumers generally think of sustainability in fashion as related to five criteria: material and procedure, environmental impact, animal welfare, human welfare, and product care. Furthermore, the findings underscore four related but distinct consumer personas (named by the researchers: romantic optimists, egocentrics, confused Alecs, and gloomies) based on their informational needs, motivation to increase sustainability literacy, and sustainability-related behaviour in fashion. These personas and criteria can be utilised to segment consumers and tailor communication and marketing strategies to enhance fashion consumers’ sustainable behaviour.
时尚产业的有害影响促使机构、制造商和品牌提供更可持续的条件。然而,许多消费者对可持续时尚产品和程序知之甚少。本研究提供时尚消费者对永续性的资讯需求,以及永续性时尚产品资讯的沟通策略。这些数据来自六个焦点小组会议和两个研讨会。调查结果表明,消费者通常认为时尚的可持续性与五个标准有关:材料和工艺、环境影响、动物福利、人类福利和产品护理。此外,研究结果强调了四种相关但不同的消费者角色(由研究人员命名:浪漫乐观主义者,自我中心主义者,困惑的亚历克斯和忧郁者),基于他们的信息需求,提高可持续性素养的动机,以及时尚中与可持续性相关的行为。这些角色和标准可以用来细分消费者,定制沟通和营销策略,以提高时尚消费者的可持续行为。
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引用次数: 0
Fashion design students’ self-evaluation of usage, benefits, and attitudes toward using design research sketchbook skills: a scaffolded pedagogical approach 时装设计专业学生对使用设计研究速写本技能的使用、好处和态度的自我评价:一种脚手架式的教学方法
Q3 BUSINESS Pub Date : 2022-05-20 DOI: 10.1080/17543266.2022.2078893
E. McKinney, Huanjiao Dong
ABSTRACT Developing new concepts is essential to the fashion designer’s job. Designers often create original design concepts through design research using sketchbooks and mood boards. Students must learn these skills to be prepared for their careers. However, there has been scant research on teaching sketchbook practices, students’ design research method preferences, barriers to using these skills, and students’ attitudes towards using these skills. This knowledge is needed for instructors to prepare students. A scaffolded assignment series was developed and delivered to 18 students in a 400-level course to teach design research skills. After completing the assignments and an apparel design project, students reported their perceptions, challenges, and attitudes toward using the learned design research skills. Instructional scaffolding was an effective strategy for students to learn design research skills. Insights were yielded into students’ research method choices, perceived benefits, barriers, and attitudes, which may support future instruction of students in design research.
开发新概念对时装设计师的工作至关重要。设计师经常通过使用速写本和情绪板的设计研究来创造原创的设计概念。学生必须学习这些技能,为他们的职业生涯做好准备。然而,关于速写本教学实践、学生设计研究方法偏好、使用这些技能的障碍以及学生对使用这些技能的态度的研究很少。教师需要这些知识来帮助学生做好准备。在一门400级的课程中,我们为18名学生制定了一系列的脚手架作业,以教授设计研究技能。在完成作业和服装设计项目后,学生们报告了他们对使用所学设计研究技能的看法、挑战和态度。教学脚手架是学生学习设计研究技能的有效策略。深入了解学生的研究方法选择,感知到的好处,障碍和态度,这可能会支持学生在设计研究中的未来指导。
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引用次数: 0
Prototype development: the Speak-Easy© mask 原型开发:speakeasy©面具
Q3 BUSINESS Pub Date : 2022-05-19 DOI: 10.1080/17543266.2022.2065537
Sydney Fava, Abigail Nichols, Madison Ratledge, Charles Freeman, Reuben F. Burch, John Wilson, Jaime G. Rickert, Catherine Black
ABSTRACT Speak-Easy© prototype masks came from efforts to assist in the communication process for individuals with hearing limitations or individuals whose jobs that require seeing lip movement. Masks can muffle speech and make communication more difficult. The Functional, Expressive, and Aesthetic (FEA) Consumer Needs model provided the conceptual framework for the study. This project provided hands-on experience for student and faculty collaborative to address consumers’ needs. For the project, two Speak-Easy© prototype mask variations were designed and constructed. The Speak-Easy© I design goal was to provide ease of seeing lip movement and a basic pattern for individuals with sewing skills. The Speak-Easy© I mask performed within end-user expectations and needs and outperformed many non-medical fabric masks tested for FE and dP. The Speak-Easy© II prototype mask was designed to stand away from the wearer’s face, to be comfortable throughout the workday, and provide a fog-free transparent window for ease of lip-reading.
Speak-Easy©原型面具是为了帮助有听力障碍的人或工作中需要看到嘴唇运动的人进行沟通。面具会使人说话声音低沉,使交流更加困难。功能、表达和审美(FEA)消费者需求模型为研究提供了概念框架。该项目为学生和教师合作解决消费者需求提供了实践经验。在这个项目中,设计和构建了两个Speak-Easy©原型面具变体。Speak-Easy©I的设计目标是为具有缝纫技能的个人提供易于看到的嘴唇运动和基本图案。speakeasy©I口罩的性能符合最终用户的期望和需求,优于许多经FE和dP测试的非医用纤维口罩。Speak-Easy©II原型面具的设计远离佩戴者的面部,在整个工作日都很舒适,并提供一个无雾的透明窗口,方便唇读。
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引用次数: 0
期刊
International Journal of Fashion Design, Technology and Education
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