{"title":"La Demanda del Santo Grial, José Ramón Trujillo (ed.), (Libros de Rocinante, 33), Alcalá de Henares, Universidad de Alcalá, 2017.","authors":"Elisa Borsari","doi":"10.37536/rlm.2018.30.0.74054","DOIUrl":"https://doi.org/10.37536/rlm.2018.30.0.74054","url":null,"abstract":"Reseña del libro: La Demanda del Santo Grial, José Ramón Trujillo (ed.), (Libros de Rocinante, 33), Alcalá de Henares, Universidad de Alcalá, 2017.","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42194414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-31DOI: 10.37536/rlm.2018.30.0.74049
Pablo Justel
En el presente trabajo se examinan cinco ejemplos de «pseudo- rrefranes» del Cantar de mio Cid, compuestos por una prótasis (introducida por el relativo indefinido «qui») y una apódosis. Se verá cómo estos cinco casos poseen implicaciones en la caracterización de los personajes, el didactismo del poema y su estructura.
{"title":"El tono proverbial del Cantar de mio Cid","authors":"Pablo Justel","doi":"10.37536/rlm.2018.30.0.74049","DOIUrl":"https://doi.org/10.37536/rlm.2018.30.0.74049","url":null,"abstract":"En el presente trabajo se examinan cinco ejemplos de «pseudo- rrefranes» del Cantar de mio Cid, compuestos por una prótasis (introducida por el relativo indefinido «qui») y una apódosis. Se verá cómo estos cinco casos poseen implicaciones en la caracterización de los personajes, el didactismo del poema y su estructura. \u0000 ","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47717853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-31DOI: 10.37536/rpm.2018.30.0.74046
Alejandro Casais
Resumen: El artículo tiene como objetivo completar una línea de trabajo dedicada al rastreo y el análisis de los occidentalismos (esto es, rasgos dialectales occidentales) de una traducción castellana de las Prophetiae Merlini de Godofredo de Monmouth interpolada en los Merlines de la Post-Vulgata ibérica (Baladro 1498 y Demanda 1535). Puesto que la primera parte de esta investigación estuvo consagrada a los occidentalismos fonéticos, nos enfocaremos ahora en los morfosintácticos y léxicos; comentaremos un ejemplo del primer grupo y diez del segundo. Volveremos a prestar atención tanto a los occidentalismos evidentes, esto es, los que aún se manifiestan abiertamente en los testimonios, como a los conjeturales, los que pueden entreverse tras sus errores. Estamos convencidos de que esta clase de estudio puede efectuar aportes de interés para una mejor comprensión de la historia textual de los Merlines castellanos.Palabras clave: Godofredo de Monmouth, Prophetiae Merlini, Traducción castellana, Baladro del sabio Merlín, Occidentalismos morfosintácticos y léxicos.Abstract: The article aims to complete a research dedicated to trace and analyse the occidentalismos (i.e., Western Dialectal Forms) of a Castilian translation of the Prophetiae Merlini by Geoffrey of Monmouth interpolated in the Merlines of the Iberian Post-Vulgate cycle (Baladro 1498 and Demanda 1535). Since the first part of this investigation was devoted to the phonetic occidentalismos, we will now focus on the morphosyntactic and lexical ones; we will discuss one example of the first group and ten from the second one. We will again pay attention both to the evident occidentalismos, those that are still openly present in the witnesses, as well as to the conjectural ones, those that can be glimpsed through their errors. We are convinced that this kind of study can make contributions of interest to a better understanding of the textual history of the Castilian Merlines.Keywords: Geoffrey of Monmouth, Prophetiae Merlini, Castilian Transla- tion, Baladro del sabio Merlín, Morphosyntactic and Lexical Occidentalismos (i.e., Western Dialectal Forms).
{"title":"«Sobre los occidentales morfosintácticos y léxicos en las Profecías de Merlín en los Baladros castellanos»","authors":"Alejandro Casais","doi":"10.37536/rpm.2018.30.0.74046","DOIUrl":"https://doi.org/10.37536/rpm.2018.30.0.74046","url":null,"abstract":"Resumen: El artículo tiene como objetivo completar una línea de trabajo dedicada al rastreo y el análisis de los occidentalismos (esto es, rasgos dialectales occidentales) de una traducción castellana de las Prophetiae Merlini de Godofredo de Monmouth interpolada en los Merlines de la Post-Vulgata ibérica (Baladro 1498 y Demanda 1535). Puesto que la primera parte de esta investigación estuvo consagrada a los occidentalismos fonéticos, nos enfocaremos ahora en los morfosintácticos y léxicos; comentaremos un ejemplo del primer grupo y diez del segundo. Volveremos a prestar atención tanto a los occidentalismos evidentes, esto es, los que aún se manifiestan abiertamente en los testimonios, como a los conjeturales, los que pueden entreverse tras sus errores. Estamos convencidos de que esta clase de estudio puede efectuar aportes de interés para una mejor comprensión de la historia textual de los Merlines castellanos.Palabras clave: Godofredo de Monmouth, Prophetiae Merlini, Traducción castellana, Baladro del sabio Merlín, Occidentalismos morfosintácticos y léxicos.Abstract: The article aims to complete a research dedicated to trace and analyse the occidentalismos (i.e., Western Dialectal Forms) of a Castilian translation of the Prophetiae Merlini by Geoffrey of Monmouth interpolated in the Merlines of the Iberian Post-Vulgate cycle (Baladro 1498 and Demanda 1535). Since the first part of this investigation was devoted to the phonetic occidentalismos, we will now focus on the morphosyntactic and lexical ones; we will discuss one example of the first group and ten from the second one. We will again pay attention both to the evident occidentalismos, those that are still openly present in the witnesses, as well as to the conjectural ones, those that can be glimpsed through their errors. We are convinced that this kind of study can make contributions of interest to a better understanding of the textual history of the Castilian Merlines.Keywords: Geoffrey of Monmouth, Prophetiae Merlini, Castilian Transla- tion, Baladro del sabio Merlín, Morphosyntactic and Lexical Occidentalismos (i.e., Western Dialectal Forms).","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48302025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-31DOI: 10.37536/rpm.2018.30.0.74052
A. Soler
Resumen: Enrique de Villena (1384-1434), noble aficionado a las letras, autor bilingüe en catalán y castellano, residente algunos años (ca. 1416- 1429) de manera intermitente en la corte valenciana de Alfonso V de Aragón y Juan de Navarra, influyó en el concepto de literatura del autor de la novela caballeresca Curial e Güelfa (Enyego d’Àvalos?), escrita en catalán (Nápoles-Milán, c. 1445-1448) y relacionable con la corte italiana del Magnánimo. El Curial presenta conexiones intertextuales con la obra de Villena, además de hápax y neologismos compartidos. Su autor conoció, sin duda, Los dotze treballs d’Hèrcules (Valencia, 1417) y parodió errores mitográficos de la Eneida romanceada, glosada y moralizada por Villena (Valencia, 1427-1429), dos obras a las que alude implícitamente en la suya. Ambos escritores difundieron el ideal del vir scientificus Hércules (Coluccio Salutati) como alegoría del esfuerzo que los caballeros sçientíficos/scientífichs ponían en estudiar los clásicos greco-latinos para crecer en virtud. Y ambos parece que anticiparon un «virgilianismo político» interpretable como la idea de embellecer literariamente los hechos históricos para eternizar la gloria militar en un digno formato.Palabras clave: Literatura catalana medieval, Enrique de Villena, Curial e Güelfa, Enyego d’Àvalos, Eneida glosada.Abstract: Enrique de Villena (1384-1434), a nobleman keen on arts, a bilingual author in Catalan and Spanish, who lived for some years (ca. 1416- 1429) –in a sporadic way– in the Valencian court of Alfonso V of Aragon and John of Navarre, had an influence on the concept of literature to the author of the chivalric novel Curial e Güelfa (Enyego d’Àvalos?), written in Catalan (Naples-Milan, ca. 1445-1448) and which could be related with the Italian court of the Magnanimous. The Curial displays intertextual connections with Villena’s work, apart from shared hapaxes and neologisms. The author was aware of –undoubtedly– Los dotze treballs d’Hèrcules (Valencia, 1417) and parodied mythographic mistakes from the romanced, glossed and moralised Aeneid by Villena (Valencia, 1427-1429), two works that he alludes to implicitly in his own. Both writers spread the ideal of the vir scientificus Hercules (Coluccio Salutati) as an allegory of the effort the sçientíficos/scientífichs knights put on studying the Greek-Latin classics to grow up in virtue. And both seem to anticipate a «political virgilianism» which could be interpreted as the idea of embellishing literarily the historical events to perpetuate the military glory in a respectable format.Keywords: Medieval Catalan literature, Enrique de Villena, Curial e Güelfa, Enyego d’Àvalos, glossed Aeneid.
摘要:Villena亨利(1384-1434),贵族bilingüe作者喜欢的歌词在加泰罗尼亚语和西班牙语,居住几年(ca. 1416 - 1429)闪烁在游客法院阿方索V阿拉贡和Juan de Navarra,影响作者的文学小说的概念caballeresca Curial和Güelfa (Enyego d 'Àvalos吗?),在加泰罗尼亚语(Nápoles-Milán c。1445-1448)和由于意大利法庭的宽宏大量。除了hapax和共享的新词外，Curial还展示了与Villena作品的互文联系。毫无疑问，作者知道《dotze treballs d ' hercules》(瓦伦西亚，1417)，并模仿了维莱纳(瓦伦西亚，1427-1429)对《埃涅伊德》浪漫化的神话错误，他在自己的作品中含蓄地提到了这两部作品。两位作家都传播了vir scientificus hercules (Coluccio Salutati)的理想，作为科学骑士/科学家努力学习希腊-拉丁经典以获得美德的寓言。两人似乎都预见到了一种“政治维吉尔主义”，可以解释为在文学上美化历史事实，以一种有价值的形式使军事荣耀永世长世的想法。关键词:加泰罗尼亚中世纪文学,恩里克Villena、Curial Güelfa Enyego d’Àvalos, eneid glosada。Abstract: Villena亨利(1384-1434)、nobleman keen on条双语提交人在加泰罗尼亚和西班牙,世界卫生组织一起for some》(ca. 1416 - 1429)—in a sporadic way—in the Valencian court of阿方索·V·阿拉贡和John of Navarre,或影响on the概念文学to提交人of the chivalric初期Curial和Güelfa (Enyego d 'Àvalos ? in加泰罗尼亚(Naples-Milan书面发言,ca. 1445-1448) and which还将related with the Italian court of the Magnanimous。= =地理= =根据美国人口普查，该镇的土地面积为。作者etaware -毫无疑问- les dotze treballs d ' hercules(瓦伦西亚，1417)和模仿神话错误的浪漫，glossed和道德化的Aeneid by Villena(瓦伦西亚，1427-1429)，两个作品，他暗示在他自己。Both作家扩散理想《vir scientificus大力神(Coluccio Salutati) as an allegory of the effort the sçientíficos / scientífichs prophets put on学习经典(the Greek-Latin to grow up in道德。两者似乎都预示着一种“政治维吉尔主义”，这种主义可以被解释为对历史事件进行字面修饰的想法，以一种体面的形式使军事荣耀永存。Keywords: Villena中世纪加泰罗尼亚文学,恩里克、Curial和Güelfa Enyego d 'Àvalos, glossed Aeneid。
{"title":"«Enrique de Villena y Curial e Güelfa»","authors":"A. Soler","doi":"10.37536/rpm.2018.30.0.74052","DOIUrl":"https://doi.org/10.37536/rpm.2018.30.0.74052","url":null,"abstract":"Resumen: Enrique de Villena (1384-1434), noble aficionado a las letras, autor bilingüe en catalán y castellano, residente algunos años (ca. 1416- 1429) de manera intermitente en la corte valenciana de Alfonso V de Aragón y Juan de Navarra, influyó en el concepto de literatura del autor de la novela caballeresca Curial e Güelfa (Enyego d’Àvalos?), escrita en catalán (Nápoles-Milán, c. 1445-1448) y relacionable con la corte italiana del Magnánimo. El Curial presenta conexiones intertextuales con la obra de Villena, además de hápax y neologismos compartidos. Su autor conoció, sin duda, Los dotze treballs d’Hèrcules (Valencia, 1417) y parodió errores mitográficos de la Eneida romanceada, glosada y moralizada por Villena (Valencia, 1427-1429), dos obras a las que alude implícitamente en la suya. Ambos escritores difundieron el ideal del vir scientificus Hércules (Coluccio Salutati) como alegoría del esfuerzo que los caballeros sçientíficos/scientífichs ponían en estudiar los clásicos greco-latinos para crecer en virtud. Y ambos parece que anticiparon un «virgilianismo político» interpretable como la idea de embellecer literariamente los hechos históricos para eternizar la gloria militar en un digno formato.Palabras clave: Literatura catalana medieval, Enrique de Villena, Curial e Güelfa, Enyego d’Àvalos, Eneida glosada.Abstract: Enrique de Villena (1384-1434), a nobleman keen on arts, a bilingual author in Catalan and Spanish, who lived for some years (ca. 1416- 1429) –in a sporadic way– in the Valencian court of Alfonso V of Aragon and John of Navarre, had an influence on the concept of literature to the author of the chivalric novel Curial e Güelfa (Enyego d’Àvalos?), written in Catalan (Naples-Milan, ca. 1445-1448) and which could be related with the Italian court of the Magnanimous. The Curial displays intertextual connections with Villena’s work, apart from shared hapaxes and neologisms. The author was aware of –undoubtedly– Los dotze treballs d’Hèrcules (Valencia, 1417) and parodied mythographic mistakes from the romanced, glossed and moralised Aeneid by Villena (Valencia, 1427-1429), two works that he alludes to implicitly in his own. Both writers spread the ideal of the vir scientificus Hercules (Coluccio Salutati) as an allegory of the effort the sçientíficos/scientífichs knights put on studying the Greek-Latin classics to grow up in virtue. And both seem to anticipate a «political virgilianism» which could be interpreted as the idea of embellishing literarily the historical events to perpetuate the military glory in a respectable format.Keywords: Medieval Catalan literature, Enrique de Villena, Curial e Güelfa, Enyego d’Àvalos, glossed Aeneid.","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69926842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-31DOI: 10.37536/rlm.2018.30.0.74047
Antonio Contreras Martín, Lourdes Soriano Robles
La Crónica de Inglaterra de Rodrigo de Cuero es una traducción de la Cronycle of Englonde with the Fruyte of Tymes realizada a instancias de Catalina de Aragón, reina de Inglaterra, en 1509. Mandada completar por ésta hasta su llegada a Inglaterra, el traductor tuvo que echar mano de las fuentes más diversas. El trabajo analiza, en primer lugar, qué fuentes empleó Rodrigo de Cuero para la elaboración de su obra; en segundo lugar, se ocupa de cómo organizó el material y confeccionó las dos versiones conservadas (manuscritos Escorial y Salamanca); y, en tercer y último lugar, se centra en el tratamiento de los reyes ingleses anteriores a Enrique VIII y Catalina de Aragón (Enrique VI, Eduardo IV, Eduardo V, Ricardo III y Enrique VII).
{"title":"La Historia de Inglaterra de Rodrigo de Cuero: fuentes y elaboración","authors":"Antonio Contreras Martín, Lourdes Soriano Robles","doi":"10.37536/rlm.2018.30.0.74047","DOIUrl":"https://doi.org/10.37536/rlm.2018.30.0.74047","url":null,"abstract":"La Crónica de Inglaterra de Rodrigo de Cuero es una traducción de la Cronycle of Englonde with the Fruyte of Tymes realizada a instancias de Catalina de Aragón, reina de Inglaterra, en 1509. Mandada completar por ésta hasta su llegada a Inglaterra, el traductor tuvo que echar mano de las fuentes más diversas. El trabajo analiza, en primer lugar, qué fuentes empleó Rodrigo de Cuero para la elaboración de su obra; en segundo lugar, se ocupa de cómo organizó el material y confeccionó las dos versiones conservadas (manuscritos Escorial y Salamanca); y, en tercer y último lugar, se centra en el tratamiento de los reyes ingleses anteriores a Enrique VIII y Catalina de Aragón (Enrique VI, Eduardo IV, Eduardo V, Ricardo III y Enrique VII). \u0000 ","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48966865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-31DOI: 10.37536/rpm.2018.30.0.74054
Elisa Borsari
{"title":"«La Demanda del Santo Grial, José Ramón Trujillo (ed.), (Libros de Rocinante, 33), Alcalá de Henares, Universidad de Alcalá, 2017, LVIII + 294 pp.* ISBN: 978-84-16978-40-3.»","authors":"Elisa Borsari","doi":"10.37536/rpm.2018.30.0.74054","DOIUrl":"https://doi.org/10.37536/rpm.2018.30.0.74054","url":null,"abstract":"","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48447445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.37536/rpm.2017.29.0.69397
Adolfo Hamer-Flores, T. Vega
Resumen: El presente trabajo analiza las técnicas de elaboración de cosméticos contenidos en obras de literatura castellana de fines del medievo y primeros momentos del Renacimiento, comparándolas con la realidad recogida en recetarios castellanos coetáneos. En dichas obras aparecen un número importante de recetas que muestran el fin de los afeites, los ingredientes usados en su elaboración y, en menor medida, el proceso o procesos seguidos en su ejecución. Todo ello pone de relieve una faceta poco estudiada de la vida cotidiana del medievo y primeros años del Renacimiento, relacionada con la estética y la belleza y con el cuidado del cuerpo.Palabras clave: canon de belleza, cosmética, literatura castellana, recetas, mujer.Abstract: This paper analyzes the techniques for preparing cosmetic contained in works of Spanish literature of the late Middle Ages and early Renaissance times, comparing with reality recipe collection in Castilian contemporaries. In such work a number of recipes to show the makeup, the ingredients used in its preparation and to a lesser extent, the process or processes used in its execution appear. All this highlights a little-studied facet of daily life in the Middle Ages and early Renaissance, related to aesthetics and beauty and body care.Keywords: canon of beauty, cosmetics, Spanish literature, recipes, woman.
{"title":"«Entre la realidad y la ficción. El ornato femenino en la literatura castellana bajomedieval y renacentista»","authors":"Adolfo Hamer-Flores, T. Vega","doi":"10.37536/rpm.2017.29.0.69397","DOIUrl":"https://doi.org/10.37536/rpm.2017.29.0.69397","url":null,"abstract":"Resumen: El presente trabajo analiza las técnicas de elaboración de cosméticos contenidos en obras de literatura castellana de fines del medievo y primeros momentos del Renacimiento, comparándolas con la realidad recogida en recetarios castellanos coetáneos. En dichas obras aparecen un número importante de recetas que muestran el fin de los afeites, los ingredientes usados en su elaboración y, en menor medida, el proceso o procesos seguidos en su ejecución. Todo ello pone de relieve una faceta poco estudiada de la vida cotidiana del medievo y primeros años del Renacimiento, relacionada con la estética y la belleza y con el cuidado del cuerpo.Palabras clave: canon de belleza, cosmética, literatura castellana, recetas, mujer.Abstract: This paper analyzes the techniques for preparing cosmetic contained in works of Spanish literature of the late Middle Ages and early Renaissance times, comparing with reality recipe collection in Castilian contemporaries. In such work a number of recipes to show the makeup, the ingredients used in its preparation and to a lesser extent, the process or processes used in its execution appear. All this highlights a little-studied facet of daily life in the Middle Ages and early Renaissance, related to aesthetics and beauty and body care.Keywords: canon of beauty, cosmetics, Spanish literature, recipes, woman.","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46126778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.37536/rpm.2017.29.0.69393
R. Silva
Resumen: O Lancelot en Prose, extenso romance que desenvolve a biografia de Lancelot, insere-se no grande ciclo de romances arturianos escrito em França durante a década de vinte do séc. XIII. Este texto testemunha, no nosso entender, uma clara exploração das potencialidades bíblicas na literatura medieval. A nossa análise incidirá essencialmente num momento discursivo que consideramos fundamental no romance, a repreensão dirigida a Artur por um preudome que se apresenta perante a corte do rei. Procuraremos identificar, através do confronto entre este excerto do Lancelot en Prose e as Escrituras, quais os elementos bíblicos nele retido e de que modo foram tratados. Esperaremos poder, assim, averiguar quais as intenções autorais no uso da fonte bíblica.Palabras clave: Lancelot en Prose, Bíblia, teoria da realeza, romance arturiano.Abstract: Lancelot en Prose, an extensive romance where Lancelot’s biography is developed, is integrated into the wide cycle of Arthurian romances that was written in France during the second decade of the thirteenth century. This text testifies, as long as we are concerned, a clear exploration of the biblical potentials in medieval literature. Our analysis will focus essentially on a discursive moment that we consider to be central to the romance: the reprimand directed to Arthur by a preudome that presents himself before the king’s court. We will try to identify, through the confrontation between the referred excerpt of Lancelot en Prose and the Scripture which are the elements withheld in it and how they were treated. By this confrontation we hope to ascertain the authorial intentions in the use of the biblical source.Keywords: Lancelot en Prose, Bible, theory of kingship, Arthurian romance.
{"title":"«Do rei exemplar: alguns ecos bíblicos na oratoria do Lancelot en prose»","authors":"R. Silva","doi":"10.37536/rpm.2017.29.0.69393","DOIUrl":"https://doi.org/10.37536/rpm.2017.29.0.69393","url":null,"abstract":"Resumen: O Lancelot en Prose, extenso romance que desenvolve a biografia de Lancelot, insere-se no grande ciclo de romances arturianos escrito em França durante a década de vinte do séc. XIII. Este texto testemunha, no nosso entender, uma clara exploração das potencialidades bíblicas na literatura medieval. A nossa análise incidirá essencialmente num momento discursivo que consideramos fundamental no romance, a repreensão dirigida a Artur por um preudome que se apresenta perante a corte do rei. Procuraremos identificar, através do confronto entre este excerto do Lancelot en Prose e as Escrituras, quais os elementos bíblicos nele retido e de que modo foram tratados. Esperaremos poder, assim, averiguar quais as intenções autorais no uso da fonte bíblica.Palabras clave: Lancelot en Prose, Bíblia, teoria da realeza, romance arturiano.Abstract: Lancelot en Prose, an extensive romance where Lancelot’s biography is developed, is integrated into the wide cycle of Arthurian romances that was written in France during the second decade of the thirteenth century. This text testifies, as long as we are concerned, a clear exploration of the biblical potentials in medieval literature. Our analysis will focus essentially on a discursive moment that we consider to be central to the romance: the reprimand directed to Arthur by a preudome that presents himself before the king’s court. We will try to identify, through the confrontation between the referred excerpt of Lancelot en Prose and the Scripture which are the elements withheld in it and how they were treated. By this confrontation we hope to ascertain the authorial intentions in the use of the biblical source.Keywords: Lancelot en Prose, Bible, theory of kingship, Arthurian romance.","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46230750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.37536/rpm.2017.29.0.69394
Esther Corral Díaz
Resume: A morte «real» da dama no corpus da lírica trobadoresca non é un tema habitual. Pero da Ponte, un autor innovador e renovador da tradición poética, compón o «único» pranto feminino conservado na lírica galego-portuguesa, Nosso Senhor Deus! Que prol vus ten ora. No artigo estudarase este lamento que deplora a morte de Beatriz de Suabia. Atenderase á contextualización da cantiga na tipoloxía elexíaca, ao personaxe da raíña, e á análise do texto. A arquitectura deste pranto segue o paradigma do planh occitano e, ademais, revela que a sombra de Alfonso X está presente na súa articulación.Palabras clave: Mulleres, Edad Media, pranto, morte, lírica galego-portuguesa.Abstract: The «real» death of the lady is not a common topic in the troubadoresque lyric poetry. Pero da Ponte, an innovative and reformist author of the lyric tradition, writes the «only» female lament conserved in Galician-Portuguese school, Nosso Senhor Deus! Que prol vus ten ora. This paper will study this compostition, which deplores the death of Beatrice of Swabia. It will analyse the contextualization in the elegiac tipology, the character of the queen, and the analysis of the text. The structure of the lament the model of the Occitan planh and reveals that the shadow of Alfonso X is present in the text.Keywords: Women, Middle Ages, Lament, Death, Galician-Portuguese lyric poetry.
{"title":"«A morte en feminino na lírica galego-portuguesa: o Pranto por Beatriz de Suabia»","authors":"Esther Corral Díaz","doi":"10.37536/rpm.2017.29.0.69394","DOIUrl":"https://doi.org/10.37536/rpm.2017.29.0.69394","url":null,"abstract":"Resume: A morte «real» da dama no corpus da lírica trobadoresca non é un tema habitual. Pero da Ponte, un autor innovador e renovador da tradición poética, compón o «único» pranto feminino conservado na lírica galego-portuguesa, Nosso Senhor Deus! Que prol vus ten ora. No artigo estudarase este lamento que deplora a morte de Beatriz de Suabia. Atenderase á contextualización da cantiga na tipoloxía elexíaca, ao personaxe da raíña, e á análise do texto. A arquitectura deste pranto segue o paradigma do planh occitano e, ademais, revela que a sombra de Alfonso X está presente na súa articulación.Palabras clave: Mulleres, Edad Media, pranto, morte, lírica galego-portuguesa.Abstract: The «real» death of the lady is not a common topic in the troubadoresque lyric poetry. Pero da Ponte, an innovative and reformist author of the lyric tradition, writes the «only» female lament conserved in Galician-Portuguese school, Nosso Senhor Deus! Que prol vus ten ora. This paper will study this compostition, which deplores the death of Beatrice of Swabia. It will analyse the contextualization in the elegiac tipology, the character of the queen, and the analysis of the text. The structure of the lament the model of the Occitan planh and reveals that the shadow of Alfonso X is present in the text.Keywords: Women, Middle Ages, Lament, Death, Galician-Portuguese lyric poetry.","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41455239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-21DOI: 10.37536/RLM.2017.29.0.69438
N. Morato
Resena de: Gloria Allaire – F. Regina Psaki (eds.), The Arthur of the Italians. The Arthurian Legend in Medieval Italian Literature and Culture , (ALMA, 6), Cardiff, University of Wales Press, 2014, XIII + 297 pp. ISBN: 978-1-78316-050-1. David Hook (ed.), The Arthur of the Iberians. The Arthurian Legends in the Spanish and Portuguese Worlds , (ALMA, 7), Cardiff, University of Wales Press, 2015, 532 pp.
{"title":"«Gloria Allaire – F. Regina Psaki (eds.), The Arthur of the Italians» & «David Hook (ed.), The Arthur of the Iberians.»","authors":"N. Morato","doi":"10.37536/RLM.2017.29.0.69438","DOIUrl":"https://doi.org/10.37536/RLM.2017.29.0.69438","url":null,"abstract":"Resena de: Gloria Allaire – F. Regina Psaki (eds.), The Arthur of the Italians. The Arthurian Legend in Medieval Italian Literature and Culture , (ALMA, 6), Cardiff, University of Wales Press, 2014, XIII + 297 pp. ISBN: 978-1-78316-050-1. David Hook (ed.), The Arthur of the Iberians. The Arthurian Legends in the Spanish and Portuguese Worlds , (ALMA, 7), Cardiff, University of Wales Press, 2015, 532 pp.","PeriodicalId":39569,"journal":{"name":"Revista de Literatura Medieval","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42555754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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