This article explores the potential of response time-item response theory (RT-IRT) models to enhance creative thinking (CT) measurement in Programme for International Student Assessment (PISA) 2022, which employs traditional IRT models (2PL and generalized partial credit) excluding response time (RT). Given traditional IRT's limitations in capturing cognitive processes, we explored how numerous advanced IRT models, particularly those that incorporate RT as valuable information, have been developed for model testing and comparison for large-scale assessment. In addition, we discuss the critical role of RT as demonstrated in the research literature, linking it to key aspects of creativity. We also explore the possibilities of connecting two types of RTs (i.e., the total time spent on task completion and the time from start to first action spent on each task) to patterns in creative performance across domains and stages, using RT-IRT models. Benefits and types of RT-IRT models (e.g., joint, diffusion, mixture) are further examined as they integrate RT to model speed–accuracy trade-offs, detect aberrant response behaviors, and enhance result interpretability by reflecting engagement and creative processes. Lastly, we propose RT-IRT models to leverage PISA 2022's RT data and provide process-oriented insights, improve ability estimates, and potentially prevent misclassification of spontaneously creative responses as careless ones.
{"title":"Exploring the Role of Response Time in Item Response Theory: Rethinking the PISA 2022 Creative Thinking Assessment","authors":"Lihong Xie, Xiaowen Liu","doi":"10.1002/jocb.70072","DOIUrl":"https://doi.org/10.1002/jocb.70072","url":null,"abstract":"<p>This article explores the potential of response time-item response theory (RT-IRT) models to enhance creative thinking (CT) measurement in Programme for International Student Assessment (PISA) 2022, which employs traditional IRT models (2PL and generalized partial credit) excluding response time (RT). Given traditional IRT's limitations in capturing cognitive processes, we explored how numerous advanced IRT models, particularly those that incorporate RT as valuable information, have been developed for model testing and comparison for large-scale assessment. In addition, we discuss the critical role of RT as demonstrated in the research literature, linking it to key aspects of creativity. We also explore the possibilities of connecting two types of RTs (i.e., the total time spent on task completion and the time from start to first action spent on each task) to patterns in creative performance across domains and stages, using RT-IRT models. Benefits and types of RT-IRT models (e.g., joint, diffusion, mixture) are further examined as they integrate RT to model speed–accuracy trade-offs, detect aberrant response behaviors, and enhance result interpretability by reflecting engagement and creative processes. Lastly, we propose RT-IRT models to leverage PISA 2022's RT data and provide process-oriented insights, improve ability estimates, and potentially prevent misclassification of spontaneously creative responses as careless ones.</p>","PeriodicalId":39915,"journal":{"name":"Journal of Creative Behavior","volume":"59 4","pages":""},"PeriodicalIF":3.0,"publicationDate":"2025-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/jocb.70072","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145224475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
David Camilleri, Ruth Williams, Richard James Thomas Sallis, Vlad Petre Glăveanu
This study explores the multifaceted nature of creativity in BMX riding by examining how riders interact with their physical and social environments to produce innovative movements and trail designs. Grounded in Perspective-Affordance Theory and the principles of embodied cognition, the research highlights that creativity in BMX emerges from the interplay between an individual's shifting perspective and the environmental affordances available in urban and natural settings. Semi-structured interviews with 26 BMX riders reveal that creativity in BMX is embedded in physical action, community dynamics, and the negotiation of risk and failure. The findings underscore the importance of socio-cultural support and individual risk-taking in shaping creative practices, offering new insights into how embodied experiences and environmental interactions drive creativity in action sports.
{"title":"Creativity in BMX: What Is It, What Does It Look Like, and What Contributes to It?","authors":"David Camilleri, Ruth Williams, Richard James Thomas Sallis, Vlad Petre Glăveanu","doi":"10.1002/jocb.70071","DOIUrl":"https://doi.org/10.1002/jocb.70071","url":null,"abstract":"<p>This study explores the multifaceted nature of creativity in BMX riding by examining how riders interact with their physical and social environments to produce innovative movements and trail designs. Grounded in Perspective-Affordance Theory and the principles of embodied cognition, the research highlights that creativity in BMX emerges from the interplay between an individual's shifting perspective and the environmental affordances available in urban and natural settings. Semi-structured interviews with 26 BMX riders reveal that creativity in BMX is embedded in physical action, community dynamics, and the negotiation of risk and failure. The findings underscore the importance of socio-cultural support and individual risk-taking in shaping creative practices, offering new insights into how embodied experiences and environmental interactions drive creativity in action sports.</p>","PeriodicalId":39915,"journal":{"name":"Journal of Creative Behavior","volume":"59 4","pages":""},"PeriodicalIF":3.0,"publicationDate":"2025-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/jocb.70071","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145146487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Creative thinking is a fundamental skill for addressing the challenges of the 21st century, fostering innovation, and contributing to social, economic, and cultural development. Recognizing its significance, the OECD introduced creative thinking as part of the PISA 2022 assessment. This assessment evaluates students' capacity to generate, evaluate, and improve ideas across various domains, including written and visual expression, social problem-solving, and scientific problem-solving. The scoring criteria for the PISA creative thinking emphasize appropriateness and originality, yet questions arise regarding aligning these operational definitions and broader creativity theories. This article discusses the alignment between creativity theory and the creative thinking PISA 2022 assessment framework, highlighting potential misalignments in the scoring rubrics that may impact the validity of inferences drawn from the data. It also addresses contextual biases inherent in scoring mechanisms and the implications for assessing creative thinking.
{"title":"Evaluating the Alignment Between PISA 2022 Creative Thinking Scoring Rubric and Creativity Theory: A Validity Framework Perspective","authors":"Carolina Cuesta-Hincapie, Sandra Liliana Camargo Salamanca","doi":"10.1002/jocb.70065","DOIUrl":"https://doi.org/10.1002/jocb.70065","url":null,"abstract":"<p>Creative thinking is a fundamental skill for addressing the challenges of the 21st century, fostering innovation, and contributing to social, economic, and cultural development. Recognizing its significance, the OECD introduced creative thinking as part of the PISA 2022 assessment. This assessment evaluates students' capacity to generate, evaluate, and improve ideas across various domains, including written and visual expression, social problem-solving, and scientific problem-solving. The scoring criteria for the PISA creative thinking emphasize appropriateness and originality, yet questions arise regarding aligning these operational definitions and broader creativity theories. This article discusses the alignment between creativity theory and the creative thinking PISA 2022 assessment framework, highlighting potential misalignments in the scoring rubrics that may impact the validity of inferences drawn from the data. It also addresses contextual biases inherent in scoring mechanisms and the implications for assessing creative thinking.</p>","PeriodicalId":39915,"journal":{"name":"Journal of Creative Behavior","volume":"59 4","pages":""},"PeriodicalIF":3.0,"publicationDate":"2025-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/jocb.70065","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145111161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}