Hanako (Ōta Hisa, 1868–1945) was an insignificant member of a small Japanese theatrical troupe when she was discovered by the well-known dancer, Loïe Fuller, who after seeing Hanako’s death scene, decided to become her impresario. Thereafter, Fuller organised each of Hanako’s European tours and wrote for her many Japanese-style dramas that always ended with the cruel but utterly expressive death of the protagonist. Hanako met Auguste Rodin, the famous sculpture, at the Marseille Colonial Exhibition in 1906. The master was fascinated by Hanako’s performance and tried to sculpt the ‘death face’ that she expressed during her death scenes. This face, with a weird expression, was most probably a nirami, which is a type of mie pose in kabuki theatre. Rodin created numerous busts and faces from different materials trying to capture the emblematic moment when Hanako saw death. The present paper examines the short but interesting period of Hanako’s Western career, focusing on her meeting with Rodin. I use their story as a unique and symbolic illustration of Japanese artists’ efforts to transform themselves and their art to ‘match’ the Western eye and of the ways in which the West was looking for verification of its preconceptions of the ‘strange’ and ‘exotic’ East in the early 1900s.
{"title":"Kabuki Pose in Sculptures of Auguste Rodin","authors":"Petra Doma","doi":"10.38144/tkt.2022.1.5","DOIUrl":"https://doi.org/10.38144/tkt.2022.1.5","url":null,"abstract":"Hanako (Ōta Hisa, 1868–1945) was an insignificant member of a small Japanese theatrical troupe when she was discovered by the well-known dancer, Loïe Fuller, who after seeing Hanako’s death scene, decided to become her impresario. Thereafter, Fuller organised each of Hanako’s European tours and wrote for her many Japanese-style dramas that always ended with the cruel but utterly expressive death of the protagonist. Hanako met Auguste Rodin, the famous sculpture, at the Marseille Colonial Exhibition in 1906. The master was fascinated by Hanako’s performance and tried to sculpt the ‘death face’ that she expressed during her death scenes. This face, with a weird expression, was most probably a nirami, which is a type of mie pose in kabuki theatre. Rodin created numerous busts and faces from different materials trying to capture the emblematic moment when Hanako saw death. The present paper examines the short but interesting period of Hanako’s Western career, focusing on her meeting with Rodin. I use their story as a unique and symbolic illustration of Japanese artists’ efforts to transform themselves and their art to ‘match’ the Western eye and of the ways in which the West was looking for verification of its preconceptions of the ‘strange’ and ‘exotic’ East in the early 1900s.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125261048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Hungarian Nippon Society was founded in 1924, with the aim of building and developing Hungarian–Japanese relations, popularising Japan and Japanese culture in Hungary, and encouraging research on Japan. The society organised public lectures on Japan and Japanese culture and art exhibitions and social events connected to Japanese culture, and through these activities the society was the most important organiser and promoter of Japanese culture and art in Hungary between the two world wars. This society was the first (and for a long time, until the foundation of the Hungarian Japanese Friendship Society in 1987, the only) association in Hungary to focus solely on Japan and Japanese culture. This study summarises the most important issues related to the Nippon Society, with the aim of placing its history and activity in the broader historic and ideological context of its time. Examining the history of the Hungarian Nippon Society can provide us a more nuanced picture about how and why Japan’s image changed during the first half of the 20th century in a Central European country that had different images and concepts about the East and thus a different approach than Western European societies had. Moreover, this case of a primarily cultural association in a politically difficult era can show how different cultural and intellectual thoughts and theories can be affected by identity issues and by contemporary politics, political thinking, and international situations.
{"title":"Hungarian Nippon Society","authors":"Ildikó Mária Farkas","doi":"10.38144/tkt.2022.1.6","DOIUrl":"https://doi.org/10.38144/tkt.2022.1.6","url":null,"abstract":"The Hungarian Nippon Society was founded in 1924, with the aim of building and developing Hungarian–Japanese relations, popularising Japan and Japanese culture in Hungary, and encouraging research on Japan. The society organised public lectures on Japan and Japanese culture and art exhibitions and social events connected to Japanese culture, and through these activities the society was the most important organiser and promoter of Japanese culture and art in Hungary between the two world wars. This society was the first (and for a long time, until the foundation of the Hungarian Japanese Friendship Society in 1987, the only) association in Hungary to focus solely on Japan and Japanese culture. This study summarises the most important issues related to the Nippon Society, with the aim of placing its history and activity in the broader historic and ideological context of its time. Examining the history of the Hungarian Nippon Society can provide us a more nuanced picture about how and why Japan’s image changed during the first half of the 20th century in a Central European country that had different images and concepts about the East and thus a different approach than Western European societies had. Moreover, this case of a primarily cultural association in a politically difficult era can show how different cultural and intellectual thoughts and theories can be affected by identity issues and by contemporary politics, political thinking, and international situations.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131246844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper investigates the semantic similarities and differences between the notions of kong 空, ti 體, and li 理 in the Treatise on Eighteen Kinds of Emptiness (Shiba kong lun 十八空 論. The treatise is arguably authored by Paramārtha (Zhendi 真諦; 499–569), one of the most prominent translators and exegetes in the Chinese Buddhist tradition. This treatise is suitable for an investigation of the semantics of the above-mentioned terms, since it aims to explain Indic Buddhist concepts for a Chinese audience. This explanation is conducted by employing both Indian and Chinese concepts, such as persons-and-dharmas (Skt. *pudgala-dharma; Ch. renfa 人法) and the principle of the dao (daoli 道理). The explanation of various kinds of emptiness is presented through the Chinese hermeneutical framework of essence (ti 體) and function (yong 用) and altogether serves as a great example of how Indian Buddhist ideas were introduced into the Chinese philosophical landscape. An exegesis on the three terms conducted in the treatise provides readers with a highly nuanced and multi-layered picture of emptiness charged with both ontological and epistemological significance. In addition, the analysis on various aspects of emptiness is deeply connected to the Buddhist soteriological goal of nirvāṇa.
{"title":"Semantic Similarities and Differences of kong 空, ti 體, and li 理","authors":"Gediminas Giedraitis","doi":"10.38144/tkt.2022.1.2","DOIUrl":"https://doi.org/10.38144/tkt.2022.1.2","url":null,"abstract":"This paper investigates the semantic similarities and differences between the notions of kong 空, ti 體, and li 理 in the Treatise on Eighteen Kinds of Emptiness (Shiba kong lun 十八空 論. The treatise is arguably authored by Paramārtha (Zhendi 真諦; 499–569), one of the most prominent translators and exegetes in the Chinese Buddhist tradition. This treatise is suitable for an investigation of the semantics of the above-mentioned terms, since it aims to explain Indic Buddhist concepts for a Chinese audience. This explanation is conducted by employing both Indian and Chinese concepts, such as persons-and-dharmas (Skt. *pudgala-dharma; Ch. renfa 人法) and the principle of the dao (daoli 道理). The explanation of various kinds of emptiness is presented through the Chinese hermeneutical framework of essence (ti 體) and function (yong 用) and altogether serves as a great example of how Indian Buddhist ideas were introduced into the Chinese philosophical landscape. An exegesis on the three terms conducted in the treatise provides readers with a highly nuanced and multi-layered picture of emptiness charged with both ontological and epistemological significance. In addition, the analysis on various aspects of emptiness is deeply connected to the Buddhist soteriological goal of nirvāṇa.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124525002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is about an outstanding political figure Yelü Chucai (1189–1242), who was the main advisor of the Mongol khans. Due to his excellent abilities and skills, he managed to play a significant role at the court of Ögedei Khan (1186–1241), as well as in the elaboration of a tax policy used in Northern China. Yelü Chucai contributed to the creation of a symbiosis of the nomadic Mongolian and sedentary Chinese civilisations that took shape during the Yuan Dynasty (1271–1368) in what is modern-day China.
{"title":"Yelü Chucai’s Movement in the Mongolian Court Described in Yuanshi","authors":"Tatiana Sletneva","doi":"10.38144/tkt.2022.1.3","DOIUrl":"https://doi.org/10.38144/tkt.2022.1.3","url":null,"abstract":"This article is about an outstanding political figure Yelü Chucai (1189–1242), who was the main advisor of the Mongol khans. Due to his excellent abilities and skills, he managed to play a significant role at the court of Ögedei Khan (1186–1241), as well as in the elaboration of a tax policy used in Northern China. Yelü Chucai contributed to the creation of a symbiosis of the nomadic Mongolian and sedentary Chinese civilisations that took shape during the Yuan Dynasty (1271–1368) in what is modern-day China.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128252827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jelen cikk a Magyarországon működő japán ipari vállalkozások (cégek) kollektivista jellegének egyes aspektusait mutatja be. Az individualizmus- és kollektivizmuskutatás rövid áttekintését követően számos érvet, valamint esetet sorakoztat fel, melyeken keresztül világosan kirajzolódik a vizsgált társadalmi csoportok kollektivista természete. Az egyes kapcsolódó jelenségek analízisére és kiértékelésére olyan szociológiai fogalmak mentén kerül sor, mint a kojinshugi, 個人主義, dantaishugi, 団体主義, kosei, 個性, uchi, 内, soto, 外 és mások. Az analízis során górcső alá kerülnek mind a monokulturális, mind a krossz-kulturális kutatásokban alkalmazott koncepciók és terminusok annak érdekében, hogy ezeket összehasonlításukat követően tisztán el tudjuk határolni egymástól.
{"title":"A kollektivizmus egyes megjelenési formái a japán ipari vállalkozási kultúrában Magyarországon","authors":"Mónika Balogh","doi":"10.38144/tkt.2021.2.3","DOIUrl":"https://doi.org/10.38144/tkt.2021.2.3","url":null,"abstract":"Jelen cikk a Magyarországon működő japán ipari vállalkozások (cégek) kollektivista jellegének egyes aspektusait mutatja be. Az individualizmus- és kollektivizmuskutatás rövid áttekintését követően számos érvet, valamint esetet sorakoztat fel, melyeken keresztül világosan kirajzolódik a vizsgált társadalmi csoportok kollektivista természete. Az egyes kapcsolódó jelenségek analízisére és kiértékelésére olyan szociológiai fogalmak mentén kerül sor, mint a kojinshugi, 個人主義, dantaishugi, 団体主義, kosei, 個性, uchi, 内, soto, 外 és mások. Az analízis során górcső alá kerülnek mind a monokulturális, mind a krossz-kulturális kutatásokban alkalmazott koncepciók és terminusok annak érdekében, hogy ezeket összehasonlításukat követően tisztán el tudjuk határolni egymástól.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128150171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A japán gyorsírás Lindsley és Graham rendszerének adaptálásával született meg, és 1883-ra datálható az első alkalmazása. Azonban a gyorsírás fejlesztői, használói a sino-japán írásrendszerből is merítettek, úgy mint okototen (乎古止点) kanaírás kanji, illetve bushu Az egyéb hatások az írásirány, a dakuten (濁点) és a hatsuon (撥音) jelölése, valamint a japán-sinojapán szópárok felhasználása. Ezek a hatások nem korlátozódnak a Meiji kori gyorsírásokra, a modern gyorsírásokban is kimutathatók.
{"title":"sino-japán írásrendszer hatása a gyorsírásra","authors":"A. Albeker","doi":"10.38144/tkt.2021.2.2","DOIUrl":"https://doi.org/10.38144/tkt.2021.2.2","url":null,"abstract":"A japán gyorsírás Lindsley és Graham rendszerének adaptálásával született meg, és 1883-ra datálható az első alkalmazása. Azonban a gyorsírás fejlesztői, használói a sino-japán írásrendszerből is merítettek, úgy mint \u0000 \u0000okototen (乎古止点) \u0000kanaírás \u0000kanji, illetve bushu \u0000 \u0000Az egyéb hatások az írásirány, a dakuten (濁点) és a hatsuon (撥音) jelölése, valamint a japán-sinojapán szópárok felhasználása. Ezek a hatások nem korlátozódnak a Meiji kori gyorsírásokra, a modern gyorsírásokban is kimutathatók.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"197 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123528677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recenzió Nemeshegyi Péter SJ. A kelet-ázsiai vallások története című kötetéről.
评论 Péter Nemeshegyi SJ. 的《东亚宗教史》一书。
{"title":"Harminchét év missziós tevékenységének méltó lezárása","authors":"Angelika Pataki-Tóth","doi":"10.38144/tkt.2021.2.15","DOIUrl":"https://doi.org/10.38144/tkt.2021.2.15","url":null,"abstract":"Recenzió Nemeshegyi Péter SJ. A kelet-ázsiai vallások története című kötetéről.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132476386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emlékeim Szerb Jánosról (1951–1988)","authors":"András Róna-Tas","doi":"10.38144/tkt.2021.2.12","DOIUrl":"https://doi.org/10.38144/tkt.2021.2.12","url":null,"abstract":"Róna-Tas András emlékezése Szerb Jánosra.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116741295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recenzió a Művészet, vallás, kultúra. Sinológiai tanulmányok Miklós Pál emlékére és a Kínai bölcselet és művészet. Tanulmányok Tőkei Ferenc emlékére című kötetekről.
艺术、宗教、文化》评论。纪念 Pál Miklós 的汉学研究》和《中国哲学与艺术》。纪念费伦茨-陶凯的研究。
{"title":"A magyar sinológia nagyjainak nyomában","authors":"István Olajos","doi":"10.38144/tkt.2021.2.13","DOIUrl":"https://doi.org/10.38144/tkt.2021.2.13","url":null,"abstract":"Recenzió a Művészet, vallás, kultúra. Sinológiai tanulmányok Miklós Pál emlékére és a Kínai bölcselet és művészet. Tanulmányok Tőkei Ferenc emlékére című kötetekről.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133581454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mártonfi Ferenc a koreai nyelvről és irodalomról","authors":"Gábor Osváth","doi":"10.38144/tkt.2021.2.9","DOIUrl":"https://doi.org/10.38144/tkt.2021.2.9","url":null,"abstract":"Osváth Gábor emlékezése Mártonfi Ferencre.","PeriodicalId":399310,"journal":{"name":"Távol-keleti Tanulmányok","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128681387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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