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International Journal of Art Therapy: Inscape最新文献

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Dual-cultural identities: An analysis of images by Arab art therapists in Israel 双重文化身份:以色列阿拉伯艺术治疗师的图像分析
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-10-19 DOI: 10.1080/17454832.2022.2128842
Sarit Bar Zaken, Sophie D. Walsh
ABSTRACT Background The study explores the integration that art therapists from a collective society, such as the Arab society in Israel, a minority in a mostly Western society, create between the knowledge they acquire in their training and their fieldwork with members of their own cultural group. Aims The study aims to learn from the art therapists how they experience the two cultures and how they combine them when using art in the therapy they conduct. Method The study consisted of semi-structured in-depth interviews and an analysis of visual images drawn by 13 experienced and student Arab art therapists in Israel. Findings The findings showed that the therapists expressed different levels of integration between their training and their fieldwork: integration, lack of connection, and an attempt to create integration. The therapists whose work resembled integration reported that they choose artistic materials and tools that were suited to the clients’ culture and that they found unique ways to integrate art into the therapy. Findings also showed that the experienced therapists were more likely to create conditions for integration in their work, remember their training as a good and beneficial period compared to the students who experienced their training and their fieldwork as difficult. Conclusions and Implications Learning from therapists who have formed a unique dual-cultural identity can assist cultural minority therapists in their fieldwork to integrate between their studies and the cultural values and meanings of their own society, and to build art therapy curricula more suited to collective cultures. Plain-language summary Art therapists from the Arab society in Israel have to bridge gaps between Arab culture, which is characterised as collective, and Western knowledge, which is characterised as individual, which they acquire in their art therapy training. The current study examines to what extent and how they have been able to integrate between these different cultures, and how such integration manifests in fieldwork with members of their culture. The findings suggest that there were therapists who were not able to integrate the two cultural worlds, mostly students, while others managed various forms of integration. Most of the experienced therapists managed to bridge the gaps, used artistic materials and tools that were adapted to the client’s culture and found unique ways to integrate art into the therapy. In addition, the experienced therapists viewed the training process as a good and beneficial period, while the students experienced difficulties both in training and in the fieldwork. The research can assist therapists and construct curricula for art therapy tailored to collective culture.
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引用次数: 2
Measurement and development of art therapeutic actions in the treatment of children and adolescents with psychosocial problems 测量和发展艺术治疗行动在治疗儿童和青少年的社会心理问题
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-10-19 DOI: 10.1080/17454832.2022.2127815
Liesbeth Bosgraaf, M. Spreen, Kim Pattiselanno, S. van Hooren
ABSTRACT Background Many childhoods and adolescent psychosocial problems involve dysfunctional emotion regulation. A programme has been developed called Affect regulating Arts Therapies (ArAT) to address emotion regulation problems in children and adolescents. The theoretical concepts and techniques have been described in the ArAT programme, but insight into which specific therapeutic actions contribute to the benefits in clinical practice is still lacking. This study aims to construct a measurement instrument (checklist) to test whether the main therapeutic actions are applied in line with the ArAT programme. Method To develop the measurement instrument, we performed desk research on existing documents and additional literature. In addition, developers were interviewed, and group meetings took place. Finally, to develop the instrument further and investigate the reliability of the measurement instrument, film clips from therapeutic sessions were used and scored by multiple raters. Results Typical therapeutic actions were defined from attachment, trauma, affect-regulating, mentalising, art therapeutic theories and treatments, and could be divided into the three theoretical phases of the ArAT programme: tension regulation, attention regulation, and affect regulation. A first draft item list of 83 items was based on qualitative analysis. In three phases, the draft item list was reduced to 15 items, of which twelve items met reliability criteria. Conclusion The therapeutic core of the ArAT programme lies in enhancing the self-regulatory abilities of children/adolescents through art therapeutic actions that target the regulation of tensions, attention, and affects. The set of 15 items is considered a starting point to further investigate the ArAT programme's treatment integrity. Plain-language summary Many childhoods and adolescent psychosocial problems involve a high sensitivity to emotions and strong emotional reactions to stressful situations, also known as emotion regulation problems. A program has been developed called Affect regulating Arts Therapies (ArAT) to address these problems in children and adolescents. The theory has been described in the ArAT programme, but insight into what the therapist does in this therapy is unclear. This study aimed to create a questionnaire to check whether the main therapeutic actions are applied in line with the ArAT programme. To develop the questionnaire, we searched in existing documents and additional literature. In addition, ArAT developers were interviewed, and group meetings took place. Finally, to develop the questionnaire further and to investigate whether the questionnaire could be completed reliably by different people, film clips from therapeutic sessions were used and scored by multiple people. Typical ArAT therapeutic actions were found in different attachment, trauma, affect-regulating, mentalising, art therapeutic theories and, treatments. They could be divided into the three theoretical phases
许多儿童和青少年社会心理问题涉及情绪调节功能失调。一项名为“情感调节艺术疗法”(ArAT)的项目已经开发出来,以解决儿童和青少年的情绪调节问题。理论概念和技术已经在ArAT计划中进行了描述,但是对于哪些特定的治疗行动有助于临床实践中的益处的见解仍然缺乏。本研究旨在构建一种测量工具(检查表)来测试主要治疗作用是否符合ArAT计划。方法利用已有文献资料和补充文献进行桌面研究,研制测量仪器。此外,还对开发人员进行了采访,并举行了小组会议。最后,为了进一步开发仪器并研究测量仪器的可靠性,我们使用了治疗过程中的电影片段,并由多位评分者评分。结果从依恋、创伤、情感调节、心智化、艺术治疗理论和治疗方法等方面定义了典型的治疗行为,并将其划分为ArAT方案的三个理论阶段:紧张调节、注意调节和情感调节。根据定性分析,初步草拟了83个项目清单。在三个阶段,项目清单草案减少到15个项目,其中12个项目符合可靠性标准。ArAT项目的治疗核心在于通过以紧张、注意力和情感调节为目标的艺术治疗行动来增强儿童/青少年的自我调节能力。这15个项目被认为是进一步调查ArAT方案治疗完整性的起点。许多儿童和青少年的社会心理问题涉及对情绪的高度敏感和对压力情况的强烈情绪反应,也被称为情绪调节问题。一项名为影响调节艺术疗法(ArAT)的项目已经开发出来,以解决儿童和青少年的这些问题。该理论已经在ArAT项目中被描述过,但是对于治疗师在这种治疗中做了什么还不清楚。本研究旨在创建一份调查问卷,以检查主要治疗措施的应用是否符合ArAT计划。为了编制问卷,我们检索了现有文献和其他文献。此外,还对ArAT开发人员进行了采访,并举行了小组会议。最后,为了进一步开发问卷并调查问卷是否可以由不同的人可靠地完成,我们使用了治疗过程中的电影片段并由多人评分。在不同的依恋、创伤、情感调节、心智化、艺术治疗理论和治疗方法中发现了典型的ArAT治疗作用。它们可以分为ArAT计划的三个理论阶段:张力调节、注意力调节和影响调节。第一个项目清单有83个项目,是基于文献和访谈。在三个阶段中,这个列表减少到15个项目,其中12个项目可以可靠地观察到。艺术治疗方案的治疗基础在于通过艺术治疗行动提高儿童/青少年调节自己情绪的能力。这15个项目被认为是进一步调查ArAT方案干预措施按计划执行程度的起点。
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引用次数: 2
‘Untitled’ '无标题'
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-10-02 DOI: 10.1080/17454832.2022.2124045
David Rankin
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引用次数: 0
Searching for wholeness as a Jewish art therapist 以犹太艺术治疗师的身份寻求整体性
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-10-02 DOI: 10.1080/17454832.2022.2080842
Jordan S. Potash
ABSTRACT This opinion piece combines scholarly sources and personal experiences to address Jewish art therapists’ presence in the profession. When working with clients, Jewish art therapists may negotiate self-disclosure with addressing stereotypes. Collegial matters reflect societal ways that Jews are misunderstood: negating Jewish suffering, blurring anti-Israel and antisemitism, and conflating Jewish and White. Art therapists can create a more secure place for Jews through reflection, education, and advocacy. Plain-language summary Jewish art therapists have not been offered resources for how their identity impacts client relationships and collegial interactions. This opinion piece reviews the ways that unexamined Jewish misunderstanding and discrimination influence the profession. These include: negotiating client perceptions, underestimating Jewish suffering, confusing criticisms of Israel, and merging Jewishness with Whiteness. Art therapists can counter these influences through reflection, education, and advocacy.
这篇评论文章结合了学术资料和个人经历来解决犹太艺术治疗师在这个行业的存在。在与客户合作时,犹太艺术治疗师可能会通过解决刻板印象来协商自我表露。学院事务反映了犹太人被误解的社会方式:否定犹太人的苦难,模糊反以色列和反犹太主义,将犹太人和白人混为一谈。艺术治疗师可以通过反思、教育和倡导为犹太人创造一个更安全的地方。犹太艺术治疗师还没有得到关于他们的身份如何影响客户关系和学院互动的资源。这篇评论文章回顾了未经审查的犹太人误解和歧视影响职业的方式。这些包括:谈判客户的看法,低估犹太人的苦难,混淆对以色列的批评,以及将犹太人与白人融为一体。艺术治疗师可以通过反思、教育和倡导来对抗这些影响。
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引用次数: 0
Cross-cultural art therapy in the virtual realm: reimagining cultural proficiency in Kenya 虚拟世界中的跨文化艺术疗法:重新想象肯尼亚的文化熟练程度
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-10-02 DOI: 10.1080/17454832.2022.2130381
Kim Valldejuli, Sarah Vollmann
ABSTRACT Background This article describes a remote psychosocial art therapy group for educators in Kenya, led by a Barbadian and an American art therapist, and explores cross-cultural considerations. Context Intervention took place in Kibera, Kenya, an economically disadvantaged urban area, in 2020–2021. Group participants explored experiences of trauma and loss, as illustrated in art therapy case examples, and psychoeducation was provided on arts-based, trauma-informed interventions for children. Approach Group goals were developed in conjunction with the hosting Kenyan NGOs. Outcomes Ongoing adaptations and flexibility were needed due to cross-cultural challenges and the group’s remote status. The art therapists strove to ground themselves in a reflexive, self-aware stance. Conclusions Despite the group’s remote status and varied cultural dilemmas, flexibility and the centring of participant voices promoted group cohesion. Art-making and the group container enabled the expression of shared trauma, loss, faith, and resilience. Group members introduced their own arts traditions into the group, building resilience and taking leadership. Implications for research Cross-cultural art therapy interventions hold promise if group participants are given the space to lead and set their own goals. Future studies should continue to identify challenges that arise in cross-cultural art therapy settings while also examining the long-term effects and efficacy of these interventions. Plain-language summary This article describes a remote art therapy project led in Kenya by a Barbadian and an American art therapist. It was hosted by two Kenyan NGOs, and was implemented by the Red Pencil, an international humanitarian organisation. Through the lens of this experience, the authors explore cross-cultural, remote art therapy practice, and its essential grounding in cultural competence, cultural humility, and the consideration of cross-cultural power dynamics. They share their experiences of implementing a remote art therapy group in Kibera, Kenya, a disadvantaged urban area, with Kenyan educators during the COVID-19 pandemic, and describe their aims to provide psychosocial support while maintaining an ethically informed, collaborative stance that centred participant voices. Flexibility and creativity were paramount to combat technical difficulties and limitations of the virtual space. Group cohesion and safety were fostered as participants adaptively initiated practices of healing and socialisation that were rooted in their own cultural traditions. Art therapy assisted in promoting expression and solidarity, as illustrated in case examples, for group members facing trauma, loss, and strains of the pandemic. Recommended future research includes the ongoing identification of challenges that arise in cross-cultural art therapy settings, and the examination of the long-term effects and efficacy of these interventions.
本文描述了一个由巴巴多斯人和美国艺术治疗师领导的肯尼亚教育工作者远程心理社会艺术治疗小组,并探讨了跨文化的考虑。2020-2021年,在经济落后的肯尼亚城市基贝拉进行了干预。小组参与者探讨了创伤和损失的经历,如艺术治疗案例所示,并为儿童提供了基于艺术的、创伤知情的干预措施的心理教育。方针小组的目标是与肯尼亚主办的非政府组织共同制定的。结果:由于跨文化挑战和群体的偏远地位,需要持续的适应和灵活性。艺术治疗师努力使自己处于一种反射性的、自我意识的立场。尽管群体地位遥远,文化困境多样,但参与者声音的灵活性和集中化促进了群体凝聚力。艺术创作和群体容器使人们能够表达共同的创伤、失落、信仰和韧性。小组成员将自己的艺术传统引入小组,建立弹性并发挥领导作用。如果团体参与者被给予领导和设定自己目标的空间,跨文化艺术治疗干预就会有希望。未来的研究应该继续确定跨文化艺术治疗环境中出现的挑战,同时也检查这些干预措施的长期影响和功效。这篇文章描述了一个巴巴多斯人和一个美国艺术治疗师在肯尼亚领导的远程艺术治疗项目。它由两家肯尼亚非政府组织主办,由国际人道主义组织“红铅笔”(Red Pencil)执行。通过这一经历,作者探索了跨文化的、远程的艺术治疗实践,以及它在文化能力、文化谦逊和对跨文化权力动态的考虑方面的基本基础。他们分享了在2019冠状病毒病大流行期间与肯尼亚教育工作者在肯尼亚基贝拉(一个弱势城市地区)实施远程艺术治疗小组的经验,并描述了他们提供社会心理支持的目标,同时保持以参与者声音为中心的道德知情和合作立场。灵活性和创造性对于克服虚拟空间的技术困难和限制至关重要。团体凝聚力和安全得到了培养,因为参与者适应性地开始了根植于他们自己的文化传统的治疗和社会化实践。艺术疗法有助于促进表达和团结,如案例所示,对于面临创伤、损失和流行病压力的团体成员。建议的未来研究包括对跨文化艺术治疗环境中出现的挑战的持续识别,以及对这些干预措施的长期影响和功效的检查。
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引用次数: 0
Exploring intimate partner violence survivors’ experiences with group art therapy 用团体艺术疗法探索亲密伴侣暴力幸存者的经历
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-10-02 DOI: 10.1080/17454832.2022.2124298
Michelle Skop, O. Darewych, Jennifer L. Root, J. Mason
ABSTRACT Background Intimate partner violence (IPV) is one of the major health and human rights issues of our time, affecting one in three women worldwide. Despite IPV’s prevalence, limited research investigates the healing process for survivors or the efficacy of group art therapy (GAT). This study is grounded by a person-centred approach to art therapy and an interpretive method, highlighting the contextualised nature of reality and experience of social phenomena. Aims The aims of this community-based, qualitative study were to explore women IPV survivors’ experiences of GAT and better understand what aspects of GAT contribute to healing. Methods During 2018–2019, six women were interviewed about their experiences of participating in a 12-week GAT program within a Canadian domestic violence prevention agency. The transcribed interviews were analyzed with the method of thematic analysis. Results Four themes emerged from the analysis, and an overarching theme/pattern was identified through interpretation of these themes. The overarching theme was transformative healing, which women appeared to experience by creating connections in a safe space, using visual metaphors in their art-pieces, reclaiming an empowered self, and building resilience. Conclusion This study found that GAT was experienced as providing a relational component to healing and as fostering self-expression, inner and interpersonal growth, and confidence. Implications Art therapists and other mental health practitioners who support survivors may want to consider the unique contributions of art making when designing interventions. Future research should examine which arts-based interventions delivered in a group therapy context can promote IPV survivors’ mental health and wellness. Plain-language summary This article shares information from a qualitative study about group art therapy (GAT) for women survivors of intimate partner violence (IPV). IPV affects one in three women worldwide, including 6–8% of married/cohabiting women in Canada. Despite IPV’s prevalence, limited research investigates the healing process for survivors or the benefits of GAT services and approaches. This study was conducted in partnership with a non-profit organisation serving women survivors in a small Southwestern Ontario municipality. The aims of this study were to explore women IPV survivors’ experiences of GAT within a domestic violence prevention agency, and better understand what aspects of the GAT process, if any, contribute to healing. The study involved interviews and an arts-based research component with six participants who completed the organisation’s 12-week GAT program. Researchers utilised thematic analysis, a method of uncovering key themes across the interviews, to learn how participants experienced the GAT program. Through the process of thematic analysis, the study found that participants appeared to experience transformative healing by creating connections with the therapists, peers, an
摘要背景亲密伴侣暴力(IPV)是我们这个时代的主要健康和人权问题之一,影响着全世界三分之一的女性。尽管IPV很普遍,但有限的研究调查了幸存者的愈合过程或集体艺术治疗(GAT)的疗效。这项研究以以人为本的艺术治疗方法和解释方法为基础,强调了现实和社会现象体验的情境性。目的这项基于社区的定性研究的目的是探索女性IPV幸存者的GAT经历,并更好地了解GAT的哪些方面有助于愈合。方法在2018年至2019年期间,六名女性接受了采访,了解她们在加拿大家庭暴力预防机构参加为期12周的GAT项目的经历。采用主题分析法对转录采访进行分析。结果分析得出了四个主题,并通过对这些主题的解释确定了一个总体主题/模式。总的主题是变革性的治愈,女性似乎通过在安全的空间中建立联系、在艺术作品中使用视觉隐喻、恢复赋权的自我以及建立韧性来体验这种治愈。结论本研究发现,GAT是治疗的关系成分,也是促进自我表达、内在和人际成长以及自信的因素。影响艺术治疗师和其他支持幸存者的心理健康从业者在设计干预措施时可能希望考虑艺术创作的独特贡献。未来的研究应该检查在团体治疗背景下提供的哪些基于艺术的干预措施可以促进IPV幸存者的心理健康。本文分享了一项关于亲密伴侣暴力(IPV)女性幸存者群体艺术治疗(GAT)的定性研究的信息。IPV影响全球三分之一的女性,其中包括加拿大6-8%的已婚/同居女性。尽管IPV很普遍,但有限的研究调查了幸存者的康复过程或GAT服务和方法的好处。这项研究是与一家非营利组织合作进行的,该组织为安大略省西南部一个小城市的女性幸存者提供服务。本研究的目的是探索女性IPV幸存者在家庭暴力预防机构内的GAT经历,并更好地了解GAT过程的哪些方面(如果有的话)有助于治愈。这项研究包括采访和基于艺术的研究,共有六名参与者完成了该组织为期12周的GAT项目。研究人员利用主题分析(一种在访谈中揭示关键主题的方法)来了解参与者是如何体验GAT计划的。通过主题分析过程,研究发现,参与者似乎通过在安全的空间中与治疗师、同龄人和艺术媒体建立联系来体验变革性的治愈;在他们的艺术作品中使用视觉隐喻来象征他们的情感和未来的可能性;找回一个有创造力、好玩、充满希望的自我;以及通过小组进程建立力量和复原力。这项研究发现,在群体背景下的艺术治疗是一种为治愈提供关系成分的体验,也是一种促进自我表达、内心和人际成长以及增强信心的体验。因此,艺术治疗师和其他支持幸存者的心理健康从业者在设计干预措施时,可能希望考虑艺术和艺术创作的独特贡献。未来的研究应该检查在正式的团体治疗背景下提供的哪些特定的基于艺术的干预措施可以促进经历IPV的个人的心理健康。
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引用次数: 0
Trauma triptych: inviting cross-disciplinary collaboration in art therapy, social work, and psychiatry 创伤三联画:邀请艺术治疗、社会工作和精神病学方面的跨学科合作
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-09-26 DOI: 10.1080/17454832.2022.2123011
Meagan Corrado, Denise R. Wolf, Lyndra J. Bills
Structured Abstract Background Trauma can impact an individual's ability to process memories, develop a healthy identity, express emotions, maintain focus, navigate relationships, and achieve goals. Despite the potential negative impacts of trauma, specific psychotherapeutic interventions and trauma-informed care provide opportunities for recovery and healing. Context Creative processes can promote trauma recovery. The literature suggests that creativity can support people in non-verbally processing memories, containing internal chaos, and restoring hope. Approaches Case examples highlight the approaches of an art therapist, social worker, and psychiatrist who introduced arts-based interventions to traumatized clients. The art therapist explores use of an ancient Japanese approach to repairing pottery with a 23-year-old who experienced sexual abuse and neglect. The social worker discusses how Janusian thinking and “creative destruction” inspired collage-making with a 15-year-old who witnessed domestic violence and experienced depressive symptoms. The psychiatrist considers how traumatic memory processing theory informed her structured drawing approach to traumatic grief work with an aggressive 10-year-old. Outcomes Use of arts-based interventions assisted in overcoming client resistance to “talk therapy” approaches, offering a non-verbal, expressive alternative and supporting client progress toward treatment goals. Implications for Practice Reflection on three case vignette led to several practice implications: (1) Professionals should use creative approaches carefully and responsibly, operating within their scope of practice, (2) Professionals should consider how arts-based interventions can strengthen trauma treatment, & (3) Increased provider collaboration and cross-disciplinary dialogue can enhance trauma informed care. Implications for Research More research on the effectiveness of creative approaches in trauma treatment is needed. Plain-language summary Trauma effects people in many ways. Some people have trouble talking about what happened to them. Others have trouble understanding who they are and where they fit in the world. Trauma makes it hard for people to focus, express themselves, and connect with others. Creativity can help people work through their trauma. Art helps people express themselves when they don’t have the words to explain what they have been through. Art helps people feel calmer, stronger, and more hopeful. This article includes three examples of how art helped people work through their trauma. An art therapist talks about how she used broken pottery to help a 23-year-old girl reflect on who she was and where she wanted to go. A social worker talks about how she used paint and ripped pieces of paper to help a 15-year-old girl share her feelings of sadness and hope. A psychiatrist talks about how she helped a 10-year-old boy draw about his mother’s death so that he could get his anger under control. The art therapist, th
结构化摘要背景创伤会影响个人处理记忆、发展健康身份、表达情绪、保持专注、驾驭关系和实现目标的能力。尽管创伤有潜在的负面影响,但特定的心理治疗干预和创伤知情护理为康复和治愈提供了机会。上下文创造性过程可以促进创伤恢复。文献表明,创造力可以支持人们进行非言语处理记忆,抑制内部混乱,恢复希望。方法案例例子突出了艺术治疗师、社会工作者和精神病学家的方法,他们向受创伤的客户介绍了基于艺术的干预措施。这位艺术治疗师与一位经历过性虐待和忽视的23岁女孩一起探索了日本古代修复陶器的方法。这位社会工作者与一名目睹家庭暴力并经历抑郁症状的15岁女孩讨论了Janusian思维和“创造性破坏”是如何激发拼贴创作的。这位精神病学家考虑了创伤记忆处理理论是如何影响她对一个好斗的10岁孩子的创伤悲伤的结构化绘画方法的。结果使用基于艺术的干预措施有助于克服客户对“谈话疗法”方法的抵制,提供非语言、表达的替代方案,并支持客户朝着治疗目标前进。对实践的启示对三个案例的反思导致了几个实践启示:(1)专业人员应在其实践范围内谨慎、负责任地使用创造性方法;(2)专业人员应该考虑基于艺术的干预措施如何加强创伤治疗,&(3)加强提供者合作和跨学科对话可以加强创伤知情护理。对研究的启示需要对创伤治疗中创造性方法的有效性进行更多的研究。简明的语言总结创伤在很多方面影响着人们。有些人很难谈论发生在他们身上的事情。其他人很难理解他们是谁,以及他们在这个世界上的位置。创伤使人们很难集中注意力、表达自己以及与他人建立联系。创造力可以帮助人们克服创伤。当人们无法用语言来解释自己所经历的一切时,艺术可以帮助他们表达自己。艺术帮助人们感到更平静、更坚强、更有希望。这篇文章包括三个艺术如何帮助人们克服创伤的例子。一位艺术治疗师讲述了她如何用破碎的陶器帮助一个23岁的女孩反思自己是谁以及她想去哪里。一位社会工作者讲述了她如何用油漆和撕下的纸片来帮助一个15岁的女孩分享她的悲伤和希望。一位精神病学家讲述了她如何帮助一个10岁的男孩画出他母亲的死,这样他就可以控制住自己的愤怒。艺术治疗师、社会工作者和精神病学家发现,帮助人们用艺术来处理创伤是有帮助的。当人们不想说话时,它给了他们一种表达自己的方式。它帮助人们前进。这篇文章中的信息对其他想在与经历过创伤的人的合作中使用艺术的专业人士很有帮助。艺术是一种强大的工具,专业人士应该仔细思考如何与人相处。他们还应该考虑在帮助客户创作艺术和处理创伤时可以合作的方式。当专业人士一起工作时,他们可以相互支持,相互学习。
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引用次数: 0
Practitioner perspectives on art therapy with couples in relational crisis: a qualitative exploration 艺术疗法在夫妻关系危机中的实践者视角:质性探索
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-07-11 DOI: 10.1080/17454832.2022.2096087
Maria Fjellfeldt, Dalida Rokka
ABSTRACT Background Art therapy could benefit couples. Aims This article explores art therapy used by couples in relational crisis from a professional perspective. Methods Seven art therapists working in family counselling participated in the qualitative study. Results The results showed that, through non-verbal communication, art making facilitated clarification of situations, handling non-talkable concerns, and added playfulness to the relationship. Three crucial dimensions were identified in the family counselling context: (1) outer frames, i.e. room and material; (2) some special conditions, i.e. that they trusted each other and both wanted to repair their relationship, and the therapist’s ability to assess this; and (3) art work techniques that all couples could master. Conclusions Art therapy could benefit couples in relational crisis, given appropriate prerequisites were ensured. Implications for practice: suitable rooms and appropriate materials have to be arranged if the social services want to offer couples in relational crisis art therapy as a tool in their work to reduce marital distress and prevent separations. Plain-language summary This study explores art therapy used by couples in relational crisis, from the viewpoint of art therapists. Seven art therapists were interviewed. The results showed art therapy could benefit couples in relational crises. Couples could understand each other better and they could get in touch with positive sides of the relationship. Three factors were experienced as important when using art therapy with couples in relational crisis: (1) to have access to an appropriate art therapy room and sufficient art therapy materials, (2) that the persons in the couple wanted to repair their relationship and that they trusted each other, and (3) that art therapists use easy art therapy techniques that all couples could master. Limitations, research recommendations and clinical implications are discussed.
背景艺术疗法可以使夫妻受益。目的本文从专业角度探讨夫妻关系危机中的艺术治疗。方法对7名从事家庭咨询工作的艺术治疗师进行质性研究。结果通过非言语交际,艺术制作有助于澄清情况,处理不可谈论的问题,并增加关系的趣味性。在家庭咨询方面确定了三个关键方面:(1)外部框架,即房间和材料;(2) 一些特殊情况,即他们相互信任,都想修复他们的关系,以及治疗师评估这一点的能力;以及(3)所有夫妇都能掌握的艺术作品技巧。结论艺术治疗可以使处于关系危机中的夫妻受益,前提是要确保适当的治疗条件。实践意义:如果社会服务机构想为处于关系危机中的夫妇提供艺术治疗,作为减少婚姻痛苦和防止分居的工具,就必须安排合适的房间和合适的材料。简明语言摘要本研究从艺术治疗师的角度探讨了情侣在关系危机中使用的艺术疗法。七位艺术治疗师接受了采访。研究结果表明,艺术治疗可以使处于关系危机中的夫妇受益。情侣们可以更好地理解彼此,他们可以接触到关系中积极的一面。在对处于关系危机中的夫妇进行艺术治疗时,有三个因素同样重要:(1)有机会使用合适的艺术治疗室和足够的艺术治疗材料,(2)夫妇中的人希望修复他们的关系,他们相互信任,以及(3)艺术治疗师使用所有夫妇都能掌握的简单艺术治疗技术。讨论了局限性、研究建议和临床意义。
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引用次数: 1
A Reflection on Identity 对身份的反思
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-07-03 DOI: 10.1080/17454832.2022.2102790
Trina Hobson
My paintings introduce a story to the viewer, drawing on invented and imagined contexts, places and connections for characters. The familiar and personally known are frequently merged with a store of characters from art history and literature, inviting the viewer into these sustained environments. Through narratives my painting practice embeds existential issues: feelings of abandonment are juxtaposed with reflectiveness, disjointedness and fragmentation. The process of deconstructing and flattening the images moves them towards the abstracted and ambiguous, forcing the viewer to fill in the spaces with something personal in order to make meaning.
我的画通过虚构和想象的背景、地点和人物之间的联系,向观众介绍了一个故事。熟悉的和个人熟知的事物经常与艺术史和文学中的人物融合在一起,邀请观众进入这些持续的环境。通过叙事,我的绘画实践嵌入了存在主义的问题:被抛弃的感觉与反思、脱节和碎片并列。解构和扁平化图像的过程使它们走向抽象和模糊,迫使观众用一些个人的东西来填补空间,以使其具有意义。
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引用次数: 0
Shifting sensitivities in art therapy research and practice 艺术治疗研究和实践中的敏感性转变
Q2 PSYCHOLOGY, CLINICAL Pub Date : 2022-07-03 DOI: 10.1080/17454832.2022.2095127
Jamie Bird
The image on the front cover of this issue of the International Journal of Art Therapy, ‘A Reflection on Identity’ by Trina Hobson, frames and resonates with the major themes to emerge from the papers within. Reference to reflections, mirrors, and a sensitivity to the relationship between self and others appear throughout this issue, with particular attention to how those qualities shift in a changing world. As the effects of two years of pandemic responses move on, to be replaced by other pressing global events, this issue of the IJAT is a reminder of how art therapy can adapt and adjust itself to meet how the contexts it operates within shift and change. The papers in this issue reflect something of the range of locations and contexts within which art therapists work. They reveal the willingness of art therapists to adapt and embrace new ways of working. They reflect the international aspects of art therapy. Through the research and reflection presented, we observe a willingness to be creative about how art therapy can be thought about and practiced. There are important insights here for practitioners, researchers, and educators. ‘Therapist and client experiences of art therapy in relation to psychosis: a thematic analysis,’ by Helen Barrett, Sue Holttum and Tim Wright, present an approach to doing research and writing about art therapy that centres the voice of clients. This will be an approach familiar to readers of the 2021 special issue of IJAT (Vol 26, Issue 1–2) that focused on the lived experience of clients and the co-production of knowledge within art therapy. Barrett, Holttum and Wright continue the themes introduced in that special issue by framing co-production as a form of triangulation, whereby the perspectives of clients and therapists on the process of art therapy are used to identify overlapping themes. As the authors note, triangulation is an important validating process within qualitative research. It is on a par with the p-value of probability within quantitative research. The researchshows a strong correlation between clients and therapists in how they view the process of art therapy and what they value about that process. What emerges as a key finding is that art making is an important method of communicating embodied and non-verbal thoughts and feelings, which in turn initiates changed perceptions of self and other. As such, this paper offers a useful counterpoint to the doubts about art therapy’s use in relation to psychosis that were raised by the MATISSE trial (Holttum & Huet, 2014). The four-sided reflecting mirror: art therapists’ self-portraits as testimony to coping with challenges of online art therapy, by Liat Sharmi-Zeevi and Aya Katz, also extends the topic of a previous IJAT special issue (Vol 25, issue 4) that was focused upon on-line art therapy. This is a theme that has become relevant to most art therapists since March 2020. Love it, loath it, or ambivalent about it, on-line art therapy is here to stay in
艺术治疗中常见的炼金术隐喻被用来将虚拟和数字视为一个容纳容器,并以这种方式展示了如何更新和调整艺术治疗的众所周知的特征,以满足新的独特环境的需求。围绕在线工作对艺术治疗理论和实践的启示进行思考尚处于早期阶段;本期讨论这一主题的两篇论文大大增加了这种想法。从艺术治疗如何应对新冠肺炎开放的工作方式的变化开始,有两篇论文阐述了艺术治疗的国际影响。第一篇是Soo Yoon Kim等人的一篇研究文章,题为“韩国移民青年的艺术治疗:结果、可接受性和满意度的指标”,使用准实验方法来检验短期艺术治疗干预的效果。他们的研究结果显示,参与艺术治疗与参与者报告的抑郁和焦虑水平降低之间存在正相关。三个月的随访措施似乎表明,虽然艺术治疗的治疗性质对抑郁和焦虑有积极影响,但随着时间的推移,这种影响会减少。作者引用了加拿大发表的关于移民艺术治疗的报告(Lemzoudi,2007)和
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引用次数: 0
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International Journal of Art Therapy: Inscape
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