Protopresbyter Stevan Dimitrijevic?s academic contribution to the Serbian Royal Academy is primarily evident in his preparation and submission of the archive materials for publishing. That cooperation took place during the first three decades of the twentieth century (1899-1929). The Serbian Royal Academy was a publisher of Dimitrijevic?s paper about the Serbian-Russian Church relationships in the 17th century, as well as the archive materials from Russia about the Serbian Church history, and partially the archives from the Hilandar Monastery until the 18th century. The Hilandar Monastery archive materials from the 18th century, collected and submitted by Dimitrijevic to the Serbian Royal Academy were never published. This paper follows the path of Dimitrijevic?s work submitted to the Serbian Royal Academy, based on the materials from the Archives of the Serbian Academy of Science in Belgrade. Notes taken during the meetings of the Academy were often the only source of some Dimitrijevic?s papers. The purpose of this research is to emphasize the contribution of Dimitrijevic?s papers that are published by the Serbian Royal Academy, and to keep the memory of Dimitrijevic?s attempt to prepare and publish the archive materials from Hilandar Monastery from the 18th century.
{"title":"Protopresbyter Stevan Dimitrijevic and the Serbian Royal Academy","authors":"Vladislav Puzović","doi":"10.2298/zmsdn2281063p","DOIUrl":"https://doi.org/10.2298/zmsdn2281063p","url":null,"abstract":"Protopresbyter Stevan Dimitrijevic?s academic contribution to the Serbian Royal Academy is primarily evident in his preparation and submission of the archive materials for publishing. That cooperation took place during the first three decades of the twentieth century (1899-1929). The Serbian Royal Academy was a publisher of Dimitrijevic?s paper about the Serbian-Russian Church relationships in the 17th century, as well as the archive materials from Russia about the Serbian Church history, and partially the archives from the Hilandar Monastery until the 18th century. The Hilandar Monastery archive materials from the 18th century, collected and submitted by Dimitrijevic to the Serbian Royal Academy were never published. This paper follows the path of Dimitrijevic?s work submitted to the Serbian Royal Academy, based on the materials from the Archives of the Serbian Academy of Science in Belgrade. Notes taken during the meetings of the Academy were often the only source of some Dimitrijevic?s papers. The purpose of this research is to emphasize the contribution of Dimitrijevic?s papers that are published by the Serbian Royal Academy, and to keep the memory of Dimitrijevic?s attempt to prepare and publish the archive materials from Hilandar Monastery from the 18th century.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88956295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the reaction of Dragisa Stojadinovic to the feuilleton ?Serbian themes? done by the writer Miroslav Krleza. Krleza?s feuilleton was being published in newspaper Politika during April, May and June of 1963. It consisted of fragments from his earlier writings organized in thematic units and concerning different topics from Serbian history. Dragisa Stojadinovic, former soldier, chief of Cinematographic section of Serbian army on Salonica front during the First World War and politician in interwar Yugoslavia, responded to Krleza?s feuilleton by writting an Open letter to the Yugoslav Academy of Sciences and Arts (Zagreb), the Serbian Academy of Sciences and Arts (Belgrade) and the Matica Srpska (Novi Sad). Stojadinovic?s Open letter was sent on June 28th, 1963. It focused on scrutinizing Krleza?s article Pasic about the Salonika trial published in Politika on June 9th. Both informations stated by Krleza and criticism put forward by Stojadinovic are analyzed in the light of contemporary historiographical knowledge. Different interpretations presented by Krleza and Stojadinovic have their roots in opposed views on causes and results of Salonika trial. Stojadinovic defended the legitimacy of trial started by his father-in-law Ljuba Jovanovic Patak, he was involved in its organisation and later accused of witness tampering. Krleza saw trial in the light of ?counter-revolutionary? Yugoslav unification in 1918 and as an act of ?political and judicial murder?. Article also contains original documents from National Library of Serbia.
{"title":"Dragisa Stojadinovic’s Open letter regarding Miroslav Krleza’s “Serbian themes”","authors":"Vukašin Marić","doi":"10.2298/zmsdn2281075m","DOIUrl":"https://doi.org/10.2298/zmsdn2281075m","url":null,"abstract":"This article examines the reaction of Dragisa Stojadinovic to the feuilleton ?Serbian themes? done by the writer Miroslav Krleza. Krleza?s feuilleton was being published in newspaper Politika during April, May and June of 1963. It consisted of fragments from his earlier writings organized in thematic units and concerning different topics from Serbian history. Dragisa Stojadinovic, former soldier, chief of Cinematographic section of Serbian army on Salonica front during the First World War and politician in interwar Yugoslavia, responded to Krleza?s feuilleton by writting an Open letter to the Yugoslav Academy of Sciences and Arts (Zagreb), the Serbian Academy of Sciences and Arts (Belgrade) and the Matica Srpska (Novi Sad). Stojadinovic?s Open letter was sent on June 28th, 1963. It focused on scrutinizing Krleza?s article Pasic about the Salonika trial published in Politika on June 9th. Both informations stated by Krleza and criticism put forward by Stojadinovic are analyzed in the light of contemporary historiographical knowledge. Different interpretations presented by Krleza and Stojadinovic have their roots in opposed views on causes and results of Salonika trial. Stojadinovic defended the legitimacy of trial started by his father-in-law Ljuba Jovanovic Patak, he was involved in its organisation and later accused of witness tampering. Krleza saw trial in the light of ?counter-revolutionary? Yugoslav unification in 1918 and as an act of ?political and judicial murder?. Article also contains original documents from National Library of Serbia.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82826347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Urban geography is a complex and synthetic geographical discipline, which makes an immeasurable contribution to the integral and interactive perception of geographical elements and factors that have influenced the formation and transformation of settlement-geographical features. The first papers containing urban-geographical content appeared in the first half of the 19th century, but since urbanization became a worldwide process in the 20th century, it can be stated that urban geography became a geographical discipline in the 20th century. Contemporary urban development contributed to the affirmation of urban geography as an independent scientific discipline, where object of study is not only the city within its administrative boundaries, but also urban expansion (urbanization). Today, urban geography has evolved into a complex geographical discipline, where theoretical and methodological roots of knowledge corpus related to the phenomenon of the city have been shaped by an interdisciplinary approach between geography and other sciences that study the city from different theoretical and methodological angles. With the increase in the number of inhabitants in the world, cities have become ?magnets? of economic, socio-cultural and political processes. They are increasingly studied from a global perspective, while urban geography is becoming the main focus of research. In other higher education institutions in Europe, urban geography is established as a special scientific discipline. However, although it has a wide and complex subject of study and occupies a very important place in various types of social practice, urban geography is still studied in Serbia within its mainstream subject - Geography of settlements.
{"title":"Development, state and perspectives of urban geography with special review of Serbia","authors":"D. Gataric, Bojan Djercan","doi":"10.2298/zmsdn2281095g","DOIUrl":"https://doi.org/10.2298/zmsdn2281095g","url":null,"abstract":"Urban geography is a complex and synthetic geographical discipline, which makes an immeasurable contribution to the integral and interactive perception of geographical elements and factors that have influenced the formation and transformation of settlement-geographical features. The first papers containing urban-geographical content appeared in the first half of the 19th century, but since urbanization became a worldwide process in the 20th century, it can be stated that urban geography became a geographical discipline in the 20th century. Contemporary urban development contributed to the affirmation of urban geography as an independent scientific discipline, where object of study is not only the city within its administrative boundaries, but also urban expansion (urbanization). Today, urban geography has evolved into a complex geographical discipline, where theoretical and methodological roots of knowledge corpus related to the phenomenon of the city have been shaped by an interdisciplinary approach between geography and other sciences that study the city from different theoretical and methodological angles. With the increase in the number of inhabitants in the world, cities have become ?magnets? of economic, socio-cultural and political processes. They are increasingly studied from a global perspective, while urban geography is becoming the main focus of research. In other higher education institutions in Europe, urban geography is established as a special scientific discipline. However, although it has a wide and complex subject of study and occupies a very important place in various types of social practice, urban geography is still studied in Serbia within its mainstream subject - Geography of settlements.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75626905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this study, the authors problematize human position in today?s world. They try to discern contours of ideological matrices that support human conforming to global structures that attains character of total process. The specificity of this situation is recognized as a cause to identify framework of that process, highlighting mechanisms through which global superstructure indirectly gives itself attributes of ?measure of all things?. The authors will single out the premises that infiltrate into human (self)understanding as presupposed ground for activity inside world and make an incentive to question historical position of man from newly established horizon.
{"title":"The man of crisis in the world of users and those who “speak as tools” - towards the transitional","authors":"Nataša Milović","doi":"10.2298/zmsdn2283373m","DOIUrl":"https://doi.org/10.2298/zmsdn2283373m","url":null,"abstract":"In this study, the authors problematize human position in today?s world. They try to discern contours of ideological matrices that support human conforming to global structures that attains character of total process. The specificity of this situation is recognized as a cause to identify framework of that process, highlighting mechanisms through which global superstructure indirectly gives itself attributes of ?measure of all things?. The authors will single out the premises that infiltrate into human (self)understanding as presupposed ground for activity inside world and make an incentive to question historical position of man from newly established horizon.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81234028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The role of the social worker is immeasurable in modern society, and consists of a series of activities, such as: assessing or collecting data about the client, providing appropriate treatment, researching the causes of the client?s problems, teaching the client and likewise. Although social work as a profession is extremely important, one gets the impression that they are more than ever in the center of public interest, but not in a way that allows the affirmation of their profession. On the contrary, it is more pejoratively, when a tragedy occurs, and where their role is inevitable . However, earlier research that dealt with this topic came to a conclusion that social workers and Centers for Social Work are negatively exposed, although the majority of the social community is not sufficiently familiar with their role, which further distorts the image of their work. In this regard, it is necessary to perform an analysis of the activities of the Centers for Social Work, in order to positively influence the construction and strengthening of the image and reputation in the public, greater transparency, but also better communication with users. In this context, this paper will try to examine the current media image of the profession of social workers in the Republic of Serbia, whether there are prejudices about this profession, and to what extent it is important that the reporting of the media and journalists be complete, objective, accurate and timely.
{"title":"Aspects and ways of affirming the reputation of the activity of social work in the public","authors":"Violeta Dimitric","doi":"10.2298/zmsdn2284589d","DOIUrl":"https://doi.org/10.2298/zmsdn2284589d","url":null,"abstract":"The role of the social worker is immeasurable in modern society, and consists of a series of activities, such as: assessing or collecting data about the client, providing appropriate treatment, researching the causes of the client?s problems, teaching the client and likewise. Although social work as a profession is extremely important, one gets the impression that they are more than ever in the center of public interest, but not in a way that allows the affirmation of their profession. On the contrary, it is more pejoratively, when a tragedy occurs, and where their role is inevitable . However, earlier research that dealt with this topic came to a conclusion that social workers and Centers for Social Work are negatively exposed, although the majority of the social community is not sufficiently familiar with their role, which further distorts the image of their work. In this regard, it is necessary to perform an analysis of the activities of the Centers for Social Work, in order to positively influence the construction and strengthening of the image and reputation in the public, greater transparency, but also better communication with users. In this context, this paper will try to examine the current media image of the profession of social workers in the Republic of Serbia, whether there are prejudices about this profession, and to what extent it is important that the reporting of the media and journalists be complete, objective, accurate and timely.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84127010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Do XIX veka politiceskaja filosofija byla vseob''emljuscej naukoj o celoveke i obscestve. No s pojavleniem i razvitiem drugih social'nyh nauk, vsego za sto let, politiceskaja filosofija dostigaet tocki zakrytija. Isajja Berlin i ego kollegi smogli prodemonstrirovat', cto predmet politiceskoj filosofii ostalsja neizmennym so vremen Drevnej Grecii. Inymi slovami, do teh por, poka v nasem obscestve ne dominiruet tol'ko odna cel', poka suscestvujut razlicnye interpretacii ?mpiriceskih sobytij, i avtory, sposobnye otkryvat' normativnye istiny, politiceskaja filosofija budet zanimat' svoe mesto sredi obsce?stvennyh nauk. Ee mesto nahoditsja mezdu pozitivnoj politiceskoj naukoj i filosofiej. V to vremja kak pervaja otvecaet na vopros ?cto est'??, filosofija iscet otvet na vopros ?cto (dolzno byt' sdelano)??, a politiceskaja filosofija soderzit vopros ?cto delat', kogda est' raznoglasija po povodu togo, cto delat'?. Takim obrazom, v samom svoem bytii ostaetsja normativnyj podhod, no on ne obsuzdaetsja v kakom-tovakuume. Celi i predmeta, konecno, nedostatocno, ctoby nazyvat' delo naukoj, no ono dolzno obladat' sistematiceskim i organizovannym znaniem predmeta v forme poddajuscihsja proverke ob''jasnenij ili principov, kakih-topravil povedenija ili metodov. Blagodarja teorii spravedlivosti Rolza, a takze politiceskim teoretikam ego veka, my polucili metody, kotorye proverjajut myslitel'nyj process teorii. Odnako ispol'zovanie odnogo i togo ze metoda ne prinosit s soboj ravnogo urovnja teoretizirovanija. V to vremja kak teorija spravedlivosti Rolza sozdaet novoe obscestvo, normy kotorogo protivorecat nasemu suscestvujuscemu obscestvu, teorija konsocial'noj demokratii Lejpharta ucastvuet v modernizacii suscestvujuscej sistemy, opirajas' na ?mpiriceskie dannye i deduktivnye vyvody. Drugimi slovami, teorija spravedlivosti javljaetsja versinoj teoreticeskoj oblasti, a s drugoj storony, teorija konsocial'noj demokratii pokazyvaet nam niznjuju granicu teoretizirovanija, neobhodimuju dlja teorii.
{"title":"V zascitu politiceskoj filosofii","authors":"Andrej Semenov","doi":"10.2298/zmsdn2283347s","DOIUrl":"https://doi.org/10.2298/zmsdn2283347s","url":null,"abstract":"Do XIX veka politiceskaja filosofija byla vseob''emljuscej naukoj o celoveke i obscestve. No s pojavleniem i razvitiem drugih social'nyh nauk, vsego za sto let, politiceskaja filosofija dostigaet tocki zakrytija. Isajja Berlin i ego kollegi smogli prodemonstrirovat', cto predmet politiceskoj filosofii ostalsja neizmennym so vremen Drevnej Grecii. Inymi slovami, do teh por, poka v nasem obscestve ne dominiruet tol'ko odna cel', poka suscestvujut razlicnye interpretacii ?mpiriceskih sobytij, i avtory, sposobnye otkryvat' normativnye istiny, politiceskaja filosofija budet zanimat' svoe mesto sredi obsce?stvennyh nauk. Ee mesto nahoditsja mezdu pozitivnoj politiceskoj naukoj i filosofiej. V to vremja kak pervaja otvecaet na vopros ?cto est'??, filosofija iscet otvet na vopros ?cto (dolzno byt' sdelano)??, a politiceskaja filosofija soderzit vopros ?cto delat', kogda est' raznoglasija po povodu togo, cto delat'?. Takim obrazom, v samom svoem bytii ostaetsja normativnyj podhod, no on ne obsuzdaetsja v kakom-tovakuume. Celi i predmeta, konecno, nedostatocno, ctoby nazyvat' delo naukoj, no ono dolzno obladat' sistematiceskim i organizovannym znaniem predmeta v forme poddajuscihsja proverke ob''jasnenij ili principov, kakih-topravil povedenija ili metodov. Blagodarja teorii spravedlivosti Rolza, a takze politiceskim teoretikam ego veka, my polucili metody, kotorye proverjajut myslitel'nyj process teorii. Odnako ispol'zovanie odnogo i togo ze metoda ne prinosit s soboj ravnogo urovnja teoretizirovanija. V to vremja kak teorija spravedlivosti Rolza sozdaet novoe obscestvo, normy kotorogo protivorecat nasemu suscestvujuscemu obscestvu, teorija konsocial'noj demokratii Lejpharta ucastvuet v modernizacii suscestvujuscej sistemy, opirajas' na ?mpiriceskie dannye i deduktivnye vyvody. Drugimi slovami, teorija spravedlivosti javljaetsja versinoj teoreticeskoj oblasti, a s drugoj storony, teorija konsocial'noj demokratii pokazyvaet nam niznjuju granicu teoretizirovanija, neobhodimuju dlja teorii.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87966578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The issue of adequate measurement of the use of intangible assets and monitoring its impact on the financial performance of the organization in recent decades is bridged by a measurement-managerial model that unites financial and non-financial performance indicators - Balanced Scorecard (BSC). Since this paper focuses on banks as representatives of specific, modern financial organizations, the subject of research is to examine the possibility of applying this model in the analysis of banking performance. The aim of the research is to analyze, by using the qualitative methodology (review of existing papers in the literature), whether the BSC model is applicable for the analysis of banking performances; and then, by using the quantitative methodology, through connecting two perspectives of the same model (perspective of internal business processes and perspective of customers), to examine how the determinants of TAM model (perceived usefulness, ease of use) and determinants of SERVQUAL model (perceived security and privacy, responsibility) affect electronic banking customer satisfaction. The empirical research was conducted through the survey method on the territory of the Republic of Serbia at the end of 2020, and the sample included 324 respondents. Statistical software SPSS Statistics was used to process the collected data. Based on the literature review, it was found that the BSC model is applicable for the analysis of banking performances. The results of the empirical research have shown that perceived usefulness, perceived security and privacy, and responsibility have a positive statistically significant impact on the satisfaction of electronic banking users, while ease of use does not have a statistically significant impact on the satisfaction of mentioned users.
{"title":"Bank performance analysis and identification of key determinants of electronic banking customer satisfaction - balanced scorecard approach","authors":"Nevena Jolović, Ivana Jolović, S. Zdravković","doi":"10.2298/zmsdn2283459j","DOIUrl":"https://doi.org/10.2298/zmsdn2283459j","url":null,"abstract":"The issue of adequate measurement of the use of intangible assets and monitoring its impact on the financial performance of the organization in recent decades is bridged by a measurement-managerial model that unites financial and non-financial performance indicators - Balanced Scorecard (BSC). Since this paper focuses on banks as representatives of specific, modern financial organizations, the subject of research is to examine the possibility of applying this model in the analysis of banking performance. The aim of the research is to analyze, by using the qualitative methodology (review of existing papers in the literature), whether the BSC model is applicable for the analysis of banking performances; and then, by using the quantitative methodology, through connecting two perspectives of the same model (perspective of internal business processes and perspective of customers), to examine how the determinants of TAM model (perceived usefulness, ease of use) and determinants of SERVQUAL model (perceived security and privacy, responsibility) affect electronic banking customer satisfaction. The empirical research was conducted through the survey method on the territory of the Republic of Serbia at the end of 2020, and the sample included 324 respondents. Statistical software SPSS Statistics was used to process the collected data. Based on the literature review, it was found that the BSC model is applicable for the analysis of banking performances. The results of the empirical research have shown that perceived usefulness, perceived security and privacy, and responsibility have a positive statistically significant impact on the satisfaction of electronic banking users, while ease of use does not have a statistically significant impact on the satisfaction of mentioned users.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73065581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Starting from the relationship to the government, we study the social division into ?off-institutional? and ?institutional?, ?independent? and ?dependent? actors of cultural life in Serbia and their mutual interactions within the four families of the transitional cultural system. Due to the similarity with self-management in culture, we observe the phenomenon through two time points that represent turning points in the conduct of cultural policy based on the political, legal and financial authority of the govern?ment acquired on the basis of election results. Empirical research is based on interviews with actors of transitional cultural policy in Serbia and contextualization of the content of internet presentations and media texts. In addition to the comparative analysis, a nor?mative analysis of the document ?Protocol on cooperation between the Ministry of Culture and the Independent Cultural Scene of Serbia? (2011) was also applied, which is a con?firmation of cultural hegemony and identity engineering by the alternative model of cultural policy ?state double?. The results of the research showed that this alternative model in 2011 obstructed the decision-making system defined by law which does not provide for the transfer of decision-making authority to an independent body; that the independent scene is not aware of the joint responsibility for the disastrous results of a weak state according to the Index of states weaknesses in the developing world; that it uses the weaknesses of the transitional cultural policy in order to achieve benefits for itself and related organizations by excluding undesirable value systems in culture, especially those that are the bearers of Serbian cultural identity.
{"title":"Social divisions and identity engineering of transitional cultural policy in Serbia","authors":"Vesna Djukic","doi":"10.2298/zmsdn2284539d","DOIUrl":"https://doi.org/10.2298/zmsdn2284539d","url":null,"abstract":"Starting from the relationship to the government, we study the social division into ?off-institutional? and ?institutional?, ?independent? and ?dependent? actors of cultural life in Serbia and their mutual interactions within the four families of the transitional cultural system. Due to the similarity with self-management in culture, we observe the phenomenon through two time points that represent turning points in the conduct of cultural policy based on the political, legal and financial authority of the govern?ment acquired on the basis of election results. Empirical research is based on interviews with actors of transitional cultural policy in Serbia and contextualization of the content of internet presentations and media texts. In addition to the comparative analysis, a nor?mative analysis of the document ?Protocol on cooperation between the Ministry of Culture and the Independent Cultural Scene of Serbia? (2011) was also applied, which is a con?firmation of cultural hegemony and identity engineering by the alternative model of cultural policy ?state double?. The results of the research showed that this alternative model in 2011 obstructed the decision-making system defined by law which does not provide for the transfer of decision-making authority to an independent body; that the independent scene is not aware of the joint responsibility for the disastrous results of a weak state according to the Index of states weaknesses in the developing world; that it uses the weaknesses of the transitional cultural policy in order to achieve benefits for itself and related organizations by excluding undesirable value systems in culture, especially those that are the bearers of Serbian cultural identity.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76276682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper examines dance as a significant ethnological, historical, geographical, sociological, artistic, musical, aesthetic, psychological, biological, and psychotherapeutic phenomenon. The main focus is on its psychological aspects and the interconnectedness of psychological and physical components, which enables a unique experience not only for the person who dances but also for the observers. In the first part, the complex phenomenon of dance is elaborated, differences between spontaneous dance and dance as an artistic discipline are highlighted and a new comprehensive definition of dance is offered. Secondly, different aspects of dance are looked at through the prism of questions that intrigue researchers in various psychological disciplines such as developmental psychology, social, cognitive, health and clinical psychology, physiological, evolutionary, and finally the psychology of creativity. The last chapter provides the basic determinants of artistic dance from the perspective of the psychology of creativity. Specific issues related to artistic dance are discussed, including the characteristics of a creative person - choreographer or performer, creative process, work of art - dance, audience and creative environment. The paper concludes with a brief overview of the importance of psychology for the field of dance, and vice versa, emphasizing the continuous interchange between the two.
{"title":"Psychological research in dance","authors":"Maja Vukadinović","doi":"10.2298/zmsdn2281047v","DOIUrl":"https://doi.org/10.2298/zmsdn2281047v","url":null,"abstract":"This paper examines dance as a significant ethnological, historical, geographical, sociological, artistic, musical, aesthetic, psychological, biological, and psychotherapeutic phenomenon. The main focus is on its psychological aspects and the interconnectedness of psychological and physical components, which enables a unique experience not only for the person who dances but also for the observers. In the first part, the complex phenomenon of dance is elaborated, differences between spontaneous dance and dance as an artistic discipline are highlighted and a new comprehensive definition of dance is offered. Secondly, different aspects of dance are looked at through the prism of questions that intrigue researchers in various psychological disciplines such as developmental psychology, social, cognitive, health and clinical psychology, physiological, evolutionary, and finally the psychology of creativity. The last chapter provides the basic determinants of artistic dance from the perspective of the psychology of creativity. Specific issues related to artistic dance are discussed, including the characteristics of a creative person - choreographer or performer, creative process, work of art - dance, audience and creative environment. The paper concludes with a brief overview of the importance of psychology for the field of dance, and vice versa, emphasizing the continuous interchange between the two.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91038742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pursuant to the insight into the personal files of Kosta P. Manojlovic (1890-1949) and other relevant archival materials, deposited in the Archives of Serbia and the Archives of Yugoslavia, the paper examines the issue of the beginnings of the complex professional career of this composer, music life organizer, music performer, writer and pedagogue. Starting from the peculiarities related to the career in the field of music, an extremely important and delicate phase of the transition from the stage of education to the first professional activities has been analysed. Beginning with the correspondence connected with the career development of Kosta P. Manojlovic at a significant moment in Serbian music history and using an interdisciplinary approach, the important aspects of the first development phases of the musician?s professional career have been pointed out. In particular, most attention has been paid to the transition from education to work, which, in the case of the Oxford graduate, was complicated, not only because of the composer?s life circumstances, the World War I which had ended recently, time constraints, but also because of significant differences in education systems between the UK and the newly established Kingdom of SCS. From the very beginning, Manojlovic?s career has shown its multifunctional, changeable, and dynamic sides, but also certain constants, among which his distinct inclination towards the national tradition stands out. Regardless of the significant differences in the relation between the present time, characterised by rapid technological changes, merging of digital technologies with almost all spheres of life and work, new ways of communication and numerous global phenomena, and the period in which an ?idealist romantic? Manojlovic built his own career, some of the most important aspects related to the career development of a professional musician have not changed. Reliance on personal capacities, musical talent, creativity, flexibility, realism and a good assessment of one?s own potentials, but also on the quality of education, entrepreneurship, networking and maintaining a quality relationship with the mentor have been noticed as extremely significant.
根据对存放在塞尔维亚档案馆和南斯拉夫档案馆的科斯塔·p·马诺伊洛维奇(1890-1949)的个人档案和其他相关档案材料的深入研究，本文研究了这位作曲家、音乐生活组织者、音乐表演者、作家和教育家复杂职业生涯的开端。从音乐职业生涯的特殊性出发，分析了从教育阶段到第一次专业活动过渡的一个极其重要和微妙的阶段。在塞尔维亚音乐史上的一个重要时刻，从与Kosta P. Manojlovic的职业发展相关的通信开始，并使用跨学科的方法，音乐家的第一个发展阶段的重要方面?她的职业生涯已被指出。特别是，人们最关注的是从教育到工作的过渡，在牛津毕业生的情况下，这是复杂的，不仅仅是因为作曲家?由于当时的生活环境、刚刚结束的第一次世界大战、时间的限制，以及英国和新成立的南海王国在教育制度上的巨大差异。从头开始，马诺伊洛维奇?他的职业生涯既有多能化、多变性、动态性的一面，又有一定的稳定性，其中最突出的是他对民族传统的鲜明倾向。尽管以快速的技术变革为特征的当今时代，数字技术与几乎所有生活和工作领域的融合，新的交流方式和许多全球现象，以及一个理想主义浪漫主义的时代之间的关系存在显著差异。Manojlovic建立了自己的职业生涯，与职业音乐家职业发展有关的一些最重要的方面并没有改变。依靠个人能力、音乐天赋、创造力、灵活性、现实主义和良好的评估之一?学生自身的潜力，而且对教育质量、创业精神、人际网络以及与导师保持良好关系都被认为是极其重要的。
{"title":"Establishment of the music-pedagogical career of Kosta P. Manojlovic: From Oxford studies to the first pedagogical engagements","authors":"Biljana Mandić, I. Perković","doi":"10.2298/zmsdn2282299m","DOIUrl":"https://doi.org/10.2298/zmsdn2282299m","url":null,"abstract":"Pursuant to the insight into the personal files of Kosta P. Manojlovic (1890-1949) and other relevant archival materials, deposited in the Archives of Serbia and the Archives of Yugoslavia, the paper examines the issue of the beginnings of the complex professional career of this composer, music life organizer, music performer, writer and pedagogue. Starting from the peculiarities related to the career in the field of music, an extremely important and delicate phase of the transition from the stage of education to the first professional activities has been analysed. Beginning with the correspondence connected with the career development of Kosta P. Manojlovic at a significant moment in Serbian music history and using an interdisciplinary approach, the important aspects of the first development phases of the musician?s professional career have been pointed out. In particular, most attention has been paid to the transition from education to work, which, in the case of the Oxford graduate, was complicated, not only because of the composer?s life circumstances, the World War I which had ended recently, time constraints, but also because of significant differences in education systems between the UK and the newly established Kingdom of SCS. From the very beginning, Manojlovic?s career has shown its multifunctional, changeable, and dynamic sides, but also certain constants, among which his distinct inclination towards the national tradition stands out. Regardless of the significant differences in the relation between the present time, characterised by rapid technological changes, merging of digital technologies with almost all spheres of life and work, new ways of communication and numerous global phenomena, and the period in which an ?idealist romantic? Manojlovic built his own career, some of the most important aspects related to the career development of a professional musician have not changed. Reliance on personal capacities, musical talent, creativity, flexibility, realism and a good assessment of one?s own potentials, but also on the quality of education, entrepreneurship, networking and maintaining a quality relationship with the mentor have been noticed as extremely significant.","PeriodicalId":40081,"journal":{"name":"Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88110675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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