The volume compiled and partly written by Klára Illés is a memory-monument erected for two ordinary people, the author's parents, and their life’s work. Positioned as a hybrid, experimental collection of survivor memories and intergenerational memory-narratives (about which see Mónika Fodor's 2020 Ethnic Subjectivity in Intergenerational Memory Narratives: Politics of the Untold; New York and London: Routledge), Megtartó erő is an attempt at reconstructing a once-was world of rural peasantry and a historically burdened mixed-ethnic family ethos. Illés’s material, itself a treasure of micro-heritage, records elements of a “village world” and a universe of rural knowledge that have long disappeared and are largely unknown by today’s urban generations. By completing the tenacious and sometimes painful task of piecing together her parents’ lives, Illés has created a book that is a reflection on historical change, trauma, and guilt, as on the role of memory in creating historical continuity and enabling a continuity of one's family and identity. The title of Illés’s book is somewhat challenging to translate properly; it might be phrased as “sustaining force,” a phrase that has multiple connotations as a drive that keeps one afloat, or as a power that preserves both one’s physical existence and one's moral compass. Megtartó erő is a well-researched and meticulously edited volume of parallel biographies and intergenerational memory work, which took decades to produce, and which points well beyond the sentimental motivation of a grownup child to remember and memorialize her parents. This collection is not an academic pursuit either, as Illés refrains from analysis or from using any distanciating scholarly terminology. While it is easy to read, the genre is hybrid, one in which through fragments of different kinds of sources, the author embarks on uncovering her parents' life story, or life stories. And by reconstructing the parents' experiences, strengths and weaknesses, work
{"title":"Illés, Klára. 2020. Megtartó erő. Egy parasztcsalád vége ('Sustaining Force: The End of a Peasant Family'). Budapest: Magvető. 379 pp.","authors":"Izabella Agárdi","doi":"10.5195/ahea.2022.470","DOIUrl":"https://doi.org/10.5195/ahea.2022.470","url":null,"abstract":"The volume compiled and partly written by Klára Illés is a memory-monument erected for two ordinary people, the author's parents, and their life’s work. Positioned as a hybrid, experimental collection of survivor memories and intergenerational memory-narratives (about which see Mónika Fodor's 2020 Ethnic Subjectivity in Intergenerational Memory Narratives: Politics of the Untold; New York and London: Routledge), Megtartó erő is an attempt at reconstructing a once-was world of rural peasantry and a historically burdened mixed-ethnic family ethos. Illés’s material, itself a treasure of micro-heritage, records elements of a “village world” and a universe of rural knowledge that have long disappeared and are largely unknown by today’s urban generations. By completing the tenacious and sometimes painful task of piecing together her parents’ lives, Illés has created a book that is a reflection on historical change, trauma, and guilt, as on the role of memory in creating historical continuity and enabling a continuity of one's family and identity. The title of Illés’s book is somewhat challenging to translate properly; it might be phrased as “sustaining force,” a phrase that has multiple connotations as a drive that keeps one afloat, or as a power that preserves both one’s physical existence and one's moral compass. Megtartó erő is a well-researched and meticulously edited volume of parallel biographies and intergenerational memory work, which took decades to produce, and which points well beyond the sentimental motivation of a grownup child to remember and memorialize her parents. This collection is not an academic pursuit either, as Illés refrains from analysis or from using any distanciating scholarly terminology. While it is easy to read, the genre is hybrid, one in which through fragments of different kinds of sources, the author embarks on uncovering her parents' life story, or life stories. And by reconstructing the parents' experiences, strengths and weaknesses, work","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44991082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dalos, Anna. 2020. Zoltán Kodály’s World of Music. Oakland: UC Press. 283 pp.","authors":"Angela A. Chong","doi":"10.5195/ahea.2022.471","DOIUrl":"https://doi.org/10.5195/ahea.2022.471","url":null,"abstract":"","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41776428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Márkus, Beáta. 2020. “Csak egy csepp német vér.” A német származású civilek Szovjetunióba deportálása Magyarországról 1944/1945 ['\"Just a drop of German blood:\" The Deportation of German Civilians to the Soviet Union from Hungary in 1944/1945']. Pécs: Kronosz Kiadó. 469 pp.","authors":"Lívia Szélpál","doi":"10.5195/ahea.2022.478","DOIUrl":"https://doi.org/10.5195/ahea.2022.478","url":null,"abstract":"","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46203735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Varsa’s Protected Children, Regulated Mothers is an insightful study on the social and political implications of child protection in Stalinist/communist Hungary. By focusing on the practices and policies of child protection concerning the Roma, the book provides a thorough account on anti-gypsy stereotypes, on the overrepresentation/high rate of Roma children in institutions, and on the attempted regulation of the sexuality and employment of Romani mothers. Rather than observing childcare institutions as tools for maintaining totalitarian terror, in her new study Varsa examines how these institutions mirrored and reshaped cultural attitudes toward the Roma.
{"title":"Varsa, Eszter. 2021. Protected Children, Regulated Mothers: Gender and the “Gypsy Question” in Postwar Hungary, 1949-1956. Budapest: Central European University Press. 2021. 244 pp.","authors":"D. Szőke","doi":"10.5195/ahea.2022.480","DOIUrl":"https://doi.org/10.5195/ahea.2022.480","url":null,"abstract":"Varsa’s Protected Children, Regulated Mothers is an insightful study on the social and political implications of child protection in Stalinist/communist Hungary. By focusing on the practices and policies of child protection concerning the Roma, the book provides a thorough account on anti-gypsy stereotypes, on the overrepresentation/high rate of Roma children in institutions, and on the attempted regulation of the sexuality and employment of Romani mothers. Rather than observing childcare institutions as tools for maintaining totalitarian terror, in her new study Varsa examines how these institutions mirrored and reshaped cultural attitudes toward the Roma.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47489233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The deportation memoir of Biri mama (Irén Reményi) is the third publication byTamás Kieselbach, of a book series he created, Sorsfordulók: a 20. századi Magyarország drámai pillantai [‘Turns of Fate: The Dramatic Moments of Twentieth-Century Hungary’], in which his aim was to illustrate the four historical turning points of the twentieth century: 1919-1920, the Holocaust, 1956, and 1989. My interest in studying Reményi's work is, first, and most briefly, to locate its role in the Kieselbach series. Second, I want to to provide the memoir with richer context, specifically with the aid of later documentation discussing Bergen-Belsen, the Ungarnlager, and the Celle DP camp. Third, I have aimed to create a kind of narrative reconstruction from fragments that I have been able to unearth of her family history to offer a deeper understanding of her family's complex private history as a microhistory that becomes part of macro or public history in the first half of the tortured twentieth century history of Hungary.
Biri mama（Irén Reményi）的驱逐回忆录是Tamás Kieselbach创作的系列丛书《Sorsfodulók:a 20》的第三本出版物。századi Magyaország drámai pillantai[《命运的转折：二十世纪匈牙利的戏剧性时刻》]，他的目的是说明二十世纪的四个历史转折点：1919-1920年、大屠杀、1956年和1989年。我对研究雷姆尼作品的兴趣首先也是最简短的一点是，定位它在基塞尔巴赫系列中的角色。其次，我想为这本回忆录提供更丰富的背景，特别是借助后来讨论卑尔根-贝尔森、昂加尔拉格和策勒DP营地的文件。第三，我的目标是从她家族史的碎片中创造一种叙事重建，以更深入地理解她家族复杂的私人历史，将其作为一部微观历史，成为20世纪匈牙利备受折磨的上半叶宏观或公共历史的一部分。
{"title":"Family Microhistories and the Social History of Twentieth-Century Hungary: Biri mama deportálási emlékirata [‘The Deportation Memoir of Mama Biri’] (1949) and the Kieselbach Series, Sorsfordulók [‘Turns of Fate’]","authors":"L. Vasvári","doi":"10.5195/ahea.2022.466","DOIUrl":"https://doi.org/10.5195/ahea.2022.466","url":null,"abstract":"The deportation memoir of Biri mama (Irén Reményi) is the third publication byTamás Kieselbach, of a book series he created, Sorsfordulók: a 20. századi Magyarország drámai pillantai [‘Turns of Fate: The Dramatic Moments of Twentieth-Century Hungary’], in which his aim was to illustrate the four historical turning points of the twentieth century: 1919-1920, the Holocaust, 1956, and 1989. My interest in studying Reményi's work is, first, and most briefly, to locate its role in the Kieselbach series. Second, I want to to provide the memoir with richer context, specifically with the aid of later documentation discussing Bergen-Belsen, the Ungarnlager, and the Celle DP camp. Third, I have aimed to create a kind of narrative reconstruction from fragments that I have been able to unearth of her family history to offer a deeper understanding of her family's complex private history as a microhistory that becomes part of macro or public history in the first half of the tortured twentieth century history of Hungary.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44326460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims to achieve two goals: the first is to bring a fresh perspective to the Atlanto-centric history of Chinese propaganda while tracing the roots of Sino-Hungarian bilateral approaches and Hungarian Sinology to a time dating some fifteen years earlier than the mutual recognition of the two People’s Republics. This analysis also introduces three actors of different political agendas who applied a similar PR tool of cultural diplomacy to elicit international sympathy for their homeland. After briefly surveying the primary stimuli of cultural diplomacy in interwar Hungary and Republican-Era China, I turn to pre-1949 Sino-Hungarian cultural approaches in the era of no formal diplomatic relations. Such initiatives offer valuable insights into the history of cultural diplomacy while also highlighting significant parallels with the present. Specifically, I introduce the political and cultural agenda of three individuals acting as cultural ambassadors to their homelands. The Shanghai Jewish refugee aid organizer, Paul Komor, and the women’s association president, Theresia Moll, were members of the Hungarian diaspora in China. They introduced the post-Habsburg Central European region to a cosmopolitan community while exhibiting two different foci: Hungarian irredentism and pan-Danubianism. Meanwhile, Zhenya He, a Kuomintang propagandist and the University of Budapest’s first Chinese language instructor during the 1930s, synthesized Hungarian pan-Asian Turanism with Sun Yat-sen’s Tridemism to further Sino-Hungarian exchanges.
{"title":"Toward a History of Interwar Sino-Hungarian Cultural Relations: Three Advocates of Kuomintang Soft Power, Hungarian Irredentism and Pan-Danubianism","authors":"Mátyás Mervay","doi":"10.5195/ahea.2022.421","DOIUrl":"https://doi.org/10.5195/ahea.2022.421","url":null,"abstract":"This paper aims to achieve two goals: the first is to bring a fresh perspective to the Atlanto-centric history of Chinese propaganda while tracing the roots of Sino-Hungarian bilateral approaches and Hungarian Sinology to a time dating some fifteen years earlier than the mutual recognition of the two People’s Republics. This analysis also introduces three actors of different political agendas who applied a similar PR tool of cultural diplomacy to elicit international sympathy for their homeland. After briefly surveying the primary stimuli of cultural diplomacy in interwar Hungary and Republican-Era China, I turn to pre-1949 Sino-Hungarian cultural approaches in the era of no formal diplomatic relations. Such initiatives offer valuable insights into the history of cultural diplomacy while also highlighting significant parallels with the present. Specifically, I introduce the political and cultural agenda of three individuals acting as cultural ambassadors to their homelands. The Shanghai Jewish refugee aid organizer, Paul Komor, and the women’s association president, Theresia Moll, were members of the Hungarian diaspora in China. They introduced the post-Habsburg Central European region to a cosmopolitan community while exhibiting two different foci: Hungarian irredentism and pan-Danubianism. Meanwhile, Zhenya He, a Kuomintang propagandist and the University of Budapest’s first Chinese language instructor during the 1930s, synthesized Hungarian pan-Asian Turanism with Sun Yat-sen’s Tridemism to further Sino-Hungarian exchanges.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42432542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is the second part of a study investigating how Hungarians have influenced early childhood music education in the United States. In Part One, Chong documented the lesser-known histories of four Hungarian and American female scholar-educators who promoted the early childhood concepts at the heart of Zoltán Kodály's approach to music education. In this study, she traces Kodály’s footprints to private, stand-alone baby-toddler music classes in the US. In the 2000’s, baby-toddler music enrichment exploded in popularity as the children’s activity industry became one of the fastest growing sectors of the US market. Only a handful of local programs are explicitly Kodály-based, such as Sing, Play, Move!, at Holy Names University’s Kodály Center. Chong’s search in the Los Angeles area for quality Kodály instruction for her toddlers led to highly lucrative major US providers of baby-toddler music such as Music Together and Kindermusik. These programs share Kodály pedagogical practices, such as that of singing folk music in the children’s mother tongue, but map histories without reference to Hungary and attribute their approaches to American men not known as Kodály protégés. This paper explores whether the impressive profits and musical excellence of these programs can rightly be attributed to Kodály.
{"title":"Elusive Kodály, Part II: The Hungarian Foundations of the Baby-Toddler Music Industry in the US","authors":"Angela A. Chong","doi":"10.5195/ahea.2022.464","DOIUrl":"https://doi.org/10.5195/ahea.2022.464","url":null,"abstract":"This article is the second part of a study investigating how Hungarians have influenced early childhood music education in the United States. In Part One, Chong documented the lesser-known histories of four Hungarian and American female scholar-educators who promoted the early childhood concepts at the heart of Zoltán Kodály's approach to music education. In this study, she traces Kodály’s footprints to private, stand-alone baby-toddler music classes in the US. In the 2000’s, baby-toddler music enrichment exploded in popularity as the children’s activity industry became one of the fastest growing sectors of the US market. Only a handful of local programs are explicitly Kodály-based, such as Sing, Play, Move!, at Holy Names University’s Kodály Center. Chong’s search in the Los Angeles area for quality Kodály instruction for her toddlers led to highly lucrative major US providers of baby-toddler music such as Music Together and Kindermusik. These programs share Kodály pedagogical practices, such as that of singing folk music in the children’s mother tongue, but map histories without reference to Hungary and attribute their approaches to American men not known as Kodály protégés. This paper explores whether the impressive profits and musical excellence of these programs can rightly be attributed to Kodály.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43779355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Twentieth-century art music composed by Bartók, Ligeti and Penderecki constitutes a large portion of the soundtrack for Stanley Kubrick’s 1980 film adaptation of Stephen King’s novel, The Shining. This music was not written for the film, and the use of these pieces might leave listeners doubtful as to the legitimacy of a connection between them and the scenes in the movie they were used to enhance. However, in the case of the Bartók work excerpted in the film – Music for Strings, Percussion and Celesta (1936) – an analysis of the subject-position of the music allows for another interpretation. Eric Clarke identifies subject-position in music as “the way in which characteristics of the musical material shape the general character of a listener’s response or engagement,” a definition based on earlier explorations of subject-position in film studies. My analysis of the subject-position of Bartók’s piece and the scenes in which excerpts of the work appear in The Shining reveals similarities in their potential effect on an audience member.
{"title":"Subject-Position and Béla Bartók’s Music for Strings, Percussion, and Celesta (1936) in Stanley Kubrick’s The Shining (1980)","authors":"Sarah Lucas","doi":"10.5195/ahea.2022.468","DOIUrl":"https://doi.org/10.5195/ahea.2022.468","url":null,"abstract":"Twentieth-century art music composed by Bartók, Ligeti and Penderecki constitutes a large portion of the soundtrack for Stanley Kubrick’s 1980 film adaptation of Stephen King’s novel, The Shining. This music was not written for the film, and the use of these pieces might leave listeners doubtful as to the legitimacy of a connection between them and the scenes in the movie they were used to enhance. However, in the case of the Bartók work excerpted in the film – Music for Strings, Percussion and Celesta (1936) – an analysis of the subject-position of the music allows for another interpretation. Eric Clarke identifies subject-position in music as “the way in which characteristics of the musical material shape the general character of a listener’s response or engagement,” a definition based on earlier explorations of subject-position in film studies. My analysis of the subject-position of Bartók’s piece and the scenes in which excerpts of the work appear in The Shining reveals similarities in their potential effect on an audience member.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44611300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This keynote address on Trianon was to be presented at the treaty’s 100th anniversary in 2020 at the Pécs Conference of AHEA. Because of Covid 19 the conference was not held. It was organized a year later in 2021 via virtual internet presentations. Thus, the new title for the keynote became “Trianon: 101 Years Later.” The address focuses on the historical background of this event and on the demographic, cultural, economic and political consequences for Hungarians and East-Central Europe. The analysis begins with the punitive nature of this dictated and imposed treaty and sets out to look at the causes which made this a lasting decision. Without attempting to blame solely the major powers or the immediate neighbors of Hungary, which became the successor states, the analysis also focuses on the major blunders of Hungarian leaders on the Left and on the Right. The devastating consequences for all the peoples of the region, but particularly for the Hungarians who became minorities in their own homelands in the successor states, requires a look at exit strategies from this quagmire. During the past 101 years nationalists, communists, fascists and liberal capitalists have all proposed solutions but to this day the problems remain. Although the root causes of the problem have been described by such outstanding scholars as Pál Teleki, Zsombor Szász, C.A. Macartney, and more recently Nándor Bárdi, Balázs Ablonczy, László Szarka, Zoltán Kántor and many others, the political will to work for solutions has not been present. The intent of this keynote is not to rehash the past but to provoke a re-thinking about the entire region’s interests and future.
{"title":"Trianon: 101 Years Later","authors":"András Ludányi","doi":"10.5195/ahea.2022.461","DOIUrl":"https://doi.org/10.5195/ahea.2022.461","url":null,"abstract":"This keynote address on Trianon was to be presented at the treaty’s 100th anniversary in 2020 at the Pécs Conference of AHEA. Because of Covid 19 the conference was not held. It was organized a year later in 2021 via virtual internet presentations. Thus, the new title for the keynote became “Trianon: 101 Years Later.” The address focuses on the historical background of this event and on the demographic, cultural, economic and political consequences for Hungarians and East-Central Europe. The analysis begins with the punitive nature of this dictated and imposed treaty and sets out to look at the causes which made this a lasting decision. Without attempting to blame solely the major powers or the immediate neighbors of Hungary, which became the successor states, the analysis also focuses on the major blunders of Hungarian leaders on the Left and on the Right. The devastating consequences for all the peoples of the region, but particularly for the Hungarians who became minorities in their own homelands in the successor states, requires a look at exit strategies from this quagmire. During the past 101 years nationalists, communists, fascists and liberal capitalists have all proposed solutions but to this day the problems remain. Although the root causes of the problem have been described by such outstanding scholars as Pál Teleki, Zsombor Szász, C.A. Macartney, and more recently Nándor Bárdi, Balázs Ablonczy, László Szarka, Zoltán Kántor and many others, the political will to work for solutions has not been present. The intent of this keynote is not to rehash the past but to provoke a re-thinking about the entire region’s interests and future.","PeriodicalId":40442,"journal":{"name":"Hungarian Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49359742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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