This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality
{"title":"La crítica a la causalidad en T. W. Adorno: un propuesta filosófico-musical a través de Atmosphères, de Ligeti","authors":"M. Muñoz","doi":"10.15366/BP2019.21.009","DOIUrl":"https://doi.org/10.15366/BP2019.21.009","url":null,"abstract":"This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44946915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper, I am pretending to unfold an argument in favor of Enlightenment without ignoring its problems. I have three reasons for such a defense of Enlightenment. Firstly, I believe that the alternatives that impose themselves when we distance ourselves to far from Enlightenment are not very attractive. Secondly, it is my contention that the potential of Enlightenment has not yet been exhausted. Thirdly, I understand Enlightenment as a “critical cultural practice” that prepares us in a very particular way for the global entanglement of human affirs because it pushes us, time and again, to examine our own cultures critically.
{"title":"La Ilustración como “práctica cultural crítica” de la modernidad global","authors":"Oliver Kozlarek","doi":"10.15366/BP2019.21.006","DOIUrl":"https://doi.org/10.15366/BP2019.21.006","url":null,"abstract":"In this paper, I am pretending to unfold an argument in favor of Enlightenment without ignoring its problems. I have three reasons for such a defense of Enlightenment. Firstly, I believe that the alternatives that impose themselves when we distance ourselves to far from Enlightenment are not very attractive. Secondly, it is my contention that the potential of Enlightenment has not yet been exhausted. Thirdly, I understand Enlightenment as a “critical cultural practice” that prepares us in a very particular way for the global entanglement of human affirs because it pushes us, time and again, to examine our own cultures critically.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47651841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Susan Sontag wrote a controversial article about pornography: "The pornographic Imagination" in which she refers to Hegel. Hegel radically changes th. way of understanding the philosophical task and thus inaugurates, in her understanding, a new post-religious language that opens possibilities hitherto unknown to Western culture. The concept of negativity is central. Pornography is a radical exercise in negativity. The subject travels a painful but necessary learning patheto reach their liberation. In this "critical" way, authors such as Freud, Sartre, Derrida or Genet are presents briefly in this article coming from the hand of Sontag.
{"title":"La pornografía en el programa crítico","authors":"X. Insausti","doi":"10.15366/BP2019.21.007","DOIUrl":"https://doi.org/10.15366/BP2019.21.007","url":null,"abstract":"Susan Sontag wrote a controversial article about pornography: \"The pornographic Imagination\" in which she refers to Hegel. Hegel radically changes th. way of understanding the philosophical task and thus inaugurates, in her understanding, a new post-religious language that opens possibilities hitherto unknown to Western culture. The concept of negativity is central. Pornography is a radical exercise in negativity. The subject travels a painful but necessary learning patheto reach their liberation. In this \"critical\" way, authors such as Freud, Sartre, Derrida or Genet are presents briefly in this article coming from the hand of Sontag.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44519269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present work focuses on Horkheimer's reflection on the question of the concept of Man considering the analysis that the author makes of his philosophical unfolding within a tension created by the crucial oppositions that, from a critical approach, presents the fundamental anthropological question. That is, between the notion of epistemic subject and the ontological tradition, between the notion of man and the concrete individual, between individualism and the social totality and, finally, between the unique condition of the human being and his / her identity within the historical social fabric in which he / she lives.
{"title":"Horkheimer: Antropología, humanismo y teoría crítica","authors":"Ignacio Vento Villate","doi":"10.15366/BP2019.21.002","DOIUrl":"https://doi.org/10.15366/BP2019.21.002","url":null,"abstract":"The present work focuses on Horkheimer's reflection on the question of the concept of Man considering the analysis that the author makes of his philosophical unfolding within a tension created by the crucial oppositions that, from a critical approach, presents the fundamental anthropological question. That is, between the notion of epistemic subject and the ontological tradition, between the notion of man and the concrete individual, between individualism and the social totality and, finally, between the unique condition of the human being and his / her identity within the historical social fabric in which he / she lives.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15366/BP2019.21.002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45770781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The environmental crisis that we suffer increases as far as the human being has expanded the limits of what he considers, is under his scrutiny and domination. Under bothethe idea of progress and of scientific work within it, nature has been "disenchanted" to become the object of study, analysis, experimentation and alteration, no longer withethe objective, of searching for a truthein itself but to control it, manipulate it and transform it. The objective of the text is to address the points of convergence between, on one hand, the criticism made by Max Horkheimer on the unfulfilled promises of the enlightened project and the dominion exercised by instrumental reason over physical and human nature and, on the other, the criticisms and warnings made by Gunther Anders concerning the consequences generated by the "Promethean shame" and the "promethean phase" on the "blindness before the Apocalypse".
{"title":"Hacia una reflexión sobre la crisis ambiental. Max Horkheimer y Günther Anders: Afán de dominio y desfase prometeico","authors":"G. Osorio","doi":"10.15366/BP2019.21.004","DOIUrl":"https://doi.org/10.15366/BP2019.21.004","url":null,"abstract":"The environmental crisis that we suffer increases as far as the human being has expanded the limits of what he considers, is under his scrutiny and domination. Under bothethe idea of progress and of scientific work within it, nature has been \"disenchanted\" to become the object of study, analysis, experimentation and alteration, no longer withethe objective, of searching for a truthein itself but to control it, manipulate it and transform it. The objective of the text is to address the points of convergence between, on one hand, the criticism made by Max Horkheimer on the unfulfilled promises of the enlightened project and the dominion exercised by instrumental reason over physical and human nature and, on the other, the criticisms and warnings made by Gunther Anders concerning the consequences generated by the \"Promethean shame\" and the \"promethean phase\" on the \"blindness before the Apocalypse\".","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.15366/BP2019.21.004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43052838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The art-political relationship was one of the central theoretical points of the Frankfurt school, most recognized in some of its members as Walter Benjamin and Herbert Marcuse. Theodor Adorno's aesthetic stance, however, has been recognized for rejecting such a direct relationship between social praxis and artistic praxis. This argument, based on the interpretation of the autonomous nature of art as opposed to the political potential of technical reproducibility for its massification, left Adorno's aesthetic reflections on the development of contemporary art history, criticism and philosophy behind. This is the point I want to make here. I intend to show how the critical model of artistic praxis as political praxis is postulated in the adornian aesthetic, so much so that in the Aesthetic Theory of Adorno an aesthetic of the political can be found, an idea under which a great part of the current discourses on contemporary art are constructed.
{"title":"El efecto de realidad y la política de la ficción. Apuntes sobre el modelo estético de lo político en Th. Adorno","authors":"Laura Elena Flórez Hincapié","doi":"10.15366/BP2019.21.011","DOIUrl":"https://doi.org/10.15366/BP2019.21.011","url":null,"abstract":"The art-political relationship was one of the central theoretical points of the Frankfurt school, most recognized in some of its members as Walter Benjamin and Herbert Marcuse. Theodor Adorno's aesthetic stance, however, has been recognized for rejecting such a direct relationship between social praxis and artistic praxis. This argument, based on the interpretation of the autonomous nature of art as opposed to the political potential of technical reproducibility for its massification, left Adorno's aesthetic reflections on the development of contemporary art history, criticism and philosophy behind. This is the point I want to make here. I intend to show how the critical model of artistic praxis as political praxis is postulated in the adornian aesthetic, so much so that in the Aesthetic Theory of Adorno an aesthetic of the political can be found, an idea under which a great part of the current discourses on contemporary art are constructed.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43162921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Attempt to show how artistic and literary criticism is the model of the critical conception of philosophy, a characteristic conception of the thought of Kant (known as criticism), Marx and of the Critical Theory of Adorno and Horkheimer.
{"title":"Crítica (de arte) y teoría crítica","authors":"Miguel Cereceda Sánchez","doi":"10.15366/BP2019.21.012","DOIUrl":"https://doi.org/10.15366/BP2019.21.012","url":null,"abstract":"Attempt to show how artistic and literary criticism is the model of the critical conception of philosophy, a characteristic conception of the thought of Kant (known as criticism), Marx and of the Critical Theory of Adorno and Horkheimer.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46003791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The objective of this text is to discuss the following hypothesis: in the context of damaged life, songs withea claim to autonomy, which accept contradictions and what is not identical and that, therefore, have the potential for criticism and human formation affect the listeners and are capable of producing rejection. From the Critical Theory of the Society, it is argued that the rejection is also desirous, because we are very violently deprived of formation. Thus, it is concluded that the damaged life builds a relationship of resentment between the listeners and the music withepretensions of autonomy, which becomes dangerous in the face of the few training possibilities that remain in the contradictions.
{"title":"Rechazo deseoso: la música y el resentimiento desde la vida dañada","authors":"Jéssica Raquel Rodeguero Stefanuto","doi":"10.15366/BP2019.21.008","DOIUrl":"https://doi.org/10.15366/BP2019.21.008","url":null,"abstract":"The objective of this text is to discuss the following hypothesis: in the context of damaged life, songs withea claim to autonomy, which accept contradictions and what is not identical and that, therefore, have the potential for criticism and human formation affect the listeners and are capable of producing rejection. From the Critical Theory of the Society, it is argued that the rejection is also desirous, because we are very violently deprived of formation. Thus, it is concluded that the damaged life builds a relationship of resentment between the listeners and the music withepretensions of autonomy, which becomes dangerous in the face of the few training possibilities that remain in the contradictions.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47899708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article focuses on current trends in the education sector which, making reference to Ador-no’s works on social and cultural formation philosophy, are interpreted as a progressive cultur-al industrialization of pedagogy in theory and practice. Departing from a brief definition of the concept of semi-formation (Halbbildung) as the cultural industrial form of consciousness, the thesis will be exposed, that under the conditions of contemporary post-fordistic capitalism an almost exclusively economically oriented cultural industrial pedagogy contributes decisive-ly to the social production of semi-formed consciousness.
{"title":"Educación para la adaptación. Actualidad de la “teoría de la pseudocultura” de T. W. Adorno en tiempos del aprendizaje permanente","authors":"M. Rühle","doi":"10.15366/BP2019.21.005","DOIUrl":"https://doi.org/10.15366/BP2019.21.005","url":null,"abstract":"The article focuses on current trends in the education sector which, making reference to Ador-no’s works on social and cultural formation philosophy, are interpreted as a progressive cultur-al industrialization of pedagogy in theory and practice. Departing from a brief definition of the concept of semi-formation (Halbbildung) as the cultural industrial form of consciousness, the thesis will be exposed, that under the conditions of contemporary post-fordistic capitalism an almost exclusively economically oriented cultural industrial pedagogy contributes decisive-ly to the social production of semi-formed consciousness.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44543760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Political representation in Thomas Hobbes is a matter of bare designation. An exercise with language. The basic movement within the body of the Commonwealth is to appoint someone as officer for the people. This theoretical articulation is not sufficiently developed though. The aim of the present text is to profit from the help the four-fold taxonomy on representation by A.P. Griffiths and R. Wollheim offers, and of the ellucidation Michael Foessel presents around what is intimate before what is private/what is public, as instruments that could shed some light onto the fundamental intuitions Hobbes gathered in his main work, the Leviathan.
{"title":"En las colinas, las ciudades. Representación política y naturalización del mandato","authors":"R. Aguilar","doi":"10.15366/BP2019.20.006","DOIUrl":"https://doi.org/10.15366/BP2019.20.006","url":null,"abstract":"Political representation in Thomas Hobbes is a matter of bare designation. An exercise with language. The basic movement within the body of the Commonwealth is to appoint someone as officer for the people. This theoretical articulation is not sufficiently developed though. The aim of the present text is to profit from the help the four-fold taxonomy on representation by A.P. Griffiths and R. Wollheim offers, and of the ellucidation Michael Foessel presents around what is intimate before what is private/what is public, as instruments that could shed some light onto the fundamental intuitions Hobbes gathered in his main work, the Leviathan.","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42185721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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