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Introduction: Staging Justice in Early Modern France 引言:法国近代早期的司法舞台
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-07-02 DOI: 10.1080/20563035.2020.1856573
M. Meere
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引用次数: 0
‘Neither Completely Guilty nor Completely Innocent’: Representing Injustice in Jean Racine’s Phèdre “既不完全有罪也不完全无罪”:在让·拉辛的《Phèdre》中代表不公正
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-07-02 DOI: 10.1080/20563035.2020.1856575
M. Bizer
The eponymous protagonist of Phèdre emerges as a true tragic heroine by exercising her own free will to commit wrong instead of being a mere victim of fate. Criticism focusing on injustice has tended to shine light on Thésée, denying Phèdre royal sovereignty just as French Salic law did to queens. By shifting the spotlight from Thésée to Phèdre, and from the idea of judgment as a means of redressing injustice to injustice resulting from the challenges of governance and self–governance in royal leaders, we will see that Phèdre's gender has tended to obscure the important connection between injustice and the exercise of monarchical power. The gender of the eponymous heroine of the play operates as a cover: by associating wrongdoing with a female monarch, a literal impossibility in France, Racine is able to delve into particularly controversial aspects of unjust governance as experienced in his day and age.
《phentidre》的同名主人公不是命运的牺牲品,而是通过行使自己的自由意志去犯错误,成为了真正的悲剧女主角。针对不公正的批评倾向于将矛头指向thims,否认ph dre的王室主权,就像法国萨利克法对女王一样。通过将焦点从thimssame转移到ph dre身上,并将审判作为一种纠正不公正的手段的想法转移到由王室领导人的治理和自治挑战所导致的不公正上,我们将看到ph dre的性别倾向于模糊不公正与君主权力行使之间的重要联系。剧中同名女主人公的性别只是一个幌子:通过将不法行为与女性君主联系在一起,这在法国是不可能的,拉辛能够深入研究他那个时代所经历的不公正治理的特别有争议的方面。
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引用次数: 0
‘Cet autre moy’: Poetic Selves and Anterotic Friendships in Sixteenth-Century France “Cet autre moy”:16世纪法国的诗意自我与原始友谊
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2020.1780388
Vittoria Fallanca
This article begins by considering a Complainte by the poet Philippe Desportes (1581) which contains the first recorded use of the substantive ‘self’ in French (‘cet autre moy’). Following Terence Cave (1999), it highlights the fact that it occurs in the context of Renaissance writings on friendship predominantly influenced by the ‘Aristotelian-Ciceronian model’. It proposes that alongside this well-established model of friendship, there is another, competing model, what it terms the ‘anterotic’ model based on the mythological figure of Anteros. The anterotic model is rooted in strife as well as mutuality, and evocatively captures the dynamics of the creation of poetic identity in sixteenth-century French writings, including the fraught relationship between poet and verse, and the struggle between originality, emulation and independence. Seen against this backdrop, the substantive ‘self’ reflects not so much ‘modern’ identity as we know it, but a poetic identity encapsulated in the complex doubleness of Anteros.
本文首先考虑了诗人菲利普·德波尔特斯(1581)的一篇《抱怨》,其中包含了法语中第一次使用实质性的“自我”(“et autre-moy”)的记录。继Terence Cave(1999)之后,它强调了一个事实,即它发生在文艺复兴时期关于友谊的著作的背景下,主要受到“亚里士多德西塞罗模式”的影响。它提出,除了这种公认的友谊模式之外,还有另一种相互竞争的模式,即基于神话人物安特罗斯的“顺行”模式。顺行模式植根于冲突和相互性,并令人回味地捕捉到16世纪法国作品中诗歌身份创造的动态,包括诗人和诗歌之间令人担忧的关系,以及独创性、模仿性和独立性之间的斗争。在这种背景下,实质性的“自我”反映的与其说是我们所知道的“现代”身份,不如说是一种诗意的身份,这种身份被安特罗斯复杂的双重性所包裹。
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引用次数: 1
Louis Daniel Lecomte (1655–1728): A Jesuit Commentator on Chinese Politics 路易·丹尼尔·莱孔特(1655-1728):耶稣会中国政治评论家
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2020.1755134
Gwynedd Harley
Louis Daniel Lecomte was one of five Jesuits sent to China in 1685, the missionaries' role, however, was not just evangelical. The Académie Royale des Sciences had provided a questionnaire to complete concerning China's arts and sciences: a significant difference from previous foreign missions. The Nouveaux Mémoires sur l'état présent de la Chine first published in 1696 provided an initial report of those aspects the Academie had requested. Lecomte, however, did not confine himself to the questionnaire and provided observations which gave a very interesting insight into both China and France's social, political and economic situation at the end of the seventeenth century. Information gleaned from texts like Lecomte's may have enhanced China's pivotal role in the formation of the ‘esprit philosophique’. In this article the author has chosen to consider Lecomte's very telling comments on China's political system with particular reference to the philosophy of government and the monarchy.
路易·丹尼尔·勒孔特是1685年被派往中国的五位耶稣会士之一,然而,传教士的角色不仅仅是传福音。皇家科学院提供了一份关于中国艺术和科学的问卷,这与以前的外国使团有很大的不同。1696年首次出版的《中国的新 /或与之相关的 与之相关的与之相关的与之相关的文件》提供了学院所要求的这些方面的初步报告。然而,勒孔特并没有把自己局限于问卷调查,他提供的观察结果对17世纪末中国和法国的社会、政治和经济状况提供了非常有趣的见解。从像勒孔特这样的文本中收集到的信息可能增强了中国在“精神哲学”形成中的关键作用。在本文中,作者选择考虑勒孔特对中国政治制度的非常有说服力的评论,特别是关于政府哲学和君主制度的评论。
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引用次数: 1
Ronsard and the Ghost of Astyanax 朗萨德与阿斯提纳克斯之魂
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2020.1735054
Alice Roullière
This article examines the emergence and transformation of Francion’s epic character in Ronsard’s works from 1550 to 1578. This study of Francion’s genesis in Ronsard’s works relies on the close reading of the variations of the ‘Ode de la paix’ and the beginning of the Franciade, as well as on the analysis of the myth’s reception before and after 1572. In the 1550 ‘Ode de la paix’, the memory of the Virgilian intertext directly undermines the epic hero’s identity since he is presented as Hector’s only son, who in the classical tradition is named Astyanax and dies in Troy. Drawing on the problematic memory of Astyanax, the author studies how Francion’s fragile identity illustrates the complexity of the Renaissance concept of imitation and the difficulty of creating a national myth for France.
本文考察了1550年至1578年朗萨尔作品中弗朗西翁史诗人物的出现和转变。对朗萨尔作品中弗朗西翁起源的研究依赖于对《和平颂》的变体和《弗朗西翁》开头的仔细阅读,以及对1572年前后神话的接受情况的分析。在1550年的《和平颂》中,对弗吉尼亚互文的记忆直接破坏了这位史诗英雄的身份,因为他是赫克托耳唯一的儿子,在古典传统中被称为阿斯提亚纳克斯,死于特洛伊。通过对阿斯提亚纳克斯充满疑问的记忆,作者研究了弗朗西翁脆弱的身份如何说明了文艺复兴时期模仿概念的复杂性,以及为法国创造一个民族神话的难度。
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引用次数: 1
Editor’s Note 编者按
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2020.1791409
Timothy Chesters
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引用次数: 0
The Human-Animal Debate and the Enlightenment Body Politic: Emilie Du Châtelet’s Reading of Mandeville’s Fable of the Bees 人与动物之争与启蒙政体——艾米丽·杜夏特莱解读曼德维尔的《蜜蜂寓言》
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2020.1775430
Elisabeth Wallmann
This article rereads Bernard Mandeville’s infamous poem The Fable of the Bees: or, Private Vices Publick Benefits (1714; 1723; 1729) and Emilie du Châtelet’s French translation (1735-1738) in the context of the eighteenth-century debates around the differences between humans and animals. It argues that the considerable alterations to the text undertaken by Châtelet should be understood as a response to Mandeville’s vitalistic theories of physical and political bodies, and their implications for his theory of political economy. Through close readings of the two versions of the Fable, the article shows that Châtelet’s reworking circumvents the idea – central to Mandeville’s text – that all living bodies, whether human or animal, are interconnected systems animated by vital ‘spirits’. I thus use Mandeville’s and Châtelet’s texts as a window for exploring the implications of different positions in the debate on the animal-human hierarchy.
这篇文章重读了Bernard Mandeville臭名昭著的诗歌《蜜蜂寓言:或,私人牧师的公共利益》(1714;1723;1729)和Emilie du Châtelet的法语翻译(1735-1738),背景是18世纪关于人类和动物差异的争论。它认为,Châtelet对文本进行的大量修改应该被理解为对Mandeville关于物理和政治身体的生命论的回应,以及这些理论对他的政治经济学理论的影响。通过仔细阅读《寓言》的两个版本,这篇文章表明,沙特尔的重新创作绕过了曼德维尔文本的核心思想,即所有的生命体,无论是人还是动物,都是由重要的“精神”驱动的相互连接的系统。因此,我将Mandeville和Châtelet的文本作为一个窗口,探索在关于动物-人类等级制度的辩论中不同立场的含义。
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引用次数: 1
‘Fantôme de devoir’: The Princesse de Clèves’s Haunting Duty 饰演角色:The Princess of Clèves's Haunting Duty
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2020.1775429
Benjamin Fancy
This article explores the ways in which the characters of Marie-Madeleine de Lafayette's La Princesse de Clèves manipulate the conventions surrounding death in seventeenth-century France. It argues that Mme de Chartres prevents her daughter from participating in the traditional ceremonies surrounding death that were intended to comfort the living as much as the dying. In so doing, Mme de Chartres creates a sort of psychic ghost. One such manifestation of this ghost is the term ‘devoir,’ one that Mme de Chartres herself used in life. M. de Clèves's later death functions as a rewriting of Mme de Chartres's; it provides an opportunity for the princess to assert herself as an active participant in her husband's deathbed scene, a role which her mother had not previously allowed her to assume. This motivates the princess to retreat to a convent, where no one, not even the narrator, bears witness to her passing.
本文探讨了玛丽·马德琳·德·拉斐特(Marie Madeleine de Lafayette)的《Clèves王子》(La Princesse de Clève)中的人物如何操纵17世纪法国围绕死亡的传统。它认为,沙特尔夫人阻止她的女儿参加围绕死亡的传统仪式,这些仪式旨在安慰生者和垂死者。在这样做的过程中,沙特尔夫人创造了一种精神幽灵。这种鬼魂的一个表现形式是“devoir”一词,这是沙特尔夫人自己在生活中使用的一个词。M.de Clèves后来的死是对沙特尔夫人的改写;这为公主提供了一个机会,让她在丈夫的临终场景中积极参与,而她的母亲以前不允许她扮演这个角色。这促使公主撤退到一个修道院,在那里没有人,甚至连叙述者都没有见证她的去世。
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引用次数: 1
Salvation in the Vernacular: The New Testament of Mons and Post-Tridentine Piety 白话中的救赎:孟的新约和后三一时代的虔诚
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2020-01-02 DOI: 10.1080/20563035.2019.1672988
Elizaveta Al-Faradzh
In 1667, a group of intellectuals associated with the monastery of Port-Royal printed and distributed a new version of the New Testament in French. This article places their translation within the broader context of post-Tridentine devotional practices, and describes the polemics that followed the publication. The Port-Royal ideal of devotion placed the text of the Scriptures at its foundation. This ideal and its enactment in publishing an accessible Bible aroused criticism and drove Antoine Arnauld to publicly defend and justify the project. Critics condemned the doctrine of universal access to the Bible, the encouragement of women and simple people to read Scripture, and the very method of translation adopted by Port-Royal. The Port-Royal authors considered the ‘fidelity’ of a translation to require the resultant text to be easily intelligible. But the translators’ focus on accessibility was not limited to language; they pursued the publication of their work in a variety of formats to promote its distribution and use among a wide section of the literate society.
1667年,一群与皇家港修道院有联系的知识分子用法语印刷并分发了新版《新约》。这篇文章将他们的翻译放在后三叉戟宗教实践的更广泛背景下,并描述了出版后的争论。皇家港的奉献理想将圣经文本置于其基础之上。这一理想及其在出版通俗易懂的《圣经》中的实施引起了批评,并促使安托万·阿诺德公开为该项目辩护和辩护。批评者谴责普遍获取《圣经》的教义,鼓励妇女和普通人阅读《圣经》,以及皇家港采用的翻译方法。皇家港的作者认为翻译的“保真度”要求译文易于理解。但译者对无障碍性的关注并不局限于语言;他们致力于以各种形式出版自己的作品,以促进其在广大识字社会中的传播和使用。
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引用次数: 1
4.1B suppresses cancer cell proliferation by binding to EGFR P13 region of intracellular juxtamembrane segment. 4.1B 通过与细胞内并膜段的表皮生长因子受体 P13 区结合,抑制癌细胞增殖。
IF 8.2 3区 历史学 Q2 HISTORY Pub Date : 2019-09-06 DOI: 10.1186/s12964-019-0431-6
Fumin Xue, Chao An, Lixiang Chen, Gang Liu, Feifei Ren, Xinhua Guo, Haibin Sun, Lu Mei, Xiangdong Sun, Jinpeng Li, Youcai Tang, Xiuli An, Pengyuan Zheng

Background: Gastric cancer (GC) has high incidence and mortality worldwide. However, the underlying mechanisms that regulate gastric carcinogenesis are largely undefined. 4.1B is an adaptor protein found at the interface of membrane and the cytoskeleton. Previous studies demonstrated that 4.1B serves as tumor suppressor.

Results: We showed that 4.1B expression was decreased or lost in most GC patients. The expression pattern of it was tightly correlated with tumor size, TNM stage and overall survival (OS). We further showed that 4.1B inhibited the proliferation of two GC cell lines, MGC-803 and MKN-45, by impeding the EGFR/MAPK/ERK1/2 and PI3K/AKT pathways. A similar phenotype was also observed in immortalized mouse embryonic fibroblasts (MEF) derived from wild type (WT) and 4.1B knock-out (BKO) mice. Additionally, immunofluorescence (IF) staining and Co-IP showed that protein 4.1B bound to EGFR. Furthermore, the FERM domain of 4.1B interacted with EGFR through the initial 13 amino acids (P13) of the intracellular juxtamembrane (JM) segment of EGFR. The binding of 4.1B to EGFR inhibited dimerization and autophosphorylation of EGFR.

Conclusion: Our present work revealed that 4.1B plays important regulatory roles in the proliferation of GC cells by binding to EGFR and inhibiting EGFR function through an EGFR/MAPK/ERK1/2 pathway. Our results provide novel insight into the mechanism of the development and progression of GC.

背景:胃癌(GC)在全球的发病率和死亡率都很高。然而,调控胃癌发生的潜在机制在很大程度上尚未明确。4.1B 是一种存在于膜和细胞骨架界面的适配蛋白。先前的研究表明,4.1B 是一种肿瘤抑制因子:结果:我们发现大多数 GC 患者的 4.1B 表达减少或消失。结果:我们发现在大多数 GC 患者中,4.1B 表达减少或消失,其表达模式与肿瘤大小、TNM 分期和总生存期(OS)密切相关。我们进一步发现,4.1B通过抑制表皮生长因子受体/MAPK/ERK1/2和PI3K/AKT通路,抑制了MGC-803和MKN-45两种GC细胞株的增殖。在来自野生型(WT)和 4.1B 基因敲除(BKO)小鼠的永生化小鼠胚胎成纤维细胞(MEF)中也观察到了类似的表型。此外,免疫荧光(IF)染色和 Co-IP 显示,蛋白 4.1B 与表皮生长因子受体结合。此外,4.1B的FERM结构域通过表皮生长因子受体胞内并膜(JM)段的最初13个氨基酸(P13)与表皮生长因子受体相互作用。4.1B 与表皮生长因子受体的结合抑制了表皮生长因子受体的二聚化和自身磷酸化:我们的研究发现,4.1B通过与表皮生长因子受体结合,并通过表皮生长因子受体/MAPK/ERK1/2途径抑制表皮生长因子受体的功能,从而在GC细胞的增殖过程中发挥重要的调控作用。我们的研究结果为了解 GC 的发生和发展机制提供了新的视角。
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引用次数: 0
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Early Modern French Studies
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