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Peter Kivisto's The Trump Phenomenon: How Politics of Populism Won in 2016 彼得·基维斯托的《特朗普现象:民粹主义政治如何在2016年获胜》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5796
Hilmar Mjelde
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引用次数: 0
Chocolate Suburb, Vanilla Power: Race, Space and Civil Unrest in Ferguson 巧克力郊区,香草力量:种族,空间和弗格森的内乱
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/ASCA.V50I2.5775
Chanhaeng Lee
In this article, I argue that the demographic and political restructuring of city−suburb dynamics in the United States is key to understanding what happened in Ferguson, Missouri, in the summer of 2014. Ferguson, a once-vanilla suburb where the overwhelming majority of residents were white Americans, was deterritorialized from the 1970s onward into a suburb where black Americans became the majority group. However, the whites, as a demographic minority, were still in control and tried to reterritorialize the black suburb. I maintain that the inevitable result of this disjunction between the chocolate suburb and vanilla power was racial antagonism, which exploded in Ferguson in 2014.
在本文中,我认为美国城市-郊区动态的人口结构和政治重组是理解2014年夏天密苏里州弗格森发生的事情的关键。弗格森曾经是一个普通的郊区,绝大多数居民是美国白人,从20世纪70年代开始,它被剥夺了领土,变成了一个黑人成为多数群体的郊区。然而,白人作为人口上的少数群体,仍然控制着黑人郊区,并试图重新占领黑人郊区。我坚持认为,巧克力郊区和香草权力之间的这种脱节不可避免地导致了种族对立,这种对立于2014年在弗格森爆发。
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引用次数: 0
Juliette Wells' Reading Austen in America 朱丽叶·威尔斯的《在美国读奥斯汀
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/asca.v50i2.5785
M. Troy
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引用次数: 0
The Resilience of Camelot: The Kennedy Myth in Danish Newspapers during the Cold War 卡梅洛特的恢复力:冷战期间丹麦报纸上的肯尼迪神话
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/ASCA.V50I2.5778
R. Søndergaard
John F. Kennedy holds a unique position in American public memory and opinion polls continuously rank Kennedy among the best presidents. The scholarly assessment of Kennedy, however, has changed considerably over time and holds a decisively less celebratory appraisal of Kennedy today. This dissonance between public opinion and scholarly assessment is closely connected to the so-called Kennedy Myth, which presents an idealized mythological image of Kennedy. Existing scholarship has demonstrated that Kennedy was immensely popular among Danes up until his assassination in 1963. However, little is known about how Danish perceptions of Kennedy developed over time. This article traces the portrayal of Kennedy in four major Danish newspapers from 1963 to the end of the Cold War. The article finds a clear manifestation of the Kennedy Myth throughout the period. Moreover, the article demonstrates that exposure to scholarly criticism and increased awareness of the existence of the Kennedy Myth does little to damage positive appraisals of Kennedy. The article thus testifies to the resilience of the Kennedy Myth across both space and time.
约翰·肯尼迪在美国公众记忆中占有独特的地位,民意调查不断将肯尼迪列为最佳总统之一。然而,随着时间的推移,学术界对肯尼迪的评价发生了很大变化,对今天的肯尼迪的评价显然不那么值得庆祝。公众舆论和学术评价之间的这种不和谐与所谓的肯尼迪神话密切相关,后者呈现了肯尼迪理想化的神话形象。现有的学术研究表明,肯尼迪在丹麦人中非常受欢迎,直到1963年遇刺。然而,丹麦人对肯尼迪的看法是如何随着时间的推移而发展的,目前还知之甚少。这篇文章追溯了从1963年到冷战结束,丹麦四大报纸对肯尼迪的描述。这篇文章发现了肯尼迪神话在整个时期的清晰表现。此外,这篇文章表明,接触学术批评和提高对肯尼迪神话存在的认识并不会损害对肯尼迪的积极评价。因此,这篇文章证明了肯尼迪神话在空间和时间上的韧性。
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引用次数: 0
Sielke, Sabine's (ed) (in collaboration with Björn Bosserhoff) Nostalgie / Nostalgia – Imaginierte Zeit-Räume in globalen Medienkulturen / Imagined Time-Spaces in Global Media Cultures Sielke,Sabine(编辑)(与Björn Bosserhoff合作)怀旧
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/asca.v50i2.5783
Rieke Jordan
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引用次数: 1
Sexual Politics of the Gaze and Objectification of the (Immigrant) Woman in Jhumpa Lahiri’s Interpreter of Maladies 琼帕·拉希里《疾病诠释者》中(移民)女性凝视与物化的性政治
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/ASCA.V50I2.5779
Moussa Pourya Asl, Nurul Farhana Low Abdullah, Md. Salleh Yaapar
Gayatri Spivak’s repeated accusations against the hyphenated Americans of colluding in their own exploitation is noteworthy in the context of diasporic writers’ portrayal of immigrant women within the prevailing discourse of anti-Communism in the United States. The woman in South Asian American writings is often portrayed as still stuck in the traditional prescribed gender roles imposed by patriarchal society. This essay explores Jhumpa Lahiri’s literary engagement with the contemporary racialization and gendering of a collective subject described as the Indian diaspora in her Pulitzer Prize winning short story collection, Interpreter of Maladies (1999). Specifically, it focuses on the two stories of “Sexy” and “The Treatment of Bibi Haldar” to analyse the manner dynamics of the gaze operate between the male and female characters. The numerous acts of looking that take place in these stories fall naturally into two major categories: the psychoanalytic look of voyeurism and the historicist gaze of surveillance. Through a rapprochement between the two seemingly different fields of the socius and the psychic, the study concludes that the material and ideological specificities of the stories that formulate a particular group of women as powerless, passive, alien and monstrous are rooted in the contradictory cultural and moral imperatives of the contemporary American society.
加亚特里·斯皮瓦克一再指责有连字符的美国人勾结剥削自己,这一点值得注意,因为散居作家在美国盛行的反共话语中描绘了移民女性。南亚裔美国人笔下的女性经常被描绘成仍然固守父权社会强加的传统性别角色。本文探讨了琼帕·拉希里在普利策奖获奖短篇小说集《马拉迪的口译员》(1999)中对一个被描述为印度侨民的集体主题的当代种族化和性别化的文学参与。具体来说,它聚焦于《性感》和《比比·哈尔达的治疗》这两个故事,来分析男性和女性角色之间凝视的动态运作方式。在这些故事中发生的众多凝视行为自然分为两大类:偷窥主义的精神分析凝视和监视的历史主义凝视。通过社会和心理这两个看似不同的领域之间的和解,该研究得出结论,将特定女性群体塑造成无能为力、被动、陌生和可怕的故事的物质和意识形态特征植根于当代美国社会矛盾的文化和道德要求。
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引用次数: 6
Editor's Note 编者按
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/asca.v50i2.5774
J. Lahti
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引用次数: 0
Richard White's The Republic for Which it Stands: The United States During Reconstruction And the Gilded Age, 1865-1896 理查德·怀特的《它所代表的共和国:重建和镀金时代的美国,1865-1896》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/asca.v50i2.5786
T. Cobb
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引用次数: 0
Robert Wuthnow's American Misfits and the Making of Middle-Class Respectability 罗伯特·伍斯诺的《美国不合群者与中产阶级体面地位的形成》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/ASCA.V50I2.5781
Benny Carlson
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引用次数: 0
Demystifying the Sublime City in Paul Auster’s In the Country of Last Things 在保罗·奥斯特的《最后事物的国度》中揭开崇高城市的神秘面纱
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-10-30 DOI: 10.22439/ASCA.V50I2.5776
H. Karadeniz
The present study discusses the demystification of the urban sublime in Paul Auster’s In the Country of Last Things. It sets the term in a US context and discusses its specificity through the examination of the relationship of the urban sublime with a pair of interrelated concepts: the technological sublime and the consumer’s sublime. This theoretical preview verifies that the architectural and technological structure of the city has been subordinated to the logics of capitalist economy. The paper evaluates Auster’s novel as a critique of the deferential elevation of the urban landscape through its reduction to the dystopian images of garbage and waste; through the reversal of the object of the sublime from the infinitely large to the infinitely small, from the urban to the natural; and through the subversion of the power dynamics attributed to the skyscraper, the central emblem of the urban sublime. It asserts that the foregrounding of the act of falling, set against the pronounced upward orientation of the urban landscape, defines the city as an inherently lethal area capable of arousing a single passion linked to the notion of the sublime—terror.
本研究探讨了保罗·奥斯特的《在最后的东西的国度》中对城市崇高的去神秘化。它将这个词放在美国的背景下,并通过考察城市崇高与一对相互关联的概念的关系来讨论它的特殊性:技术崇高和消费者崇高。这一理论预览验证了城市的建筑和技术结构已经服从资本主义经济的逻辑。本文将奥斯特的小说评价为通过将其还原为垃圾和废物的反乌托邦形象,对城市景观的尊重提升的批判;通过对崇高对象从无限大到无限小、从城市到自然的逆转;通过颠覆摩天大楼的权力动态,摩天大楼是城市崇高的中心象征。它断言,坠落行为的前景性,与城市景观明显的向上方向相反,将城市定义为一个天生致命的区域,能够唤起与崇高概念——恐怖——相关的单一激情。
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引用次数: 0
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