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El primer PSOE ante el sufragio universal (1879-1891): el movimiento obrero como agente democratizador en el sistema de la Restauración 普选前的第一个PSOE(1879-1891):作为复辟制度民主化代理人的劳工运动
IF 0.1 Q2 HISTORY Pub Date : 2021-03-31 DOI: 10.15366/RHA2021.18.005
Adrián Sánchez Castillo
The beginnings of the labour movement in contemporary history that addresses the nineteenth century, both internationally and in its national histories, are usually linked, in practical terms, to the economic struggle in the class society shaped by the Industrial Revolution and, in theoretical terms, to the ideological evolution of its different organized currents. It is already in the studies dedicated to the twentieth century where we find the greatest incidence of the role played by the labour movement in the democratisation of contemporary societies. Taking into account the key influence that socialism would have 1 Mi agradecimiento al profesor Juan Ignacio Marcuello Benedicto, catedrático de Historia Contemporánea de la UAM, que inspiró y corrigió una primera versión de este trabajo, a las evaluaciones externas, imprescindibles en sus apuntes, y a Juan Manuel Municio, por sus siempre certeros comentarios y sugerencias. Recibido: 21 de abril de 2020; aceptado: 25 de noviembre de 2020; publicado: 31 de marzo de 2021. Revista Historia Autónoma, 18 (2021), pp. 91-108 e-ISSN: 2254-8726; https://doi.org/10.15366/rha2021.18.005 92 Revista Historia Autónoma, 18 (2021), e-ISSN: 2254-8726 on this process in Spain, this paper analyses the most remote origins of its democratizing political practice around the question of universal suffrage in the systemic context of the Restoration with the aim of understanding the foundations of a subject that would bring thousands of people into the political society of the period for the first time.
当代史上涉及19世纪的劳工运动的开端,无论是在国际上还是在其国家历史上,在实践方面,通常与工业革命塑造的阶级社会中的经济斗争有关,在理论上,也与其不同组织潮流的意识形态演变有关。在致力于二十世纪的研究中,我们发现劳工运动在当代社会民主化中发挥的作用发生率最高。考虑到社会主义将对Juan Ignacio Marcuello Benedicto教授、UAM当代历史研究所、trabajo首席执行官的激励和认可、外部评估、对未来的印象以及Juan Manuel Municio教授的重要影响。累西比多:2020年3月21日;2020年11月25日;出版日期:2021年3月31日。《Autónoma历史评论》,18(2021),第91-108页,电子版:2254-8726;https://doi.org/10.15366/rha2021.18.00592《Autónoma历史评论》,18(2021),e-ISSN:2254-8726,关于西班牙的这一进程,本文围绕复辟的制度背景下的普选问题,分析了其民主化政治实践最遥远的根源,目的是了解一个将成千上万人首次带入这一时期政治社会的主题的基础。
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引用次数: 1
Considering unemployment in Ecuador during the Great Depression 考虑大萧条时期厄瓜多尔的失业问题
IF 0.1 Q2 HISTORY Pub Date : 2021-03-31 DOI: 10.15366/RHA2021.18.006
Cristian Paúl Naranjo Navas
The Great Depression struck Latin America through the commerce: the reduction in revenues from the external commerce spread to the rest of the economy, resulting in the continue decreasing of the monetary supply. The Ecuadorian monetary policy until 1932, based on the gold standard, faced the phenomenon of deflation, which caused real salaries to grow. Since 1932, the monetary supply increased due to the abandonment of the gold standard, which caused real wages to decreased. In the same period, from 1928 to 1935, the primary data of the central offices of eight institutions shows that public employment decreased abruptly from 1928 to 1930, from 109.4 to 83.1 points (1927=100). After 1930, there was a quick recovery until 1932, and, from this point in time, it remained relatively stable until 1935. This article constructs, for the first time in the Ecuadorian historiography, an employment index which serves to see employment as the adjustment variable of the Great Depression.
大萧条通过商业打击了拉丁美洲:外部商业收入的减少蔓延到了经济的其他部分,导致货币供应持续减少。直到1932年,厄瓜多尔以金本位为基础的货币政策都面临着通货紧缩现象,这导致了实际工资的增长。自1932年以来,由于放弃金本位制,货币供应量增加,导致实际工资下降。同一时期,从1928年到1935年,八个机构的中央办公室的初步数据显示,公共就业在1928年到1930年急剧下降,从109.4点下降到83.1点(1927=100)。1930年之后,经济迅速复苏,直到1932年,从那时起,经济一直保持相对稳定,直到1935年。本文在厄瓜多尔史学史上首次构建了一个就业指数,将就业视为大萧条的调整变量。
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引用次数: 1
De metáforas travestis y cuerpos transexuales: problemas de interpretación en torno a Una mala noche la tiene cualquiera de Eduardo Mendicutti 关于异装癖的隐喻和变性的身体:关于一个糟糕的夜晚的解释问题有爱德华多·门迪库蒂的任何一个
IF 0.1 Q2 HISTORY Pub Date : 2021-03-31 DOI: 10.15366/RHA2021.18.008
Pablo Romero Velasco
In this paper, we offer a reflection, based on the novel Una mala noche la tiene cualquiera, published in 1982 by Eduardo Mendicutti, on the view of transsexuality in the Spanish culture and counterculture during the Transición. Specifically, we focus on how the erection of the transsexual as a symbol of democratic freedom and the challenge to Francoist ideology led to the omission of the poor social situation of transexual people during that period. Mendicutti’s book, which narrates the night of the attempted coup 1 Este artículo es un resultado de la investigación doctoral del autor, enmarcada en el proyecto de investigación «La construcción discursiva del conflicto: territorialidad, imagen de la enfermedad e identidades de género en la literatura y la comunicación social» (Referencia FFI2017-85227-R), financiado por el Ministerio de Ciencia, y ha sido posible gracias a una ayuda para la contratación predoctoral FPU (referencia FPU15/00993), otorgada por el Ministerio de Educación. Recibido: 2 de febrero de 2020; aceptado: 25 de enero de 2021; publicado: 31 de marzo de 2021. Revista Historia Autónoma, 18 (2021), pp. 149-164 e-ISSN: 2254-8726; https://doi.org/10.15366/rha2021.18.008 150 Revista Historia Autónoma, 18 (2021), e-ISSN: 2254-8726 d’etat of 23F through the voice of La Madelón, a transsexual woman, has been read by critics as a reading, either critical or celebratory, of the political conquests and contradictions of the transitional period, ignoring the portrait that the writer from Cádiz makes of his protagonist’s own social and material experience.
在本文中,我们根据Eduardo Mendicutti于1982年出版的小说《Una mala noche la tiene cualquiera》,对转型期间西班牙文化和反文化中的易变性进行了反思。具体地说,我们关注变性人作为民主自由象征的建立以及对弗朗索瓦意识形态的挑战如何导致忽视这一时期变性人的社会贫困状况。Mendicutti的书,讲述了被诱惑的政变之夜1这篇文章是作者博士研究的结果,在研究项目“冲突的话语构建:“文学和社会传播中的领土、疾病形象和性别认同”(参考FFI2017-85227-R),由科学部资助,并通过教育部授予的博士前招聘援助FPU(参考FPU15/00993)而成为可能。收到日期:2020年2月2日;录用日期:2021年1月25日;发布日期:2021年3月31日。《Historia autonoma》杂志,18(2021),149-164页https://doi.org/10.15366/rha2021.18.008 150、18(续约)、e-ISSN自治杂志故事:2254-8726 d”of 23F through the voice of Madelón, transsexual woman has been read by critics as a reading, critical or celebratory, of the political conquests and contradictions of the谷period, ignoring the portrait that the writer from加的身份曾protagonist own社会和材料experience。
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引用次数: 1
Bailando en el Museo Reina Sofía. El Judson Dance Theater, más allá de la danza minimalista 在索菲亚王后博物馆跳舞。朱德森舞蹈剧院,超越极简主义舞蹈
IF 0.1 Q2 HISTORY Pub Date : 2021-03-31 DOI: 10.15366/rha2021.18.010
Blanca Molina Olmos
Una vez conocida la manera en que se ha introducido la danza en diversos museos del panorama internacional, así como los textos, propuestas expositivas y otras iniciativas que reflexionan sobre el papel que adquiere esta en relación con el cubo blanco; se torna apremiante explorar el contexto español, marcado por una dilatada ausencia y escasez de fuentes. Así, este artículo plantea una primera aproximación a los procesos de musealización de la danza en España.Para ello, explora cómo se ha introducido la disciplina en el Museo Nacional Centro de Arte Reina Sofía, profundiza en su gestión en el área de colecciones y toma como objeto de estudio la Sala 104.04, Performance e Interacción. Judson Dance Theater, perteneciente a la Colección 3: De la revuelta a la posmodernidad (1962-1982).
一旦我们知道了舞蹈是如何被引入国际舞台的各个博物馆的,以及文本、展览建议和其他倡议,反映了它在白色立方体方面所扮演的角色;在这篇文章中,我们分析了西班牙语作为一种语言的使用,以及它在西班牙语中的使用。因此,本文提出了西班牙舞蹈博物馆化过程的第一个方法。为了做到这一点,它探索了雷纳sofia国家艺术中心是如何引入这一学科的,深化了它在收藏领域的管理,并以104.04房间、表演和互动为研究对象。贾德森舞蹈剧院,收藏3:从反抗到后现代(1962-1982)。
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引用次数: 0
El imaginario artístico de “lo vasco”. Prácticas y políticas culturales a finales del siglo XX 《巴斯克人》的艺术想象。20世纪末的文化实践和政策
IF 0.1 Q2 HISTORY Pub Date : 2021-03-31 DOI: 10.15366/RHA2021.18.009
Ane Lekuona Mariscal
El artículo analiza el cruce iniciado a partir de los años de la transición entre el discurso cultural del Gobierno Vasco y la difusión reiterada del lenguaje plástico de los escultores que habían participado en los años sesenta en el grupo guipuzcoano Gaur. Se estudian las razones que motivaron esta unión entre las directrices políticas y el imaginario artístico, así como los cambios que se han ido produciendo hasta la actualidad y sus efectos. Por otra parte, se analiza la relación entre dicho fenómeno y la configuración de la historia del arte del País Vasco de la segunda mitad del siglo xx.
本文分析了巴斯克政府的文化话语与60年代参与gipuzkoan Gaur集团的雕塑家造型语言的反复传播之间的交叉。本文分析了政治指导方针和艺术想象之间的联系,以及迄今为止发生的变化及其影响。本文分析了20世纪下半叶巴斯克地区艺术史的形成与这一现象之间的关系。
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引用次数: 0
Baile, ruido y algarabía: un acercamiento a la interpretación de las “folías portuguesas” 舞蹈、噪音和喧闹:解读“葡萄牙树叶”的一种方法
IF 0.1 Q2 HISTORY Pub Date : 2021-03-31 DOI: 10.15366/RHA2021.18.002
Cristina Roldán Fidalgo
Throughout history, the term “folia” has been used to designate different literary and musical manifestations, which has contributed to the confusion that prevails today about its meaning. At the end of the 15th century and during the 16th century, the name “Portuguese folias” was used to refer to a performance in which dance, racket and noise seem to have been the protagonists, and whose distinctive characteristics are still little known. The present paper aims to shed light on these “folias” through contemporary sources.
纵观历史,“folia”一词被用来指不同的文学和音乐表现形式,这导致了今天对其含义的混淆。在15世纪末和16世纪,“葡萄牙folias”这个名字被用来指一种表演,其中舞蹈,球拍和噪音似乎是主角,其独特的特点仍然鲜为人知。本文旨在通过当代资料来阐明这些“叶面”。
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引用次数: 0
Venta de Borondo (Daimiel, Ciudad Real). Actuaciones arqueológicas para la recuperación de un bien singular 出售Borondo (Daimiel, Ciudad Real)。为恢复一处独特财产而进行的考古行动
IF 0.1 Q2 HISTORY Pub Date : 2020-09-30 DOI: 10.15366/RHA2020.17.003
M. Mas, David Cejudo Loro, Mª Isabel Angulo Bujanda, H. García
Venta de Borondo (Daimiel, Ciudad Real, Spain) is one of the last exponents of a late medieval and early modern architectural typology, as were the plains inns. In this historic site, in which the western tower stands out, it is possible to identify the particularities of these kind of constructions, which could have inspired Miguel de Cervantes to recreate one of them in its worldwide known work Don Quixote of La Mancha.Despite its transcendence, the lack of maintenance works has caused a progressive deterioration of its structures, with a serious risk of collapse in certain areas. For these reasons, since 2017, several actions have been undertaken with the aim of studying, preserving and communicating this emblematic heritage site. Through this article, we try to raise awareness of the singularities of this building, as well as to describe the works that are being carried out to preserve this exceptional legacy.
Venta de Borondo(西班牙Real城的Daimiel)是中世纪晚期和早期现代建筑类型的最后代表之一,就像平原旅馆一样。在这个历史遗迹中,西塔格外引人注目,我们可以识别出这种建筑的特殊性,这可能会激发米格尔·德·塞万提斯在其举世闻名的作品《拉曼查的堂吉诃德》中重现其中的一个。尽管它超然,但由于缺乏维修工程,其结构逐渐老化,某些地区有严重的倒塌危险。出于这些原因,自2017年以来,已经采取了一些行动,旨在研究、保护和传播这一具有象征意义的遗产。通过这篇文章,我们试图提高人们对这座建筑独特性的认识,并描述正在进行的保护这一特殊遗产的工作。
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引用次数: 0
Tracios en Hispania 西班牙裔色雷斯人
IF 0.1 Q2 HISTORY Pub Date : 2020-09-30 DOI: 10.15366/RHA2020.17.002
José Ortiz de Córdoba
The main objective of this article is to compile and study the epigraphic documentation related to the presence of Thracian immigrants origin in the Iberian Peninsula. We aim to offer an updated epigraphic catalogue and a synthesis of this emigration. Among other elements, the causes that motivated the displacements, the onomastics of the detected immigrants and the activity that they developed in Hispania will be studied.
本文的主要目的是汇编和研究与伊比利亚半岛色雷斯移民有关的金石文献。我们的目标是提供一个更新的碑文目录和这次移民的综合。除其他因素外,将研究造成流离失所的原因、被发现的移民的经济特征以及他们在伊斯帕尼亚岛开展的活动。
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引用次数: 0
Luchas políticas y legitimación religiosa en Esparta tras la guerra del Peloponeso (404-371 a. C.) 伯罗奔尼撒战争(公元前404-371年)后斯巴达的政治斗争和宗教合法化
IF 0.1 Q2 HISTORY Pub Date : 2020-09-30 DOI: 10.15366/RHA2020.17.001
Javier Jara Herrero
espanolEl final de la guerra del Peloponeso confirio a los espartanos la hegemonia politica sobre la Helade y la posibilidad de interferir mas alla de las fronteras griegas. Sin embargo, el siglo IV a. C. fue tambien testigo de la agudizacion de las tensiones en el seno de la clase dirigente de Esparta y de la union de diversos estados en contra del dominio lacedemonio. Mediante el analisis de las fuentes antiguas y con el apoyo de las investigaciones de la historiografia moderna, este articulo trata de examinar la influencia ejercida por la religion en Esparta hasta la batalla de Leuctra, tanto en su politica exterior como en las diversas luchas politicas internas. EnglishThe end of the Peloponnesian War conferred on the Spartans the political hegemony over Hellas and the option of interfering beyond Greek border areas. However, the 4th century BC also was a witness of the tensions’ aggravation within the ruling elite of Sparta and the union of various states against the Spartan domain. This paper tries to analyse, through the study of ancient sources and with the support of investigations from modern historiography, the influence exerted by religion in Sparta up to the Battle of Leuctra, both in its foreign policy and in the various internal political struggles.
伯罗奔尼撒战争的结束赋予了斯巴达对希腊的政治霸权和干涉希腊边界的可能性。然而,在公元前4世纪,斯巴达统治阶级内部的紧张局势加剧,几个国家联合起来反对拉斯狄蒙德的统治。通过旧来源分析和现代historiografia调查的支持下,这篇文章讨论宗教在斯巴达对影响到战斗Leuctra外交政治和国内政策的各种斗争。EnglishThe end of the Peloponnesian War conferred on the Spartans the political hegemony over着and the控制interfering beyond希腊边境地区。然而,the 4th century BC也was a witness of the地方精英“aggravation within the就of Sparta and the union of解决states against the Spartan domain。这篇论文试图通过对古代资料的研究和现代史学研究,分析斯巴达宗教对卢克特拉战役的影响,包括外交政策和各种国内政治斗争。
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引用次数: 0
El Greco en la historia del arte occidental en Japón 日本西方艺术史上的希腊
IF 0.1 Q2 HISTORY Pub Date : 2020-09-30 DOI: 10.15366/RHA2020.17.004
Keiko Ozaki
The Ohara Museum of Art in Japan preserves The Annunciation by El Greco, which was purchased on 1922 in Paris. During the Meiji era (1868-1912), the Japanese painters with western style focused their attention on France as a pictorical reference. At the same time, the re-evaluation of El Greco began in France and gradually was spread throughout Europa. This paper attempts to show the historical itinerary in which those Japanese painters discovered El Greco through their contemporary French painters and, finally, came to interpret El Greco’s works by their own context.
日本大原美术馆保存着埃尔·格雷科1922年在巴黎购买的《报喜》。在明治时代(1868-1912),具有西方风格的日本画家将注意力集中在法国作为绘画参考。与此同时,对El Greco的重新评估始于法国,并逐渐传播到整个欧罗巴。本文试图通过同时代的法国画家来展示这些日本画家发现埃尔·格雷科的历史轨迹,并最终通过自己的语境来解读埃尔·格雷柯的作品。
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引用次数: 0
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Revista Historia Autonoma
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