{"title":"Translatorial and editorial paratexts in the twentieth-century Polish \"Hamlets\"","authors":"Agnieszka Romanowska-Kowalska","doi":"10.1386/JAFP.11.1.41_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.41_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"17 1","pages":"41-56"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78805971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay offers a practitioner’s perspective on the experience of adapting, devising and co-producing A Dream Play for a northern British audience at an art cafe during the Manchester Festival Fringe in 2015. It explores how the process of re-versioning A Dream Play provides insights that might be of relevance to the fields of adaptation and translation studies. Starting from the position that translation is ‘rewriting’ — an ‘active form of interpretation whose cultural impact is extensive’ (Loffredo and Perteghella) — the essay argues that the adaptation of August Strindberg’s text to a devised, site-related performance amplified that ‘cultural impact’ through its ‘retranslation’ to a non-traditional theatre site. In shaping the responses of cast and audience to the physical performance space, the production created a ‘poetics of the collective’, which permitted a new engagement with Strindberg’s canonical text. The piece concludes with some reflections on the constraints of the writer-adaptor in the re-visioning, particularly in an iconic text such as A Dream Play.
{"title":"Retranslating Strindberg: adaptation, (re)location and site-related performance","authors":"R. Connor","doi":"10.1386/JAFP.11.1.71_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.71_1","url":null,"abstract":"This essay offers a practitioner’s perspective on the experience of adapting, devising and co-producing A Dream Play for a northern British audience at an art cafe during the Manchester Festival Fringe in 2015. It explores how the process of re-versioning A Dream Play provides insights that might be of relevance to the fields of adaptation and translation studies. Starting from the position that translation is ‘rewriting’ — an ‘active form of interpretation whose cultural impact is extensive’ (Loffredo and Perteghella) — the essay argues that the adaptation of August Strindberg’s text to a devised, site-related performance amplified that ‘cultural impact’ through its ‘retranslation’ to a non-traditional theatre site. In shaping the responses of cast and audience to the physical performance space, the production created a ‘poetics of the collective’, which permitted a new engagement with Strindberg’s canonical text. The piece concludes with some reflections on the constraints of the writer-adaptor in the re-visioning, particularly in an iconic text such as A Dream Play.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"27 1","pages":"71-83"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82455035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Was the 2005 Doom film ‘Doomed from the beginning?’: First-person shooters, subjective cameras and intertextuality in the critical reception of the film adaptation Doom (2005)","authors":"R. Ward","doi":"10.1386/JAFP.11.1.57_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.57_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"38 1","pages":"57-70"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91294578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beware of polar nights: The vampire figure in Nordic cinematography","authors":"Piotr Wajda","doi":"10.1386/JAFP.10.3.277_1","DOIUrl":"https://doi.org/10.1386/JAFP.10.3.277_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"14 3","pages":"277-288"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72620171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The BBC’s 1977 Count Dracula is cast firmly in the mould of a BBC classic serial, privileging fidelity, frocks and location shots. However, a surprising amount of cultural work is done by the adaptation’s few but striking deviations from its general principle of fidelity, such as the total omission of Arthur Holmwood, the turning of Lucy and Mina into sisters rather than friends and Dracula’s speech in defence of vampirism, coupled with the absence of any suggestion that vampirism might be a metaphor for something other than itself. This adaptation’s focus, I suggest, is to precipitate the arrival of modernity, as a half-glimpse of the Simone Martini Annunciation in the crypt of Carfax leads into Dracula materializing in Mina’s bedroom as white smoke like an Unholy Ghost, suggesting that a new era is about to dawn and that sexuality is out of the coffin in which the Victorians sought to imprison it.
BBC 1977年的《德古拉伯爵》(Count Dracula)完全按照BBC经典系列剧的模式打造，特别注重逼真度、服装和外景拍摄。然而，这部改编作品在文化方面做了大量惊人的工作，虽然很少，但却明显偏离了原著的忠实原则，比如完全省略了阿瑟·霍姆伍德，把露西和米娜变成了姐妹而不是朋友，德古拉为吸血鬼辩护的演讲，以及没有任何暗示吸血鬼可能是一个隐喻，而不是它本身。我认为，这个改编的重点是加速现代性的到来，正如在卡法克斯的地下室里瞥见的西蒙娜·马提尼报信，导致德古拉在米娜的卧室里变成了像幽灵一样的白烟，这表明一个新时代即将到来，性已经走出了维多利亚时代试图囚禁它的棺材。
{"title":"Birthing modernity: the BBC’s Count Dracula (1977)","authors":"Lisa Hopkins","doi":"10.1386/JAFP.10.3.217_1","DOIUrl":"https://doi.org/10.1386/JAFP.10.3.217_1","url":null,"abstract":"The BBC’s 1977 Count Dracula is cast firmly in the mould of a BBC classic serial, \u0000privileging fidelity, frocks and location shots. However, a surprising amount of \u0000cultural work is done by the adaptation’s few but striking deviations from its general \u0000principle of fidelity, such as the total omission of Arthur Holmwood, the turning \u0000of Lucy and Mina into sisters rather than friends and Dracula’s speech in defence \u0000of vampirism, coupled with the absence of any suggestion that vampirism might \u0000be a metaphor for something other than itself. This adaptation’s focus, I suggest, \u0000is to precipitate the arrival of modernity, as a half-glimpse of the Simone Martini \u0000Annunciation in the crypt of Carfax leads into Dracula materializing in Mina’s \u0000bedroom as white smoke like an Unholy Ghost, suggesting that a new era is about \u0000to dawn and that sexuality is out of the coffin in which the Victorians sought to \u0000imprison it.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":"217-226"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91118135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
At the 2016 fan convention VidUKon, I curated and screened a vidshow themed around vampires. A vidshow is a curated programme of fanvids, fan-made video art pieces that adapt television and film sources into short videos, which is shown at media fan conventions. To plan this, I first selected vampire-related examples from my research collection, and then drafted a list of screen vampires to guide my search for other vids to address gaps. From there, my curation was guided by a series of questions about how these pocket-sized adaptations would contribute to the vidshow’s representation of screen vampires. How do these act as a history of media fandom’s relationship with screen vampires? Vids are works of textual analysis that offer critical and creative responses to their source texts. What would my selection argue about how we watch vampires? I propose that vidshows are a site of negotiating fan-favourite and cult canons of vampire shows and characters.
{"title":"Curating a fan history of vampires: ‘What We Vid in the Shadows’ at VidUKon 2016","authors":"E. C. Stevens","doi":"10.1386/JAFP.10.3.263_1","DOIUrl":"https://doi.org/10.1386/JAFP.10.3.263_1","url":null,"abstract":"At the 2016 fan convention VidUKon, I curated and screened a vidshow themed around vampires. A vidshow is a curated programme of fanvids, fan-made video art pieces that adapt television and film sources into short videos, which is shown at media fan conventions. To plan this, I first selected vampire-related examples from my research collection, and then drafted a list of screen vampires to guide my search for other vids to address gaps. From there, my curation was guided by a series of questions about how these pocket-sized adaptations would contribute to the vidshow’s representation of screen vampires. How do these act as a history of media fandom’s relationship with screen vampires? Vids are works of textual analysis that offer critical and creative responses to their source texts. What would my selection argue about how we watch vampires? I propose that vidshows are a site of negotiating fan-favourite and cult canons of vampire shows and characters.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"27 1","pages":"263-275"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76466757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The vampire special","authors":"Richard J. Hand, Márta Minier","doi":"10.1386/JAFP.10.3.199_2","DOIUrl":"https://doi.org/10.1386/JAFP.10.3.199_2","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"63 1","pages":"199-201"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80875229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The old monster in the new world: The Americanization of the vampire","authors":"A. Kandyli, M. Zontos","doi":"10.1386/JAFP.10.3.227_1","DOIUrl":"https://doi.org/10.1386/JAFP.10.3.227_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"140 1","pages":"227-247"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77554825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Twenty-first century vampires: From the Dracula myth to new (American) superheroes","authors":"Stella Louis","doi":"10.1386/jafp.10.3.249_1","DOIUrl":"https://doi.org/10.1386/jafp.10.3.249_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"22 1","pages":"249-262"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87229955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dracula unseen: The death and afterlife of Hammer’s Vlad the Impaler","authors":"Kieran Foster","doi":"10.1386/JAFP.10.3.203_1","DOIUrl":"https://doi.org/10.1386/JAFP.10.3.203_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"22 2 1","pages":"203-215"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83079804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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