{"title":"‘What has Christ got to do with it?’: Adaptation theory, Søren Kierkegaard and Waiting for Godot","authors":"M. Norris","doi":"10.1386/JAFP.11.2.165_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.165_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"137 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89251204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Bond identity: Dismantling a franchise in Quantum of Solace","authors":"D. Dubois","doi":"10.1386/JAFP.11.2.141_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.141_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"125 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85712811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Iris opens/The Iris closes: Le Silence #2 Scene Notes 1–13","authors":"Emma Bolland","doi":"10.1386/JAFP.11.2.203_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.203_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80034979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Venus in Fur(s) – from the masochist text by Sacher-Masoch (1870) to the feminist celebratory adaptations by David Ives and Roman Polanski","authors":"Paula Talero Álvarez","doi":"10.1386/jafp.11.2.127_1","DOIUrl":"https://doi.org/10.1386/jafp.11.2.127_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73891007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Tyrant’s Heart: Hungarian pseudo-history in a pseudo-Shakespearean adaptation","authors":"Kinga Földváry","doi":"10.1386/JAFP.11.2.153_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.153_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91358050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Orwell’s Animal Farm for the twenty-first century","authors":"Tom Ue","doi":"10.1386/JAFP.11.2.217_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.217_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91368138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the growing interest of Alfred Hitchcock adaptations, this article discusses not necessarily why the director chose to adapt Patricia Highsmith's debut novel, Strangers on a Train (1950, 1951), but how he adapted her. While this dualistically reveals much about the creative process of both the director and the novelist, it further begins to pay some due to the ways in which Hitchcock's film is indebted to Highsmith's structure, miasma and characters. Notwithstanding the acclaim to which Highsmith's novel is now held within the fields of crime writing and the writer's oeuvre, notable scholars writing on the film have been too quick to dismiss the novel as a rough plot for what Hitchcock developed to become the finished film. This article will go some way towards challenging this assertion.
{"title":"Queer strangers: Alfred Hitchcock's Fidelity to Patricia Highsmith","authors":"S. Gaunson","doi":"10.1386/JAFP.11.1.5_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.5_1","url":null,"abstract":"In the growing interest of Alfred Hitchcock adaptations, this article discusses not necessarily why the director chose to adapt Patricia Highsmith's debut novel, Strangers on a Train (1950, 1951), but how he adapted her. While this dualistically reveals much about the creative process of both the director and the novelist, it further begins to pay some due to the ways in which Hitchcock's film is indebted to Highsmith's structure, miasma and characters. Notwithstanding the acclaim to which Highsmith's novel is now held within the fields of crime writing and the writer's oeuvre, notable scholars writing on the film have been too quick to dismiss the novel as a rough plot for what Hitchcock developed to become the finished film. This article will go some way towards challenging this assertion.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"54 1","pages":"5-16"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83399937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The script of an adaptation of August Strindberg's A Dream Play, as performed at Manchester Festival Fringe in July 2015. This is accompanied by a discursive essay ('Retranslating Strindberg') in the same issue of the journal.
{"title":"A Dream Play","authors":"R. Connor","doi":"10.1386/JAFP.11.1.85_7","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.85_7","url":null,"abstract":"The script of an adaptation of August Strindberg's A Dream Play, as performed at Manchester Festival Fringe in July 2015. This is accompanied by a discursive essay ('Retranslating Strindberg') in the same issue of the journal.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"8 1","pages":"85-109"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84148193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Slow burn: James M. Cain, slow cinema and György Fehér’s Szenvedély","authors":"John Hodgkins","doi":"10.1386/JAFP.11.1.17_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.17_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"87 1","pages":"17-26"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85486328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cultural continuity and national emasculation: Werner Herzog’s and Dariush Mehrjui’s cinematic adaptations of Georg Büchner’s Woyzeck","authors":"Daniel Kopp","doi":"10.1386/JAFP.11.1.27_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.1.27_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"2 1","pages":"27-39"},"PeriodicalIF":0.0,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78525064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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