At a time when the vocality of women’s anger seems particularly pertinent, this article examines two contemporary adaptations of Sophocles’ Women of Trachis, both of which draw our attention to the abused and traditionally mute character of Iole. Timberlake Wertenbaker’s 1999 radio adaptation, Dianeira, illustrates dramatically the perils of keeping Iole silent; whilst Martin Crimp’s 2004 stage adaptation, Cruel and Tender, imagines the result of giving her a voice. This article considers how both plays resonate with the gendered and international conflicts of the contemporary world.
{"title":"Cruelty, tenderness and anger: Ensuring the Women of Trachis speak to our times","authors":"S. Bush","doi":"10.1386/JAFP.12.1-2.5_1","DOIUrl":"https://doi.org/10.1386/JAFP.12.1-2.5_1","url":null,"abstract":"At a time when the vocality of women’s anger seems particularly pertinent, this article examines two contemporary adaptations of Sophocles’ Women of Trachis, both of which draw our attention to the abused and traditionally mute character of Iole. Timberlake Wertenbaker’s 1999 radio adaptation, Dianeira, illustrates dramatically the perils of keeping Iole silent; whilst Martin Crimp’s 2004 stage adaptation, Cruel and Tender, imagines the result of giving her a voice. This article considers how both plays resonate with the gendered and international conflicts of the contemporary world.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81652088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The adaptation of vampire motifs from folklore into literature and film","authors":"Robert S. Carlisle","doi":"10.1386/JAFP.11.3.337_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.337_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80715581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond Othello: Performing stages of resistance to racial surveillance in Djanet Sears’ Harlem Duet","authors":"V. Rapetti","doi":"10.1386/JAFP.11.3.271_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.271_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79526857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The sense of an ending in The Hunchback of Notre Dame: A conversation with Sarah Langford and Nicholas Cunha","authors":"Tom Ue","doi":"10.1386/jafp.11.3.327_1","DOIUrl":"https://doi.org/10.1386/jafp.11.3.327_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"148 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78567265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Catching Othello’s echoes in Harlem Duet: A conversation on Shakespearean adaptation, blackness and African Diaspora Theatre with Djanet Sears","authors":"V. Rapetti","doi":"10.1386/jafp.11.3.295_1","DOIUrl":"https://doi.org/10.1386/jafp.11.3.295_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72949010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"XU Jinglei’s Chinese domestication of Stefan Zweig’s Brief einer Unbekannten","authors":"Xiaohua Jiang","doi":"10.1386/JAFP.11.3.259_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.259_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89908002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reviewed Work(s): Tax Evasion and the Rule of Law in Latin America: The Political Culture of Cheating and Compliance in Argentina and Chile by Marcelo Bergman Review by: Maria Victoria Murillo Source: Political Science Quarterly, Vol. 126, No. 1 (Spring 2011), pp. 144-145 Published by: The Academy of Political Science Stable URL: https://www.jstor.org/stable/23056927 Accessed: 30-06-2020 16:57 UTC
审查工作(s):逃税和拉丁美洲的法治:阿根廷和智利的欺骗和合规的政治文化马塞洛·伯格曼审查:玛丽亚·维多利亚·Murillo来源:政治科学季刊，卷126，第1期(2011年春季)，第144-145出版机构:政治科学院稳定网址:https://www.jstor.org/stable/23056927访问:30-06-2020 16:57 UTC
{"title":"Review","authors":"M. Guarducci","doi":"10.1386/jafp.11.3.357_5","DOIUrl":"https://doi.org/10.1386/jafp.11.3.357_5","url":null,"abstract":"Reviewed Work(s): Tax Evasion and the Rule of Law in Latin America: The Political Culture of Cheating and Compliance in Argentina and Chile by Marcelo Bergman Review by: Maria Victoria Murillo Source: Political Science Quarterly, Vol. 126, No. 1 (Spring 2011), pp. 144-145 Published by: The Academy of Political Science Stable URL: https://www.jstor.org/stable/23056927 Accessed: 30-06-2020 16:57 UTC","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74233141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theatrical translation or theatrical adaptation? Staging Noises Off in Italy","authors":"Eleonora Fois","doi":"10.1386/JAFP.11.3.241_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.241_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73002887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rubies in the crown: A conversation on racial representation in Canadian theatre with Karen Robinson","authors":"V. Rapetti","doi":"10.1386/JAFP.11.3.315_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.3.315_1","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"103 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76074949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article investigates Indonesia s Darah dan Mahkota Ronggeng (Blood and Crown of the Dancer) (Yazid, 1983), a discredited and missing film adaptation of Ronggeng Dukuh Paruk (The Dancer of Paruk Village) (1982), a commercially successful and critically acclaimed novel. Using textual and sociological approaches, this article demonstrates the following: how the disappearance of the adaptation can shed light on the cultural constructs of Indonesian popular film and adaptation and how the surviving screenplay, combined with other secondary sources, can reveal the politics of adaptation, society and government in New Order Indonesia. The film�s loss reveals the poor infrastructure of Indonesian film archiving, the dichotomy of popular and non-popular film adaptation, and the neglect of critically and commercially unsuccessful film adaptations. The screenplay embodies the depoliticization and politicization of critical issues in societal and governmental lives such as indigenous religion, traditional women, supra-local crime and social discontent.
这篇文章调查了印度尼西亚的Darah dan Mahkota Ronggeng(舞者的血和王冠)(Yazid, 1983)，这部电影改编自Ronggeng Dukuh Paruk (Paruk村的舞者)(1982)，这是一部商业成功和广受好评的小说。本文运用文本和社会学的方法，论证了以下内容:改编的消失如何揭示印度尼西亚流行电影和改编的文化结构，以及幸存的剧本如何与其他二手资料相结合，揭示印度尼西亚新秩序中的改编政治、社会和政府。这部电影的丢失揭示了印尼电影档案基础设施的薄弱，流行和非流行电影改编的二分法，以及对评论界和商业上不成功的电影改编的忽视。该剧本体现了土著宗教、传统妇女、超地方犯罪和社会不满等社会和政府生活中的关键问题的去政治化和政治化。
{"title":"Yazman Yazid’s Blood and Crown of the Dancer: What a missing film adaptation can tell you","authors":"D. Setiawan","doi":"10.1386/JAFP.11.2.183_1","DOIUrl":"https://doi.org/10.1386/JAFP.11.2.183_1","url":null,"abstract":"This article investigates Indonesia s Darah dan Mahkota Ronggeng (Blood and Crown of the Dancer) (Yazid, 1983), a discredited and missing film adaptation of Ronggeng Dukuh Paruk (The Dancer of Paruk Village) (1982), a commercially successful and critically acclaimed novel. Using textual and sociological approaches, this article demonstrates the following: how the disappearance of the adaptation can shed light on the cultural constructs of Indonesian popular film and adaptation and how the surviving screenplay, combined with other secondary sources, can reveal the politics of adaptation, society and government in New Order Indonesia. The film�s loss reveals the poor infrastructure of Indonesian film archiving, the dichotomy of popular and non-popular film adaptation, and the neglect of critically and commercially unsuccessful film adaptations. The screenplay embodies the depoliticization and politicization of critical issues in societal and governmental lives such as indigenous religion, traditional women, supra-local crime and social discontent.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83348385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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