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Journal of Adaptation in Film & Performance最新文献

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Yayoi Kusama, the Modern Alice 草间弥生,现代爱丽丝
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-12-01 DOI: 10.1386/jafp_00006_1
Amanda Kennell
Abstract Yayoi Kusama's polka dot art and Infinity Mirror rooms have made her one of the most successful artists alive today. Her more than seven-decade-long career has provided ample fodder for scholars to examine her artistic preoccupations. This article considers the scholarly consensus on the role of performance in Kusama's oeuvre and then examines two works, a 1968 happening and a 2013 illustrated book, in which Kusama (1929‐present) adapts Lewis Carroll's Alice in Wonderland novels. By adapting Alice, Kusama is able to sharpen themes and symbols that she has deployed since the early days of her career.
草间弥生的圆点艺术和无限镜房间使她成为当今最成功的艺术家之一。她70多年的职业生涯为学者们研究她的艺术关注点提供了充足的素材。本文考虑了关于表演在草间弥生作品中的作用的学术共识,然后研究了两部作品,1968年的一部小说和2013年的一本插图书,其中草间弥生(1929年至今)改编了刘易斯·卡罗尔的《爱丽丝梦游仙境》小说。通过改编《爱丽丝》,草间弥生能够强化她在职业生涯早期就开始使用的主题和符号。
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引用次数: 1
Interpretative negotiation with gender norms in shōjo manga adaptations of The Changelings shōjo《换生灵》漫画改编中性别规范的解释性协商
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-12-01 DOI: 10.1386/jafp_00005_1
Michiko Oshiyama, Kohki Watabe
Abstract The Changelings is a classic work of traditional Japanese literature. In the modern era, it has been adapted into Japanese comics repeatedly. This article examines three shōjo manga, or girls' comics, adaptations of The Changelings published between 1984 and 2018. Taken together, the three manga evidence the different situations in which women were embedded in the 1980s and the 2010s and provide different interpretative alternatives to female readers. Manga adaptations of The Changelings crystallized gender norms in Japanese society and women's responses to and struggles with those norms by taking advantage of the gender-switching plot that originated in the twelfth century.
《换生灵》是日本传统文学中的一部经典作品。在现代,它被多次改编成日本漫画。本文研究了1984年至2018年间出版的三部shōjo漫画或少女漫画,改编自《换生灵》。总之,这三部漫画证明了女性在20世纪80年代和2010年代所处的不同情境,并为女性读者提供了不同的解释选择。《换妖记》的漫画改编,通过利用起源于12世纪的性别转换情节,明确了日本社会的性别规范,以及女性对这些规范的反应和斗争。
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引用次数: 1
Adaptation in/and Japan 在/和日本的改编
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-12-01 DOI: 10.1386/jafp_00001_2
Amanda Kennell
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引用次数: 0
Review 审查
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/jafp.12.1-2.119_5
Manuela Perteghella
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引用次数: 0
Hecuba Reimagined
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/jafp.12.1-2.65_7
Carlota Caulfield
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引用次数: 0
The Secret Agent in the Netherlands: Interview with Izabela Pacholec 《荷兰的特工:采访伊莎贝拉·帕切莱克》
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/JAFP.12.1-2.107_7
R. Hampson
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引用次数: 0
Martha Graham’s Letter to the World: A dance adaptation of Emily Dickinson 玛莎·格雷厄姆给世界的信:改编自艾米莉·狄金森的舞蹈
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/JAFP.12.1-2.33_1
Rosella Simonari
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引用次数: 1
A quiet subversion: Taiwanese opera tradaptation of the Biblical story of Joseph 一个安静的颠覆:台湾歌剧改编的圣经故事约瑟夫
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/JAFP.12.1-2.19_1
Ya-chun Liu
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引用次数: 1
Carl Caulfield: Hecuba Reimagined
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/JAFP.12.1-2.49_1
Michael Ewans
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引用次数: 0
‘But not love [...]’: An interview with Loredana Scaramella about her translation, adaptation and direction of La bisbetica domata (The Taming of the Shrew) at the Silvano Toti Globe Theatre in Rome (2018) “但不是爱……: 2018年在罗马西尔瓦诺·托蒂环球剧院对洛蕾达纳·斯卡梅拉的采访,内容涉及她对《驯悍记》的翻译、改编和导演。
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-06-01 DOI: 10.1386/JAFP.12.1-2.91_7
Maddalena Pennacchia
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引用次数: 0
期刊
Journal of Adaptation in Film & Performance
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