Pub Date : 2020-12-31DOI: 10.12697/IL.2020.25.2.21
Lauri Pilter
Gerald Gillespie, Living Streams: Continuity and Change from Rabelais to Joyce. Nouvelle poétique comparatiste, Vol. 40. Brussels: P. I. E. PETER LANG S. A., 2018. 207 pages.
Gerald Gillespie，《活流：从拉伯雷到乔伊斯的连续性和变化》。新比较诗学，第40卷。布鲁塞尔：P.I.E.Peter Lang S.A.，2018年。207页。
{"title":"Living Streams of World Literature","authors":"Lauri Pilter","doi":"10.12697/IL.2020.25.2.21","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.21","url":null,"abstract":"Gerald Gillespie, Living Streams: Continuity and Change from Rabelais to Joyce. Nouvelle poétique comparatiste, Vol. 40. Brussels: P. I. E. PETER LANG S. A., 2018. 207 pages.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66672618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.12697/IL.2020.25.2.11
Audinga Peluritytė
The purpose of this article is to show the evolution of the historical novel that began in the era of independence, to highlight the peculiarities of male and female historical narratives, and to capture critical reactions and tendencies of assessment of that kind of novel. At the beginning of independence, the poetic prose of a minimal story was established in Lithuanian literature, which was created by the most prominent Lithuanian prose writers, and the historical novel made its debut as a complex experience of poetic narration. Poetry and prose focused on archetypal narratives, national consciousness and ethnic semantics and were characterized by an abundance of associations, but not by a clear storyline. Among common variations of the male historical novel, we can observe historical novels written by women, which have won both literary awards and readers’ approval.
{"title":"History in Contemporary Lithuanian Literature","authors":"Audinga Peluritytė","doi":"10.12697/IL.2020.25.2.11","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.11","url":null,"abstract":"The purpose of this article is to show the evolution of the historical novel that began in the era of independence, to highlight the peculiarities of male and female historical narratives, and to capture critical reactions and tendencies of assessment of that kind of novel. At the beginning of independence, the poetic prose of a minimal story was established in Lithuanian literature, which was created by the most prominent Lithuanian prose writers, and the historical novel made its debut as a complex experience of poetic narration. Poetry and prose focused on archetypal narratives, national consciousness and ethnic semantics and were characterized by an abundance of associations, but not by a clear storyline. Among common variations of the male historical novel, we can observe historical novels written by women, which have won both literary awards and readers’ approval.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42286501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out the principles of generic evolution and explained the nature of the genre category. Still, currently Russian genology faces a number of challenges, among which is the inability to work out a universal approach to genre nomination and attribution, which causes inconsistent and unverified results. When it comes to describing new genres, most troubling is the choice of deductive method in genre analysis and a narrow specialist approach to each genre leading to inconclusive or biased results. The paper suggests that these challenges can be overcome by turning to the heritage of the classical Russian literary science and taking advantage of comparative and inductive methods proponed by it.
{"title":"Genre Studies in Russian Literary Research: Achievements and Challenges","authors":"N. Nikitina, N. Tuliakova","doi":"10.12697/IL.2020.25.2.5","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.5","url":null,"abstract":"Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out the principles of generic evolution and explained the nature of the genre category. Still, currently Russian genology faces a number of challenges, among which is the inability to work out a universal approach to genre nomination and attribution, which causes inconsistent and unverified results. When it comes to describing new genres, most troubling is the choice of deductive method in genre analysis and a narrow specialist approach to each genre leading to inconclusive or biased results. The paper suggests that these challenges can be overcome by turning to the heritage of the classical Russian literary science and taking advantage of comparative and inductive methods proponed by it.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42794734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.12697/IL.2020.25.2.19
Dinah Schöneich
’Ich werde eingetaucht/in vás’? Peter Waterhouse’s Prosperos Land as Dynamisation of T.S. Eliot’s The Waste Land. The assumption of the existence of well discernible national languages is at odds with the dynamic nature of language. It is part of the so-called “monolingual paradigm” and therefore implies inextricably linking people to their mother tongue, which is in turn tied to one respective ethnicity, culture and nation. However, languages are not always clearly discernible from one another and do not always appear in fixed, static forms. Instead, language is subject to dynamic changes, which are at the same time subject to political interests and language policies. The poems presented in this article exemplify how modern and contemporary poetry can use the conjuncture of multilingualism and ambiguity to create a sense of language dynamics themselves. Their poetics simultaneously question and make use of the assumption of static multilingualism. They unfold political problems from it and awaken in their readers a desire for proactive reading and (language) change. T. S. Eliot’s The Waste Land already problematizes the coexistence of the European languages as a challenge for understanding, suggesting that languages as well as their speakers might be untranslatably shut-off from each other. However, the poem also creates surprising synergistic effects from its multilingualism and ambiguity. This way, it invites its readers to connect and cross over (language) borders in an adaptive and poetic manner, stressing the importance and capability of poetry and learning for intercultural understanding. Prosperos Land by Peter Waterhouse perpetuates and even surpasses this movement. As the ambivalent bilingual, intertextual and ambiguous title suggests, the poem challenges the possibility of linguistic as well as national demarcation from the start. Moving away from strict language borders and rules, the poem highlights the transformative magic of an almost childish exploration of language itself.
{"title":"„Ich werde eingetaucht / in vás“? Peter Waterhouses 'Prosperos Land' als Dynamisierung von T.S. Eliots 'The Waste Land'","authors":"Dinah Schöneich","doi":"10.12697/IL.2020.25.2.19","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.19","url":null,"abstract":"’Ich werde eingetaucht/in vás’? Peter Waterhouse’s Prosperos Land as Dynamisation of T.S. Eliot’s The Waste Land. The assumption of the existence of well discernible national languages is at odds with the dynamic nature of language. It is part of the so-called “monolingual paradigm” and therefore implies inextricably linking people to their mother tongue, which is in turn tied to one respective ethnicity, culture and nation. However, languages are not always clearly discernible from one another and do not always appear in fixed, static forms. Instead, language is subject to dynamic changes, which are at the same time subject to political interests and language policies. The poems presented in this article exemplify how modern and contemporary poetry can use the conjuncture of multilingualism and ambiguity to create a sense of language dynamics themselves. Their poetics simultaneously question and make use of the assumption of static multilingualism. They unfold political problems from it and awaken in their readers a desire for proactive reading and (language) change. T. S. Eliot’s The Waste Land already problematizes the coexistence of the European languages as a challenge for understanding, suggesting that languages as well as their speakers might be untranslatably shut-off from each other. However, the poem also creates surprising synergistic effects from its multilingualism and ambiguity. This way, it invites its readers to connect and cross over (language) borders in an adaptive and poetic manner, stressing the importance and capability of poetry and learning for intercultural understanding. Prosperos Land by Peter Waterhouse perpetuates and even surpasses this movement. As the ambivalent bilingual, intertextual and ambiguous title suggests, the poem challenges the possibility of linguistic as well as national demarcation from the start. Moving away from strict language borders and rules, the poem highlights the transformative magic of an almost childish exploration of language itself.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48452479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.12697/IL.2020.25.2.10
Shivani Ekkanath
The postcolonial narratives we see today are a study in contrast and tell a different tale from their colonial predecessors as minorities and individuals finally have found the voice and position to tell their stories. Histories written about our culture and societies have now found a new purpose and voice. The stories we have passed down from generation to generation through both oral and written histories, continue to morph and change with the tide of time as they re-centre our cultural narratives and shared experiences. As a result, the study of diaspora and transnationalism have altered the way in which we view identity in different forms of multimedia and literature. In this paper, the primary question which will be examined is, how and to what extent does Indian post-colonial literature figure in the formation of identity in contemporary art and literature in the context of ongoing postcolonial ideas and currents? by means of famous and notable postcolonial literary works and theories of Indian authors and theoreticians, with a special focus on the question and notion of identity. This paper works on drawing parallels between themes in Indian and African postcolonial literary works, especially themes such as power, hegemony, east meets west, among others. In this paper, European transnationalism will also be analysed as a case study to better understand postcolonialism in different contexts. The paper will seek to explore some of the gaps in the study of diasporic identity and postcolonial studies and explore some of the changes and key milestones in the evolution of the discourse over the decades.
{"title":"Understanding Currents and Theories in Indian and African Postcolonial Literature: Themes, Tropes and Discourse in the Wider Context of Postcolonialism","authors":"Shivani Ekkanath","doi":"10.12697/IL.2020.25.2.10","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.10","url":null,"abstract":"The postcolonial narratives we see today are a study in contrast and tell a different tale from their colonial predecessors as minorities and individuals finally have found the voice and position to tell their stories. Histories written about our culture and societies have now found a new purpose and voice. The stories we have passed down from generation to generation through both oral and written histories, continue to morph and change with the tide of time as they re-centre our cultural narratives and shared experiences. As a result, the study of diaspora and transnationalism have altered the way in which we view identity in different forms of multimedia and literature. In this paper, the primary question which will be examined is, how and to what extent does Indian post-colonial literature figure in the formation of identity in contemporary art and literature in the context of ongoing postcolonial ideas and currents? by means of famous and notable postcolonial literary works and theories of Indian authors and theoreticians, with a special focus on the question and notion of identity. This paper works on drawing parallels between themes in Indian and African postcolonial literary works, especially themes such as power, hegemony, east meets west, among others. In this paper, European transnationalism will also be analysed as a case study to better understand postcolonialism in different contexts. The paper will seek to explore some of the gaps in the study of diasporic identity and postcolonial studies and explore some of the changes and key milestones in the evolution of the discourse over the decades.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42688876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.12697/IL.2020.25.2.20
M. Navratil
Alternatives of Languages and Worlds: Multilingualism as Critique of Ideology in Contrafactual Fiction by Quentin Tarantino and Christian Kracht. Multilingualism and the alternate history genre have something in common: both phenomena are based on the construction of alternatives, in the case of multilingualism on the alternatives between different languages and communication systems, and in the case of the alternate history genre on the alternatives between real-world facts and the variation thereof within fictional worlds. This article investigates the interconnections between these two forms of thinking in alternatives by looking specifically at Quentin Tarantino’s counterfactual war film Inglourious Basterds (2009) and Christian Kracht’s alternate history novel Ich werde hier sein im Sonnenschein und im Schatten (2008). I argue that the consideration of language alternatives forms part of the meta-reflection of the alternate history genre in these works while at the same time opening up a political perspective: in Tarantino’s film and Kracht’s novel, multilingualism serves as a means for the critique of ideology by rendering palpable the political threats of a worldview based on clear-cut alternatives. In the article’s final section, I plead for the establishment of stronger links between the research on literary multilingualism and the theory of fiction.
语言与世界的选择：昆汀·塔伦蒂诺和克里斯蒂安·克拉赫特反事实小说中作为意识形态批判的多语主义。多语主义和另类历史流派有一些共同点：这两种现象都是基于替代品的构建，在多语主义的情况下，是基于不同语言和通信系统之间的替代品，在另类历史流派的情况下是基于现实世界事实之间的替代物及其在虚构世界中的变化。本文通过具体考察昆汀·塔伦蒂诺（Quentin Tarantino）的反事实战争电影《无耻混蛋》（Inglourious Basterds）（2009年）和克里斯蒂安·克拉赫特（Christian Kracht）的另类历史小说《我是Sonnenschein und im Schatten》（2008年），探讨了这两种另类思维形式之间的相互联系。我认为，对语言替代品的考虑构成了这些作品中替代历史类型的元反映的一部分，同时也打开了一个政治视角：在塔伦蒂诺的电影和克拉希特的小说中，多语主义是对意识形态进行批判的一种手段，它使基于明确替代品的世界观的政治威胁显而易见。在文章的最后一节，我呼吁在文学多语研究和小说理论之间建立更牢固的联系。
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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak literature at the end of the 19th century (S. Hurban Vajanský). The important contribution of J. Felix’s critical reflection of universalist tendencies in European and esp. modern French writing. The complexity of organically incorporating these impulses into the context of Slovak literature as a result of the provincial character of a “small” nation. The wealth of translations from contemporary world literatures and its positive impact on the work of many Slovak writers in spite of the discontinuity of research in this area after 1989. Urgent need to return to similar forms of literary-cultural reflection and self-reflection through reviving an intensive philological, linguistic, theoretical-critical and historical study at our universities.
{"title":"L’essence éthique du dialogue culturel","authors":"L. Franek","doi":"10.12697/IL.2020.25.2.3","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.3","url":null,"abstract":"The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak literature at the end of the 19th century (S. Hurban Vajanský). The important contribution of J. Felix’s critical reflection of universalist tendencies in European and esp. modern French writing. The complexity of organically incorporating these impulses into the context of Slovak literature as a result of the provincial character of a “small” nation. The wealth of translations from contemporary world literatures and its positive impact on the work of many Slovak writers in spite of the discontinuity of research in this area after 1989. Urgent need to return to similar forms of literary-cultural reflection and self-reflection through reviving an intensive philological, linguistic, theoretical-critical and historical study at our universities.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45147214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-15DOI: 10.12697/il.2019.24.2.17
S. Radchenko
Many different models of co ntemporary novel’s description arose from the search for methods and approaches of post-postmodern texts analysis. One of them is the concept of metamodernism, proposed by Timotheus Vermeulen and Robin van den Akker and based on the culture and philosophy changes at the turn of this century. This article argues that the ideas of metamodernism and its main trends can be successfully used for the study of contemporary literature. The basic trends of metamodernism were determined and observed through the prism of literature studies. They were implemented in the analysis of Thomas Pynchon’s latest novel, Bleeding Edge (2013). Despite Pynchon being usually considered as postmodern writer, the use of metamodern categories for describing his narrative strategies confirms the idea of the novel’s post-postmodern orientation. The article makes an endeavor to use metamodern categories as a tool for post-postmodern text studies, in order to analyze and interpret Bleeding Edge through those categories.
对后现代文本分析方法和途径的探索，催生了许多不同的当代小说描述模式。其中之一是元现代主义的概念，这一概念是由Timotheus Vermeulen和Robin van den Akker基于世纪之交的文化和哲学变化而提出的。本文认为，元现代主义的思想及其主要趋势可以成功地用于当代文学的研究。通过文学研究的棱镜来确定和观察元现代主义的基本趋势。在分析托马斯·品钦(Thomas Pynchon)的最新小说《流血边缘》(Bleeding Edge, 2013)时运用了这些方法。尽管品钦通常被认为是后现代作家，但使用元现代范畴来描述他的叙事策略证实了小说的后后现代取向。本文试图将元现代范畴作为后后现代文本研究的工具，通过这些范畴来分析和解读《流血边缘》。
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