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Wartime everydayness: beyond the battlefield in China’s Second World War 战时的日常:在中国的第二次世界大战战场之外
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/17535654.2019.1618625
Hans van de Ven
ABSTRACT This article suggests that the study of the War of Resistance against Japanese aggression should pay due attention to the effect of the war on the wartime everyday, that is, on Chinese culture, politics, society, and the economy away from the battlefield. Not only was the impact deep and enduring, but evolving, regionally and socially divergent responses to the war also shaped the war’s military. In modern war, as Karl von Clausewitz pointed out, public morale is a key factor in deciding the outcome of the fighting. The article first sketches the war’s impact on the Chinese economy, suggesting that the main consequences were “demodernization” and the revival of traditional trading patterns. It then discusses the reading lives of a young woman who grew up during the war and a senior Nationalist official to delineate contrasting emotional private responses, with one person finding in literature an inspirational alternative and the other becoming increasingly disillusioned. The article concludes with an examination of three popular history textbooks. They all stressed the importance of an awareness of Chinese civilization but narrated its nature and its prospects in contrasting ways. Such textbooks were used in required Chinese history courses at universities. The article makes no attempt to be comprehensive but instead uses a few examples as illustrations of the potential of researching wartime everydayness.
本文认为,研究抗日战争应注意战争对日常战争的影响,即战争对战场之外的中国文化、政治、社会和经济的影响。不仅影响深远而持久,而且不断演变的、地区和社会对战争的不同反应也塑造了战争的军队。正如卡尔·冯·克劳塞维茨所指出的,在现代战争中,公众士气是决定战斗结果的关键因素。文章首先概述了战争对中国经济的影响,认为主要后果是“去现代化”和传统贸易模式的复兴。然后,书中讨论了一位在战争中长大的年轻女子和一位国民党高级官员的阅读生活,描绘了两人情感上的不同反应,一个人在文学中找到了鼓舞人心的选择,另一个人则越来越幻灭。文章最后对三本通俗历史教科书进行了考察。他们都强调了认识中国文明的重要性,但以不同的方式叙述了中国文明的性质和前景。这些教科书被用于大学的中国历史必修课程。这篇文章并没有试图做到全面,而是用了几个例子来说明研究战时日常生活的潜力。
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引用次数: 2
Tianshui’s three treasures: water and soil conservation in wartime northwest China 天水三宝:战时西北水土保持
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/17535654.2019.1624346
Micah S. Muscolino
ABSTRACT In addition to examining how wartime imperatives shaped the agricultural research, demonstration, and extension programs undertaken by the Nationalist government’s Tianshui Water and Soil Conservation Experiment Area (the Experiment Area) after its founding in 1942, this article assesses the rural populace’s responses to these conservation measures. While the Experiment Area’s plans to construct terraces and ditches were not well suited to the socioeconomic and environmental conditions that existed in rural Gansu during the 1940s, its introduction of non-native tree and grass species to check water and soil loss met with an enthusiastic response from Tianshui’s populace. Water and soil conservation specialists aspired to rationalize human interactions with the environment as part of wartime efforts to develop the northwest, but to realize these goals they had to take socioecological realities in the region and the needs of rural residents into account. Wartime conservation’s environmental legacies, the article also shows, extended into the period after 1949.
摘要:本文除了考察战时需求如何影响了国民政府天水水土保持实验区(实验区)在1942年成立后所开展的农业研究、示范和推广项目外,还评估了农村民众对这些保护措施的反应。虽然试验区修建梯田和沟渠的计划不太适合20世纪40年代甘肃农村的社会经济和环境条件,但它为防止水土流失而引入的外来树种和草木得到了天水民众的热烈响应。水土保持专家希望将人类与环境的互动合理化,作为战时开发西北的一部分,但为了实现这些目标,他们必须考虑到该地区的社会生态现实和农村居民的需求。文章还指出,战时保护的环境遗产延续到了1949年后。
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引用次数: 1
Airborne prawns and decayed rice: food politics in Wartime Chongqing 空降大虾与腐米:战时重庆的食物政治
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/17535654.2019.1632564
Seung-joon Lee
ABSTRACT This article explores the multilayered dimensions of food politics in wartime Chongqing. A substantial number of wartime Chongqing dwellers were migrants who flocked to the city, having evacuated from coastal China to follow the Nationalists after the outbreak of the Sino-Japanese War. They could not simply be called refugees. Rather, they were sophisticated urbanites known by Chongqing natives as “downriver folks” who brought their political awareness and cultural tastes to the new wartime capital. Some introduced their sumptuous dining culture to Chongqing, thereby provoking a public sense of deprivation, while others brought organizational skills with which to turn public discontent into a political issue. This article argues that an increasing sense of deprivation stemming from the deterioration of the food situation in the city, if seemingly less significant than massive rural famine, became more consequential in the long run than any other political issue in the subsequent Civil War years.
本文探讨了战时重庆食物政治的多层次维度。战时的重庆居民中,有相当一部分是在甲午战争爆发后跟随国民党从中国沿海地区撤离到重庆的移民。他们不能简单地被称为难民。相反,他们是被重庆本地人称为“下游乡亲”的城里人,他们把自己的政治意识和文化品味带到了战时的新首都。一些人将他们的奢华饮食文化引入重庆,从而引发了公众的剥夺感,而另一些人则带来了组织技巧,将公众的不满转化为政治问题。这篇文章认为,由于城市食物状况的恶化而产生的日益严重的剥夺感,虽然看起来没有农村大规模饥荒那么重要,但从长远来看,在随后的内战时期,这种剥夺感比任何其他政治问题都更重要。
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引用次数: 1
The power of the “Stockpile”: American aid and China’s Wartime everyday “储备”的力量:美国的援助和中国的战时日常
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/17535654.2019.1641290
Judd C. Kinzley
ABSTRACT This article argues that American and British narratives about the existence of a “stockpile” of Chinese goods had a powerful impact on US-China relations, China’s war effort, and China’s wartime everyday. Focusing on both the material and discursive construction of the so-called stockpile in the early 1940s, the work seeks to deconstruct a powerful symbol that was long used by both British and American officials (particularly in the US War Department) to delegitimize the Nationalist government’s war effort against Japan. Drawing on sources collected at archives in the United States, the United Kingdom, and Taiwan, the article seeks to rethink many commonly held assumptions about American aid and to reveal the powerful influence that the symbolic presence of the stockpile had in shaping Sino-American relations in the wartime period and beyond.
本文认为,美国和英国关于中国商品“储备”存在的说法对美中关系、中国的战争努力以及中国的战时日常生活产生了巨大影响。作品聚焦于20世纪40年代早期所谓的库存的材料和话语结构,试图解构一个长期被英美官员(尤其是美国陆军部)用来使国民政府对日战争努力合法化的强大象征。本文利用从美国、英国和台湾的档案中收集的资料,试图重新思考人们对美国援助的许多普遍看法,并揭示了战时及战后中美关系中象征性的库存存在所产生的强大影响。
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引用次数: 1
Disciplined love: the Chinese Communist Party’s wartime restrictions on cadre love and marriage 严守纪律的爱情:中国共产党战时对干部婚恋的限制
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/17535654.2019.1641289
Daoxuan Huang
ABSTRACT During the Chinese War of Resistance against Japanese Aggression and the Civil War, the Chinese Communist Party (CCP) imposed restrictions on the marriage of its cadres, so as to maintain the Party’s effective control and combat cohesion. The Central Committee of the CCP did not issue uniform regulations on this topic; most decisions were made by the base areas, with the indirect support of the Central Committee. Marriage and love are personal matters, and the restrictions certainly caused emotional suffering for ordinary cadres affected. However, there were important reasons for the CCP’s implementation of these measures. Through punishment and guidance, these restrictions were carried out smoothly and did not cause great upheaval. As love and marriage became areas subject to the political power of the CCP, they unexpectedly became a focal point of the collision between individuality and Party spirit and between the individual and the group.
在中国抗日战争和内战时期,中国共产党为了保持党的有效控制和战斗凝聚力,对干部婚姻实行了限制。中国共产党中央委员会对这一问题并没有统一的规定;大部分决定由根据地作出,中央间接支持。婚姻和爱情是个人的事情,这些限制当然给普通干部造成了情感上的痛苦。然而,中共实施这些措施有其重要的原因。通过惩罚和引导,这些限制措施得以顺利实施,并没有引起大的动荡。随着爱情与婚姻成为中共政权的管辖领域,爱情与婚姻意外地成为个性与党性、个人与群体冲突的焦点。
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引用次数: 0
The relief campaign after the Eight-Nation Alliance’s invasion in 1900 1900年八国联军入侵后的赈灾活动
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/17535654.2018.1546932
Jie Shen
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引用次数: 0
The search for a new republic: a study on thoughts and activities of Zhang Dongsun at his early age (1886-1932) 对新共和的探索:张东荪早年思想活动研究(1886-1932)
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/17535654.2018.1544804
Yuefeng Zhou
intellectual history. In addition to modern Chinese magistrates as a group, the author also examines individuals at high, middle, and lower ranks within the judicial system, such as Tang Xuan, Huang Zunsan, Shen Jiaben, Yu Shaosong, Xie Jian, Dong Kang, and Xu Shiying. By integrating individuals with groups, he responds to the problem of the disappearance of the individual caused by trends towards making historical studies more scientific, and he explores how to return the individual to our studies of legal history and modern history. The discussion in this book focuses on the “old” and the “new” approaches to cultivating modern Chinese magistrates, the institutional reforms in the late Qing period and magistrates as a group, Shen Jiaben’s experience and feelings in the first year of the Republican period, the division and reorganization of magistrate groups after the Revolution of 1911, the connections within legal circles during the Beijing government years, and the period of change and the choices made by legal professionals. Different chapters are well integrated in this book, though each of them uses important historical documents to focus on a particular topic. Hence this book offers in-depth discussions of various issues and yet maintains the unity and integrity of an academic monograph. In theory, magistrates as a group were supposed to function as a stabilizing force in modern China, and this was supposedly reflected in the stability of the group itself. In fact, this was seldom the case. The magistrates lived in a time of change, and their role was not necessarily to resolve social disputes and maintain the existing social order. Instead, many of them also became reformers striving for a modern nation-state. The author mentions that in modern Chinese history, magistrates actually played multiple roles. They were involved in constructing a modern nation-state, changing the social customs, and maintaining the existing social order. By using specific cases, he demonstrates not only the difficulty of balancing these roles, but also the contradictions they entailed and the serious conflicts that ensued, a situation that created many legal and judicial problems. In this period of change, construction and transformation were absolute, and the maintenance of what was left unchanged was relative. Modern Chinese magistrates can be perceived as “reformers maintaining the order.” (226) It should be mentioned that this book does not pay enough attention to the judicial work of the magistrates, and consequently, there is still room for further research. Future research should attach importance to judicial documents, such as decisions and indictments.
历史知识。除了作为一个群体的中国现代裁判官之外,作者还考察了司法系统中高、中、低层的个人,如唐璇、黄遵三、沈家本、于少松、谢坚、董康和徐世英。通过将个人与群体结合起来,他回应了历史研究科学化趋势所导致的个人消失的问题,并探索了如何将个人回归到我们的法律史和现代史研究中。本书主要论述了中国近代裁判官培养的“旧”与“新”途径、清末的制度改革与裁判官群体、沈家本在民国元年的经历与感受、辛亥革命后裁判官群体的分裂与重组、北京政府年间法律圈内的联系,以及中国近代裁判官培养的“新”与“旧”途径。以及变革时期和法律专业人士做出的选择。不同的章节很好地整合在这本书中,尽管每个章节都使用重要的历史文献来关注一个特定的主题。因此,本书对各种问题进行了深入的讨论,但仍保持了学术专著的统一性和完整性。从理论上讲,在近代中国,地方官作为一个群体应该发挥稳定力量的作用,这应该反映在群体本身的稳定上。事实上,这种情况很少发生。裁判官生活在一个变化的时代,他们的角色不一定是解决社会纠纷和维持现有的社会秩序。相反,他们中的许多人也成为了争取建立现代民族国家的改革者。笔者提到,在中国近代史上,地方官实际上扮演着多重角色。他们参与了现代民族国家的建设,改变了社会习俗,维护了现有的社会秩序。通过具体的案例,他不仅说明了平衡这些角色的困难,而且说明了它们所引起的矛盾和随之而来的严重冲突,这种情况造成了许多法律和司法问题。在这个变革时期,建设和改造是绝对的,保持不变是相对的。现代中国的地方官可以被看作是“维持秩序的改革者”。(226)应当指出的是,本书对裁判官的司法工作关注不够,因此仍有进一步研究的余地。今后的研究应重视对判决书、起诉书等司法文书的研究。
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引用次数: 0
Rethinking media history in modern China: the cases of lithography, slide shows, the telegraph, and motion pictures 重新思考近代中国的媒体史:以平版印刷、幻灯片、电报和电影为例
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/17535654.2018.1561095
M. Ching
Marshall McLuhan (1911–1980), whommany consider the founding father of media studies, first coined the phrase “the medium is the message” in his Understanding Media: The Extensions of Man, published in 1964. Since then, this idea has been hammered into the heads of every first-year undergraduate student majoring in media studies. In Understanding Media, McLuhan states that “It is the medium that shapes and controls the scale and form of human association and action. The content or uses of such media are as diverse as they are ineffectual in shaping the form of human association.” In other words, the particular materiality of a medium not only constructs and creates a particular kind of message, but also affects how the message is received, understood, interpreted, and responded to. It can even be argued that every medium invokes human behaviors and thought patterns unique to that medium. Therefore, as far as communication studies and media history are concerned, a medium itself, not the content it carries, should be the focus of study. Although McLuhan’s proposition “the medium is the message” is widely accepted in communication studies, scholars in the field of media history still do not seem to have taken this idea seriously enough, as evidenced by their general preoccupation with content rather than the medium itself. For instance, some read through old newspapers to collect information relevant to a particular topic; others go through pictorial magazines in search of visual evidence as proof of particular facts. In both cases, the materiality of the medium itself, be it a newspaper or a pictorial magazine, is usually ignored. This problem is exacerbated by the wide use of digital technologies in research and further compounded by the need for libraries to protect the original materials in their collections bymaking them available only in digital format or reprints. Given the ease of using a computer to search for a particular word and the limited accessibility of original materials, researchers today often lack the opportunity to touch the actual medium itself. Consequently, there are many questions they cannot answer. What is the texture of the paper on which the words are printed?What is the exact original size of a slide or photograph?Was the movie in question shot on 16mm or 35mm film, with or without a sound track? And what about the print quality of a book, a pamphlet, or a newspaper? It is regrettable that most libraries in China do not collect audiovisual materials and that the few that do rarely make their collections available to the public. This too deprives scholars of a direct and unabridged experience with these media. Strictly speaking, any research on media history that fails to adequately consider the dimension of themedium itself does not qualify as media history. At best, such
马歇尔·麦克卢汉(1911-1980)被许多人视为媒体研究之父,他在1964年出版的《理解媒体:人的延伸》一书中首次提出了“媒介即信息”这一说法。从那时起,这个想法就被灌输到每一个主修媒体研究的大一本科生的脑海里。麦克卢汉在《理解媒介》一书中指出:“媒介塑造并控制着人类交往和行动的规模和形式。这些媒体的内容或用途是多种多样的,因为它们在塑造人类交往的形式方面是无效的。”换句话说,媒介的特定物质性不仅构建和创造了特定类型的信息,而且还影响了信息的接收、理解、解释和回应方式。甚至可以说,每一种媒介都能激发出该媒介特有的人类行为和思维模式。因此,就传播学和媒介史而言,研究的重点应该是媒介本身,而不是媒介所承载的内容。尽管麦克卢汉的“媒介即信息”这一命题在传播学研究中被广泛接受,但媒体史领域的学者似乎仍然没有足够重视这一观点,这从他们普遍关注内容而不是媒介本身就可以看出。例如,一些人通过阅读旧报纸来收集与特定主题相关的信息;另一些人则翻阅图片杂志,寻找视觉证据,作为特定事实的证据。在这两种情况下,媒体本身的物质性,无论是报纸还是画报杂志,通常都被忽视了。数字技术在研究中的广泛使用加剧了这一问题,而图书馆需要通过只提供数字格式或重印版来保护其馆藏中的原始资料,这进一步加剧了这一问题。考虑到使用计算机搜索特定单词的便利性以及原始材料的有限可及性,今天的研究人员往往缺乏接触实际媒介本身的机会。因此,有许多问题他们无法回答。印字的纸是什么质地的?幻灯片或照片的原始尺寸是多少?这部电影是用16毫米还是35毫米胶片拍摄的,有还是没有音轨?那么书籍、小册子或报纸的印刷质量如何呢?令人遗憾的是,中国的大多数图书馆不收藏视听资料,而少数有收藏的图书馆也很少向公众开放。这也剥夺了学者们直接和完整地接触这些媒体的机会。严格地说,任何对媒体史的研究,如果没有充分考虑到媒体本身的维度,就没有资格成为媒体史。充其量,就是这样
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引用次数: 0
Pictures and music from stone: the indigenization of lithography in modern China, 1876–1945 来自石头的图画和音乐:1876-1945年中国现代石版印刷的本土化
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/17535654.2018.1556981
Xin Xie, M. Ching
ABSTRACT Lithography, which originated in Germany, was introduced into China by European missionaries in the nineteenth century. Inexpensive and uncomplicated, it quickly became an important medium for disseminating knowledge throughout a century of social change in modern China. The indigenization of this foreign technology in China was constantly shaped by and in turn shaped a variety of factors such as equipment, materials, human agency, and the market. This new method of printing enabled Chinese publishers to disseminate information and knowledge vividly and introduced Chinese elements into the printing of images and musical notation.
光刻术起源于德国,19世纪由欧洲传教士传入中国。在近代中国一个世纪的社会变迁中,它迅速成为传播知识的重要媒介。这种外来技术在中国的本土化不断受到设备、材料、人力和市场等多种因素的影响,并反过来又影响着这些因素。这种新的印刷方法使中国的出版商能够生动地传播信息和知识,并将中国元素引入图像和乐谱的印刷中。
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引用次数: 1
Sacred labor: the perspective of early Chinese sociology 神圣劳动:中国早期社会学的视角
IF 0.3 4区 历史学 Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/17535654.2018.1559537
Xufeng Tan
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引用次数: 0
期刊
Journal of Modern Chinese History
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