Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0182
Sasha Razor
Abstract This article examines Wanda L Frolov’s cookbook, Katish: Our Russian Cook (1947) as a transitional text that navigates the food diplomacy of World War II and the Cold War “Red Scare.” The book narrates the story of two women from different parts of the world and walks of life – an American widow and a refugee widow from Russia – who lived together in Southern California during Prohibition. The plot is presented through the point-of-view of one of the characters, Sis, as she recounts her childhood memories, while recipes come in clusters triggered by specific vignettes. Using irony, exoticisms, and literary and cultural allusions, the cookbook embodies the journey of the Russian character from her home country to the United States through American recipes. In Katish: Our Russian Cook, Frolov created an original character who asserts herself in the female space of the kitchen while adjusting to a new country. This adjustment is reflected in the hybrid Russian–American menu, which represents a radical departure from the three decades worth of auto-ethnographic cookbooks produced by the white émigrés in the United States. Frolov’s mode of representation of the Russian identity is fused with consumer potential as a positive force, while the child’s eye view of the story obfuscates the refugee trauma narrative. Released before the advent of television cooking shows and food editor conferences, Katish: Our Russian Cook mapped the local Los Angeles culinary scene in the 1920s and contributed to the development of the culinary memoir writing genre. Published first during the Cold War and republished by Ruth Reichl in 2001, it serves as a pertinent example of American integration and domestication of Russianness.
摘要本文考察了Wanda L Frolov的烹饪书《Katish:Our Russian Cook》（1947），这本书是一本过渡文本，讲述了第二次世界大战和冷战时期的粮食外交“红色恐慌”。“这本书讲述了两位来自世界不同地区和各行各业的女性——一位美国寡妇和一位来自俄罗斯的难民寡妇——在禁酒期间共同生活在南加州的故事。剧情是通过其中一个角色Sis的视角呈现的，她讲述了自己的童年记忆，而食谱则由特定的小插曲引发。这本食谱运用了讽刺、异国情调以及文学和文化典故，体现了俄罗斯角色通过美国食谱从祖国到美国的旅程。在《卡蒂什：我们的俄罗斯厨师》中，弗罗洛夫塑造了一个原创角色，她在厨房的女性空间中自我定位，同时适应了一个新的国家。这种调整反映在俄美混合菜单上，这与美国白人移民制作的30年汽车民族志食谱截然不同。弗罗洛夫对俄罗斯身份的表现方式与作为积极力量的消费者潜力融合在一起，而孩子对故事的视角模糊了难民创伤的叙事。《卡蒂什：我们的俄罗斯厨师》在电视烹饪节目和美食编辑会议出现之前发行，描绘了20世纪20年代洛杉矶当地的烹饪场景，并为烹饪回忆录写作流派的发展做出了贡献。它在冷战期间首次出版，并由鲁思·赖歇尔于2001年再版，是美国融合和俄罗斯化的一个恰当例子。
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Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0167
Synne Ytre Arne
Abstract In his botanical writings, Jean-Jacques Rousseau repeatedly returns to the idea that botanising exercises our faculty of attentive observation and teaches us to “see well.” Through botanical practice, we learn to transfer our attention from the self to what lies outside it and, specifically, to perceive other individual realities as they really are. To Rousseau, seeing well is not a matter of mere accuracy, but of disinterestedness and attention to the particularities of others, and the perceptual competences that he thought we might attain from botany have parallels in moral perception. Teasing out some of these parallels, this article’s main objective is to establish that the botanical gaze that Rousseau cultivates in his final years is moral in character and that it promotes wisdom and virtues indispensable to the moral education of man.
{"title":"Rousseau’s Herbarium, or The Art of Living Together","authors":"Synne Ytre Arne","doi":"10.1515/culture-2022-0167","DOIUrl":"https://doi.org/10.1515/culture-2022-0167","url":null,"abstract":"Abstract In his botanical writings, Jean-Jacques Rousseau repeatedly returns to the idea that botanising exercises our faculty of attentive observation and teaches us to “see well.” Through botanical practice, we learn to transfer our attention from the self to what lies outside it and, specifically, to perceive other individual realities as they really are. To Rousseau, seeing well is not a matter of mere accuracy, but of disinterestedness and attention to the particularities of others, and the perceptual competences that he thought we might attain from botany have parallels in moral perception. Teasing out some of these parallels, this article’s main objective is to establish that the botanical gaze that Rousseau cultivates in his final years is moral in character and that it promotes wisdom and virtues indispensable to the moral education of man.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48743175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0174
N. Darwish, Ahmad S. Haider, Hadeel Saed
Abstract People with visual impairment need a special form of audio-visual translation (AVT) to have access to multimedia products such as series and movies. Audio description (AD) is an AVT mode that describes what is happening in the images through words. It is a necessary accessibility tool that allows the blind and visually impaired to visualize scenes through spoken material. This study examines the types of information covered in the AD of the Jordanian Netflix drama series ‘Madrast Al-Rawabi LilBanat’ (AlRawabi School for Girls) following a corpus-assisted approach. Subsequent to watching the series and transcribing the verbal AD content, the researchers conducted frequency and concordance (KWIC) analyses using the Wordsmith 6 (WS6) software package to identify the categories of information covered in the AD. The findings showed six categories, namely description of characters, description of actions, interpersonal interactions, description of settings, emotional states, and on-screen texts. This study recommends conducting further research on AD in the Arab world to expand the accessibility services provided by official TV channels and streaming platforms.
摘要视障人士需要一种特殊形式的视听翻译（AVT）才能接触到连续剧和电影等多媒体产品。音频描述（AD）是一种AVT模式，通过文字描述图像中发生的事情。它是一种必要的无障碍工具，可以让盲人和视障人士通过口语材料将场景可视化。本研究采用语料库辅助方法，研究了约旦网飞电视剧《Madrast Al Rawabi LilBanat》（AlRawabi女子学校）广告中涵盖的信息类型。在观看了该系列节目并转录了口头广告内容后，研究人员使用Wordsmith 6（WS6）软件包进行了频率和一致性（KWIC）分析，以确定广告中涵盖的信息类别。研究结果显示了六个类别，即人物描述、动作描述、人际互动、环境描述，情绪状态和屏幕文本。这项研究建议对阿拉伯世界的广告进行进一步研究，以扩大官方电视频道和流媒体平台提供的无障碍服务。
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Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0180
A. Urie
Abstract In this experimental article, I employ what I term a neo-Heideggerian approach that entails harnessing a selective amalgamation of the thought of Martin Heidegger (1889–1976) as a hermeneutical energy, which I direct towards my account of a series of personal psychogeographic experiences that have entailed encounters with an enchanted social space otherwise obscured within the working-class suburb of Scarborough, Ontario (Canada). I engage this neo-Heideggerian hermeneutical energy not as a professional philosopher but rather as a working culturalist interested in exploring how Heidegger’s thought can be made “to do” in the contemporary multicultural world. Accordingly, I seek to redeem his thinking from crass accusations of being commensurate with a white-inflected blood and soil nationalism.
{"title":"On the Happening of “Frank’s Place”: A Neo-Heideggerian Psychogeographic Appreciation of an Enchanted Locale","authors":"A. Urie","doi":"10.1515/culture-2022-0180","DOIUrl":"https://doi.org/10.1515/culture-2022-0180","url":null,"abstract":"Abstract In this experimental article, I employ what I term a neo-Heideggerian approach that entails harnessing a selective amalgamation of the thought of Martin Heidegger (1889–1976) as a hermeneutical energy, which I direct towards my account of a series of personal psychogeographic experiences that have entailed encounters with an enchanted social space otherwise obscured within the working-class suburb of Scarborough, Ontario (Canada). I engage this neo-Heideggerian hermeneutical energy not as a professional philosopher but rather as a working culturalist interested in exploring how Heidegger’s thought can be made “to do” in the contemporary multicultural world. Accordingly, I seek to redeem his thinking from crass accusations of being commensurate with a white-inflected blood and soil nationalism.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45487461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0183
I. Kačāne, Y. Şentürk, Marta Rovira Martínez
Abstract The article is based on the data obtained from the qualitative research on intergenerational dynamics of cultural socialization representing 31 family cases in Latvia, Catalonia (Spain), and Turkey. It is aimed at exploring in what ways young people’s (age range 14–25) cultural intelligence is shaped and how the degrees of openness to inter-group communication are developed. The article focuses on the everyday interactions of young people around their neighbourhoods, by examining their reported perceptions and modes of participation. It also explores the experience of young people with cultural diversity, and cultural interactions as a cultural capital, including how intergenerational relationships and dynamics take part in the formation of cultural intelligence of young people. The research findings on the transmission of cultural intelligence demonstrate that openness and experience are crucial in adapting to various forms of intergroup communication, such as intercultural processes, culturally diverse environments, and interactions with people from different cultures. Consequently, expanding cross-cultural experiences and broadening experiences can effectively challenge and redefine stereotypical biases, ultimately reaching broader segments of societies and enhancing effective communication both within the home country and beyond.
{"title":"Youth and Intergenerational Transmission of Cultural Intelligence in Latvia, Spain and Turkey","authors":"I. Kačāne, Y. Şentürk, Marta Rovira Martínez","doi":"10.1515/culture-2022-0183","DOIUrl":"https://doi.org/10.1515/culture-2022-0183","url":null,"abstract":"Abstract The article is based on the data obtained from the qualitative research on intergenerational dynamics of cultural socialization representing 31 family cases in Latvia, Catalonia (Spain), and Turkey. It is aimed at exploring in what ways young people’s (age range 14–25) cultural intelligence is shaped and how the degrees of openness to inter-group communication are developed. The article focuses on the everyday interactions of young people around their neighbourhoods, by examining their reported perceptions and modes of participation. It also explores the experience of young people with cultural diversity, and cultural interactions as a cultural capital, including how intergenerational relationships and dynamics take part in the formation of cultural intelligence of young people. The research findings on the transmission of cultural intelligence demonstrate that openness and experience are crucial in adapting to various forms of intergroup communication, such as intercultural processes, culturally diverse environments, and interactions with people from different cultures. Consequently, expanding cross-cultural experiences and broadening experiences can effectively challenge and redefine stereotypical biases, ultimately reaching broader segments of societies and enhancing effective communication both within the home country and beyond.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41411451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0166
S. Drechsler
Abstract In relation to the major topic of the present volume, this article is intended to provide new methodological and iconographic insights into the cultural adaptation and integration of European iconographic motifs in the medieval western Scandinavian arts and culture, as well as the relations between the iconographic detail and its surrounding texts. At the same time, this article offers a new approach to existing research on the basis of two methodological theories hitherto little investigated in iconographic research: cultural syncretism and interpicturality. In archaeology and media studies, these approaches are used to interpret cultural–historical artefacts that were created for one and then reused in a new context which may alter their meaning. The present article seeks to explain how both meaning and appearance of a single motif change between the vernacular texts it accompanies, and how the working methods of the illuminators differ between manuscripts. As a qualitative example, the investigation will focus on a complex iconographic motif that is found in six Icelandic manuscripts from the fourteenth century, namely the feature of animal heads as extensions on throne seats. Although little studied in the context of manuscripts, this is a motif widely used throughout the Middle Ages and with various secular and religious connotations. In particular, this is linked to the specific narrative roles that iconographic details play in relation to the written text and generally to the physical objects that carry both text and iconography: the manuscripts.
{"title":"Cultural Syncretism and Interpicturality: The Iconography of Throne Benches in Medieval Icelandic Book Painting","authors":"S. Drechsler","doi":"10.1515/culture-2022-0166","DOIUrl":"https://doi.org/10.1515/culture-2022-0166","url":null,"abstract":"Abstract In relation to the major topic of the present volume, this article is intended to provide new methodological and iconographic insights into the cultural adaptation and integration of European iconographic motifs in the medieval western Scandinavian arts and culture, as well as the relations between the iconographic detail and its surrounding texts. At the same time, this article offers a new approach to existing research on the basis of two methodological theories hitherto little investigated in iconographic research: cultural syncretism and interpicturality. In archaeology and media studies, these approaches are used to interpret cultural–historical artefacts that were created for one and then reused in a new context which may alter their meaning. The present article seeks to explain how both meaning and appearance of a single motif change between the vernacular texts it accompanies, and how the working methods of the illuminators differ between manuscripts. As a qualitative example, the investigation will focus on a complex iconographic motif that is found in six Icelandic manuscripts from the fourteenth century, namely the feature of animal heads as extensions on throne seats. Although little studied in the context of manuscripts, this is a motif widely used throughout the Middle Ages and with various secular and religious connotations. In particular, this is linked to the specific narrative roles that iconographic details play in relation to the written text and generally to the physical objects that carry both text and iconography: the manuscripts.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47048626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0171
S. Tack
Abstract Several European countries have taken measures to discourage or ban physicians from issuing virginity certificates to migrant women, with the stated aim of protecting these women from oppression. Arguments against the practice are centred around questions of medical ethics, gender inequality, and autonomy. What underpins these arguments is an evaluation of whether women have a choice in matters related to their sexuality. This article shows that the reasons provided for why virginity certificates should not be issued can similarly be applied to the prescription of erectile dysfunction medication, yet the latter practice remains largely unquestioned. It argues that the discrepancy in approaches to both practices points to an a priori understanding of migrant women as non-agentic, grounded in racial gendered norms, and that agency is mobilised as a biopolitical tool to Other migrant women and communities. Current approaches towards virginity certificates thus replicate the oppression of the migrant women they (cl)aim to liberate.
{"title":"Rethinking Agency in the European Debate about Virginity Certificates: Gender, Biopolitics, and the Construction of the Other","authors":"S. Tack","doi":"10.1515/culture-2022-0171","DOIUrl":"https://doi.org/10.1515/culture-2022-0171","url":null,"abstract":"Abstract Several European countries have taken measures to discourage or ban physicians from issuing virginity certificates to migrant women, with the stated aim of protecting these women from oppression. Arguments against the practice are centred around questions of medical ethics, gender inequality, and autonomy. What underpins these arguments is an evaluation of whether women have a choice in matters related to their sexuality. This article shows that the reasons provided for why virginity certificates should not be issued can similarly be applied to the prescription of erectile dysfunction medication, yet the latter practice remains largely unquestioned. It argues that the discrepancy in approaches to both practices points to an a priori understanding of migrant women as non-agentic, grounded in racial gendered norms, and that agency is mobilised as a biopolitical tool to Other migrant women and communities. Current approaches towards virginity certificates thus replicate the oppression of the migrant women they (cl)aim to liberate.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43308325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0190
Matthew Thomas Johnson
Abstract This article presents an immanent critique of neoliberal welfare reform using observation of participatory research involving left-behind communities in the North East of England and Australia. It argues that harms, such as passivity, invoked to reduce social security and increase conditionality are actually enhanced by austerity, conditionality and philanthropic giving. Deploying Mauss’ conception of the gift suggests that aggressive, conditional giving, combined with consumption through indebtedness, has served to strip individuals of authority. This leads to a radical conclusion: the stated aims of policy platforms like Big Society can only be realized through statutory entitlements like basic income.
{"title":"Rebuilding Authority in “Lumpen” Communities: The Need for Basic Income to Foster Entitlement","authors":"Matthew Thomas Johnson","doi":"10.1515/culture-2022-0190","DOIUrl":"https://doi.org/10.1515/culture-2022-0190","url":null,"abstract":"Abstract This article presents an immanent critique of neoliberal welfare reform using observation of participatory research involving left-behind communities in the North East of England and Australia. It argues that harms, such as passivity, invoked to reduce social security and increase conditionality are actually enhanced by austerity, conditionality and philanthropic giving. Deploying Mauss’ conception of the gift suggests that aggressive, conditional giving, combined with consumption through indebtedness, has served to strip individuals of authority. This leads to a radical conclusion: the stated aims of policy platforms like Big Society can only be realized through statutory entitlements like basic income.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135784243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0175
Ekaterina Anastasova
Abstract This article presents the problem of identity construction among Eastern European immigrants to the USA after so-called “democratic changes.” It is based on the intercultural rather than multicultural approach which considers both the immigrants’ interactions with the host society and their individual choices in constructing identity and selecting a lifestyle. The article is a case study analyzing a “success story” of a person of Bulgarian–Russian origin who immigrated to the USA in the 1990s and built up his identity on the basis of a Russian national narrative. This narrative is rooted in Russian history, classic literature, and art, i.e., in high Russian culture. It serves as a framework for shaping the immigrant’s lifestyle as a whole and permeates the material culture of his home, reflecting the migrant’s perception of what is genuine Russianness. Family relations as well as friendships and relations with people frequenting his house are also aligned with ideas expressing the dominant motifs of the national narrative as it exists in the immigrant’s mind and imagination. Material for the chapter is drawn from fieldwork conducted by the author in 2015–2017 in New York and Long Island.
{"title":"A Russian Story in the USA: On the Identity of Post-Socialist Immigration","authors":"Ekaterina Anastasova","doi":"10.1515/culture-2022-0175","DOIUrl":"https://doi.org/10.1515/culture-2022-0175","url":null,"abstract":"Abstract This article presents the problem of identity construction among Eastern European immigrants to the USA after so-called “democratic changes.” It is based on the intercultural rather than multicultural approach which considers both the immigrants’ interactions with the host society and their individual choices in constructing identity and selecting a lifestyle. The article is a case study analyzing a “success story” of a person of Bulgarian–Russian origin who immigrated to the USA in the 1990s and built up his identity on the basis of a Russian national narrative. This narrative is rooted in Russian history, classic literature, and art, i.e., in high Russian culture. It serves as a framework for shaping the immigrant’s lifestyle as a whole and permeates the material culture of his home, reflecting the migrant’s perception of what is genuine Russianness. Family relations as well as friendships and relations with people frequenting his house are also aligned with ideas expressing the dominant motifs of the national narrative as it exists in the immigrant’s mind and imagination. Material for the chapter is drawn from fieldwork conducted by the author in 2015–2017 in New York and Long Island.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44809067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.1515/culture-2022-0169
Bethan Jones
Abstract Since they first aired in the 1990s, Twin Peaks and The X-Files have been enduring hallmarks of cult television. This reputation only increased with the news that the shows were to be revived and, perhaps unsurprisingly, media discourse surrounding the revivals harkened back to the shows’ peaks. Yet this discourse also drew heavily on concepts of generational fandom and nostalgia. This article is interested in how and why fans of The X-Files and Twin Peaks use nostalgia to discuss their relationship with the shows and their own fandom. Drawing on qualitative research conducted with fans, this article identifies three forms of nostalgia specifically related to reboots, remakes or revivals: spatiotemporal nostalgia, textual nostalgia and communal nostalgia.
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