{"title":"Sovereign Screens: Aboriginal Media on the Canadian West Coast by Kristin L. Dowell (review)","authors":"R. Todd","doi":"10.5860/choice.51-6819","DOIUrl":"https://doi.org/10.5860/choice.51-6819","url":null,"abstract":"","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71146776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tracking the Great Bear: How Environmentalists Recreated British Columbia’s Coastal Rainforest by Justin Page (review)","authors":"K. Atkinson","doi":"10.5860/choice.187124","DOIUrl":"https://doi.org/10.5860/choice.187124","url":null,"abstract":"","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71025657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
From the 1960s until the early 1980s the London, Ontario artist Greg Curnoe was championed on the national and international stage by the National Gallery of Canada. A committed regionalist whose representational art reflected his daily experiences, Curnoe’s art was celebrated as evidence of the nation’s cultural maturation in the heady years surrounding Canada’s centennial. However, fame can be notoriously fickle: by the early 1980s, Curnoe’s career was in decline. This article examines Curnoe’s rise and fall at a culturally and politically charged point in Canada’s history.
{"title":"Playing the art world: The rise and fall of Greg Curnoe (Jouer le jeu du monde artistique: montée et chute de Greg Curnoe)","authors":"Katie Cholette","doi":"10.3828/BJCS.2016.3","DOIUrl":"https://doi.org/10.3828/BJCS.2016.3","url":null,"abstract":"From the 1960s until the early 1980s the London, Ontario artist Greg Curnoe was championed on the national and international stage by the National Gallery of Canada. A committed regionalist whose representational art reflected his daily experiences, Curnoe’s art was celebrated as evidence of the nation’s cultural maturation in the heady years surrounding Canada’s centennial. However, fame can be notoriously fickle: by the early 1980s, Curnoe’s career was in decline. This article examines Curnoe’s rise and fall at a culturally and politically charged point in Canada’s history.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2016.3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70388542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1849, the conservatives of Montreal engaged in a series of ostensibly disloyal actions: the burning of the Parliament, attacks on the Governor General, and the publication of the Annexation Manifesto. Yet even as they did so they refused to abandon the language of loyalty. Canadian conservatives instead chose to follow the political philosophy of John Locke, endorsing his ‘right of revolution’. In so doing, they demonstrated an ideology eerily similar to that of the American Patriots three quarters of a century earlier. They held a conditional conception of loyalty as a social contract between monarch and subject. The British Crown was seen to have broken this contract through its sanctioning of the Rebellion Losses Bill and its implicit support of ‘French Domination’. The connection between mother country and colony was now conceived as open to negotiation.
{"title":"Conservatives and conditional loyalty: The Rebellion Losses Crisis of 1849 in Montreal (Les conservateurs et la loyauté conditionnelle: la crise de la Loi d’indemnisation pour le Bas-Canada de 1849 à Montréal)","authors":"John Turing","doi":"10.3828/BJCS.2016.4","DOIUrl":"https://doi.org/10.3828/BJCS.2016.4","url":null,"abstract":"In 1849, the conservatives of Montreal engaged in a series of ostensibly disloyal actions: the burning of the Parliament, attacks on the Governor General, and the publication of the Annexation Manifesto. Yet even as they did so they refused to abandon the language of loyalty. Canadian conservatives instead chose to follow the political philosophy of John Locke, endorsing his ‘right of revolution’. In so doing, they demonstrated an ideology eerily similar to that of the American Patriots three quarters of a century earlier. They held a conditional conception of loyalty as a social contract between monarch and subject. The British Crown was seen to have broken this contract through its sanctioning of the Rebellion Losses Bill and its implicit support of ‘French Domination’. The connection between mother country and colony was now conceived as open to negotiation.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2016.4","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70388601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Immigration and the metropolis have long been linked, impacting upon the way we think about the contemporary city. However, quite different narratives, anchored in specific urban and social experiences, have informed traditions of this thinking, from the Chicago School to the Los Angeles School. In Montreal’s case, the narrative is a story of immigrant neighbourhoods, and illustrates both takes on the metropolis; namely that it can be cosmopolitan or fragmented in nature. This article will trace the various chapters of Montreal’s history to demonstrate that, whilst its narrative has, for the most part, identified it as a cosmopolitan city, recent developments seem to have triggered a twist in the tale towards a vision of a fragmented city; at least in sociopolitical discourses.
{"title":"The fragmented or cosmopolitan metropolis?: A neighbourhood story of immigration in Montreal (La métropole fragmentée ou cosmopolite? Une histoire de quartiers de l’immigration montréalaise)","authors":"Annick Germain","doi":"10.3828/BJCS.2016.1","DOIUrl":"https://doi.org/10.3828/BJCS.2016.1","url":null,"abstract":"Immigration and the metropolis have long been linked, impacting upon the way we think about the contemporary city. However, quite different narratives, anchored in specific urban and social experiences, have informed traditions of this thinking, from the Chicago School to the Los Angeles School. In Montreal’s case, the narrative is a story of immigrant neighbourhoods, and illustrates both takes on the metropolis; namely that it can be cosmopolitan or fragmented in nature. This article will trace the various chapters of Montreal’s history to demonstrate that, whilst its narrative has, for the most part, identified it as a cosmopolitan city, recent developments seem to have triggered a twist in the tale towards a vision of a fragmented city; at least in sociopolitical discourses.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2016.1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70388311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Concentrating on L.M. Montgomery’s often overlooked Anne sequel Anne of Avonlea (1909), this article interrogates the representation of Anne-as-teacher, particularly focusing on the ways in which Montgomery extends this role beyond the confines of the schoolhouse. It explores the ways Anne’s ‘teaching’ is presented to the reader as both a mode of employment and a route for her own personal development that both draws upon and extends her seemingly innate maternalism. It also examines the extent to which Montgomery’s intended narrative destiny for Anne was shaped by both societal expectations of the period regarding young women, and by the conventions of the domestic romance genre itself. This article intends to encourage new evaluations and reassessment of the Anne sequels by drawing attention to the conflicting relationships between writing, paid work, and gender in this period, which both Montgomery and her protagonist were forced to overcome.
{"title":"Rose-tinted ideals and the threat of spinsterhood: Teaching and maternalism in Anne of Avonlea (1909) (Idéaux édulcorés et la menace du statut de “vieille fille”: l’enseignement et le maternalisme dans Anne of Avonlea (1909))","authors":"Sarah Galletly","doi":"10.3828/BJCS.2016.2","DOIUrl":"https://doi.org/10.3828/BJCS.2016.2","url":null,"abstract":"Concentrating on L.M. Montgomery’s often overlooked Anne sequel Anne of Avonlea (1909), this article interrogates the representation of Anne-as-teacher, particularly focusing on the ways in which Montgomery extends this role beyond the confines of the schoolhouse. It explores the ways Anne’s ‘teaching’ is presented to the reader as both a mode of employment and a route for her own personal development that both draws upon and extends her seemingly innate maternalism. It also examines the extent to which Montgomery’s intended narrative destiny for Anne was shaped by both societal expectations of the period regarding young women, and by the conventions of the domestic romance genre itself. This article intends to encourage new evaluations and reassessment of the Anne sequels by drawing attention to the conflicting relationships between writing, paid work, and gender in this period, which both Montgomery and her protagonist were forced to overcome.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2016.2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70388477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses the adaptation and appropriation of the Western genre in novels by three Canadian authors: Natalee Caple’s In Calamity’s Wake, Guy Vanderhaeghe’s The Englishman’s Boy and Fred Stenson’s Lightning. All three novels revisit, re-interpret and subvert the myth of the Wild West by: focusing on historicity in the form of historiographic metafiction or historical fiction; differentiating between the Canadian and American Wild Wests; laying bare the mythologisation processes of the Wild West as a nation-making myth; and foregrounding characters ex-centric for the Western, such as women, First Nations, Canadians, and atypical cowboys. In this way, the novels contribute to the Canadian new Western genre.
{"title":"The reworkings of the Western from the northern side of the Medicine Line: Caple’s In Calamity’s Wake, Vanderhaeghe’s The Englishman’s Boy and Stenson’s Lightning","authors":"V. Polić","doi":"10.3828/BJCS.2015.13","DOIUrl":"https://doi.org/10.3828/BJCS.2015.13","url":null,"abstract":"This article analyses the adaptation and appropriation of the Western genre in novels by three Canadian authors: Natalee Caple’s In Calamity’s Wake, Guy Vanderhaeghe’s The Englishman’s Boy and Fred Stenson’s Lightning. All three novels revisit, re-interpret and subvert the myth of the Wild West by: focusing on historicity in the form of historiographic metafiction or historical fiction; differentiating between the Canadian and American Wild Wests; laying bare the mythologisation processes of the Wild West as a nation-making myth; and foregrounding characters ex-centric for the Western, such as women, First Nations, Canadians, and atypical cowboys. In this way, the novels contribute to the Canadian new Western genre.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2015.13","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70387528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Despite L.M. Montgomery’s voluminous presence in the North American periodical marketplace throughout her literary career, critical studies of Montgomery largely remain focused on her novels and journals. This article examines Montgomery’s short fiction and feature submissions to the Canadian mass-market magazines Chatelaine and the Canadian Home Journal. It analyses the editorial commentary, page layout, and illustrations which appeared alongside the text of the stories themselves, in order to examine the way in which Montgomery’s work was framed and presented on the pages of periodicals. Through a close analysis of a few of Montgomery’s non-fiction contributions to Chatelaine, it also explores the ways in which she shaped and controlled her public status as a ‘celebrity’ author late in her career. This article thus aims to build towards a wider understanding of Montgomery’s literary outputs and her successful navigation of the Canadian literary marketplace.
{"title":"L.M. Montgomery and Canadian mass-market magazines","authors":"Sarah Galletly","doi":"10.3828/BJCS.2015.10","DOIUrl":"https://doi.org/10.3828/BJCS.2015.10","url":null,"abstract":"Despite L.M. Montgomery’s voluminous presence in the North American periodical marketplace throughout her literary career, critical studies of Montgomery largely remain focused on her novels and journals. This article examines Montgomery’s short fiction and feature submissions to the Canadian mass-market magazines Chatelaine and the Canadian Home Journal. It analyses the editorial commentary, page layout, and illustrations which appeared alongside the text of the stories themselves, in order to examine the way in which Montgomery’s work was framed and presented on the pages of periodicals. Through a close analysis of a few of Montgomery’s non-fiction contributions to Chatelaine, it also explores the ways in which she shaped and controlled her public status as a ‘celebrity’ author late in her career. This article thus aims to build towards a wider understanding of Montgomery’s literary outputs and her successful navigation of the Canadian literary marketplace.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2015.10","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70387723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hopkins Moorhouse and Peter Donovan (or P.O’D.) were once familiar names in Canadian literature. In the first decades of the twentieth century both authors wrote a variety of sketches and stories for Canadian magazines and newspapers, and went on to produce well-received, popular, Toronto-set novels. The intervening years have seen both writers and their novels all but forgotten. This article revisits Moorhouse’s Every Man for Himself (1920) and Donovan’s Late Spring (1930) in light of an increasing interest in the depiction of cities in Canadian literature. Both novels can be seen as self-aware modern urban Canadian fictions, addressing the complexity of the cityscape alongside the overarching challenges of modernity to literary representation.
{"title":"‘First and foremost a writer of fiction’: revisiting two Toronto novels, Hopkins Moorhouse’s Every Man for Himself and Peter Donovan’s Late Spring","authors":"Will Smith","doi":"10.3828/BJCS.2015.11","DOIUrl":"https://doi.org/10.3828/BJCS.2015.11","url":null,"abstract":"Hopkins Moorhouse and Peter Donovan (or P.O’D.) were once familiar names in Canadian literature. In the first decades of the twentieth century both authors wrote a variety of sketches and stories for Canadian magazines and newspapers, and went on to produce well-received, popular, Toronto-set novels. The intervening years have seen both writers and their novels all but forgotten. This article revisits Moorhouse’s Every Man for Himself (1920) and Donovan’s Late Spring (1930) in light of an increasing interest in the depiction of cities in Canadian literature. Both novels can be seen as self-aware modern urban Canadian fictions, addressing the complexity of the cityscape alongside the overarching challenges of modernity to literary representation.","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2015.11","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70387832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This issue of the British Journal of Canadian Studies showcases a range of original research by emerging scholars writing about the literature of Canada. These scholars, drawn from the United Kingdom and elsewhere in Europe, represent the next generation of academics engaged in research, analysis and writing in the field of Canadian Studies.As with many projects, this issue began as a conversation between friends and colleagues - Christopher Kirkey, Director of the Center for the Study of Canada at State University of New York College at Plattsburgh, and Tony McCulloch, Senior Fellow in North American Studies at the UCL Institute of the Americas. Reflecting on the need to encourage younger scholars working on Canada, and building on a model already successfully employed by SUN Y Plattsburgh's CONNECT programme, the decision was taken in May 2013 to organise, promote and convene a colloquium at University College London in the summer of 2014. A call for papers was issued, aimed primarily at doctoral students and early-career professionals, and resulted in some thirty proposals. Twenty-one participants, from all over Europe and representing a variety of academic disciplines, subsequently presented their research at the 'Issues in Canadian Studies: New Voices on Canada' colloquium held at the UCL Institute of the Americas in Bloomsbur y, central London, between 10 and 12 July 2014.The colloquium featured, most prominently, a compelling focus on papers dedicated to Canadian literature. As editors - following formal presentations, extended discussions, and multiple academic peer reviews by several senior scholars - we chose to commit this issue of the BJCS to six essays grounded in the study of Canadian literature, broadly defined. We are also pleased to note that the authors of several other papers given at the colloquium have been encouraged to submit their work to the BJCS for consideration in future issues.In this special issue Sarah Galletly, from the UK but currently based in Australia, focuses on the highly popular Canadian author, Lucy Maud Montgomer y, and her often overlooked short fictional feature submissions to two prominent Canadian periodicals, Chatelaine and the Canadian Home Journal. Will Smith, also from the UK, examines two 'little-known popular novels', Hopkins Moorhouse's Every Man for Himself and Peter Donovan's Late Spring, and shows that these Toronto-based writers of the early twentieth century reflect and radiate the emergence of urban realist fiction in and about Canada. …
本期《英国加拿大研究杂志》展示了新兴学者关于加拿大文学的一系列原创研究。这些学者来自英国和欧洲其他国家，代表了在加拿大研究领域从事研究、分析和写作的下一代学者。与许多项目一样，这个问题始于朋友和同事之间的对话——克里斯托弗·柯基(Christopher Kirkey)是纽约州立大学普拉茨堡分校加拿大研究中心主任，托尼·麦卡洛克(Tony McCulloch)是伦敦大学学院美洲研究所北美研究高级研究员。考虑到鼓励年轻学者在加拿大工作的必要性，并以SUN Y Plattsburgh的CONNECT项目已经成功采用的模式为基础，2013年5月决定于2014年夏天在伦敦大学学院组织、推广和召开一次研讨会。论文征集活动主要针对博士生和职业生涯早期的专业人士，征集了大约30份论文。2014年7月10日至12日，来自欧洲各地、代表不同学科的21位参与者在伦敦大学学院美洲研究所举行的“加拿大研究问题:加拿大新声音”研讨会上展示了他们的研究成果。讨论会的特点，最突出的是一个引人注目的重点论文致力于加拿大文学。作为编辑，经过正式的报告，广泛的讨论，以及几位资深学者的多次学术同行评议，我们选择将这期BJCS的六篇文章作为广泛定义的加拿大文学研究的基础。我们还高兴地注意到，在研讨会上发表的其他几篇论文的作者已被鼓励将他们的工作提交给BJCS，以便在未来的问题中考虑。在本期特刊中，Sarah Galletly，来自英国，但目前居住在澳大利亚，专注于非常受欢迎的加拿大作家露西·莫德·蒙哥马利，以及她经常被忽视的短篇小说特写，她提交给两家著名的加拿大期刊，《Chatelaine》和《加拿大家庭杂志》。同样来自英国的威尔·史密斯考察了两部“鲜为人知的流行小说”——霍普金斯·摩尔豪斯的《每个人都为自己》和彼得·多诺万的《晚春》，并展示了这些20世纪初居住在多伦多的作家反映和辐射了加拿大及其相关城市现实主义小说的出现。…
{"title":"Introduction: New Voices on Canada","authors":"Christopher Kirkey, T. Mcculloch","doi":"10.3828/BJCS.2015.9","DOIUrl":"https://doi.org/10.3828/BJCS.2015.9","url":null,"abstract":"This issue of the British Journal of Canadian Studies showcases a range of original research by emerging scholars writing about the literature of Canada. These scholars, drawn from the United Kingdom and elsewhere in Europe, represent the next generation of academics engaged in research, analysis and writing in the field of Canadian Studies.As with many projects, this issue began as a conversation between friends and colleagues - Christopher Kirkey, Director of the Center for the Study of Canada at State University of New York College at Plattsburgh, and Tony McCulloch, Senior Fellow in North American Studies at the UCL Institute of the Americas. Reflecting on the need to encourage younger scholars working on Canada, and building on a model already successfully employed by SUN Y Plattsburgh's CONNECT programme, the decision was taken in May 2013 to organise, promote and convene a colloquium at University College London in the summer of 2014. A call for papers was issued, aimed primarily at doctoral students and early-career professionals, and resulted in some thirty proposals. Twenty-one participants, from all over Europe and representing a variety of academic disciplines, subsequently presented their research at the 'Issues in Canadian Studies: New Voices on Canada' colloquium held at the UCL Institute of the Americas in Bloomsbur y, central London, between 10 and 12 July 2014.The colloquium featured, most prominently, a compelling focus on papers dedicated to Canadian literature. As editors - following formal presentations, extended discussions, and multiple academic peer reviews by several senior scholars - we chose to commit this issue of the BJCS to six essays grounded in the study of Canadian literature, broadly defined. We are also pleased to note that the authors of several other papers given at the colloquium have been encouraged to submit their work to the BJCS for consideration in future issues.In this special issue Sarah Galletly, from the UK but currently based in Australia, focuses on the highly popular Canadian author, Lucy Maud Montgomer y, and her often overlooked short fictional feature submissions to two prominent Canadian periodicals, Chatelaine and the Canadian Home Journal. Will Smith, also from the UK, examines two 'little-known popular novels', Hopkins Moorhouse's Every Man for Himself and Peter Donovan's Late Spring, and shows that these Toronto-based writers of the early twentieth century reflect and radiate the emergence of urban realist fiction in and about Canada. …","PeriodicalId":41591,"journal":{"name":"British Journal of Canadian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/BJCS.2015.9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70388243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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