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Everyday Magic: Some Mysteries of the Mantlepiece 日常魔法:壁炉架的一些奥秘
Q1 HISTORY Pub Date : 2016-12-30 DOI: 10.5130/phrj.v23i0.5331
R. Mills
Small mass-produced objects, such as ceramic figurines, that may have been displayed on mantelpieces, are found in working-class nineteenth and early twentieth century archaeological contexts. Above the hearth, at the heart of the home, objects located on the mantelpiece could be said to be central in reflecting a number of aspects of the lives of those who placed them there. These could include identity, resistance, memory and superstition.
在19世纪和20世纪早期的考古背景下,工人阶级发现了大量生产的小物品,比如可能被陈列在壁炉架上的陶瓷小雕像。壁炉上方是家庭的中心,壁炉架上的物品可以说是反映了放置它们的人生活的许多方面的中心。这些可能包括身份认同、抵抗、记忆和迷信。
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引用次数: 1
Remembering Tomorrow: Wagon Roads, Identity and the Decolonization of a First Nations Landscape 记住明天:马车之路,身份和第一民族景观的非殖民化
Q1 HISTORY Pub Date : 2016-12-30 DOI: 10.5130/PHRJ.V23I0.5326
Erin Gibson
Roads embody the experiences of those who construct, use and maintain them through time. Using a biographical approach I explore how memory and identity are entangled in the material remains of a wagon road in southwestern British Columbia, Canada. First constructed by the Royal Engineers in 1859 to enable miners to reach the Fraser River goldfields, the importance of this road transcends its colonial origins. Entwined in different webs of meaning, the material remains of the wagon road continue to play a role in the lives of people today. In this article I investigate the significance of this wagon road to the indigenous Stl’atl’imx (pronounced Stat-lee-um) people of the lower Lillooet River Valley who aim to preserve it as a part of decolonizing and reclaiming their traditional territory and identity. I also look at the road’s importance to a group of Grade 10 students who experience it as part of a high school excursion that teaches outdoor survival skills alongside lessons about British Columbia’s historic past. While these two groups have different experiences of the colonial encounter, for each their understanding of the road goes beyond its physical form to its ‘place’ in understanding their own identity.
随着时间的推移,道路体现了那些建造、使用和维护道路的人的经历。我用传记的方式探索记忆和身份是如何纠缠在加拿大不列颠哥伦比亚省西南部一条马车路的物质残骸中。1859年,英国皇家工兵建造了这条路,使矿工能够到达弗雷泽河的金矿,这条路的重要性超越了它的殖民起源。在不同的意义网交织在一起,马车路的物质遗迹继续在今天人们的生活中发挥作用。在这篇文章中,我调查了这条马车路对利卢埃特河谷下游的土著Stl 'atl 'imx(发音为Stat-lee-um)人民的意义,他们的目标是保护它作为非殖民化和恢复其传统领土和身份的一部分。我也看到了这条路对一群10年级学生的重要性,他们在一次高中远足中体验了这条路,在学习不列颠哥伦比亚省历史的同时,还学习了户外生存技能。虽然这两个群体对殖民遭遇有着不同的经历,但他们对道路的理解都超越了它的物理形式,而是在理解自己的身份时的“位置”。
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引用次数: 2
Rethinking Materiality, Memory and Identity 重新思考物质性、记忆和身份
Q1 HISTORY Pub Date : 2016-12-30 DOI: 10.5130/PHRJ.V23I0.5333
Tracy Ireland, Jane Lydon
This introductory article  considers and questions exactly how materials and people constitute social worlds and relationships which sustain identity and memory and, in turn, the social and political structures or norms that these attachments invest in, stabilise and maintain.
这篇介绍性的文章考虑并质疑了物质和人是如何构成社会世界和维持身份和记忆的关系的,反过来,这些附件所投资、稳定和维持的社会和政治结构或规范。
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引用次数: 11
The Invaluable Institutional History: Ghana’s National Museum from a Obroni Perspective 无价的机构历史:奥布罗尼视角下的加纳国家博物馆
Q1 HISTORY Pub Date : 2015-12-24 DOI: 10.5130/phrj.v22i0.4781
B. Ghee
Understanding an institution’s historical conception and its subsequent role on collecting practices and museum narrative is essential when entering into an international internship. Understanding the history of a collection, the initial conception of an actual permanent exhibition and the limitations of available resources can lead to a deeper appreciation and cultural exchange by explaining otherwise confusing or odd differences. Of course not every cultural difference can be explained by an institutional history. But larger questions of interpretation can be explored through the lens of understanding the international partner’s history.
在进入国际实习时,了解一个机构的历史概念及其在收藏实践和博物馆叙事中的后续作用是必不可少的。了解藏品的历史、实际永久展览的初始概念以及可用资源的限制,可以通过解释其他令人困惑或奇怪的差异,导致更深层次的欣赏和文化交流。当然,并不是所有的文化差异都可以用制度历史来解释。但更大的解释问题可以通过了解国际合作伙伴的历史来探索。
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引用次数: 2
Museums Connect: Teaching Public History through Transnational Museum Partnerships 博物馆连接:通过跨国博物馆合作关系教授公共历史
Q1 HISTORY Pub Date : 2015-12-24 DOI: 10.5130/PHRJ.V22I0.4753
Richard J. W. Harker
Museums Connect is a program funded by the US Department of State and administered by the American Alliance of Museums that sponsors transnational museum partnerships. This program provides one model for teaching public history in a transnational context, and this article analyzes the experiences of two university-museums—the Museum of History and Holocaust Education (MHHE) in the United States and the Ben M’sik Community Museum (BMCM) in Morocco—during two grants between 2009 and 2012. In exploring the impact of the program on the staff, faculty, and students involved and by analyzing the experiences and reflections of participants, I argue that this program can generate positive pedagogical experiences. However, in addition to the successes of the MHHE and BMCM during their two grants, the participants encountered significant power differentials that manifested themselves in both the processes and products of the grants. It is the conclusion of this article that both partners in a public history project need to address and confront potential power issues at the outset in order to achieve a more balanced, collaborative partnership.
“博物馆连接”是一个由美国国务院资助、由美国博物馆联盟管理的项目,该联盟支持跨国博物馆合作。该项目为跨国背景下的公共历史教学提供了一种模式,本文分析了两所大学博物馆——美国历史与大屠杀教育博物馆(MHHE)和摩洛哥本·姆西克社区博物馆(BMCM)——在2009年至2012年的两次资助期间的经验。通过探索该项目对参与其中的教职员工和学生的影响,并通过分析参与者的经历和反思,我认为该项目可以产生积极的教学体验。然而,除了MHHE和BMCM在两次资助期间取得的成功外,参与者还遇到了显著的权力差异,这种差异在资助的过程和产品中都表现出来。本文的结论是,在公共历史项目中,双方都需要在一开始就解决和面对潜在的权力问题,以实现更平衡、更协作的伙伴关系。
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引用次数: 1
Confederate Immigration to Brazil: A Cross-Cultural Approach to Reconstruction and Public History 联邦移民到巴西:重建与公共历史的跨文化研究
Q1 HISTORY Pub Date : 2015-12-24 DOI: 10.5130/PHRJ.V22I0.4780
Karin Esposito
Given the interconnectedness of the contemporary world, it is imperative that historians place their studies within a global context, connecting domestic and foreign events in order to offer a thorough picture of the past. As historians, we should aim at exploring transnational connections in our published research and incorporating the same methodologies in the classroom, as well as in the field of Public History. Cross-cultural collaboration and transnational studies are challenging, but exceptionally effective approaches to developing a comprehensive understanding of the past and connecting people to their history. Important recent scholarship has placed the American Civil War in a broad international and transnational context. This article argues for the importance of continuing this trend, pointing to a unique case study: the confederate migration to Brazil during and after the Civil War. This episode can help us understand the international impact of the War in the western hemisphere. These confederates attempted to preserve some aspects of their Southern society by migrating to Brazil, one of the remaining slaveholding societies in the hemisphere at the time. Moreover, the descendants that remained in Brazil have engaged in a unique process of remembering and commemorating their heritage over the years. Exploring this migration will enhance Civil War and Reconstruction historiography, as well as commemoration, heritage and memory studies.
鉴于当代世界的相互联系,历史学家必须将他们的研究置于全球背景下,将国内外事件联系起来,以提供一个全面的过去图景。作为历史学家,我们应该致力于在发表的研究中探索跨国联系,并将同样的方法应用于课堂和公共历史领域。跨文化合作和跨国研究具有挑战性,但对于发展对过去的全面理解并将人们与他们的历史联系起来来说,这是非常有效的方法。最近重要的学术研究将美国内战置于广泛的国际和跨国背景下。本文通过一个独特的案例研究,论证了延续这一趋势的重要性:南北战争期间和之后,邦联向巴西的移民。这段插曲可以帮助我们了解战争对西半球的国际影响。这些邦联者试图通过迁移到巴西来保留他们南方社会的某些方面,巴西是当时西半球仅存的蓄奴社会之一。此外,留在巴西的后代多年来一直在进行一种独特的记忆和纪念其遗产的过程。探索这种迁移将加强内战和重建史学,以及纪念,遗产和记忆研究。
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引用次数: 2
Take-away Thoughts: Reflecting on Four Case Studies 总结:反思四个案例研究
Q1 HISTORY Pub Date : 2015-12-24 DOI: 10.5130/PHRJ.V22I0.4763
R. Conard
This commentary on four case studies of transnational public history projects or experiences teases out the pedagogical implications. Financial and logistical aspects present challenges to designing collaborative initiatives that reach across national boundaries, and must be addressed. However, in order to tap the full educational value, transnational public history endeavors should also contribute to the intellectual core of public history curricula.
本文对四个跨国公共历史项目或经验的案例研究进行了评论,梳理出了教学意义。财政和后勤方面对设计跨越国界的合作倡议提出了挑战,必须加以解决。然而,为了充分挖掘公共历史的教育价值,跨国公共历史努力也应该为公共历史课程的知识核心做出贡献。
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引用次数: 1
Going Public, Going Global: Teaching Public History Through International Collaborations 走向公众,走向全球:通过国际合作教授公共历史
Q1 HISTORY Pub Date : 2015-12-24 DOI: 10.5130/PHRJ.V22I0.4754
Na Li
Introduction to this new journal section, Public History Education , entitled 'Teaching Public History Through International Collaborations' edited by Professor Na Li.
介绍由李娜教授编辑的《公共历史教育》新栏目《通过国际合作教授公共历史》。
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引用次数: 1
'Manxness': The Uses of Heritage on the Isle of Man “曼尼斯”:马恩岛遗产的利用
Q1 HISTORY Pub Date : 2015-12-24 DOI: 10.5130/PHRJ.V22I0.4752
Elizabeth Catte
This article examines how the Isle of Man, a self-governing crown dependency located in the center of the British Isles, uses heritage to create social stability among a diverse and rapidly changing population. The result of this process has been a powerful model of heritage branding through which all definitions of national identity must flow. After tracing the development of ‘Manx’ national identity from the Victorian era to the present, this article explores the benefits and limitations of the Isle of Man’s political uses of its history and shares insight from the practice of public history on the Isle of Man.
本文考察了位于不列颠群岛中心的自治王国马恩岛如何利用遗产在多样化和快速变化的人口中创造社会稳定。这一过程的结果是一个强大的遗产品牌模式,所有国家身份的定义都必须通过这个模式。在追溯了从维多利亚时代到现在的“马恩岛”国家身份的发展之后,本文探讨了马恩岛对其历史的政治利用的好处和局限性,并分享了马恩岛公共历史实践的见解。
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引用次数: 1
Art from Archives: The Archival Trend in Contemporary Art and Culture 档案中的艺术:当代艺术与文化的档案趋势
Q1 HISTORY Pub Date : 2014-12-28 DOI: 10.5130/PHRJ.V21I0.3823
M. Jolly
If the archival mode has been important over the last thirty years, it will only continue to become more important in the next thirty years. In the fifteen years since Lev Manovich wrote The Language of New Media, in which he identified the database with its operations of searching navigating and viewing as the new-media correlate to the novel and cinema with their operations of narrative storytelling, databases have only increased in scale, complexity and ubiquity — at an exponential rate, as is the case with all technologies. Archives are being uncovered or created at an unprecedented rate, digitized at an unprecedented rate and made searchable at an unprecedented rate. New ways of interrogating the archive, new ways of searching metadata and new ways of presenting iterations from the archive, such as more complex data visualizations, are being developed. At the same time photographs are manifesting themselves in a wider range of material substances — etched in stone or glass, printed on cloth or metal, projected on walls and buildings, and sliding along LED arrays or screens. But the story isn’t all about the seductions of new media. The more artists and historians work in this area, the more they realize that there are still troves and troves of objects and images, laid down in all their recalcitrant materiality by those who came before, just waiting to be rediscovered and reinvented.
如果说档案模式在过去的三十年里一直很重要,那么在未来的三十年里,它只会变得更加重要。自从列夫·马诺维奇(Lev Manovich)撰写《新媒体的语言》(the Language of New Media)以来的15年里,他将数据库与搜索、导航和观看的操作联系起来,就像新媒体与小说和电影的叙事叙事操作联系起来一样,数据库的规模、复杂性和普遍性都在以指数级的速度增长,就像所有技术的情况一样。档案正在以前所未有的速度被发现或创造,以前所未有的速度被数字化,并以前所未有的速度被搜索。正在开发查询存档的新方法、搜索元数据的新方法以及显示存档中迭代的新方法,例如更复杂的数据可视化。与此同时,照片在更广泛的物质物质中表现出来——蚀刻在石头或玻璃上,印刷在布料或金属上,投影在墙壁和建筑物上,沿着LED阵列或屏幕滑动。但这个故事并不全是关于新媒体的诱惑。在这一领域工作的艺术家和历史学家越多,他们就越意识到,仍然有大量的物品和图像,这些物品和图像都是前人遗留下来的,它们具有顽强的物质性,只是等待着被重新发现和重新创造。
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Public History Review
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