This article addresses Thomas More's use of an especially complex Latin predicate, fio, as a means of examining the degree of classicism in this aspect of his writing. To this end, the main lexical-semantic and syntactic features of the verb in Classical Latin are presented, and a comparative review is made of More's use of the predicate—and also its use in texts contemporaneous to More, as well as in Late and Medieval Latin—in both prose and poetry. The analysis shows that he works within a general framework of classicism, although he introduces some of his own idiosyncrasies, these essentially relating to the meaning of the verb that he employs in a preferential way and to the variety of verbal forms that occur in his poetic text.
{"title":"More's usage of Latin verbal predicates: the particular case of fio","authors":"C. Cabrillana","doi":"10.3366/MORE.2019.0053","DOIUrl":"https://doi.org/10.3366/MORE.2019.0053","url":null,"abstract":"This article addresses Thomas More's use of an especially complex Latin predicate, fio, as a means of examining the degree of classicism in this aspect of his writing. To this end, the main lexical-semantic and syntactic features of the verb in Classical Latin are presented, and a comparative review is made of More's use of the predicate—and also its use in texts contemporaneous to More, as well as in Late and Medieval Latin—in both prose and poetry. The analysis shows that he works within a general framework of classicism, although he introduces some of his own idiosyncrasies, these essentially relating to the meaning of the verb that he employs in a preferential way and to the variety of verbal forms that occur in his poetic text.","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42357442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tudor historians of Henry VIII's reign strove both to define the great political theological controversies of the day and to shape the future understanding of past events. This essay considers how Roman Catholic accounts of the life and martyrdom of Sir Thomas More, including those by Nicholas Harpsfield and Thomas Stapleton, shaped subsequent Protestant works of fiction, written during the 1590s. The essay explores, in particular, the collaborative play, Sir Thomas More, by Anthony Munday and revised by Shakespeare and others; and Sir John Harington's references to More and Bishop John Fisher in the preface to his translation of Orlando Furioso and his extensive anecdotal remarks about More's scatological witticisms in his satirical tract, The Metamorphosis of Ajax. Such fictional works presage both the hesitant trend towards ecumenism and the imagined reunion of Christendom of the subsequent Jacobean reign, and the later emergence of the transnational secular public sphere, which transpired during the late seventeenth and eighteenth centuries.
{"title":"The Elizabethan Legacy of Sir Thomas More: Sir John Harington, Anthony Munday, and the tentative rise of the ecumenical English renaissance","authors":"Brian C. Lockey","doi":"10.3366/MORE.2019.0049","DOIUrl":"https://doi.org/10.3366/MORE.2019.0049","url":null,"abstract":"Tudor historians of Henry VIII's reign strove both to define the great political theological controversies of the day and to shape the future understanding of past events. This essay considers how Roman Catholic accounts of the life and martyrdom of Sir Thomas More, including those by Nicholas Harpsfield and Thomas Stapleton, shaped subsequent Protestant works of fiction, written during the 1590s. The essay explores, in particular, the collaborative play, Sir Thomas More, by Anthony Munday and revised by Shakespeare and others; and Sir John Harington's references to More and Bishop John Fisher in the preface to his translation of Orlando Furioso and his extensive anecdotal remarks about More's scatological witticisms in his satirical tract, The Metamorphosis of Ajax. Such fictional works presage both the hesitant trend towards ecumenism and the imagined reunion of Christendom of the subsequent Jacobean reign, and the later emergence of the transnational secular public sphere, which transpired during the late seventeenth and eighteenth centuries.","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44700245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ralph Alan Cohen, ShakesFear and How to Cure It: The Complete Handbook for Teaching Shakespeare","authors":"Scott F. Crider","doi":"10.3366/MORE.2019.0055","DOIUrl":"https://doi.org/10.3366/MORE.2019.0055","url":null,"abstract":"","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42128079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Utopia repeatedly sets forth the rhetorical strategy of using pleasant and healing words to “enter” or “flow” or “steal into” (influere) fortresses of hardened opinion and custom without arousing warlike passions to keep them out. An important part of this strategy is the creation of a character who denounces major instances and causes of injustice but who nonetheless supports war and other means of force at the expense of law in rectifying that injustice; another part of the strategy is the creation of a character and a plot that embody the “indirect” rhetorical approach aimed primarily at long-term persuasion needed to improve laws and institutions.
{"title":"Utopia: Entering the fortress of Europe's warrior culture","authors":"Gerard B. Wegemer","doi":"10.3366/MORE.2019.0050","DOIUrl":"https://doi.org/10.3366/MORE.2019.0050","url":null,"abstract":"Utopia repeatedly sets forth the rhetorical strategy of using pleasant and healing words to “enter” or “flow” or “steal into” (influere) fortresses of hardened opinion and custom without arousing warlike passions to keep them out. An important part of this strategy is the creation of a character who denounces major instances and causes of injustice but who nonetheless supports war and other means of force at the expense of law in rectifying that injustice; another part of the strategy is the creation of a character and a plot that embody the “indirect” rhetorical approach aimed primarily at long-term persuasion needed to improve laws and institutions.","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48893422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay places More's Sadness of Christ in the ancient genre of consolatio. Arising out of Socrates’ use of philosophy as a means of consolation in the Phaedo, the genre was epitomized in Boethius’ Consolation of Philosophy. In the genre, philosophy, with the help of poetry and rhetoric, provides moral remedies to suffering man with the hope of reordering his passions, intellect, and will to their true good. In other words, the genre of consolatio is philosophy's attempt to provide a solution to the moral problem of evil. Thomas More's Sadness of Christ is a Christian version of this ancient genre. While appropriating philosophical principles and images, More recasts those principles and images in the light of faith, and gives the Christian martyr's proper preparation for death and suffering by reordering his passions and intellect to their proper good through consolation in prayer and meditation on the sufferings of Christ.
{"title":"“The Consolation of Christ”: Thomas More's christening of pagan Consolatio in his Sadness of Christ","authors":"John M. McCarthy","doi":"10.3366/MORE.2019.0052","DOIUrl":"https://doi.org/10.3366/MORE.2019.0052","url":null,"abstract":"This essay places More's Sadness of Christ in the ancient genre of consolatio. Arising out of Socrates’ use of philosophy as a means of consolation in the Phaedo, the genre was epitomized in Boethius’ Consolation of Philosophy. In the genre, philosophy, with the help of poetry and rhetoric, provides moral remedies to suffering man with the hope of reordering his passions, intellect, and will to their true good. In other words, the genre of consolatio is philosophy's attempt to provide a solution to the moral problem of evil. Thomas More's Sadness of Christ is a Christian version of this ancient genre. While appropriating philosophical principles and images, More recasts those principles and images in the light of faith, and gives the Christian martyr's proper preparation for death and suffering by reordering his passions and intellect to their proper good through consolation in prayer and meditation on the sufferings of Christ.","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49497257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article examines the formal properties of Romeo and Juliet's encounter-sonnet, and suggests that Shakespeare included the sonnet for readers he hoped would be repeat play-goers. There are two parts of the case: 1) The first part takes up Romeo and Juliet's first encounter and examines it as a sonnet, orienting the analysis of its poetics through a historicized understanding of poetic form, book culture and theatrical performance; 2) the second asks how a member of Shakespeare's own play audience would have known that the sonnet is one, arguing that s/he might not have without having read the play beforehand. The relationship between quarto-reading and play-going perhaps encouraged audiences to see the play again after reading it. The article concludes by defending the return to form in Shakespeare Studies.
{"title":"How did they know it was a sonnet? The beauty of Romeo and Juliet's encounter and a return to form","authors":"Scott F. Crider","doi":"10.3366/MORE.2019.0051","DOIUrl":"https://doi.org/10.3366/MORE.2019.0051","url":null,"abstract":"The article examines the formal properties of Romeo and Juliet's encounter-sonnet, and suggests that Shakespeare included the sonnet for readers he hoped would be repeat play-goers. There are two parts of the case: 1) The first part takes up Romeo and Juliet's first encounter and examines it as a sonnet, orienting the analysis of its poetics through a historicized understanding of poetic form, book culture and theatrical performance; 2) the second asks how a member of Shakespeare's own play audience would have known that the sonnet is one, arguing that s/he might not have without having read the play beforehand. The relationship between quarto-reading and play-going perhaps encouraged audiences to see the play again after reading it. The article concludes by defending the return to form in Shakespeare Studies.","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45472239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review essay: recent studies of Niccolò Machiavelli William B. Parsons, Machiavelli's Gospel: The Critique of Christianity in The Prince Catherine H. Zuckert, Machiavelli's Politics","authors":"Veronica Brooks","doi":"10.3366/MORE.2019.0054","DOIUrl":"https://doi.org/10.3366/MORE.2019.0054","url":null,"abstract":"","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48766391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rhodri Lewis, Hamlet and the Vision of Darkness","authors":"Benjamin V. Beier","doi":"10.3366/MORE.2018.0045","DOIUrl":"https://doi.org/10.3366/MORE.2018.0045","url":null,"abstract":"","PeriodicalId":41939,"journal":{"name":"MOREANA","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42513750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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