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Iconographical Study and Semiotic Analysis of Princess Khnumet’s Diadem from the 12th Dynasty, Middle Kingdom 中王国 12 王朝赫努梅特公主徽章的图像学研究和符号学分析
Pub Date : 2024-05-07 DOI: 10.25159/2663-6573/16441
Marlene Meyer
This study identifies unique aspects present in Princess Khnumet’s diadem through a hybrid approach incorporating Van Straten’s four-phase iconographic methodology and semiotics. Van Straten’s first phase identifies the materials, colours, and techniques that are present in Khnumet’s diadem. The second phase deals with the iconographic significance of the colours and motifs on the jewellery piece. The third phase discusses the use of iconographical themes to identify a theme that represented Khnumet’s diadem in its entirety. The fourth phase makes use of the historical, cultural, and social background of the Twelfth Dynasty, Middle Kingdom, to determine the influences that may have affected the design of the jewellery piece. Lastly, the discussion identifies how certain aspects were repeatedly present in Khnumet’s diadem, from which one can deduce how certain themes were predominantly selected. This study thus illustrates that the individual motifs are interconnected to the broader iconographical theme within a jewellery piece.
本研究采用混合方法,结合 Van Straten 的四阶段图标学方法和符号学,确定了 Khnumet 公主头饰的独特之处。Van Straten 的第一阶段确定了 Khnumet 徽章上的材料、颜色和工艺。第二阶段讨论珠宝上的颜色和图案的图像学意义。第三阶段讨论如何利用图标主题来确定代表 Khnumet 徽章整体的主题。第四阶段利用中王国第十二王朝的历史、文化和社会背景,确定可能影响珠宝设计的因素。最后,讨论确定了某些方面是如何在赫努迈特的头饰中反复出现的,从中可以推断出某些主题是如何被优先选择的。因此,这项研究说明,单个图案与珠宝作品中更广泛的图腾主题是相互关联的。
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引用次数: 0
A Symbolic and Ritualistic Exposition of Purification Rites in the Old Testament 旧约》中净化仪式的象征性和仪式性阐释
Pub Date : 2024-05-07 DOI: 10.25159/2663-6573/15886
Mlamli Diko
This article explores the intricate tapestry of symbolic and ritualistic elements interwoven in the purification rites of the Old Testament. Elucidating the ancient religious practises of the Israelites, this scholarly exposition unravels the profound significance and ethnological underpinnings of purification rituals as documented in sacred or biblical narratives. The Old Testament, a cornerstone of Judeo-Christian tradition, provides a rich repository of symbolic expressions and rituals designed to purify individuals and communities from impurities and sins. Through a meticulous scrutinisation of biblical references and historical context, this article unmasks the multifaceted interplay between symbolism and ritual in the Old Testament. To do this, symbolic and ritualistic theoretical frameworks are applied to the discourse. The findings and discussion show that the performative dimensions of purification rites highlight the importance of collective participation in spiritual purification, bolstering the communal responsibility for maintaining ritual purity. By navigating through the layers of symbolism and ritual, this scholarly discourse endeavours to offer a comprehensive understanding of how purification rituals serve as a profound expression of the Israelite religious philosophy, configuring their cultural identity and spiritual belief systems.
本文探讨了交织在《旧约全书》净化仪式中错综复杂的象征和仪式元素。这篇学术论文阐明了以色列人古老的宗教习俗,揭示了神圣或圣经叙事中记载的净化仪式的深远意义和民族学基础。旧约》是犹太教-基督教传统的基石,它提供了丰富的象征性表达方式和仪式,旨在净化个人和社区的污垢和罪孽。本文通过对《圣经》参考资料和历史背景的细致研究,揭示了《旧约全书》中象征与仪式之间多层面的相互作用。为此,本文在论述中运用了象征和仪式的理论框架。研究结果和讨论表明,净化仪式的表演性维度突出了集体参与精神净化的重要性,加强了维护仪式纯洁性的公共责任。通过对象征主义和仪式的层层解读,本学术论述力图让人们全面了解净化仪式是如何深刻表达以色列人的宗教哲学、构建其文化身份和精神信仰体系的。
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引用次数: 0
προαίρεσις πνεύματος im LXX-Ekklesiastes LXX-Ekklesiastes 中的精神偏好
Pub Date : 2024-03-04 DOI: 10.25159/2663-6573/13704
E. Dafni
This article examines all evidence of the word combination προαίρεσις πνεύματος, which represents a linguistic and intellectual peculiarity of the LXX Ecclesiastes. It explains in which way the choice of words and the stylistic devices of the LXX translator, who is also a poet, puts into context the relation of προαίρεσις πνεύματος in LXX Ecclesiastes to Genesis 2–3 (serpent) and Job 1–2 (Satan), as well as to 1Sam 16:14 etc. (evil spirit), 1Kgt 22:19–23 par. 2Chr 18:18–22 (lying spirit) and Zach 13:2 (unclean spirit) and traces the vanity and nothingness in this world back to the purpose of the spirit.
本文研究了προαίρεσις πνεύματος 这一词语组合的所有证据,它代表了 LXX 《传道书》在语言和思想上的特殊性。它解释了身为诗人的 LXX 译者是如何通过选词和文体手段,将 LXX 传道书中的προαίρεσις πνεύματος 与创世纪 2-3 章(蛇)和约伯记 1-2 章(撒旦),以及撒上 16:14 等(恶灵)、王上 22:19-23 par.迦后 18:18-22(说谎的灵)和撒迦 13:2(不洁净的灵),并将这个世界的虚荣和虚无追溯到灵的目的。
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引用次数: 0
The Two Meanings of ’āšam in Leviticus 5 利未记》第 5 章中 "āšam "的两种含义
Pub Date : 2024-03-04 DOI: 10.25159/2663-6573/14411
Esias Meyer
This article explores how the noun ’āšam is used in Leviticus 5 and focuses especially on the argument that the noun has two meanings. A brief look at a number of translations and the way commentators have translated the different occurrences of the noun will support this argument, but many of these commentators do not offer any explanations for why this is so. This article attempts to fill this gap. It is argued that ’āšam has two meanings, one being a general umbrella meaning and one referring to the sacrifice. From a methodological perspective, much of this article consists of a synchronic reading of Leviticus 5, with some engagement with other texts in Leviticus, especially chapter 4. The article also examines the diachronic debates around this chapter and especially around the history of the ’āšam. The author argues that the Priestly author coined an umbrella term for Leviticus 5 because of the more serious nature of the trespasses in this chapter.
本文探讨利未记第 5 章中如何使用'āšam'这个名词,尤其关注这个名词有两种含义的论点。对一些译本和注释者对该名词不同用法的翻译方式的简要考察将支持这一论点,但其中许多注释者并没有解释为什么会出现这种情况。本文试图填补这一空白。本文认为,'āšam 有两个含义,一个是一般的总括含义,一个是指祭祀。从方法论的角度来看,本文的大部分内容是对利未记 5 的同步解读,同时也涉及利未记的其他文本,尤其是第 4 章。文章还研究了围绕这一章,尤其是围绕'āšam'历史的异时空辩论。作者认为,祭司作者为利未记 5 章创造了一个总括术语,因为本章中的过犯性质更为严重。
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引用次数: 0
Enheduanna, the “World’s First Author”: An Analysis of Ninmešarra (the Exaltation of Inanna) and Inninšagurra (Queen of Vast Heart) 世界第一作者 "恩赫杜娜:对 Ninmešarra(伊娜娜的升华)和 Inninšagurra(浩瀚之心的女王)的分析
Pub Date : 2023-12-19 DOI: 10.25159/2663-6573/13660
Akira Coetzee
This article discusses two written works by Enheduanna of Akkad. The aim is to understand the texts through a close reading and draw out any information offered about Enheduanna herself. The first text is Ninmešarra, or the Exaltation of Inanna. This is the most famous of Enheduanna’s authored works. It discusses her exile from Ur and acts as a praise hymn for Inanna. The textual analysis highlights the significance of Enheduanna’s writing style and use of first-person narration in conveying her experience of expulsion. The second text discussed is Inninšagurra, or Queen of Vast Heart. While it offers fewer instances of first-person narration, it still highlights a sense of internal struggle that can be related to what is known of Enheduanna’s life. These texts are thematically similar in their depictions of Inanna and the author, which this article discusses in terms of the question of early first-person narration as a form of autobiographical writing.
本文讨论了阿卡德的恩赫杜安娜的两部书面作品。目的是通过细读来理解这两部作品,并从中汲取有关恩赫杜安娜本人的信息。第一部作品是《Ninmešarra》或《伊娜娜的升华》。这是恩赫杜娜最有名的作品。它讨论了她被流放出乌尔的情况,是对伊南娜的赞美诗。文本分析强调了恩赫杜安娜的写作风格和第一人称叙述在传达她被驱逐经历方面的重要性。第二个讨论的文本是 Inninšagurra,即《广阔心灵的女王》。虽然文中第一人称叙述的例子较少,但它仍然突出了一种内心挣扎的感觉,而这种挣扎可以与已知的恩赫杜娜的生平联系起来。这些文本对伊南娜和作者的描写在主题上十分相似,本文将从早期第一人称叙述作为一种自传体写作形式的角度对此进行讨论。
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引用次数: 0
Textual Criticism, Literary Criticism, and State Capture: Returning 3 Reigns 12:24p–t to the Canon of Local African Communities 文本批评、文学批评和国家俘虏:将《3 Reigns 12:24p-t》归还给非洲当地社区的典籍
Pub Date : 2023-12-19 DOI: 10.25159/2663-6573/13518
Gerald O. West
This article begins by considering the relationship between textual variants and the canonical text, arguing for a fuller presence of significant variant readings alongside the canonical text, in line with contemporary textual critical scholarship and their associated eclectic critical editions. Alongside such eclectic critical editions and their appropriation within Bible translation, this article suggests that a community-based approach like Contextual Bible Study could be used to return significant and relevant variants to ordinary African readers and hearers of the Bible. The article argues that LXX 3 Reigns 12:24p–t is such a significant and relevant textual variant, offering as it does a remarkable resonance with contemporary South African concerns about state capture. The article analyses 24p–t as a significant textual variant in text critical terms, as significant narrative literature in its own right, as a coherent economic narrative analysis concerning the cause of the division of the united monarchy, and as a potential resource for Contextual Bible Study work within the contemporary South African context of state capture.
本文首先考虑了文本变体与正典文本之间的关系,主张根据当代文本批判性学术研究及其相关的折衷批判性版本,在正典文本旁边更充分地存在重要的变体读本。除了这种折衷批判性版本及其在圣经翻译中的应用,本文还建议,可以采用一种基于社区的方法,如 "语境圣经研究"(Contextual Bible Study),将重要的相关变体读本还给普通的非洲读者和《圣经》听众。文章认为,LXX 3 Reigns 12:24p-t 就是这样一个重要而相关的文本变体,它与当代南非对国家俘获的担忧产生了显著的共鸣。文章从文本批判的角度分析了 24p-t 这一重要的文本变体,认为其本身就是重要的叙事文学,是关于统一君主制分裂原因的连贯的经济叙事分析,也是在当代南非国家被俘虏的背景下语境圣经研究工作的潜在资源。
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引用次数: 0
Making Sense of Destruction: A Frame-Semantic Analysis of šḥt in the Hebrew Bible 理解毁灭:对《希伯来圣经》中 "šḥt "的框架-语义分析
Pub Date : 2023-12-18 DOI: 10.25159/2663-6573/15345
Izaak Connoway, Johannes Malherbe
The verb šḥt is worthy of investigation. It is a prominent verb of destruction that occurs throughout the Hebrew Bible. It is also polysemous. Furthermore, its basic meaning has not yet been determined in the various reference works and it defies the traditional wisdom that specific stems have specific meanings. Great advances have been made in utilising cognitive linguistic (CL) methodologies to interpret the Hebrew Bible (HB). We are not aware of any robust attempt at using insights from CL to investigate the meaning of šḥt. For this study, we utilised frame semantics (FS) and several other CL methodologies to gain insight into the semantic force of šḥt in the HB.
动词 šḥt 值得研究。它是一个突出的毁灭动词,在整个希伯来圣经中都有出现。它也是多义词。此外,它的基本含义尚未在各种参考书中得到确定,而且它违背了特定词干具有特定含义的传统智慧。在利用认知语言学(CL)方法解释希伯来圣经(HB)方面已经取得了很大进展。我们还没有发现任何利用认知语言学的见解来研究 šḥt 意义的有力尝试。在本研究中,我们使用了框架语义学(FS)和其他几种认知语言学方法来深入了解《希伯来圣经》中 šḥt 的语义力量。
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引用次数: 0
Intercultural Translation Criticism of the LXX Nomos LXX Nomos的跨文化翻译批评
Pub Date : 2023-11-10 DOI: 10.25159/2663-6573/13764
Jean-Claude Loba Mkole
Using intercultural translation criticism combined with the functional equivalence translation theory, the present article argues that the LXX nomos (law, instruction, statute) with its derivative nomimos (law, ordinance) serves as a better functional equivalent for the Hebrew counterparts tōrâ/ḥûqqâ/ḥoq (law, ordinance, statute). Moreover, the Latin Vulgate and the Kiswahili Union Version echo a similar functional equivalence in their rendering of tōrâ/ḥûqqâ (Exod 12:43–49) with religio (ritual) / lex (law) or amri (commandment) / sheria (law), respectively. Consequently, the findings of this study invite LXX scholars, literary translation theorists, and practitioners to join hands and share their inputs for an improved understanding of LXX translation techniques and better translation practices.
本文运用跨文化翻译批评和功能对等翻译理论,认为LXX语的nomos (law, instruction, statute)及其衍生的nomimos (law, ordinance)对希伯来语的对应词tōrâ/ḥûqqâ/ḥoq (law, ordinance, statute)具有更好的功能对等性。此外,拉丁拉丁文拉丁文和斯瓦希里语联合版本的tōrâ/ḥûqqâ(出埃及记12:43-49)分别用religio(仪式)/ lex(法律)或amri(诫命)/ sheria(法律)来表达类似的功能对等。因此,本研究的结果邀请LXX学者、文学翻译理论家和实践者携起手来,分享他们对LXX翻译技术的理解和更好的翻译实践。
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引用次数: 0
“Without Contraries Is No Progression”: William Blake’s Monistic Understanding of Theodicy as Reflected in His Engravings of the Book of Job “没有对立就没有进步”:威廉·布莱克对神正论的一元论理解反映在他的《约伯记》版画中
Pub Date : 2023-11-10 DOI: 10.25159/2663-6573/12536
Annette Evans
In the book of Job, Job is initially described as “perfect and upright,” yet Yahweh allows Satan to inflict terrible suffering on him. From their Deuteronomistic orientation, Job’s comforters insist that Job must have sinned and deserves punishment. If Job is truly innocent, the quandary of theodicy arises because Yahwistic monism views Yahweh as the one and only loving, all powerful God of justice and mercy. However, in his exegesis in his set of engravings of the book, the nineteenth-century poet and artist William Blake viewed Job not as “perfect and upright,” but as wrapped in a self-absorbed bubble of false piety, dedicated to traditional memory and habit. This article selects six of Blake’s engravings and by means of a literary-psychological methodological approach demonstrates how Blake anticipated certain modern exegetical methods in his aim to “justify the ways of God to man.” He claimed the right to use his own imaginative response to the text, rather than rely on the meaning handed down by tradition and memory. The initial divide between heaven and earth is bridged when the youthful Elihu rejects their traditional wisdom, and brings Job to the point where he can experience God as an immanent divine presence. The advance of science, for instance, Darwin’s theory of the origin of the species, and subsequent research in a variety of disciplines has resulted in a new understanding of the inevitability of suffering and evil, and goes some way to validate Blake’s monistic insistence that “without contraries is no progression.”
在《约伯记》中,约伯最初被描述为“完美正直”,然而耶和华允许撒旦对他施加可怕的痛苦。从申命记的角度来看,约伯的安慰者坚持认为约伯一定犯了罪,应该受到惩罚。如果约伯真的是无辜的,那么神正论的困境就出现了,因为耶和华一元论认为耶和华是唯一一个充满爱的,全能的正义和仁慈的上帝。然而,19世纪的诗人和艺术家威廉·布莱克在他对《约伯记》的一套版画的注释中,认为约伯不是“完美和正直的”,而是包裹在一个自我陶醉的虚假虔诚的泡沫中,致力于传统的记忆和习惯。本文选取了布莱克的六幅版画,并通过文学心理学的方法来展示布莱克如何预见到某些现代训诂方法,以达到“证明上帝对人类的方式是正当的”的目的。他声称有权使用自己对文本的富有想象力的回应,而不是依靠传统和记忆传递下来的意义。当年轻的以利户拒绝了他们的传统智慧,并把约伯带到他可以体验上帝作为内在神圣存在的地步时,天堂和地球之间最初的鸿沟就被弥合了。科学的进步,例如,达尔文的物种起源理论,以及随后在各种学科的研究,导致了对痛苦和邪恶的必然性的新理解,并在某种程度上证实了布莱克一元论的坚持,即“没有对立就没有进步”。
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引用次数: 0
The Customary and Existing Order: Reconsidering the Role of Yamm in the Baal Myth 习俗与现存秩序:重新思考亚姆在巴力神话中的角色
Pub Date : 2023-10-31 DOI: 10.25159/2663-6573/10759
Bobby Kurnia Putrawan, Ludwig Beethoven Jones Noya, Agus Santoso, None Iswahyudi
The conflict between Baal and Yamm in the Baal Cycle’s opening is notably considered a challenging scene to understand. This paper sees Yamm’s role as representing the customary and existing order rather than chaos or disorder. Such a function is revealed through Baal’s double paternity in the cycle. Instead of justifying one of the possibilities to read the conflict, this concept reconciles all possibilities in an alternative reading. Under the idea of Yamm as the customary and existing order, and Baal as the one who is attempting to disrupt the order, one can read the conflict politically, domestically, and naturally. However, as Baal’s propaganda, the defeated Yamm had to be portrayed as the opposite of order, namely chaos. The customary order has been broken and depicted as chaos for a political purpose: to promote the new order.
在Baal循环的开头,Baal和Yamm之间的冲突被认为是一个具有挑战性的场景。本文认为Yamm的角色代表了习惯的和现存的秩序,而不是混乱或无序。这种功能是通过巴力在循环中的双重父权来揭示的。这个概念不是证明一种解读冲突的可能性,而是在另一种解读中调和所有可能性。在Yamm作为惯例和现有秩序,Baal作为试图破坏秩序的人的想法下,人们可以从政治上,国内和自然地解读冲突。然而,作为Baal的宣传,战败的Yamm不得不被描绘成秩序的对立面,即混乱。习惯的秩序被打破,并被描绘成混乱的政治目的:促进新的秩序。
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引用次数: 0
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Journal for Semitics
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