Pub Date : 2023-07-13DOI: 10.25159/2663-6573/12883
Godwin Mushayabasa
The Peshitta to Ezekiel has recently been described as a translation that closely represents the frames in the Hebrew text with corresponding frames in the natural Syriac language of the time of its translation. Such an approach to translation entailed a novel translation technique, as far as the translations of the Scriptures in the period up to the first three centuries CE were concerned. Such a characteristic feature of the translation, together with other socio-political conditions leads us to reflect on the ongoing question about the identity of the translators as well as the motivations behind their translation. A close literary and historical analysis of these factors showed that the Peshitta to Ezekiel would have been produced for a Christian community, rather than for Jews.
Peshitta to Ezekiel最近被描述为一种翻译，它紧密地代表了希伯来语文本中的框架，以及翻译时自然叙利亚语中的相应框架。就公元前三世纪的圣经翻译而言，这种翻译方法需要一种新颖的翻译技巧。翻译的这一特点，加上其他社会政治条件，使我们反思关于译者身份以及他们翻译背后的动机的持续问题。对这些因素进行仔细的文学和历史分析表明，从佩希塔到以西结书是为基督教社区而不是犹太人制作的。
{"title":"The Peshitta to Ezekiel, the Context of its Translation, and the Identity of its Translators","authors":"Godwin Mushayabasa","doi":"10.25159/2663-6573/12883","DOIUrl":"https://doi.org/10.25159/2663-6573/12883","url":null,"abstract":"The Peshitta to Ezekiel has recently been described as a translation that closely represents the frames in the Hebrew text with corresponding frames in the natural Syriac language of the time of its translation. Such an approach to translation entailed a novel translation technique, as far as the translations of the Scriptures in the period up to the first three centuries CE were concerned. Such a characteristic feature of the translation, together with other socio-political conditions leads us to reflect on the ongoing question about the identity of the translators as well as the motivations behind their translation. A close literary and historical analysis of these factors showed that the Peshitta to Ezekiel would have been produced for a Christian community, rather than for Jews.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47920113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-13DOI: 10.25159/2663-6573/12888
A. Groenewald, Elsa Esterhuizen
In this contribution we focus firstly on the “unity movement” which has changed the face of Isaianic studies over the last 30 or more years, having been characterised by the Duhmian interpretation of three separate books for nearly 100 years. The unity movement focusses on the book of Isaiah as a literary unity, but it does not deny the historical growth of this literary masterpiece which took place over centuries. Secondly, we give a brief overview of the use of trauma theory as a reading lens in biblical studies and its implication for reading the book of Isaiah in this manner. In the third part we focus on three themes which are important from the perspective of the unity of the book of Isaiah (specifically in Isaiah 1–12 which is the first major subsection within the larger composition of the book of Isaiah). These three themes are important for a trauma reading of the book of Isaiah, as will be indicated in this contribution: the concept of the we-group (remnant), the woe oracles, and the theme of the “day of YHWH // this day.” These themes are briefly dealt with within Isaiah 1–12, although they have major implications for a more detailed study of the book of Isaiah (read as a literary unity) from a trauma theoretical perspective.
{"title":"A Trauma Reading of Isaiah 1–12 from the “Unity Movement” Perspective","authors":"A. Groenewald, Elsa Esterhuizen","doi":"10.25159/2663-6573/12888","DOIUrl":"https://doi.org/10.25159/2663-6573/12888","url":null,"abstract":"In this contribution we focus firstly on the “unity movement” which has changed the face of Isaianic studies over the last 30 or more years, having been characterised by the Duhmian interpretation of three separate books for nearly 100 years. The unity movement focusses on the book of Isaiah as a literary unity, but it does not deny the historical growth of this literary masterpiece which took place over centuries. Secondly, we give a brief overview of the use of trauma theory as a reading lens in biblical studies and its implication for reading the book of Isaiah in this manner. In the third part we focus on three themes which are important from the perspective of the unity of the book of Isaiah (specifically in Isaiah 1–12 which is the first major subsection within the larger composition of the book of Isaiah). These three themes are important for a trauma reading of the book of Isaiah, as will be indicated in this contribution: the concept of the we-group (remnant), the woe oracles, and the theme of the “day of YHWH // this day.” These themes are briefly dealt with within Isaiah 1–12, although they have major implications for a more detailed study of the book of Isaiah (read as a literary unity) from a trauma theoretical perspective.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44988494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/12387
Ananda B. Geyser-Fouché
This article reviews the debate concerning the sectarian movement in the Dead Sea Scrolls. The consensus that the movement described in the Damascus Document and Community Rule originated in a dispute over the high priesthood in the mid-second century BCE has broken down in the last two decades since the unveiling of more texts, especially those from Cave 4. The scope of this debate and the ensuing developments are vast; therefore, the article only briefly discusses the main arguments and the more contemporary discourses, focusing on the five main aspects with their associated topics. These aspects are the Righteous Teacher, the Wicked Priest, the possible schism, the socio-historical context, and the sectarian movement.
{"title":"The Debate on the Sectarian Movement in the Dead Sea Scrolls Continues","authors":"Ananda B. Geyser-Fouché","doi":"10.25159/2663-6573/12387","DOIUrl":"https://doi.org/10.25159/2663-6573/12387","url":null,"abstract":"This article reviews the debate concerning the sectarian movement in the Dead Sea Scrolls. The consensus that the movement described in the Damascus Document and Community Rule originated in a dispute over the high priesthood in the mid-second century BCE has broken down in the last two decades since the unveiling of more texts, especially those from Cave 4. The scope of this debate and the ensuing developments are vast; therefore, the article only briefly discusses the main arguments and the more contemporary discourses, focusing on the five main aspects with their associated topics. These aspects are the Righteous Teacher, the Wicked Priest, the possible schism, the socio-historical context, and the sectarian movement.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49016022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims to help Bantu-speaking students who struggle to grasp Biblical Hebrew (BH) stem formations. To ease the learning of BH stem formations for Bantu-speaking learners, this article proposes that Bantu stem formations be used to teach BH stem formations. To realise this aim, two strategies are used. The first is to employ typology to demonstrate to learners the similarities between BH and their languages, so that they realise that their languages are similar to BH in quite significant respects. The second strategy is to present isiXhosa verb conjugations to demonstrate what BH verb conjugations are about. IsiXhosa verb conjugations are demonstrated as an analogy for BH conjugations. Tabular juxtaposition of BH stem formations with stem formations of some Bantu languages are presented to provide clear and explicit details of the discussion.
{"title":"Learning Biblical Hebrew Stem Formations through isiXhosa Stem Formations","authors":"Ntozakhe Simon Cezula","doi":"10.25159/2663-6573/9402","DOIUrl":"https://doi.org/10.25159/2663-6573/9402","url":null,"abstract":"This article aims to help Bantu-speaking students who struggle to grasp Biblical Hebrew (BH) stem formations. To ease the learning of BH stem formations for Bantu-speaking learners, this article proposes that Bantu stem formations be used to teach BH stem formations. To realise this aim, two strategies are used. The first is to employ typology to demonstrate to learners the similarities between BH and their languages, so that they realise that their languages are similar to BH in quite significant respects. The second strategy is to present isiXhosa verb conjugations to demonstrate what BH verb conjugations are about. IsiXhosa verb conjugations are demonstrated as an analogy for BH conjugations. Tabular juxtaposition of BH stem formations with stem formations of some Bantu languages are presented to provide clear and explicit details of the discussion.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45029075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/10686
Mariette Harcombe
The Ditsong National Museum of Cultural History in Pretoria, South Africa, is a holding institute for thousands of objects that are accessioned in its collections, including a small collection of Egyptian antiquities. As a multitude of these objects have been donated to the museum over many decades by private collectors, some information regarding object provenance and provenience is unknown. Missing details often include the object’s place of origin, its relative production date, production materials, as well as production methods and techniques. The archaeology collection features a small collection of ancient Egyptian bronze statuettes, also known as votive figures. Four bronzes, Sekhmet, Bastet/Cat, the Jackal/Dog, and the ibis, were investigated as part of the author’s doctoral study, which employed a mixed methodological approach that combined surface investigations, tomography, and comparative stylistic analysis to provide insights into ancient production. This article focuses on a comparative stylistic analysis in which online museum collections were consulted alongside published descriptions of similar objects and the gods/goddesses they depict. Following the analysis, recommendations are made towards the re-identification of two of the figures, while additional insights gained about their possible function could be incorporated into the Museum’s object catalogue.
{"title":"A Comparative Stylistic and Technical Analysis of Four Ancient Egyptian Bronzes from Ditsong Museum, South Africa","authors":"Mariette Harcombe","doi":"10.25159/2663-6573/10686","DOIUrl":"https://doi.org/10.25159/2663-6573/10686","url":null,"abstract":"The Ditsong National Museum of Cultural History in Pretoria, South Africa, is a holding institute for thousands of objects that are accessioned in its collections, including a small collection of Egyptian antiquities. As a multitude of these objects have been donated to the museum over many decades by private collectors, some information regarding object provenance and provenience is unknown. Missing details often include the object’s place of origin, its relative production date, production materials, as well as production methods and techniques. The archaeology collection features a small collection of ancient Egyptian bronze statuettes, also known as votive figures. Four bronzes, Sekhmet, Bastet/Cat, the Jackal/Dog, and the ibis, were investigated as part of the author’s doctoral study, which employed a mixed methodological approach that combined surface investigations, tomography, and comparative stylistic analysis to provide insights into ancient production. This article focuses on a comparative stylistic analysis in which online museum collections were consulted alongside published descriptions of similar objects and the gods/goddesses they depict. Following the analysis, recommendations are made towards the re-identification of two of the figures, while additional insights gained about their possible function could be incorporated into the Museum’s object catalogue.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45101195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/10682
S. Ademiluka
Micah 2:2 condemns the injustice of land grabbing in eighth-century Israel. Contrary to the traditional perception that each clan’s land belonged to it as a permanent inheritance, by the eighth century BCE land had become a commodity that could be bought and sold, or even seized. The article examines Micah 2:2 in the context of public elections in Nigeria where, having been pauperised by the ruling class, the electorate yield themselves to politicians who exploit them to keep themselves in power. Employing the historical-critical and descriptive methods, the article concludes that the Micah passage speaks to the Nigerian context in the sense that just as the economic exploitation of the peasant farmers violated the theocratic order, in Nigeria this attitude is inimical to democratic rule and the good of the people.
{"title":"“They Covet Fields and Houses … and Seize Them”: Interpreting Micah 2:2 in Light of Economic Deprivation for Holding on to Power in Nigeria","authors":"S. Ademiluka","doi":"10.25159/2663-6573/10682","DOIUrl":"https://doi.org/10.25159/2663-6573/10682","url":null,"abstract":"Micah 2:2 condemns the injustice of land grabbing in eighth-century Israel. Contrary to the traditional perception that each clan’s land belonged to it as a permanent inheritance, by the eighth century BCE land had become a commodity that could be bought and sold, or even seized. The article examines Micah 2:2 in the context of public elections in Nigeria where, having been pauperised by the ruling class, the electorate yield themselves to politicians who exploit them to keep themselves in power. Employing the historical-critical and descriptive methods, the article concludes that the Micah passage speaks to the Nigerian context in the sense that just as the economic exploitation of the peasant farmers violated the theocratic order, in Nigeria this attitude is inimical to democratic rule and the good of the people.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49121169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/12282
Henk Potgieter
Considering the brevity of Jonah, or perhaps because of it, it is remarkable that the literary genre of the book remains an enigma. This is not the result of a lack of attempts to classify it. Most scholars agree that Jonah is a narrative, but what type of narrative? This article proposes that Jonah is a narrative about a specific episode in a prophet’s life, namely his flight from an assignment. To verify the possibility of such a literary category, one must find similar incidents in other known prophets’ lives and compare Jonah with those episodes. Consequently, a comparison is made with the story of Moses in Exodus and Elijah in 1 Kings 19.
{"title":"Jonah—A Quest to Identify its Genre","authors":"Henk Potgieter","doi":"10.25159/2663-6573/12282","DOIUrl":"https://doi.org/10.25159/2663-6573/12282","url":null,"abstract":"Considering the brevity of Jonah, or perhaps because of it, it is remarkable that the literary genre of the book remains an enigma. This is not the result of a lack of attempts to classify it. Most scholars agree that Jonah is a narrative, but what type of narrative? This article proposes that Jonah is a narrative about a specific episode in a prophet’s life, namely his flight from an assignment. To verify the possibility of such a literary category, one must find similar incidents in other known prophets’ lives and compare Jonah with those episodes. Consequently, a comparison is made with the story of Moses in Exodus and Elijah in 1 Kings 19.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47540127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/12369
E. Wendland
Elaine James (PhD, Princeton Theological Seminary) is Associate Professor of Old Testament at Princeton Theological Seminary in Princeton, New Jersey. According to the book’s description, the author “studies the ancient literature of the Bible with particular attention to its aesthetic and ecological dimensions.” The stated aim of this series of studies is as follows: “Essentials of Biblical Studies comprises freestanding, relatively brief, accessibly written books that provide orientation to the Bible’s contents, its ancient contexts, its interpretive methods and history, and its themes and figures” (p. xiv). The author further adds: “This book is an invitation to biblical poetry, with students and general readers in mind” (p. 1). While the book does indeed offer a valuable introduction to biblical Hebrew poetry, especially the psalms, it is written more at the level of intermediate Bible students, not general readers. Its table of contents is rather too sparse (and should be expanded to include the major internal chapter divisions): Introduction—An Art of Words, 1 Voices, 2 Lines, 3 Forms, 4 Figures, 5 Contexts, Conclusion—Giving Poetry Life. The notes and references for each chapter are provided at the end of the book, which is not the most convenient for ready access, but the final index of subjects is quite complete and includes all the Scripture texts discussed in the book for which the author provides her own translation into English. The present review has been written from the specific perspective of Bible translation and for advanced translators or trainers who could benefit from this helpful overview of the subject at hand.
{"title":"From the Perspective of Bible Translation: An Invitation to Biblical Poetry by Elaine T. James","authors":"E. Wendland","doi":"10.25159/2663-6573/12369","DOIUrl":"https://doi.org/10.25159/2663-6573/12369","url":null,"abstract":"Elaine James (PhD, Princeton Theological Seminary) is Associate Professor of Old Testament at Princeton Theological Seminary in Princeton, New Jersey. According to the book’s description, the author “studies the ancient literature of the Bible with particular attention to its aesthetic and ecological dimensions.” The stated aim of this series of studies is as follows: “Essentials of Biblical Studies comprises freestanding, relatively brief, accessibly written books that provide orientation to the Bible’s contents, its ancient contexts, its interpretive methods and history, and its themes and figures” (p. xiv). The author further adds: “This book is an invitation to biblical poetry, with students and general readers in mind” (p. 1). While the book does indeed offer a valuable introduction to biblical Hebrew poetry, especially the psalms, it is written more at the level of intermediate Bible students, not general readers. Its table of contents is rather too sparse (and should be expanded to include the major internal chapter divisions): Introduction—An Art of Words, 1 Voices, 2 Lines, 3 Forms, 4 Figures, 5 Contexts, Conclusion—Giving Poetry Life. The notes and references for each chapter are provided at the end of the book, which is not the most convenient for ready access, but the final index of subjects is quite complete and includes all the Scripture texts discussed in the book for which the author provides her own translation into English. The present review has been written from the specific perspective of Bible translation and for advanced translators or trainers who could benefit from this helpful overview of the subject at hand.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48821376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/12042
D. Firth
That Psalms 40:14–18 and 70 are (near) duplicates is well known. Previous research on these psalms has tended to focus on the question of origin, debating which was the original source for the other, with this then used to explain the variances between them, usually with the goal of establishing the original poem. This paper takes a different approach, arguing that the variances between the two are to be explained as evidence of shaping each to its current setting. These variances thus contribute to subtle changes in meaning between them which need to be recognised.
{"title":"A Poem in Two Contexts: Psalm 40:14–18 and Psalm 70 in their Canonical Setting","authors":"D. Firth","doi":"10.25159/2663-6573/12042","DOIUrl":"https://doi.org/10.25159/2663-6573/12042","url":null,"abstract":"That Psalms 40:14–18 and 70 are (near) duplicates is well known. Previous research on these psalms has tended to focus on the question of origin, debating which was the original source for the other, with this then used to explain the variances between them, usually with the goal of establishing the original poem. This paper takes a different approach, arguing that the variances between the two are to be explained as evidence of shaping each to its current setting. These variances thus contribute to subtle changes in meaning between them which need to be recognised.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45273362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-17DOI: 10.25159/2663-6573/11568
Pieter Van der Zwan
As an external and more specifically a facial organ, the nose in the Hebrew Bible not only has various physiological functions such as smell and breathing, but also various meanings as metonym and metaphor. It is also one of the body parts attributed to God, mostly serving a metaphorical role. The nose is probably the body part which is most connected to an emotion, to such an extent that this emotion often displaces the bodily organ. This makes the nose an interesting object for psychoanalytic interpretation. The unique way the nose suggests anger in the Hebrew Bible will be explored from a psychoanalytical perspective to propose a phallic-sadistic understanding of this puzzling association with aggression.
{"title":"The Nose as Organ of Anger in the Book of Job: A Psychoanalytic Understanding","authors":"Pieter Van der Zwan","doi":"10.25159/2663-6573/11568","DOIUrl":"https://doi.org/10.25159/2663-6573/11568","url":null,"abstract":"As an external and more specifically a facial organ, the nose in the Hebrew Bible not only has various physiological functions such as smell and breathing, but also various meanings as metonym and metaphor. It is also one of the body parts attributed to God, mostly serving a metaphorical role. The nose is probably the body part which is most connected to an emotion, to such an extent that this emotion often displaces the bodily organ. This makes the nose an interesting object for psychoanalytic interpretation. The unique way the nose suggests anger in the Hebrew Bible will be explored from a psychoanalytical perspective to propose a phallic-sadistic understanding of this puzzling association with aggression.","PeriodicalId":42047,"journal":{"name":"Journal for Semitics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44068371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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