首页 > 最新文献

Doxa Comunicacion最新文献

英文 中文
‘NON-PHOTOGRAPHIC’: SERGIY BRATKOV AND BORIS MIKHAILOV “非摄影”:谢尔盖·布拉特科夫和鲍里斯·米哈伊洛夫
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281827
N. Chekh
The article analyzes the play prerequisites for the creation, methods of implementation and conditions of perception of B. Mіkhaіlov’s and S. Bratkov’s works — multimedia installations ‘Sacrifice to the God of War’ and ‘Box for Three Letters’, presented in the exhibition project ‘Alchemical Surrender’ of the Soros Center for Contemporary Art in Sevastopol in 1994. As a result of the research, it was found that S. Bratkov and B. Mikhaіlov had chosen ‘non-photographic’ as an artistic language for the project ‘Alchemical surrender’ — the language of carnival forms and carnival symbols. The multimedia installation ‘Sacrifice to the God of War’ combines the following forms of folk ridiculous carnival culture: theatrical and spectacular forms — happening, recorded on video, and three art objects — assemblages created on the basis of photographic images. The multimedia installation ‘A Box for Three Letters’ combines different forms of folk ridiculous carnival culture: theatrical and spectacular forms — happening recorded on video, art objects (box, board, etc.); verbal-laughter work — a parodic statement depicted on the board, as well as one of the forms of familiar-square speech. In both installations, the mythology of matriarchy gets its generalization and completion in the ambivalent image of the Big Mother — Mother Earth. The author managed to show the applicability of the M. Bakhtin’s concept of ‘culture of popular laughter’, as well as the O. Losev’s hermeneutics of the ancient myth, etc. as a critical discourses for the analysis of works and projects of contemporary art, for example, as the project Kiev SCCA ‘Alchemical surrender’ (1994).
本文分析了1994年塞瓦斯托波尔的Soros当代艺术中心的展览项目“炼金术的投降”中展出的B. m洛夫和S.布拉特科夫的多媒体装置作品《战神的献祭》和《三封信的盒子》创作的戏剧前提、实现方法和感知条件。研究结果发现,S. Bratkov和B. mikha洛夫选择了“非摄影”作为“炼金术投降”项目的艺术语言——狂欢形式和狂欢符号的语言。多媒体装置《战神祭》结合了民间荒诞狂欢文化的以下几种形式:戏剧和壮观的形式——发生的、录像的形式,以及三种艺术对象——以摄影图像为基础创作的组合。多媒体装置《三信一盒》结合了不同形式的民间荒诞狂欢文化:戏剧和壮观的形式——记录在录像、艺术品(盒子、纸板等)上的事件;言语欢笑工作-在黑板上描绘的模仿陈述,以及熟悉的方形演讲的一种形式。在这两个装置中,母权制的神话在大母亲——大地母亲的矛盾形象中得到了概括和完成。作者成功地展示了巴赫金的“大众笑声文化”概念的适用性,以及O. Losev的古代神话解释学等,作为当代艺术作品和项目分析的关键话语,例如,作为基辅SCCA项目“炼金术投降”(1994)。
{"title":"‘NON-PHOTOGRAPHIC’: SERGIY BRATKOV AND BORIS MIKHAILOV","authors":"N. Chekh","doi":"10.18524/2410-2601.2022.1(37).281827","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281827","url":null,"abstract":"The article analyzes the play prerequisites for the creation, methods of implementation and conditions of perception of B. Mіkhaіlov’s and S. Bratkov’s works — multimedia installations ‘Sacrifice to the God of War’ and ‘Box for Three Letters’, presented in the exhibition project ‘Alchemical Surrender’ of the Soros Center for Contemporary Art in Sevastopol in 1994. As a result of the research, it was found that S. Bratkov and B. Mikhaіlov had chosen ‘non-photographic’ as an artistic language for the project ‘Alchemical surrender’ — the language of carnival forms and carnival symbols. The multimedia installation ‘Sacrifice to the God of War’ combines the following forms of folk ridiculous carnival culture: theatrical and spectacular forms — happening, recorded on video, and three art objects — assemblages created on the basis of photographic images. The multimedia installation ‘A Box for Three Letters’ combines different forms of folk ridiculous carnival culture: theatrical and spectacular forms — happening recorded on video, art objects (box, board, etc.); verbal-laughter work — a parodic statement depicted on the board, as well as one of the forms of familiar-square speech. In both installations, the mythology of matriarchy gets its generalization and completion in the ambivalent image of the Big Mother — Mother Earth. The author managed to show the applicability of the M. Bakhtin’s concept of ‘culture of popular laughter’, as well as the O. Losev’s hermeneutics of the ancient myth, etc. as a critical discourses for the analysis of works and projects of contemporary art, for example, as the project Kiev SCCA ‘Alchemical surrender’ (1994).","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"71 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90330876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«THE INTERLOCUTOR YOU DESERVED IT...» (REFLECTIONS ON THE BOOK) “对话者,你活该……(对这本书的反思)
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281831
Y. Ishchenko
The article is devoted to reflections on the problems raised in S. V. Taranov’s book “Should Be”. Critically interpreted author’s concept of the philosophical understanding of God from the point of view of revealing the divine as the horizon of human existence. The correctness and heuristics of the author’s proposed approach to the understanding of such an understanding in the context of the “ontological triad” “Nothing-Being-Existence” is shown, which is interpreted with the help of the “anthropological-hermeneutic” key “Question-Answer-Decision”. From here, according to the critic, a meaningful perspective of the development of “philosophical theodicy” into a kind of anthropodicy opens up. At the same time, the article also contains self-criticism, because any interpretation always includes the interpreter himself, therefore, in the interpretation itself, the problem of choosing a methodological and worldview position arises. hence the problem of responsibility.
本文致力于对S. V. Taranov的《应该是》一书中提出的问题进行反思。从揭示神性作为人类存在的视界的角度,批判性地阐释了作者对上帝的哲学理解。在“无-有-存在”的“本体论三位一体”背景下,作者提出的理解这种理解的方法的正确性和启发式得到了证明,并借助“人类学-解释学”的关键“问题-答案-决定”进行了解释。在批评家看来,从这里,开辟了一个“哲学神正论”向一种人正论发展的有意义的视角。同时,文章也包含着自我批评,因为任何阐释都包含着阐释者自己,因此,在阐释本身,就产生了方法论和世界观立场的选择问题。因此就有了责任问题。
{"title":"«THE INTERLOCUTOR YOU DESERVED IT...» (REFLECTIONS ON THE BOOK)","authors":"Y. Ishchenko","doi":"10.18524/2410-2601.2022.1(37).281831","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281831","url":null,"abstract":"The article is devoted to reflections on the problems raised in S. V. Taranov’s book “Should Be”. Critically interpreted author’s concept of the philosophical understanding of God from the point of view of revealing the divine as the horizon of human existence. The correctness and heuristics of the author’s proposed approach to the understanding of such an understanding in the context of the “ontological triad” “Nothing-Being-Existence” is shown, which is interpreted with the help of the “anthropological-hermeneutic” key “Question-Answer-Decision”. From here, according to the critic, a meaningful perspective of the development of “philosophical theodicy” into a kind of anthropodicy opens up. At the same time, the article also contains self-criticism, because any interpretation always includes the interpreter himself, therefore, in the interpretation itself, the problem of choosing a methodological and worldview position arises. hence the problem of responsibility.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"83 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88612354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE PRACTICAL HRYHORIY SKOVORODA’S TRANSFIGURATION UNDER PERSONAL EXPERIENCE OF THE MOMENT (OJEBLIKKET OR AUGENBLICK) 在个人经验的时刻(object blikket或augenblick)下的实践时代skovoroda变形
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281816
O.D. Kyrylyuk
In 1770, in the garden of the Okhtyrka Trinity Monastery near Kharkiv, Skovoroda experienced a stunning shock. He suddenly felt free and invigorated, and a strange movement took place inside him, which filled him with strange power. Some kind of inner fire engulfed him, he lost the feeling of his own body, the whole world disappeared for him and he began to circle in the space of Being. After that, his soul was filled with love for Holy Spirit. These feelings were so strong, but he burst into tears. That is, he had a certain breakthrough in his vision of God. Skovoroda himself points out such an important detail – all this happened to him in one moment. suddenly, instantly, in the blink of an eye. Exaíphnes (Plato), rhope (Bible), moment (Latin authors), ojeblikket (Kierkegaard), Аugenblick (Heidegger) or in English “in the blink of an eye“, “moment of vision“, “glance of an eye“, “instance“, “suddenness“, “decisive moment“, or, in Ukrainian, ‘за миг ока’, ‘на млі ока’, ‘миттєво’, ‘за мить’, or in Russian, ‘моментально’,  ‘в мновение ока’, etc. – all these words and terms are different titular names of the same concept “moment”, which expresses the any thing’s transition from the one state to a different another condition. The peculiarity of this instant transition is that it is timeless, atemporal. Look, if it had temporal dimensions, then the transition from one state to another should lead to such a situation6 when the thing would combine both states, past and future. For example, a thing that started to move had to move and be at rest at the same time. The same applies to the transition from our world to the divine world or from a sinful man to a saint. So, the “moment” is atemporal and timeless. Entering the moment and staying in it means falling out of time and joining eternity. Unlike all theoretical researchers of the “moment”, Hryhoriy Skovoroda was the only one who actually experienced this “moment” (Ojeblikket, Augenblick) as a miracle of transition from fallen temporality to divine eternity. In addition, Skovoroda experienced a stunning epiphany (this is the another meaning of Heidegger’s Augenblick) and underwent something similar to a bodily and spiritual transfiguration.
1770年,在哈尔科夫附近的Okhtyrka Trinity修道院的花园里,斯科沃罗达经历了一次惊人的冲击。他突然觉得自由了,精力充沛了,一种奇怪的运动在他体内发生,使他充满了一种奇怪的力量。某种内心的火焰吞没了他,他失去了对自己身体的感觉,整个世界对他来说都消失了,他开始在存在的空间里打转。从那以后,他的灵魂充满了对圣灵的爱。这些感觉是如此强烈,但他突然哭了起来。也就是说,他对上帝的看法有了一定的突破。斯科沃罗达自己指出了这样一个重要的细节——这一切都发生在他身上。突然,瞬间,一眨眼的功夫。Exaíphnes(柏拉图),rhope(圣经),moment(拉丁作家),ojeblikket(克尔凯郭尔),Аugenblick(海德格尔)或英语中的“一眨眼”,“视觉瞬间”,“一瞥”,“实例”,“突然”,“决定性时刻”,或在乌克兰语中,“за миг ока”,“на млі ока”,“миттєво”,“за мить”,或在俄语中,“моментально”,“мновение ока”,等等-所有这些词和术语都是同一概念的不同名义名称“瞬间”。它表达了任何事物从一种状态到另一种状态的转变。这种瞬间转变的特点是,它是永恒的,无时间性的。看,如果它有时间维度,那么从一种状态到另一种状态的转变应该会导致这样一种情况,即物体将过去和未来两种状态结合在一起。例如,一个开始运动的物体必须同时运动和静止。同样的道理也适用于从我们的世界到神的世界,或者从一个罪人到一个圣徒的转变。所以,“瞬间”是暂时的、永恒的。进入当下,停留在当下,意味着脱离时间,加入永恒。与所有“瞬间”的理论研究者不同,Hryhoriy Skovoroda是唯一一个真正体验到这个“瞬间”(Ojeblikket, Augenblick)从堕落的暂时过渡到神圣的永恒的奇迹的人。此外,斯科沃罗达经历了一场惊人的顿悟(这是海德格尔的“奥根布里克”的另一种含义),并经历了类似于身体和精神的变形。
{"title":"THE PRACTICAL HRYHORIY SKOVORODA’S TRANSFIGURATION UNDER PERSONAL EXPERIENCE OF THE MOMENT (OJEBLIKKET OR AUGENBLICK)","authors":"O.D. Kyrylyuk","doi":"10.18524/2410-2601.2022.1(37).281816","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281816","url":null,"abstract":"In 1770, in the garden of the Okhtyrka Trinity Monastery near Kharkiv, Skovoroda experienced a stunning shock. He suddenly felt free and invigorated, and a strange movement took place inside him, which filled him with strange power. Some kind of inner fire engulfed him, he lost the feeling of his own body, the whole world disappeared for him and he began to circle in the space of Being. After that, his soul was filled with love for Holy Spirit. These feelings were so strong, but he burst into tears. That is, he had a certain breakthrough in his vision of God. Skovoroda himself points out such an important detail – all this happened to him in one moment. suddenly, instantly, in the blink of an eye. Exaíphnes (Plato), rhope (Bible), moment (Latin authors), ojeblikket (Kierkegaard), Аugenblick (Heidegger) or in English “in the blink of an eye“, “moment of vision“, “glance of an eye“, “instance“, “suddenness“, “decisive moment“, or, in Ukrainian, ‘за миг ока’, ‘на млі ока’, ‘миттєво’, ‘за мить’, or in Russian, ‘моментально’,  ‘в мновение ока’, etc. – all these words and terms are different titular names of the same concept “moment”, which expresses the any thing’s transition from the one state to a different another condition. The peculiarity of this instant transition is that it is timeless, atemporal. Look, if it had temporal dimensions, then the transition from one state to another should lead to such a situation6 when the thing would combine both states, past and future. For example, a thing that started to move had to move and be at rest at the same time. The same applies to the transition from our world to the divine world or from a sinful man to a saint. So, the “moment” is atemporal and timeless. Entering the moment and staying in it means falling out of time and joining eternity. Unlike all theoretical researchers of the “moment”, Hryhoriy Skovoroda was the only one who actually experienced this “moment” (Ojeblikket, Augenblick) as a miracle of transition from fallen temporality to divine eternity. In addition, Skovoroda experienced a stunning epiphany (this is the another meaning of Heidegger’s Augenblick) and underwent something similar to a bodily and spiritual transfiguration.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"6 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78993544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
INTERPRETING PLATO 口译课程
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281830
E. N. Tigerstedt, Sergiy Shevtsov, Vasyl Matskiv
The book by E. N. Tigerstedt Interpreting Plato sums up the development of Platonic studies and heritage in understanding Plato’s philosophy over the previous two hundred years. The Finnish researcher builds his review on the methodological principles not only of individual researchers, but also of entire areas. A literary critic and editor by profession, E. N. Tigerstedt carried the love of antiquity through his whole life, and this book of his was both the result of his research and life.
E. N. Tigerstedt所著的《解释柏拉图》一书总结了过去200年来柏拉图研究的发展和对柏拉图哲学的理解。这位芬兰研究人员不仅根据个别研究人员的方法原则,而且根据整个领域的方法原则进行评论。E. N. Tigerstedt是一位文学评论家和专业编辑,他一生都热爱古代,他的这本书既是他研究的结果,也是他生活的结果。
{"title":"INTERPRETING PLATO","authors":"E. N. Tigerstedt, Sergiy Shevtsov, Vasyl Matskiv","doi":"10.18524/2410-2601.2022.1(37).281830","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281830","url":null,"abstract":"The book by E. N. Tigerstedt Interpreting Plato sums up the development of Platonic studies and heritage in understanding Plato’s philosophy over the previous two hundred years. The Finnish researcher builds his review on the methodological principles not only of individual researchers, but also of entire areas. A literary critic and editor by profession, E. N. Tigerstedt carried the love of antiquity through his whole life, and this book of his was both the result of his research and life.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"119 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86703051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
HRYHORII SKOVORODA ABOUT PERFECTION OF MAN AND SOCIAL SYSTEM 关于人与社会制度的完善
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281817
Yuliia Hrybkova, Maryia Kashuba
Thoughts of Skovoroda on the improvement of human and society were considered in this article. Skovoroda, like the European enlighteners, considered the contemporary society and human to be imperfect. French enlighteners sought to improve a person through education and scientific knowledge, believed that an educated person could create a perfect society and linked the progress of society with the activity of the mind. Skovoroda chose his own path - he believed that scientific knowledge and education cannot make a person happy and perfect. He called a person to self-discovery, to reveal the true divine nature in oneself, which will determine a person’s related work. Only a related occupation can make a person happy, therefore perfect, and such a person will create a perfect society. In Skovoroda, knowledge and education are associated with material goods and honors, which give rise to envy and enmity between people. Skovoroda considered people who strive for material goods and fame to be a crowd, who is not capable of thinking and improving, unable to create a progressive and perfect society. The thoughts of the Ukrainian philosopher look utopian, but they help to understand the current state of consumerist society, where aggression, hatred and envy prevail.
本文探讨了斯科沃罗达关于人类和社会进步的思想。斯科沃罗达和欧洲的启蒙者一样,认为当代社会和人类是不完美的。法国启蒙者寻求通过教育和科学知识来改善一个人,相信一个受过教育的人可以创造一个完美的社会,并将社会的进步与心灵的活动联系起来。斯科沃罗达选择了自己的道路——他认为科学知识和教育不能使一个人幸福和完美。他号召一个人去发现自己,去揭示自己真正的神性,这将决定一个人的相关工作。只有一个相关的职业才能使一个人快乐,因此是完美的,这样的人将创造一个完美的社会。在Skovoroda,知识和教育与物质财富和荣誉联系在一起,这引起了人们之间的嫉妒和敌意。Skovoroda认为追求物质财富和名誉的人是一群人,他们没有思考和改进的能力,无法创造一个进步和完美的社会。这位乌克兰哲学家的思想看起来是乌托邦式的,但它们有助于理解当前消费主义社会的状态,在这个社会里,侵略、仇恨和嫉妒盛行。
{"title":"HRYHORII SKOVORODA ABOUT PERFECTION OF MAN AND SOCIAL SYSTEM","authors":"Yuliia Hrybkova, Maryia Kashuba","doi":"10.18524/2410-2601.2022.1(37).281817","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281817","url":null,"abstract":"Thoughts of Skovoroda on the improvement of human and society were considered in this article. Skovoroda, like the European enlighteners, considered the contemporary society and human to be imperfect. French enlighteners sought to improve a person through education and scientific knowledge, believed that an educated person could create a perfect society and linked the progress of society with the activity of the mind. Skovoroda chose his own path - he believed that scientific knowledge and education cannot make a person happy and perfect. He called a person to self-discovery, to reveal the true divine nature in oneself, which will determine a person’s related work. Only a related occupation can make a person happy, therefore perfect, and such a person will create a perfect society. In Skovoroda, knowledge and education are associated with material goods and honors, which give rise to envy and enmity between people. Skovoroda considered people who strive for material goods and fame to be a crowd, who is not capable of thinking and improving, unable to create a progressive and perfect society. The thoughts of the Ukrainian philosopher look utopian, but they help to understand the current state of consumerist society, where aggression, hatred and envy prevail.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"38 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77800081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CYBER REALITY OF ART: THE INTERNET AS THE THIRD SPACE 网络现实的艺术:以互联网为第三空间
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281825
Anna Misyun
The article is devoted to the problems of art in the third space, that understood as a special reality created by IT. Both the new organization of the artistic communication of the author – the work – the public, and the new expressive and technical possibilities of the art itself are considered. The purpose of the overview is to establish a correlation between the understanding of cyber reality and the new conditions of existence of the artistic artifact, to identify the features of virtual communication about art. The postcolonial third space theory of H. K. Bhabha is considered, which is the basis for the study of “zones of communication” and the virtual  construction of the dialogue between individuals/cultures. Special attention is paid to the analysis of the practices of third space American theorist and art practice Randall Packer. An important aspect is the use of multimedia art itself in the practice of its site “The Third Space Network”, the reality of which depends significantly on information network technologies. Cyber reality ensures the relevance of modern art in the network, the main features of which are erasing the lines between expressive means of different types of art, active communication of artists – the public, the absence of a fourth wall, etc.
本文致力于探讨艺术在第三空间中的问题,这被理解为IT创造的特殊现实。作者-作品-公众的艺术交流的新组织,以及艺术本身的新的表达和技术可能性都被考虑在内。概述的目的是建立对网络现实的理解与艺术品存在的新条件之间的相关性,以确定关于艺术的虚拟传播的特征。考虑到h.k.巴巴的后殖民第三空间理论,这是研究“交流区域”和个体/文化之间对话的虚拟建构的基础。重点分析了美国第三空间理论家、艺术实践家兰德尔·帕克的实践。一个重要的方面是多媒体艺术本身在其网站“第三空间网络”实践中的运用,其现实性很大程度上依赖于信息网络技术。网络现实确保了现代艺术在网络中的相关性,其主要特征是消除了不同类型艺术表达方式之间的界限,艺术家与公众的积极交流,第四堵墙的缺失等。
{"title":"CYBER REALITY OF ART: THE INTERNET AS THE THIRD SPACE","authors":"Anna Misyun","doi":"10.18524/2410-2601.2022.1(37).281825","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281825","url":null,"abstract":"The article is devoted to the problems of art in the third space, that understood as a special reality created by IT. Both the new organization of the artistic communication of the author – the work – the public, and the new expressive and technical possibilities of the art itself are considered. The purpose of the overview is to establish a correlation between the understanding of cyber reality and the new conditions of existence of the artistic artifact, to identify the features of virtual communication about art. The postcolonial third space theory of H. K. Bhabha is considered, which is the basis for the study of “zones of communication” and the virtual  construction of the dialogue between individuals/cultures. Special attention is paid to the analysis of the practices of third space American theorist and art practice Randall Packer. An important aspect is the use of multimedia art itself in the practice of its site “The Third Space Network”, the reality of which depends significantly on information network technologies. Cyber reality ensures the relevance of modern art in the network, the main features of which are erasing the lines between expressive means of different types of art, active communication of artists – the public, the absence of a fourth wall, etc.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"65 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79736591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PUBLISHING INDUSTRY IN WARTIME: CHARLES DICKENS “A TALE OF TWO CITIES” 战时出版业:查尔斯·狄更斯的《双城记》
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281826
K. Zolotarova
What better way to tell about the time than a real “historical witness” – a product of that time, for the people of that time?! As such a “witness” in this small researched book from the 40s of the 20th century – Charles Dickens “A Tale of Two Cities”, published by “Blackie & Son Limited (London and Glasgow)”.Thanks to this book, it was possible to touch on the “wartime” publishing industry, consider the main challenges faced by the book publishing industry and explore non-standard solutions for a decent response to these challenges in Great Britain. In addition, people who felt the need for books despite all the difficulties and dangers brought by “wartime” – the Second World War – become a real inspiration.This book, which in this study dates from the early 1940s, is an example of the publishing standard – the Agreement – which was introduced in Great Britain during the Second World War. Namely, the Book Production War Economy Agreement (1942), which was concluded between the publishers (Publisher Association) of Great Britain and the state leadership (represented by the Ministry of Supply). This agreement, which was mainly of a recommendatory nature, was primarily related to the rationalization of the use of resources necessary for the publishing of book products (regulating and standardizing printed publications that would respond to the main challenges in limited economic conditions). It should be noted separately that the agreement was initiated by the Association itself, because it was a response to the unfair (in the opinion of publishers) distribution of paper, namely to Paper rationing, which was introduced by The British Ministry of Information [Holman 2005].In this context, the earlier creation of The Paper Control Committee, which controlled the use of paper by publishers and acted as their defender before the Ministry of Supply [Vassilopoulos 2021], should be considered.Speaking about the demand for books during the Second World War in Great Britain, one should note the incessant thirst for reading, learning new things, and searching for “answers to questions that concern us now” [Hench 2010]. It seems that there were already enough exciting events in everyday life, but it was precisely in the times when the war dragged on and there was no visible end or finale, and society began to tire of uncertainty and the constant feeling of “calm before the storm”, books became a real salvation from difficult to perceive and understand reality – a new reality. This explains the constantly growing demand for books of various formats and genres in the 1940s.
还有什么比一个真正的“历史见证人”——一个那个时代的产物,一个那个时代的人——更好的方式来讲述那个时代呢?在这本由Blackie & Son Limited (London and Glasgow)出版的20世纪40年代的小书中,作为这样一个“见证人”——查尔斯·狄更斯的《双城记》(a Tale of Two Cities)。多亏了这本书,才有可能触及“战时”出版业,考虑图书出版业面临的主要挑战,并探索非标准的解决方案,以体面地应对英国的这些挑战。此外,尽管“战时”——第二次世界大战带来了种种困难和危险,但人们仍然感到需要书籍,这成为一种真正的灵感。在这项研究中,这本书可以追溯到20世纪40年代初,是出版标准——《协议》——的一个例子,该标准在第二次世界大战期间在英国引入。即《图书生产战争经济协定》(1942),由英国出版商(出版商协会)与国家领导(以供应部为代表)签订。这项协定主要是一项建议性质的协定,主要是关于使出版图书产品所需资源的使用合理化(管制和标准化印刷出版物,以应付有限经济条件下的主要挑战)。应该单独指出的是,该协议是由协会自己发起的,因为它是对纸张不公平(在出版商看来)分配的回应,即对英国信息部引入的纸张配给的回应[Holman 2005]。在这种背景下,应该考虑早期创建的纸张控制委员会,该委员会控制出版商对纸张的使用,并在供应部(Vassilopoulos 2021)面前充当他们的捍卫者。谈到第二次世界大战期间英国对书籍的需求,人们应该注意到对阅读、学习新事物和寻找“我们现在关心的问题的答案”的持续渴望[Hench 2010]。日常生活中似乎已经有了足够多的精彩事件,但恰恰是在战争旷日持久,看不到明显的结局和结局,社会开始厌倦不确定性和“暴风雨前的平静”的持续感觉的时候,书籍才真正成为难以感知和理解现实的救赎——一种新的现实。这解释了20世纪40年代对各种格式和体裁书籍的需求不断增长的原因。
{"title":"PUBLISHING INDUSTRY IN WARTIME: CHARLES DICKENS “A TALE OF TWO CITIES”","authors":"K. Zolotarova","doi":"10.18524/2410-2601.2022.1(37).281826","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281826","url":null,"abstract":"What better way to tell about the time than a real “historical witness” – a product of that time, for the people of that time?! As such a “witness” in this small researched book from the 40s of the 20th century – Charles Dickens “A Tale of Two Cities”, published by “Blackie & Son Limited (London and Glasgow)”.\u0000Thanks to this book, it was possible to touch on the “wartime” publishing industry, consider the main challenges faced by the book publishing industry and explore non-standard solutions for a decent response to these challenges in Great Britain. In addition, people who felt the need for books despite all the difficulties and dangers brought by “wartime” – the Second World War – become a real inspiration.\u0000This book, which in this study dates from the early 1940s, is an example of the publishing standard – the Agreement – which was introduced in Great Britain during the Second World War. Namely, the Book Production War Economy Agreement (1942), which was concluded between the publishers (Publisher Association) of Great Britain and the state leadership (represented by the Ministry of Supply). This agreement, which was mainly of a recommendatory nature, was primarily related to the rationalization of the use of resources necessary for the publishing of book products (regulating and standardizing printed publications that would respond to the main challenges in limited economic conditions). It should be noted separately that the agreement was initiated by the Association itself, because it was a response to the unfair (in the opinion of publishers) distribution of paper, namely to Paper rationing, which was introduced by The British Ministry of Information [Holman 2005].\u0000In this context, the earlier creation of The Paper Control Committee, which controlled the use of paper by publishers and acted as their defender before the Ministry of Supply [Vassilopoulos 2021], should be considered.\u0000Speaking about the demand for books during the Second World War in Great Britain, one should note the incessant thirst for reading, learning new things, and searching for “answers to questions that concern us now” [Hench 2010]. It seems that there were already enough exciting events in everyday life, but it was precisely in the times when the war dragged on and there was no visible end or finale, and society began to tire of uncertainty and the constant feeling of “calm before the storm”, books became a real salvation from difficult to perceive and understand reality – a new reality. This explains the constantly growing demand for books of various formats and genres in the 1940s.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"85 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91316448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MUSEALIZATION IN THE SYSTEM OF SENSES OF CULTURAL MEMORY 文化记忆感官系统中的博物馆化
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281828
V. Levchenko
The article is divided to the problems related to the studying the phenomenon of the museum and its place in the socio-cultural space. The museum is one of the fundamental socio-cultural institutions that designed to present, preserve and distribute cultural, historical and artistic values. There are the museums that should determine what is a cultural value that is a worthy representation of national and universal cultural codes. The development of museums demonstrates their ability to transform reality in a special way, namely, to endow reality with specific properties in relation to the cultural memorial value of their authentic representatives. Modern museology defines such a process as museumization, which transforms reality into “cultural meta-reality”. The author refers to the researching museological conception of Z. Z. Stransky, one of the founders of modern museology. The concepts introduced by Stransky to studying the museum as a cultural institution, despite their debatable in special literature, are an effective tool for understanding museumness as a characteristic of individual human existence. To solve this problem, Stranskyi proposes several new scientific concepts – “cultural meta-reality”. “musealization”, “museum development of reality”, “musealite”. It can be argued that every person can potentially act as a “museum”. Some objects surrounding a person can lose their everyday meaning, transforming into “museum objects” and they are acquiring new value and status. Nowadays the museum is transformed from exclusively a repository of memory into a special space aimed to determining orientations to Future.
本文分为博物馆现象及其在社会文化空间中的地位研究的相关问题。博物馆是一个基本的社会文化机构,旨在展示、保存和传播文化、历史和艺术价值。博物馆应该确定什么是有价值的文化价值,是国家和世界文化代码的代表。博物馆的发展表明,它有能力以一种特殊的方式改造现实,即赋予现实与真实代表的文化纪念价值相关的特定属性。现代博物馆学将这种过程定义为博物馆化,将现实转化为“文化元现实”。本文参考了现代博物馆学奠基人之一斯特兰斯基的博物馆学研究理念。斯特兰斯基将博物馆作为一种文化机构来研究的概念,尽管在特殊文献中存在争议,但它们是理解博物馆性作为个体人类存在特征的有效工具。为了解决这个问题,斯特兰斯基提出了几个新的科学概念——“文化元现实”。“博物馆化”,“现实的博物馆发展”,“博物馆化”。可以说,每个人都有可能成为一个“博物馆”。一些围绕在人周围的物品失去了日常意义,变成了“博物馆物品”,它们正在获得新的价值和地位。如今,博物馆从一个专门的记忆存储库转变为一个旨在确定未来方向的特殊空间。
{"title":"MUSEALIZATION IN THE SYSTEM OF SENSES OF CULTURAL MEMORY","authors":"V. Levchenko","doi":"10.18524/2410-2601.2022.1(37).281828","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281828","url":null,"abstract":"The article is divided to the problems related to the studying the phenomenon of the museum and its place in the socio-cultural space. The museum is one of the fundamental socio-cultural institutions that designed to present, preserve and distribute cultural, historical and artistic values. There are the museums that should determine what is a cultural value that is a worthy representation of national and universal cultural codes. The development of museums demonstrates their ability to transform reality in a special way, namely, to endow reality with specific properties in relation to the cultural memorial value of their authentic representatives. Modern museology defines such a process as museumization, which transforms reality into “cultural meta-reality”. The author refers to the researching museological conception of Z. Z. Stransky, one of the founders of modern museology. The concepts introduced by Stransky to studying the museum as a cultural institution, despite their debatable in special literature, are an effective tool for understanding museumness as a characteristic of individual human existence. To solve this problem, Stranskyi proposes several new scientific concepts – “cultural meta-reality”. “musealization”, “museum development of reality”, “musealite”. It can be argued that every person can potentially act as a “museum”. Some objects surrounding a person can lose their everyday meaning, transforming into “museum objects” and they are acquiring new value and status. Nowadays the museum is transformed from exclusively a repository of memory into a special space aimed to determining orientations to Future.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"26 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84436009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE VARIABILITY OF THE FATE OF METANARRATIVES 元叙事命运的可变性
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281824
A. Afanasiev, I. Vasilenko
Metanarratives with their highest values act as a kind of foundation, a means of substantiating other narratives and, in general, a justification of a certain order of the world and society in the human imagination. Modern scientific and technical civilization found its justification in the metanarratives of Modern, which accumulate the highest values: humanism, truth, goodness, beauty and other universal civilizational ideals that contribute to the existence and development of mankind.Metanarratives are also embodied in political doctrines, where ideology is used to interpret metanarratives in a certain way in a favorable light for certain circles and strata. This is how very different strategic narratives emerge, which sometimes distort human values. Since the state has great levers of influence, from legislation to propaganda, especially in a totalitarian or authoritarian society, it can subjugate national and cultural values, even present its narrow group interests as national or even universal. Then the strategic narrative serves as a metanarrative.Enlightenment metanarratives were realized not only in universal, democratic ideals and state-building, but also in totalitarian, fascist, marxist, racist worldviews and practices with corresponding strategic narratives. If we add to this the global problems caused by the development of scientific and technological civilization, which is also a consequence of the project of modernity, the emergence of postmodernity with its total irony towards this project and in general towards science, reason, progress, seems natural.But gradually it becomes clear that humanity cannot do without metanarratives with humanistic values as a fundamental justification of human activity, especially overcoming civilizational challenges. Therefore, metamodernity is expected to emerge first as a feeling and then as a comprehension of the need for humanistic metanarratives. It is natural that the first steps are made in painting and literature as the most sensitive areas of the human spirit. This is a kind of return to the metanarratives of the Medern.Metanarratives of the Age of Reason and Enlightenment have stood the test of time. Despite significant distortions in the strategic narratives of various ideologies and attempts of general denial in postmodernism, they demonstrate viability as a way to justify universal ideals, preserve humanity and survival of mankind.
具有最高价值的元叙事作为一种基础,一种证实其他叙事的手段,总的来说,是对人类想象中的世界和社会的某种秩序的证明。现代科技文明在现代元叙事中找到了自己的立身之本。现代元叙事积累了人文、真、善、美等人类生存和发展的普世文明理想的最高价值。元叙事也体现在政治学说中,意识形态被用来以某种方式解释元叙事,为某些圈子和阶层提供有利的解释。这就是为什么会出现截然不同的战略叙事,它们有时会扭曲人类的价值观。由于国家拥有巨大的影响力杠杆,从立法到宣传,特别是在极权主义或威权主义社会,它可以征服民族和文化价值观,甚至将其狭隘的集团利益呈现为民族甚至普遍的利益。然后战略叙事作为元叙事。启蒙元叙事不仅在普遍的、民主的理想和国家建设中得以实现,而且在极权主义、法西斯主义、马克思主义、种族主义的世界观和实践中也有相应的战略叙事。如果我们再加上科学和技术文明的发展所引起的全球性问题,这也是现代性计划的结果,那么后现代性的出现,对这个计划以及总体上对科学、理性、进步的完全讽刺,似乎是很自然的。但逐渐清晰的是,人类离不开以人文价值作为人类活动基本理由的元叙事,尤其是克服文明挑战的元叙事。因此,人们期望元现代性首先作为一种感觉出现,然后作为对人文主义元叙事需求的理解出现。绘画和文学是人类精神最敏感的领域,这是很自然的第一步。这是一种对现代元叙事的回归。理性时代和启蒙时代的元叙事经受住了时间的考验。尽管各种意识形态的战略叙事存在重大扭曲,后现代主义试图普遍否定,但它们证明了作为证明普遍理想、保护人性和人类生存的一种方式的可行性。
{"title":"THE VARIABILITY OF THE FATE OF METANARRATIVES","authors":"A. Afanasiev, I. Vasilenko","doi":"10.18524/2410-2601.2022.1(37).281824","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281824","url":null,"abstract":"Metanarratives with their highest values act as a kind of foundation, a means of substantiating other narratives and, in general, a justification of a certain order of the world and society in the human imagination. Modern scientific and technical civilization found its justification in the metanarratives of Modern, which accumulate the highest values: humanism, truth, goodness, beauty and other universal civilizational ideals that contribute to the existence and development of mankind.\u0000Metanarratives are also embodied in political doctrines, where ideology is used to interpret metanarratives in a certain way in a favorable light for certain circles and strata. This is how very different strategic narratives emerge, which sometimes distort human values. Since the state has great levers of influence, from legislation to propaganda, especially in a totalitarian or authoritarian society, it can subjugate national and cultural values, even present its narrow group interests as national or even universal. Then the strategic narrative serves as a metanarrative.\u0000Enlightenment metanarratives were realized not only in universal, democratic ideals and state-building, but also in totalitarian, fascist, marxist, racist worldviews and practices with corresponding strategic narratives. If we add to this the global problems caused by the development of scientific and technological civilization, which is also a consequence of the project of modernity, the emergence of postmodernity with its total irony towards this project and in general towards science, reason, progress, seems natural.\u0000But gradually it becomes clear that humanity cannot do without metanarratives with humanistic values as a fundamental justification of human activity, especially overcoming civilizational challenges. Therefore, metamodernity is expected to emerge first as a feeling and then as a comprehension of the need for humanistic metanarratives. It is natural that the first steps are made in painting and literature as the most sensitive areas of the human spirit. This is a kind of return to the metanarratives of the Medern.\u0000Metanarratives of the Age of Reason and Enlightenment have stood the test of time. Despite significant distortions in the strategic narratives of various ideologies and attempts of general denial in postmodernism, they demonstrate viability as a way to justify universal ideals, preserve humanity and survival of mankind.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"12 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86589423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ONTOLOGICAL DRIFT OF CAUSES 原因的本体论漂移
IF 0.6 Q4 COMMUNICATION Pub Date : 2023-07-05 DOI: 10.18524/2410-2601.2022.1(37).281819
S. Shevtsov
Russia’s military aggression in Ukraine has given rise to much speculation about its causes and aims. The accessibility of the modern media allows to freely hear the voices of both sides which creates a unique situation in many ways. Among the many theories and hypotheses about the causes and goals of this war, there is no consensus for any of the warring parties. The options and hypotheses expressed differ noticeably from each other even within each of the countries. This article attempts to classify the expressed points of view on the causes and goals of the war for the Russian and Ukrainian sides. It is noted that Russia, having started the war, has a lot more versions than Ukraine. For the Ukrainian side, the war is predominantly perceived through the formula ‘we have been attacked and we defend ourselves, our land, and our way of life’. Meanwhile, the question of why Russia carried out the attack is much more difficult. In this article, the author identifies six levels of social existence, into which the suggested versions can be distributed. These six levels are: individual, group, political, ideological, geopolitical, and civilizational. The article suggests that the cause cannot be limited to one level, it is important for the aggressor to justify its actions on all six levels. It is noteworthy that for Russia the economic level is not significant, in fact, most of the Russian war opponents are at this level, while for Ukraine the economic level matters a lot. According to the author of the article, only religion can unite six such different levels. Therefore, he suggests, for Russia, this war is of religious nature although it is not connected with religion and does not have a religious form. The author finds this situation paradoxical and ugly.
俄罗斯对乌克兰的军事侵略引发了很多关于其原因和目的的猜测。现代媒体的可及性使人们可以自由地听到双方的声音,这在许多方面创造了一种独特的局面。在关于这场战争的起因和目的的许多理论和假设中,交战各方都没有达成共识。所表达的选择和假设彼此之间甚至在每个国家内部也有明显的不同。本文试图对俄乌双方关于战争起因和目标的观点进行分类。值得注意的是,发动战争的俄罗斯比乌克兰有更多的版本。对于乌克兰方面来说,这场战争主要是通过“我们受到攻击,我们捍卫自己、我们的土地和我们的生活方式”的公式来理解的。与此同时,俄罗斯为何发动这次袭击的问题要困难得多。在本文中,作者确定了社会存在的六个层次,建议的版本可以分布到这些层次。这六个层面是:个人、群体、政治、意识形态、地缘政治和文明。这篇文章表明,原因不能局限于一个层面,侵略者必须在所有六个层面上为其行为辩护。值得注意的是,对于俄罗斯来说,经济水平并不重要,事实上,大多数俄罗斯的战争对手都在这个水平,而对于乌克兰来说,经济水平很重要。这篇文章的作者认为,只有宗教才能统一这六个不同的层次。因此,他认为,对俄罗斯来说,这场战争具有宗教性,尽管它与宗教无关,也没有宗教形式。作者认为这种情况既矛盾又丑陋。
{"title":"ONTOLOGICAL DRIFT OF CAUSES","authors":"S. Shevtsov","doi":"10.18524/2410-2601.2022.1(37).281819","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.1(37).281819","url":null,"abstract":"Russia’s military aggression in Ukraine has given rise to much speculation about its causes and aims. The accessibility of the modern media allows to freely hear the voices of both sides which creates a unique situation in many ways. Among the many theories and hypotheses about the causes and goals of this war, there is no consensus for any of the warring parties. The options and hypotheses expressed differ noticeably from each other even within each of the countries. This article attempts to classify the expressed points of view on the causes and goals of the war for the Russian and Ukrainian sides. It is noted that Russia, having started the war, has a lot more versions than Ukraine. For the Ukrainian side, the war is predominantly perceived through the formula ‘we have been attacked and we defend ourselves, our land, and our way of life’. Meanwhile, the question of why Russia carried out the attack is much more difficult. In this article, the author identifies six levels of social existence, into which the suggested versions can be distributed. These six levels are: individual, group, political, ideological, geopolitical, and civilizational. The article suggests that the cause cannot be limited to one level, it is important for the aggressor to justify its actions on all six levels. It is noteworthy that for Russia the economic level is not significant, in fact, most of the Russian war opponents are at this level, while for Ukraine the economic level matters a lot. According to the author of the article, only religion can unite six such different levels. Therefore, he suggests, for Russia, this war is of religious nature although it is not connected with religion and does not have a religious form. The author finds this situation paradoxical and ugly.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"9 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82731347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
Doxa Comunicacion
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1