Pub Date : 2022-12-18DOI: 10.18524/2410-2601.2022.2(38).283059
Oleksii Rodgero
The paper deals with the explanation of the subject of metaphilosophy as a philosophical science. The main themes and problems of metaphilosophy are formulated, and its interrelation with other philosophical subjects and fields of research is clarified. The author proposes some methodological principles that are essential in dealing with such an important problem of metaphilosophy as the relationship between a philosophical doctrine and the life of the thinker who created it. This problem is examined through the life and philosophical doctrine of G. Skovoroda. The paper also identifies certain types (dimensions) of determination of the genesis of philosophical thought, and classifies particular cases associated with different degrees of relevance to the problem of “philosophical doctrine and the life of the philosopher”.
{"title":"METHODOLOGICAL NOTES ON METAPHILOSOPHY AS A PHILOSOPHICAL DISCIPLINE","authors":"Oleksii Rodgero","doi":"10.18524/2410-2601.2022.2(38).283059","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.2(38).283059","url":null,"abstract":"The paper deals with the explanation of the subject of metaphilosophy as a philosophical science. The main themes and problems of metaphilosophy are formulated, and its interrelation with other philosophical subjects and fields of research is clarified. The author proposes some methodological principles that are essential in dealing with such an important problem of metaphilosophy as the relationship between a philosophical doctrine and the life of the thinker who created it. This problem is examined through the life and philosophical doctrine of G. Skovoroda. The paper also identifies certain types (dimensions) of determination of the genesis of philosophical thought, and classifies particular cases associated with different degrees of relevance to the problem of “philosophical doctrine and the life of the philosopher”.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"35 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77627636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.18524/2410-2601.2022.2(38).283064
Vitaliya Gotynyan-Zhuravlova
We live in a diverse multicultural world. Even the history of mankind cannot be considered as a linear process, where all peoples develop in the same way, according to the same program, simultaneously passing through the same stages of development, for example, primitive barbarism, feudalism, the industrial era, the era of laws. Thus, G. Vico, A. Toynbee, P. Sorokin, O. Spengler and many other researchers imagined history in the form of real, separate, self-sufficient sociocultural worlds. Today, multiculturalism is still an actual problem for research. Most often, it is understood not only as tolerance of cultural diversity, but, first of all, as a requirement to recognize at the legislative level the rights of different racial, religious, and cultural groups for their peaceful and happy coexistence in one state. The issue of multiculturalism is also of particular importance for modern Ukraine, which is a complex state in terms of its ethnic structure, complex from a socio-cultural point of view, as its regions have different historical pasts and different visions of the future. In addition, the historical circumstances of the country’s development led to the fact that various national minorities with their own traditions, culture, and customs live on the territory of modern Ukraine. Ukraine is a culturally diverse country, which is why multiculturalism, tolerance, the idea of national unity, and issues of social integration remain relevant.
{"title":"MULTICULTURALISM AS A KEY PARAMETER OF THE ANALYSIS OF SOCIAL AND CULTURAL PHENOMENA AND PROCESSES","authors":"Vitaliya Gotynyan-Zhuravlova","doi":"10.18524/2410-2601.2022.2(38).283064","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.2(38).283064","url":null,"abstract":"We live in a diverse multicultural world. Even the history of mankind cannot be considered as a linear process, where all peoples develop in the same way, according to the same program, simultaneously passing through the same stages of development, for example, primitive barbarism, feudalism, the industrial era, the era of laws. Thus, G. Vico, A. Toynbee, P. Sorokin, O. Spengler and many other researchers imagined history in the form of real, separate, self-sufficient sociocultural worlds. Today, multiculturalism is still an actual problem for research. Most often, it is understood not only as tolerance of cultural diversity, but, first of all, as a requirement to recognize at the legislative level the rights of different racial, religious, and cultural groups for their peaceful and happy coexistence in one state. The issue of multiculturalism is also of particular importance for modern Ukraine, which is a complex state in terms of its ethnic structure, complex from a socio-cultural point of view, as its regions have different historical pasts and different visions of the future. In addition, the historical circumstances of the country’s development led to the fact that various national minorities with their own traditions, culture, and customs live on the territory of modern Ukraine. Ukraine is a culturally diverse country, which is why multiculturalism, tolerance, the idea of national unity, and issues of social integration remain relevant.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"9 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87893302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.18524/2410-2601.2022.2(38).283057
O.D. Kyrylyuk
The article considers the universal-cultural structure of one of the dialogues of Н. Skovoroda – «The grateful Erodius» with a focus on one of the universals of culture, namely, on the alimentary worldview code. The analytical separation of this code from its close interweaving with the categories of ultimate bases (life, death, immortality) and other worldview codes showed that, in addition to describing the specifics of the nutrition of the main character of the work, Erodius the stork, alimentarity appears here in its symbolic and allegorical manifestations, primarily – in the context of a Christian spiritual food, that is, the Divine commandments, the observance of which allows a person to avoid the vices of the world of bad people and achieve the otherworldly eternal life. The explication of such an understanding of alimentarity once again confirmed my assertion that all, without exception, integral texts of culture are built on the universal basic worldview formula “life – death – immortality”. This is the identity of the dialogue of Hrigory Skovoroda with other cultural texts. The specificity of the reproduction of the universal alimentary code lies in the dialogue form of this reproduction, and in terms of content – in the symbolic understanding of alimentarity in connection with spiritual food.
{"title":"ALIMENTARY UNIVERSAL-CULTURAL CODE IN НRIGORY SKOVORODA’S DIALOGUE «THE GRATEFUL ERODIUS»","authors":"O.D. Kyrylyuk","doi":"10.18524/2410-2601.2022.2(38).283057","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.2(38).283057","url":null,"abstract":"The article considers the universal-cultural structure of one of the dialogues of Н. Skovoroda – «The grateful Erodius» with a focus on one of the universals of culture, namely, on the alimentary worldview code. The analytical separation of this code from its close interweaving with the categories of ultimate bases (life, death, immortality) and other worldview codes showed that, in addition to describing the specifics of the nutrition of the main character of the work, Erodius the stork, alimentarity appears here in its symbolic and allegorical manifestations, primarily – in the context of a Christian spiritual food, that is, the Divine commandments, the observance of which allows a person to avoid the vices of the world of bad people and achieve the otherworldly eternal life. The explication of such an understanding of alimentarity once again confirmed my assertion that all, without exception, integral texts of culture are built on the universal basic worldview formula “life – death – immortality”. This is the identity of the dialogue of Hrigory Skovoroda with other cultural texts. The specificity of the reproduction of the universal alimentary code lies in the dialogue form of this reproduction, and in terms of content – in the symbolic understanding of alimentarity in connection with spiritual food.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"78 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82630060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.18524/2410-2601.2022.2(38).283066
V. Levchenko, Nina I. Kovalova
The article is devoted to the studying of the dialectic of relations between such important social phenomena as war and museum. The features and problems of these relations at different epochs of human history are considered – the Ancient World, Antiquity, the Middle Ages, and the Modern era. The authors suggest the principle orientations in the attitude towards the cultural heritage of the Other – on the one hand, towards destruction, on the other – towards appropriation and absorption. The latter was aimed to depriving the enemy of its symbolic capital, neutralizing its sacred core. The article emphasizes the peculiarities of the existence of the museum activity and its socio-cultural functions in the context of various totalitarian regimes. The main attention is paid to the analysis of the transformation of the status and role of the museum in the conditions of the Russian-Ukrainian war.
{"title":"MUSEUM AND WAR. NOTES ON THE DESTINY OF CULTURAL HERITAGE","authors":"V. Levchenko, Nina I. Kovalova","doi":"10.18524/2410-2601.2022.2(38).283066","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.2(38).283066","url":null,"abstract":"The article is devoted to the studying of the dialectic of relations between such important social phenomena as war and museum. The features and problems of these relations at different epochs of human history are considered – the Ancient World, Antiquity, the Middle Ages, and the Modern era. The authors suggest the principle orientations in the attitude towards the cultural heritage of the Other – on the one hand, towards destruction, on the other – towards appropriation and absorption. The latter was aimed to depriving the enemy of its symbolic capital, neutralizing its sacred core. The article emphasizes the peculiarities of the existence of the museum activity and its socio-cultural functions in the context of various totalitarian regimes. The main attention is paid to the analysis of the transformation of the status and role of the museum in the conditions of the Russian-Ukrainian war.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"6 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84440938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.18524/2410-2601.2022.2(38).283061
A. Afanasiev, I. Vasilenko
The metamodern attempts to supplant the postmodern. It is characterized by a special understanding of irony. It is quite different from the total rigid irony of postmodernism. Irony has always existed. However, its character, types, and objects differed significantly. Voltaire’s irony in the New Age was not total. The supreme values of Reason and Enlightenment in the modern era were not subject to ridicule. For the postmodern there were no taboos, so irony became total, and ridicule of the values of modernity became harsh and destructive. However, the purifying positive character of such irony also took place. Metamodernism wants to revive the values and metanarratives of modern. It denies the rigid irony of the postmodern, but it does not abandon irony altogether. The irony of the metamodern is connected to a new sincerity. The author’s intention along the whole path of the oscillating interpretation is now hidden, now it is sincerely revealed. Such sincerity can be called circumspect. The reader or viewer has the opportunity to travel through various versions of his interpretation, from an accurate reading to an ironic allegory, all the way to a mockery of the irony presented. Irony accompanies the new sincerity all the way through the oscillation and plays with many shades. There is the absence of irony, simple irony, post-irony, and meta-irony. In the metamodern, irony becomes a cautious instrument of sparing criticism. It is a conscious choice of cultural figures, who tend to apply certain non-rigid types of irony and dose them, combining them with cautious sincerity. The contradictory combination of irony and sincerity fits into the paradigm of oscillation. With such irony, the metamodern tries not to traumatize anyone, not to impose assessments, and to let the individual sort out his or her own experience of the images and situations depicted.
{"title":"METAMODERN TRAVELS: FROM IRONY TO META-IRONY","authors":"A. Afanasiev, I. Vasilenko","doi":"10.18524/2410-2601.2022.2(38).283061","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.2(38).283061","url":null,"abstract":"The metamodern attempts to supplant the postmodern. It is characterized by a special understanding of irony. It is quite different from the total rigid irony of postmodernism.\u0000Irony has always existed. However, its character, types, and objects differed significantly. Voltaire’s irony in the New Age was not total. The supreme values of Reason and Enlightenment in the modern era were not subject to ridicule. For the postmodern there were no taboos, so irony became total, and ridicule of the values of modernity became harsh and destructive. However, the purifying positive character of such irony also took place. Metamodernism wants to revive the values and metanarratives of modern. It denies the rigid irony of the postmodern, but it does not abandon irony altogether.\u0000The irony of the metamodern is connected to a new sincerity. The author’s intention along the whole path of the oscillating interpretation is now hidden, now it is sincerely revealed. Such sincerity can be called circumspect. The reader or viewer has the opportunity to travel through various versions of his interpretation, from an accurate reading to an ironic allegory, all the way to a mockery of the irony presented. Irony accompanies the new sincerity all the way through the oscillation and plays with many shades. There is the absence of irony, simple irony, post-irony, and meta-irony.\u0000In the metamodern, irony becomes a cautious instrument of sparing criticism. It is a conscious choice of cultural figures, who tend to apply certain non-rigid types of irony and dose them, combining them with cautious sincerity. The contradictory combination of irony and sincerity fits into the paradigm of oscillation. With such irony, the metamodern tries not to traumatize anyone, not to impose assessments, and to let the individual sort out his or her own experience of the images and situations depicted.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"42 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82858846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.18524/2410-2601.2022.2(38).283058
M. Kashuba
The main ideas of European enlighteners, reflected in the works of Hryhoriy Skovoroda, are considered. We are talking about demands for freedom of personality, recognition of the equality of people based on natural law, anticlericalism, criticism of superstitions, rituals, declaration of art, in particular literature, as a bearer of moral virtues and an educator of morality. The European Enlightenment also affirmed the cult of reason and knowledge, faith in eternal progress based on the development of education and science, and the cult of a wise ruler – a philosopher on the throne. In the works of the Ukrainian philosopher, we observe his own, original interpretation of such ideas. Instead of the cult of reason as knowledge, Skovoroda preaches wisdom as prudence. Hryhoriy Skovoroda lived in the Enlightenment era, but only a few researchers regarded him as a figure of this era. The reason was his lack of interest in the achievements of science and worldly knowledge. The philosopher believed that the main thing for a person is self-knowledge, the disclosure of their inner nature in order to determine the predisposition to their related work, which will lead to happiness. However, his works reflect the main ideas of the European Enlightenment.
{"title":"IDEAS OF EUROPEAN ENLIGHTENMENT IN THE WORKS OF HRYHORIY SKOVORODA","authors":"M. Kashuba","doi":"10.18524/2410-2601.2022.2(38).283058","DOIUrl":"https://doi.org/10.18524/2410-2601.2022.2(38).283058","url":null,"abstract":"The main ideas of European enlighteners, reflected in the works of Hryhoriy Skovoroda, are considered. We are talking about demands for freedom of personality, recognition of the equality of people based on natural law, anticlericalism, criticism of superstitions, rituals, declaration of art, in particular literature, as a bearer of moral virtues and an educator of morality. The European Enlightenment also affirmed the cult of reason and knowledge, faith in eternal progress based on the development of education and science, and the cult of a wise ruler – a philosopher on the throne. In the works of the Ukrainian philosopher, we observe his own, original interpretation of such ideas. Instead of the cult of reason as knowledge, Skovoroda preaches wisdom as prudence.\u0000Hryhoriy Skovoroda lived in the Enlightenment era, but only a few researchers regarded him as a figure of this era. The reason was his lack of interest in the achievements of science and worldly knowledge. The philosopher believed that the main thing for a person is self-knowledge, the disclosure of their inner nature in order to determine the predisposition to their related work, which will lead to happiness. However, his works reflect the main ideas of the European Enlightenment.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"15 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87522940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-12DOI: 10.31921/doxacom.n36a1741
Bernardo Gómez Calderón, Alba Córdoba-Cabús, Álvaro López-Martín
Desde hace algo más de un lustro, las fake news se han convertido en un fenómeno global que incide de modo determinante en los flujos comunicativos mundiales. Dado que el canal prioritario a través del cual se difunden son las redes sociales, cabe pensar que los jóvenes, principales usuarios de estas aplicaciones, constituyen el colectivo más expuesto a ellas. En este trabajo se analiza, partiendo de un muestreo representativo de los individuos residentes en España de entre 15 y 24 años (n=1.068), la percepción que los jóvenes tienen de las fake news, atendiendo a la frecuencia con que las reciben, sus temáticas y fuentes más habituales y el modo en que se enfrentan a ellas, teniendo en cuenta cómo influyen en su recepción factores sociodemográficos como el sexo, la edad, el hábitat, la ideología o el nivel formativo. Entre otras constataciones, los resultados evidencian que cuanto mayor es la edad y el nivel formativo, mayores son las tasas de reconocimiento y verificación de noticias falsas; que es más habitual contrastar las informaciones entre los individuos que viven en grandes municipios; y que quienes se sitúan a la derecha del espectro ideológico verifican con menor frecuencia que el resto de jóvenes.
{"title":"Las fake news y su percepción por parte de los jóvenes españoles: el influjo de los factores sociodemográficos","authors":"Bernardo Gómez Calderón, Alba Córdoba-Cabús, Álvaro López-Martín","doi":"10.31921/doxacom.n36a1741","DOIUrl":"https://doi.org/10.31921/doxacom.n36a1741","url":null,"abstract":"Desde hace algo más de un lustro, las fake news se han convertido en un fenómeno global que incide de modo determinante en los flujos comunicativos mundiales. Dado que el canal prioritario a través del cual se difunden son las redes sociales, cabe pensar que los jóvenes, principales usuarios de estas aplicaciones, constituyen el colectivo más expuesto a ellas. En este trabajo se analiza, partiendo de un muestreo representativo de los individuos residentes en España de entre 15 y 24 años (n=1.068), la percepción que los jóvenes tienen de las fake news, atendiendo a la frecuencia con que las reciben, sus temáticas y fuentes más habituales y el modo en que se enfrentan a ellas, teniendo en cuenta cómo influyen en su recepción factores sociodemográficos como el sexo, la edad, el hábitat, la ideología o el nivel formativo. Entre otras constataciones, los resultados evidencian que cuanto mayor es la edad y el nivel formativo, mayores son las tasas de reconocimiento y verificación de noticias falsas; que es más habitual contrastar las informaciones entre los individuos que viven en grandes municipios; y que quienes se sitúan a la derecha del espectro ideológico verifican con menor frecuencia que el resto de jóvenes.\u0000 ","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"32 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74007967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-09DOI: 10.31921/doxacom.n36a1831
B. Salvador-Mata, S. Cortiñas-Rovira
El estado de excepción periodístico que se produce durante una crisis sanitaria se caracteriza por un incremento sustancial del número de noticias y una mayor probabilidad de cometer disfunciones periodísticas. Estas pueden aparecer de modo diferencial en función de la sección del periódico en el que se publican. En este trabajo se ha realizado un análisis de contenido inductivo de 124 portadas y 151 editoriales publicadas en los diarios El País, La Vanguardia, El Periódico y El Mundo entre el 17/04/2020 y el 17/05/2020. En el 26% de las portadas se han detectado disfunciones periodísticas de al menos uno de los 8 subtipos descritos por metodología inductiva. En el 14% de los editoriales se han encontrado disfunciones, la mayoría de entidad lingüística. Los editoriales suelen transmitir un mensaje de rigor, prudencia y sosiego. Se verifica el teorema periodístico que afirma que, en el curso de una crisis sanitaria grave, en los editoriales se encuentra la información periodística más veraz y tranquilizadora, en contraposición a las portadas, que tienden al alarmismo y al sensacionalismo. Se añade un corolario a este teorema: las disfunciones periodísticas en los editoriales se incrementan si se da en un contexto de polarización política.
{"title":"Cobertura de la COVID-19 en la prensa de calidad. Cuando las portadas alarman y los editoriales tranquilizan","authors":"B. Salvador-Mata, S. Cortiñas-Rovira","doi":"10.31921/doxacom.n36a1831","DOIUrl":"https://doi.org/10.31921/doxacom.n36a1831","url":null,"abstract":"El estado de excepción periodístico que se produce durante una crisis sanitaria se caracteriza por un incremento sustancial del número de noticias y una mayor probabilidad de cometer disfunciones periodísticas. Estas pueden aparecer de modo diferencial en función de la sección del periódico en el que se publican. En este trabajo se ha realizado un análisis de contenido inductivo de 124 portadas y 151 editoriales publicadas en los diarios El País, La Vanguardia, El Periódico y El Mundo entre el 17/04/2020 y el 17/05/2020. En el 26% de las portadas se han detectado disfunciones periodísticas de al menos uno de los 8 subtipos descritos por metodología inductiva. En el 14% de los editoriales se han encontrado disfunciones, la mayoría de entidad lingüística. Los editoriales suelen transmitir un mensaje de rigor, prudencia y sosiego. Se verifica el teorema periodístico que afirma que, en el curso de una crisis sanitaria grave, en los editoriales se encuentra la información periodística más veraz y tranquilizadora, en contraposición a las portadas, que tienden al alarmismo y al sensacionalismo. Se añade un corolario a este teorema: las disfunciones periodísticas en los editoriales se incrementan si se da en un contexto de polarización política.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"27 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73995608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-07DOI: 10.31921/doxacom.n36a1752
Sara González-Fernández
En este trabajo se analizan los actos de violencia sexual de la miniserie I Can Destroy You (HBO, 2020) con el fin de conocer qué tratamiento se hace en la ficción de ellos y de identificar los principales rasgos definitorios de su representación desde tres grandes perspectivas: los personajes implicados (agresor y víctima), el acto de violencia sexual acometido y las consecuencias de dicho acto para la víctima. Para ello, se recurre a una metodología centrada en el análisis de contenido y, a partir de una ficha de análisis, se registran y se categorizan los datos para su posterior análisis e interpretación. Los resultados obtenidos ponen de manifiesto que la representación de la violencia sexual se hace desde una perspectiva feminista, alejada de estereotipos que contribuyan a perpetuar la mirada hegemónica masculina y que cuenta con una visión divulgativa que pretende educar la mirada del espectador en materia de consentimiento y libertad sexual.
在此基础上分析了性暴力行为miniserie I Can Destroy You (HBO), 2020年哪些治疗是在他们的小说,查明主要界定特征代表三大角度:涉及到的人物(侵略者和受害者),性暴力行为acometido和行为后果的受害者。为了实现这一目标，我们采用了一种专注于内容分析的方法，并从分析表中记录和分类数据，以便进一步分析和解释。结果表明,性暴力的代表性从女权角度来看,远离了有助于延续着霸权男性的刻板印象和拥有一个视力divulgativa寻求教育方面同意和观众的目光性自由。
{"title":"La representación de la violencia sexual en las series de ficción: el caso de I May Destroy You (HBO, 2020)","authors":"Sara González-Fernández","doi":"10.31921/doxacom.n36a1752","DOIUrl":"https://doi.org/10.31921/doxacom.n36a1752","url":null,"abstract":"En este trabajo se analizan los actos de violencia sexual de la miniserie I Can Destroy You (HBO, 2020) con el fin de conocer qué tratamiento se hace en la ficción de ellos y de identificar los principales rasgos definitorios de su representación desde tres grandes perspectivas: los personajes implicados (agresor y víctima), el acto de violencia sexual acometido y las consecuencias de dicho acto para la víctima. Para ello, se recurre a una metodología centrada en el análisis de contenido y, a partir de una ficha de análisis, se registran y se categorizan los datos para su posterior análisis e interpretación. Los resultados obtenidos ponen de manifiesto que la representación de la violencia sexual se hace desde una perspectiva feminista, alejada de estereotipos que contribuyan a perpetuar la mirada hegemónica masculina y que cuenta con una visión divulgativa que pretende educar la mirada del espectador en materia de consentimiento y libertad sexual.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"49 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76642424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-02DOI: 10.31921/doxacom.n36a1869
M. Viñarás Abad, Carmen Llorente Barroso, María Sánchez Valle
Este monográfico invita a profundizar en la relación que establecen las marcas con niños, adolescentes y jóvenes, tanto a través del consumo de sus productos y servicios, como de la comunicación que establecen con ellos. El tema resulta de gran interés hoy en día, dado que este grupo de edad nunca había ejercido una influencia tan relevante en las compras familiares, convirtiendose en prescriptores y tomando decisiones en las que antes apenas participaban. Esta situación se refleja en las estrategias de las marcas, que asumen una gran responsabilidad al dirigirse a un público vulnerable. Este monográfico recoge aquellas investigaciones que ahondan y reflexionan sobre la evolución del consumo infantil y juvenil, considerando las tendencias de las marcas y, especialmente, sus políticas de Responsabilidad Social Corporativa (RSC); observando todas estas estrategias, prácticas y acciones con espíritu crítico. Desde esta perspectiva se han recogido aquellas propuestas que han tenido en consideración el impacto que en el consumo infantil y adolescente tienen los medios e influencers, la tecnología, el cambio climático, la legislación, la exclusión social y los Objetivos de Desarrollo Sostenible (ODS). Una muestra de la inquietud de la Academia por una gestión responsable de la comunicación, especialmente dirigida a públicos vulnerables.
{"title":"Niños, adolescentes y jóvenes: Tendencias en comunicación y consumo [Presentación del monográfico]","authors":"M. Viñarás Abad, Carmen Llorente Barroso, María Sánchez Valle","doi":"10.31921/doxacom.n36a1869","DOIUrl":"https://doi.org/10.31921/doxacom.n36a1869","url":null,"abstract":"Este monográfico invita a profundizar en la relación que establecen las marcas con niños, adolescentes y jóvenes, tanto a través del consumo de sus productos y servicios, como de la comunicación que establecen con ellos. El tema resulta de gran interés hoy en día, dado que este grupo de edad nunca había ejercido una influencia tan relevante en las compras familiares, convirtiendose en prescriptores y tomando decisiones en las que antes apenas participaban. Esta situación se refleja en las estrategias de las marcas, que asumen una gran responsabilidad al dirigirse a un público vulnerable. Este monográfico recoge aquellas investigaciones que ahondan y reflexionan sobre la evolución del consumo infantil y juvenil, considerando las tendencias de las marcas y, especialmente, sus políticas de Responsabilidad Social Corporativa (RSC); observando todas estas estrategias, prácticas y acciones con espíritu crítico. Desde esta perspectiva se han recogido aquellas propuestas que han tenido en consideración el impacto que en el consumo infantil y adolescente tienen los medios e influencers, la tecnología, el cambio climático, la legislación, la exclusión social y los Objetivos de Desarrollo Sostenible (ODS). Una muestra de la inquietud de la Academia por una gestión responsable de la comunicación, especialmente dirigida a públicos vulnerables.","PeriodicalId":42106,"journal":{"name":"Doxa Comunicacion","volume":"70 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80378125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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