Pub Date : 2021-07-01DOI: 10.1515/fabula-2021-0006
Jin Sukyoung
Zusammenfassung Der Beitrag untersucht die aktuelle Phase der Rezeption der Kinder- und Hausmärchen (KHM) der Brüder Grimm in Korea. Sie beginnt in den 1990er Jahren und erstreckt sich bis heute. In diesem Zeitraum sind drei vollständige Ausgaben erschienen, die auf dem deutschen Ausgangstext (der Ausgabe letzter Hand, 1857) beruhen. Diese stehen im Fokus dieses Beitrags. Untersucht werden die Voraussetzungen und die Realisierung dieser koreanischen Ausgaben, die sich voneinander erheblich unterscheiden, in Hinblick etwa auf Absichten der Verleger, Übersetzungskonzepte, das erwartete Publikum, die Ausstattung der Bücher. Dies alles wird vergleichend herausgearbeitet.
{"title":"„Endlich den ganzen Grimm“: Buch- und Publikationsgeschichte der neuen und neuesten vollständigen koreanischen Ausgaben der KHM","authors":"Jin Sukyoung","doi":"10.1515/fabula-2021-0006","DOIUrl":"https://doi.org/10.1515/fabula-2021-0006","url":null,"abstract":"Zusammenfassung Der Beitrag untersucht die aktuelle Phase der Rezeption der Kinder- und Hausmärchen (KHM) der Brüder Grimm in Korea. Sie beginnt in den 1990er Jahren und erstreckt sich bis heute. In diesem Zeitraum sind drei vollständige Ausgaben erschienen, die auf dem deutschen Ausgangstext (der Ausgabe letzter Hand, 1857) beruhen. Diese stehen im Fokus dieses Beitrags. Untersucht werden die Voraussetzungen und die Realisierung dieser koreanischen Ausgaben, die sich voneinander erheblich unterscheiden, in Hinblick etwa auf Absichten der Verleger, Übersetzungskonzepte, das erwartete Publikum, die Ausstattung der Bücher. Dies alles wird vergleichend herausgearbeitet.","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"62 1","pages":"152 - 171"},"PeriodicalIF":0.2,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2021-0006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48246671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0019
Meret Fehlmann
{"title":"Crossen, Carys: The Nature of the Beast. Transformations of the Werewolf from the 1970s to the Twenty-First Century (Gothic Literary Studies 9). Cardiff: University of Wales Press, 2019. 280 S.","authors":"Meret Fehlmann","doi":"10.1515/fabula-2020-0019","DOIUrl":"https://doi.org/10.1515/fabula-2020-0019","url":null,"abstract":"","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"61 1","pages":"378 - 402"},"PeriodicalIF":0.2,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2020-0019","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47532677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0017
Ole Meyer
Abstract Ms. Uppsala E.8 contains an incomplete version of the wonder tale ATU 510B, Donkey-Skin, taken down from oral performance in 1612. Though briefly mentioned in reference works it is largely ignored and has not been translated before. Other than being the first known version of the tale and of the motif Three Magical Dresses known from the Cinderella cycle it is probably the first record anywhere of a folktale taken down from an oral source, as demonstrated by its form. It also appears to be the only folktale manifestation of the motif Three Animal Opponents, known prominently from Dante’s Commedia. Complete versions of the tale come from Scandinavian nineteenth-century folk tradition in Sweden, Denmark and Norway. Some of these have the incest motif (The Unnatural Father) common to ATU 510 B, while others, including the 1612 fragment, do not: these tell of a farmer or similar who wants to give his daughter to a man she does not want, not of a widowed king pretending a marriage with his own child. In both cases the heroine escapes from home, assisted by a magical Animal Helper. An early fourteenth-century version as a non-magical novella is found in the Florentine collection Il Pecorone; there is also a loose connection to Straparola’s novella Tebaldo – the latter with, the former without the incest motif. Furthermore, the existence of the tale is one of several obstacles to Ruth B. Bottigheimer’s controversial theory that wonder tales were a sixteenth-century urban creation in print rather than a European oral tradition.
《Ms. Uppsala E.8》收录了1612年口述演出的奇迹故事ATU 510B《驴皮》的不完整版本。虽然在参考著作中简要提到，但在很大程度上被忽视，以前也没有翻译过。除了是已知的第一个版本的故事和主题三件神奇的衣服从灰姑娘的循环中知道，它可能是第一个记录的民间故事从口头来源，证明了它的形式。它也似乎是唯一的民间故事的主题，三个动物对手，著名的从但丁的喜剧。这个故事的完整版本来自19世纪斯堪的纳维亚的瑞典、丹麦和挪威的民间传统。其中一些具有ATU 510 B中常见的乱伦主题(非自然父亲)，而其他的，包括1612片段，则没有:这些讲述了一个农民或类似的人想把他的女儿给一个她不想要的男人，而不是一个寡妇国王假装和自己的孩子结婚。在这两个故事中，女主人公在一个神奇的动物助手的帮助下逃离了家。一个14世纪早期的版本，作为一个非魔法的中篇小说被发现在佛罗伦萨的集合Il Pecorone;它与斯特拉帕罗拉的中篇小说《泰巴尔多》也有松散的联系——后者有，前者没有乱伦的主题。此外，这个故事的存在是Ruth B. Bottigheimer有争议的理论的几个障碍之一，该理论认为奇迹故事是16世纪印刷的城市创作，而不是欧洲的口头传统。
{"title":"The First Oral Folk Tale Ever?","authors":"Ole Meyer","doi":"10.1515/fabula-2020-0017","DOIUrl":"https://doi.org/10.1515/fabula-2020-0017","url":null,"abstract":"Abstract Ms. Uppsala E.8 contains an incomplete version of the wonder tale ATU 510B, Donkey-Skin, taken down from oral performance in 1612. Though briefly mentioned in reference works it is largely ignored and has not been translated before. Other than being the first known version of the tale and of the motif Three Magical Dresses known from the Cinderella cycle it is probably the first record anywhere of a folktale taken down from an oral source, as demonstrated by its form. It also appears to be the only folktale manifestation of the motif Three Animal Opponents, known prominently from Dante’s Commedia. Complete versions of the tale come from Scandinavian nineteenth-century folk tradition in Sweden, Denmark and Norway. Some of these have the incest motif (The Unnatural Father) common to ATU 510 B, while others, including the 1612 fragment, do not: these tell of a farmer or similar who wants to give his daughter to a man she does not want, not of a widowed king pretending a marriage with his own child. In both cases the heroine escapes from home, assisted by a magical Animal Helper. An early fourteenth-century version as a non-magical novella is found in the Florentine collection Il Pecorone; there is also a loose connection to Straparola’s novella Tebaldo – the latter with, the former without the incest motif. Furthermore, the existence of the tale is one of several obstacles to Ruth B. Bottigheimer’s controversial theory that wonder tales were a sixteenth-century urban creation in print rather than a European oral tradition.","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"61 1","pages":"316 - 334"},"PeriodicalIF":0.2,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2020-0017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45675359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0018
D. Ermacora
Abstract Scholars have long attempted to situate the ant-episode from the twelfth-century German poem Reinhart Fuchs in a broad folklore framework. Concerned with conventional matters such as origin, function and transmission, they have broken up this episode into different motifs and referenced folktales and legends from widely separate times and places. The aim of this paper is to reassess these earlier philological-folklore approaches. I will rely on a multi-source method and examine, in comparative terms, three interconnected semantic narrative units: the enmity between ants and lions; the lion’s sickness triggered by the revenge of the ant, which crawls into the lion’s head; and the stratagem for expelling the head-insect with a sweating cure.
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Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0015
Uriah Kfir, D. Rotman
Abstract Judah Halevi and Abraham ibn Ezra are two of the most celebrated pre-modern Jewish figures of all time. Born in late eleventh-century Spain, their lives intersected on several occasions. However, there is also an extensive web of folk narratives and traditions that have been told about them from the Middle-Ages to the present day which links them to each other through their imagined biographies. In fact, many stories were told about them separately depicting various facets of each man’s character. Here, however, we show that unlike other stories, those that bring them together revolve around a specific type of activity common to both; namely, poetry. Furthermore, their hagiographies tend to reproduce the typical milestones characteristic of biographies of saints and cultural heroes (Noy 1975): the prenatal legend, the biographical legend, the posthumous legend, events associated with the hero’s descendants, and events associated with the hero’s possessions. In this case, however, we argue that the stories not only correspond to their biographical phases, but that these stories shape their poetic endeavors as adhering to these phases as well, thus turning these two poets into a timeless couple separated in neither life or death, before their births or posthumously.
摘要Judah Halevi和Abraham ibn Ezra是有史以来最著名的两位前现代犹太人物。出生于11世纪末的西班牙，他们的生活有过几次交集。然而，从中世纪到今天，也有一个广泛的民间叙事和传统网络，通过他们想象中的传记将他们联系在一起。事实上，许多关于他们的故事都是分别描述每个人性格的各个方面的。然而，在这里，我们表明，与其他故事不同，将它们结合在一起的故事围绕着两者共同的特定类型的活动；即诗歌。此外，他们的圣徒传记倾向于再现圣徒和文化英雄传记（Noy 1975）的典型里程碑：产前传说、传记传说、死后传说、与英雄后代有关的事件以及与英雄财产有关的事件。然而，在这种情况下，我们认为这些故事不仅与他们的传记阶段相对应，而且这些故事也塑造了他们的诗歌努力，使他们坚持这些阶段，从而将这两位诗人变成了一对永恒的夫妇，无论是生前还是死后，都没有生与死。
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Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0014
S. Knutson
Abstract This article explores new possibilities for the interpretation of myths. It asks how people in the past configured their world and its complex interactions, to which their orally-constructed stories bear witness. It is assumed here that myths contain structures of belief, cognition, and world-making beyond their immediate subject matter. This article focuses specifically on the preservation of material objects in myths throughout their transmission from changing oral narratives to written form. We should not assume that objects in oral traditions simply color the narratives; rather, these representations of materials can provide clues into the mentalities of past peoples and how they understood the complex interaction between humans and materials. As a case study, I examine the Old Norse myths, stories containing materials that reinforced Scandinavian oral traditions and gave the stories traction, memory, and influence. In doing so, this article hopes to help bridge materiality studies, narrative studies, and folklore in a way that does not privilege one particular source type over another. The myths reveal ancient Scandinavian conceptions of what constituted an “object,” which are not necessarily the same as our own twenty-first century expectations. The Scandinavian myths present a world not divided between active Subject, passive Object as the Cartesian model would enforce centuries later, but rather one that recognized distinctive object agencies beyond the realm of human intention.
{"title":"When Objects Misbehave","authors":"S. Knutson","doi":"10.1515/fabula-2020-0014","DOIUrl":"https://doi.org/10.1515/fabula-2020-0014","url":null,"abstract":"Abstract This article explores new possibilities for the interpretation of myths. It asks how people in the past configured their world and its complex interactions, to which their orally-constructed stories bear witness. It is assumed here that myths contain structures of belief, cognition, and world-making beyond their immediate subject matter. This article focuses specifically on the preservation of material objects in myths throughout their transmission from changing oral narratives to written form. We should not assume that objects in oral traditions simply color the narratives; rather, these representations of materials can provide clues into the mentalities of past peoples and how they understood the complex interaction between humans and materials. As a case study, I examine the Old Norse myths, stories containing materials that reinforced Scandinavian oral traditions and gave the stories traction, memory, and influence. In doing so, this article hopes to help bridge materiality studies, narrative studies, and folklore in a way that does not privilege one particular source type over another. The myths reveal ancient Scandinavian conceptions of what constituted an “object,” which are not necessarily the same as our own twenty-first century expectations. The Scandinavian myths present a world not divided between active Subject, passive Object as the Cartesian model would enforce centuries later, but rather one that recognized distinctive object agencies beyond the realm of human intention.","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"61 1","pages":"257 - 277"},"PeriodicalIF":0.2,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2020-0014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45826210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0012
P. Janeček
Abstract The paper discusses the phenomenon of a well-known Czech folkloric character, the Spring Man, in its broader historical, social and pop-cultural context. This fictional hero appears in contemporary legends and anecdotes popular mostly during the Second World War; the narratives about the Spring Man represent a regional version (ecotype) of an international migratory legend about the originally English jumping urban phantom Spring-heeled Jack. Similarly to his English predecessor, the Czech Spring Man became a hero of popular culture, which, after 2002, rebranded this originally ambivalent urban apparition into the “first Czech superhero” of cartoons, comic books and movies.
{"title":"The Spring Man of Prague","authors":"P. Janeček","doi":"10.1515/fabula-2020-0012","DOIUrl":"https://doi.org/10.1515/fabula-2020-0012","url":null,"abstract":"Abstract The paper discusses the phenomenon of a well-known Czech folkloric character, the Spring Man, in its broader historical, social and pop-cultural context. This fictional hero appears in contemporary legends and anecdotes popular mostly during the Second World War; the narratives about the Spring Man represent a regional version (ecotype) of an international migratory legend about the originally English jumping urban phantom Spring-heeled Jack. Similarly to his English predecessor, the Czech Spring Man became a hero of popular culture, which, after 2002, rebranded this originally ambivalent urban apparition into the “first Czech superhero” of cartoons, comic books and movies.","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"61 1","pages":"223 - 239"},"PeriodicalIF":0.2,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2020-0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44027574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0013
A. Karczewska
Abstract Synonymous with Colombian cocaine and narcoterrorism, Pablo Escobar (1949–1993) was despised by the leaders of nations and became the primary target of the US government’s war on drugs. At the same time, Escobar gained fame and adulation, he entered popular culture through television and cinema, and became romanticized, idealized and turned into a myth. The aim of the paper is to analyze how Pablo Escobar became a legend and attained immortality, why this mythologizing occurred and how cultural industries added to the mythmaking process and his shaping as a folk hero.
{"title":"Remembering Pablo: Escobar refuses to be forgotten","authors":"A. Karczewska","doi":"10.1515/fabula-2020-0013","DOIUrl":"https://doi.org/10.1515/fabula-2020-0013","url":null,"abstract":"Abstract Synonymous with Colombian cocaine and narcoterrorism, Pablo Escobar (1949–1993) was despised by the leaders of nations and became the primary target of the US government’s war on drugs. At the same time, Escobar gained fame and adulation, he entered popular culture through television and cinema, and became romanticized, idealized and turned into a myth. The aim of the paper is to analyze how Pablo Escobar became a legend and attained immortality, why this mythologizing occurred and how cultural industries added to the mythmaking process and his shaping as a folk hero.","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"61 1","pages":"240 - 256"},"PeriodicalIF":0.2,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2020-0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41733745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-11-01DOI: 10.1515/fabula-2020-0016
P. Grochowski
Abstract In this article I discuss how images of the Holocaust are contained in Polish oral narratives and the special way of transmitting them among peasants. Based on materials collected during ethnographic research conducted by Dionizjusz Czubala in the 1970s and 1980s in the southern part of the Świętokrzyskie Province in Poland I try to show, how traditional stereotypes concerning Jews and social relations influence the way of shaping and transmitting stories about the Holocaust. Analysing a sample of texts, I am arguing that core motif connects to the economic aspects of Polish-Jewish relations before and during the Second World War. I also claim that these recollections circulated in a situation that can be described as a pact of silence and therefore fulfilled several significant functions, among which the most important were: a) building and framing knowledge about past events, b) protection of the good reputation of the local community, c) maintaining relatively correct neighbourly relations, d) setting social status by stigmatizing economic contacts with Jews.
{"title":"How and why Polish peasants (do not) talk about the Holocaust","authors":"P. Grochowski","doi":"10.1515/fabula-2020-0016","DOIUrl":"https://doi.org/10.1515/fabula-2020-0016","url":null,"abstract":"Abstract In this article I discuss how images of the Holocaust are contained in Polish oral narratives and the special way of transmitting them among peasants. Based on materials collected during ethnographic research conducted by Dionizjusz Czubala in the 1970s and 1980s in the southern part of the Świętokrzyskie Province in Poland I try to show, how traditional stereotypes concerning Jews and social relations influence the way of shaping and transmitting stories about the Holocaust. Analysing a sample of texts, I am arguing that core motif connects to the economic aspects of Polish-Jewish relations before and during the Second World War. I also claim that these recollections circulated in a situation that can be described as a pact of silence and therefore fulfilled several significant functions, among which the most important were: a) building and framing knowledge about past events, b) protection of the good reputation of the local community, c) maintaining relatively correct neighbourly relations, d) setting social status by stigmatizing economic contacts with Jews.","PeriodicalId":42252,"journal":{"name":"FABULA","volume":"327 3","pages":"301 - 315"},"PeriodicalIF":0.2,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/fabula-2020-0016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41258820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-25DOI: 10.1515/fabula-2020-0008
Małgorzata Kosacka
Zusammenfassung Der Artikel setzt sich zum Ziel, die Entwicklung der Märchenoper im Teatr Wielki – Opera Narodowa in Warschau zu untersuchen. Im Einzelnen werden drei Opernlibretti ausgewertet, denen Volksmärchen zugrunde liegen: Bardzo śpiąca królewna (Die tief schlafende Prinzessin / Dornröschen), Jaś i Małgosia (Hänsel und Gretel) und Kopciuszek (Aschenbrödel). Hinzu kommt die kursorische Betrachtung von zwölf Opernlibretti, denen andere Märchen zugrunde liegen oder die als Operntexte für Kinder erdichtet wurden und die in den Jahren 1965 bis 2018 am Großen Theater ihre Uraufführung feierten.
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