Pub Date : 2024-07-08DOI: 10.1080/19443927.2024.2366121
Lauren S. Williams
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》（2024 年，提前出版）
{"title":"Are you scared of me? – The power of demeanour in teaching actors","authors":"Lauren S. Williams","doi":"10.1080/19443927.2024.2366121","DOIUrl":"https://doi.org/10.1080/19443927.2024.2366121","url":null,"abstract":"Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"2012 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141618337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-08DOI: 10.1080/19443927.2024.2366125
Lydia Perfitt
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》（2024 年，提前出版）
{"title":"Mind over matter","authors":"Lydia Perfitt","doi":"10.1080/19443927.2024.2366125","DOIUrl":"https://doi.org/10.1080/19443927.2024.2366125","url":null,"abstract":"Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"42 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141625101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-08DOI: 10.1080/19443927.2024.2335649
Evi Stamatiou
Among efforts to decolonise and decenter the actor training studio, practitioners and scholars consider the barriers for students who speak English as a Second Language (ESL) and undertake text-bas...
{"title":"‘Call Me by My Name’: inclusive actor training for second language users","authors":"Evi Stamatiou","doi":"10.1080/19443927.2024.2335649","DOIUrl":"https://doi.org/10.1080/19443927.2024.2335649","url":null,"abstract":"Among efforts to decolonise and decenter the actor training studio, practitioners and scholars consider the barriers for students who speak English as a Second Language (ESL) and undertake text-bas...","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"53 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141584543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-08DOI: 10.1080/19443927.2024.2335630
Electa Behrens
How might ‘agency’ be practiced in the meeting of performer and text? What are the ethical concerns of how these two materials might merge? The analysis draws on the author’s research at the Norweg...
{"title":"Spaces of agency: exploring text-bodyworld hybrids","authors":"Electa Behrens","doi":"10.1080/19443927.2024.2335630","DOIUrl":"https://doi.org/10.1080/19443927.2024.2335630","url":null,"abstract":"How might ‘agency’ be practiced in the meeting of performer and text? What are the ethical concerns of how these two materials might merge? The analysis draws on the author’s research at the Norweg...","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"55 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141584541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-05DOI: 10.1080/19443927.2024.2335640
Dana Blackstone
UK based actor trainings often emphasise the acceptance of offers from others, ensconced in the common facilitation of ‘yes, and’. Additionally, there is frequently an assumption that trainings wil...
{"title":"‘Yes, and’ and ‘No, although’: Inviting dissent and difference towards agency as part of multi-representative practice in actor training","authors":"Dana Blackstone","doi":"10.1080/19443927.2024.2335640","DOIUrl":"https://doi.org/10.1080/19443927.2024.2335640","url":null,"abstract":"UK based actor trainings often emphasise the acceptance of offers from others, ensconced in the common facilitation of ‘yes, and’. Additionally, there is frequently an assumption that trainings wil...","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"2012 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141618260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-22DOI: 10.1080/19443927.2024.2366116
Mark Evans
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
发表于《戏剧、舞蹈和表演培训》（2024 年，提前出版）
{"title":"The Nomadic Studio – dream-weaving a proposal for performer training","authors":"Mark Evans","doi":"10.1080/19443927.2024.2366116","DOIUrl":"https://doi.org/10.1080/19443927.2024.2366116","url":null,"abstract":"Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"19 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141625108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-21DOI: 10.1080/19443927.2024.2347972
Tanatchaporn Kittikong
This research project explores a possible performer training model of Buddhist-Somatic as a training method and approach to performance making. Using Thai Theravada Buddhist philosophy and its prac...
{"title":"A model of Buddhist-Somatic practice in Thai performer training","authors":"Tanatchaporn Kittikong","doi":"10.1080/19443927.2024.2347972","DOIUrl":"https://doi.org/10.1080/19443927.2024.2347972","url":null,"abstract":"This research project explores a possible performer training model of Buddhist-Somatic as a training method and approach to performance making. Using Thai Theravada Buddhist philosophy and its prac...","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"11 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141618340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-13DOI: 10.1080/19443927.2024.2312296
Andrew Sanger
This article argues that the COVID-19 pandemic engendered a sort of global, yet unequal, liminal phenomenon. Further, ritual and performance may occur as responses to such liminal crises and act as...
{"title":"Sanctuary on the fault line: environmental dance practice as liminal critique and refuge","authors":"Andrew Sanger","doi":"10.1080/19443927.2024.2312296","DOIUrl":"https://doi.org/10.1080/19443927.2024.2312296","url":null,"abstract":"This article argues that the COVID-19 pandemic engendered a sort of global, yet unequal, liminal phenomenon. Further, ritual and performance may occur as responses to such liminal crises and act as...","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"24 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141333780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-20DOI: 10.1080/19443927.2023.2297896
Luciana Paula Castilho Barone
This article discusses the confluence of Body-Mind Centering (BMC)® practices with elements of Michael Chekhov’s technique as foundations for an integrated psychophysical approach to acting that do...
{"title":"The use of Body-Mind Centering® to support training in Michael Chekhov’s acting technique","authors":"Luciana Paula Castilho Barone","doi":"10.1080/19443927.2023.2297896","DOIUrl":"https://doi.org/10.1080/19443927.2023.2297896","url":null,"abstract":"This article discusses the confluence of Body-Mind Centering (BMC)® practices with elements of Michael Chekhov’s technique as foundations for an integrated psychophysical approach to acting that do...","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"4 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140196158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-20DOI: 10.1080/19443927.2024.2305566
Lucy Curtis
Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)
发表于《戏剧、舞蹈和表演培训》（第 15 卷第 1 期，2024 年）
{"title":"Architectures of access","authors":"Lucy Curtis","doi":"10.1080/19443927.2024.2305566","DOIUrl":"https://doi.org/10.1080/19443927.2024.2305566","url":null,"abstract":"Published in Theatre, Dance and Performance Training (Vol. 15, No. 1, 2024)","PeriodicalId":42843,"journal":{"name":"Theatre Dance and Performance Training","volume":"57 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140196180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：