{"title":"Susan Sontag, ante la representación de la tortura","authors":"J. Diego","doi":"10.7764/69.13","DOIUrl":"https://doi.org/10.7764/69.13","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89637212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This reading of Patriagonia (2014), a collection of poems written by the Huichille-Chilean poet, Ivonne Conuecar, delves into the aesthetics of three of her texts gathered in this edition: Catabatica (2011), Adiabatica (2009) and Anabatica (unpublished until 2014) from a feminist and queer, intersectional and decolonial perspective. We explore the weavings of non-binary relationships of identity, territory and nation-state, as a series of geodesic and erotic, geopoetic and political revolts. The poetic speaker accounts for sparks and disruptive memory shifts, amidst multiple assemblages of power that encompass the body, the heteropatriarchal family and the capital centrality of the neoliberal state.
{"title":"Patriagonia, de Ivonne Coñuecar. Revuelta geopoética de cuerpo/territorio","authors":"K. Oyarzún","doi":"10.7764/68.20","DOIUrl":"https://doi.org/10.7764/68.20","url":null,"abstract":"This reading of Patriagonia (2014), a collection of poems written by the Huichille-Chilean poet, Ivonne Conuecar, delves into the aesthetics of three of her texts gathered in this edition: Catabatica (2011), Adiabatica (2009) and Anabatica (unpublished until 2014) from a feminist and queer, intersectional and decolonial perspective. We explore the weavings of non-binary relationships of identity, territory and nation-state, as a series of geodesic and erotic, geopoetic and political revolts. The poetic speaker accounts for sparks and disruptive memory shifts, amidst multiple assemblages of power that encompass the body, the heteropatriarchal family and the capital centrality of the neoliberal state.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89245483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Taking as a standpoint the discussion between Ann Cvetkovich (2003) and Sara Ahmed (2015) regarding the idea of the archive, we pretend to delimit a specific form of the archival practice which considers ethical and affective dimensions and to contribute to revise the notion of historical representation and the statute of archival documents. To do so, we propose to explore a series of aesthetical productions of Albertina Carri—Restos (2010), Operacion Fracaso y el Sonido Recobrado (2015) and Cuatreros (2017)—with the objective of inquiring on the ways in which she builds the archive and conceives the documents, attending to recover the role of experience, territory and memory over Argentinian recent past.
以Ann Cvetkovich(2003)和Sara Ahmed(2015)关于档案概念的讨论为立场，我们试图界定一种考虑伦理和情感维度的档案实践的特定形式，并有助于修订历史表征和档案文件法规的概念。为此，我们提议探索Albertina carrii - restos (2010)， Operacion Fracaso y el Sonido Recobrado(2015)和Cuatreros(2017)的一系列美学作品，目的是探究她建立档案和构思文件的方式，参与恢复阿根廷最近的经验，领土和记忆的作用。
{"title":"Los (des)bordes del archivo. Afectos, ética y representación histórica en las poéticas testimoniales de Albertina Carri","authors":"L. Saporosi","doi":"10.7764/68.7","DOIUrl":"https://doi.org/10.7764/68.7","url":null,"abstract":"Taking as a standpoint the discussion between Ann Cvetkovich (2003) and Sara Ahmed (2015) regarding the idea of the archive, we pretend to delimit a specific form of the archival practice which considers ethical and affective dimensions and to contribute to revise the notion of historical representation and the statute of archival documents. To do so, we propose to explore a series of aesthetical productions of Albertina Carri—Restos (2010), Operacion Fracaso y el Sonido Recobrado (2015) and Cuatreros (2017)—with the objective of inquiring on the ways in which she builds the archive and conceives the documents, attending to recover the role of experience, territory and memory over Argentinian recent past.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89324613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Starting at the end of the eighteenth century, in the European culture took place a transformation of the concepts of reason and imagination, with the latter being a privileged ability of the human mind for the romantics. In this text, it will be shown examples of the increase in the appreciation of that ability, whose apotheosis can be observed in William Blake’s original aesthetics. The aforesaid artist provides an example of a tendency that was common during various decades, a romantic attitude of which he is the prime example; it will also talk about his influences, neoplatonic thinkers and mystic occultists such as Böhme and Swedenborg.
{"title":"El eterno deleite de la imaginación. Idea de la imaginación en el Romanticismo, especialmente en William Blake","authors":"Roger Ferrer-Ventosa","doi":"10.7764/68.8","DOIUrl":"https://doi.org/10.7764/68.8","url":null,"abstract":"Starting at the end of the eighteenth century, in the European culture took place a transformation of the concepts of reason and imagination, with the latter being a privileged ability of the human mind for the romantics. In this text, it will be shown examples of the increase in the appreciation of that ability, whose apotheosis can be observed in William Blake’s original aesthetics. The aforesaid artist provides an example of a tendency that was common during various decades, a romantic attitude of which he is the prime example; it will also talk about his influences, neoplatonic thinkers and mystic occultists such as Böhme and Swedenborg.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77805236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Habitar y gobernar. Inspiraciones para una nueva concepción política","authors":"P. Yagüe","doi":"10.7764/68.13","DOIUrl":"https://doi.org/10.7764/68.13","url":null,"abstract":"","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74419795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents different ways to articulate the notions of tradition and modernity in art and architecture according to the contents of number 11 (1936) of Revista de Arte (Academy of Fine Arts at Universidad de Chile) dedicated to Argentina. The analysis focuses on two articles. The first one: “Emilio Pettoruti: brujula de la pintura argentina”, by Leonardo Estarico. The second one: “America y la nueva arquitectura” by Martin Noel. Estarico proposes the concepts of form and plastic as universal territories, while Noel establishes the American continent as an essential source for local art and architecture.
本文根据智利大学美术学院献给阿根廷的第11期(1936年)的内容，提出了阐明艺术和建筑中传统和现代概念的不同方法。分析的重点是两篇文章。第一本是莱昂纳多·埃斯塔里科的《埃米利奥·佩托鲁蒂:阿根廷的伤痕》。第二个是Martin Noel的“America y la nueva arquitectura”Estarico提出了形式和可塑性的概念，作为普遍的领土，而Noel则将美洲大陆作为当地艺术和建筑的重要来源。
{"title":"Territorios de lo moderno: la recepción de la obra de Emilio Pettoruti y Martín Noel en la Revista de Arte Rodrigo","authors":"Rodrigo Vera Manríquez, Claudio Guerrero Urquiza","doi":"10.7764/68.2","DOIUrl":"https://doi.org/10.7764/68.2","url":null,"abstract":"This paper presents different ways to articulate the notions of tradition and modernity in art and architecture according to the contents of number 11 (1936) of Revista de Arte (Academy of Fine Arts at Universidad de Chile) dedicated to Argentina. The analysis focuses on two articles. The first one: “Emilio Pettoruti: brujula de la pintura argentina”, by Leonardo Estarico. The second one: “America y la nueva arquitectura” by Martin Noel. Estarico proposes the concepts of form and plastic as universal territories, while Noel establishes the American continent as an essential source for local art and architecture.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85158239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Several contemporary analyses postulate a change in the representational regime over “the public sphere” —destitution of logos through the irruption of the image. Given this diagnosis, we suggest addressing the premature existence of a visual regime that is constitutive of the public field. There it is composed a regime of images that expresses the conditions of visibility and the grammars of the civic order which diagram the birth of the city and the “political community”. This research report postulates the need to undertake a “visual archaeology of the public sphere” that notices the historical, figurative and performative density of an incipient configuration of the “public image” and the visual order of “the public sphere”.
{"title":"Imagen Pública: espectros estético-políticos de la imagen","authors":"J. Carrizo","doi":"10.7764/68.4","DOIUrl":"https://doi.org/10.7764/68.4","url":null,"abstract":"Several contemporary analyses postulate a change in the representational regime over “the public sphere” —destitution of logos through the irruption of the image. Given this diagnosis, we suggest addressing the premature existence of a visual regime that is constitutive of the public field. There it is composed a regime of images that expresses the conditions of visibility and the grammars of the civic order which diagram the birth of the city and the “political community”. This research report postulates the need to undertake a “visual archaeology of the public sphere” that notices the historical, figurative and performative density of an incipient configuration of the “public image” and the visual order of “the public sphere”.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73121774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El mayor capital de nuestra narrativa, enclaustrada bajo un techo de acero, es el yo, que ha dejado a oscuras a la otredad, el colectivo. Esta narrativa se adscribe rigurosamente al realismo capitalista, centrada en un yo, esencialista, deshistorizada, emotiva, privatizada en cuanto a la preocupación por él/la sujeto/a protagonista y su entorno afectivo; además, sin expectativas de futuro, en constante trayecto hacia el pasado infantil o adolescencial. La definición del momento histórico por el que actualmente atraviesa la literatura chilena, es el de un lento pero decidido declive hacia la insignificancia. No está a punto de desaparecer, por el contrario, se está publicando mucho, incluso en pandemia. Tampoco quiero decir que en este siglo no se hayan publicado obras valiosas. Las hay y en buen número. Más bien se trata del corrimiento de lo literario en su conjunto hacia una zona de insignificancia cultural. Camino a convertirse en un nicho de consumo definido por un rango decidida-mente decreciente, la literatura parece estar rebelándose poco frente a este dramático hecho.
{"title":"La narrativa chilena y el riesgo de la insignificancia","authors":"H. Espinosa","doi":"10.7764/68.17","DOIUrl":"https://doi.org/10.7764/68.17","url":null,"abstract":"El mayor capital de nuestra narrativa, enclaustrada bajo un techo de acero, es el yo, que ha dejado a oscuras a la otredad, el colectivo. Esta narrativa se adscribe rigurosamente al realismo capitalista, centrada en un yo, esencialista, deshistorizada, emotiva, privatizada en cuanto a la preocupación por él/la sujeto/a protagonista y su entorno afectivo; además, sin expectativas de futuro, en constante trayecto hacia el pasado infantil o adolescencial. La definición del momento histórico por el que actualmente atraviesa la literatura chilena, es el de un lento pero decidido declive hacia la insignificancia. No está a punto de desaparecer, por el contrario, se está publicando mucho, incluso en pandemia. Tampoco quiero decir que en este siglo no se hayan publicado obras valiosas. Las hay y en buen número. Más bien se trata del corrimiento de lo literario en su conjunto hacia una zona de insignificancia cultural. Camino a convertirse en un nicho de consumo definido por un rango decidida-mente decreciente, la literatura parece estar rebelándose poco frente a este dramático hecho.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74777604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay asks the question of writing and the modes of narrating the crisis produced by the social outbreak in Chile. It aims at thinking possible languages for several aesthetic productions: texts, bodies, individual and collective signs that have enabled to propose meanings. The essay engages with languages written during or after the social outbreak; in a traditional genre or in an unconventional writing proposal; either on paper or using other mediums; with recognized authorship or in the anonymity of the streets and the popular voice. These languages show that the unknown, the still unsaid, the still without history are named in the imaginary power of diverse writings. Such diversity produces an enrichment of the literary in the way it relates to history.
{"title":"Literatura y crisis: escribir la dignidad","authors":"R. Olea","doi":"10.7764/68.19","DOIUrl":"https://doi.org/10.7764/68.19","url":null,"abstract":"This essay asks the question of writing and the modes of narrating the crisis produced by the social outbreak in Chile. It aims at thinking possible languages for several aesthetic productions: texts, bodies, individual and collective signs that have enabled to propose meanings. The essay engages with languages written during or after the social outbreak; in a traditional genre or in an unconventional writing proposal; either on paper or using other mediums; with recognized authorship or in the anonymity of the streets and the popular voice. These languages show that the unknown, the still unsaid, the still without history are named in the imaginary power of diverse writings. Such diversity produces an enrichment of the literary in the way it relates to history.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81317095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El objetivo del trabajo es demostrar que el periódico Correo de la Exposición (1875), surgido como suplemento de la Exhibición Internacional de Chile de 1875, fue un “aparato estético” (Déotte), superando su carácter complementario. La novedad de este trabajo radica en que se descubre el discurso cientificista y artístico que profundiza los avances obtenidos en am-bas materias hacia 1875. Las conclusiones del trabajo señalan que Correo de la Exposición impuso sus propias reglas exhibitivas y mecanismos de aparición especialmente de las Bellas Artes, por lo cual es un periódico relevante para la historia de la crítica artística chilena.
这项工作的目的是证明Correo de la曝光(1875)报纸，作为1875年智利国际展览的补充，是一个“美学装置”(deotte)，克服了它的互补性质。这项工作的新奇之处在于，它发现了科学和艺术的论述，深化了1875年在ambas材料中取得的进展。本文的结论是，Correo de la exhibicion强加了自己的展览规则和机制，特别是美术的出现，使它成为智利艺术批评历史上的一份相关报纸。
{"title":"El impacto del Correo de la Exposición en arte, ciencia, prensa y modernización","authors":"Manuel Cornejo, M. A. Cornejo","doi":"10.7764/68.1","DOIUrl":"https://doi.org/10.7764/68.1","url":null,"abstract":"El objetivo del trabajo es demostrar que el periódico Correo de la Exposición (1875), surgido como suplemento de la Exhibición Internacional de Chile de 1875, fue un “aparato estético” (Déotte), superando su carácter complementario. La novedad de este trabajo radica en que se descubre el discurso cientificista y artístico que profundiza los avances obtenidos en am-bas materias hacia 1875. Las conclusiones del trabajo señalan que Correo de la Exposición impuso sus propias reglas exhibitivas y mecanismos de aparición especialmente de las Bellas Artes, por lo cual es un periódico relevante para la historia de la crítica artística chilena.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88928191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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