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Narrative and the mapping of Diaspora Space: Liminalities and subjectivities in the ‘Happy Multicultural Land’ of Zadie Smith’s White Teeth 散居空间的叙事与映射:扎迪·史密斯《白牙》中“快乐的多元文化土地”中的阈值与主体性
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2023-01-16 DOI: 10.1177/00472441221141956
Elif TOPRAK SAKIZ
This article explores the features of narrative space in Zadie Smith’s White Teeth by drawing on the notion of diaspora space, which is based upon Avtar Brah’s theory in Cartographies of Diaspora, with a view to defining diaspora subjectivity. The analysis asks how such spaces are imbued with the multiplicity of border crossings, such as metaleptic intrusions of the heterodiegetic narrator, pluralization of perspectivism, the intermingling of the narrator’s and characters’ own spaces with the use of free indirect speech and the problematization of internal and external spaces. The narrator’s engagement with issues of diaspora, subjectivity, ethnicity, multiculturalism and roots/routes as well as their narrative manifestations are traced throughout the novel with recourse to ideas of ‘post-postcolonialism’, a concept that corresponds to the everydayness and ordinariness of migrant experience. Consequently, space proves to be a constitutive element of both the novel’s narrative and the characters’ subjectivities.
本文以布拉赫在《散居地图学》中的散居空间理论为基础,借鉴散居空间的概念,探讨了扎迪·史密斯《白牙》中叙事空间的特征,以期界定散居主体性。该分析询问了这些空间是如何充满多重跨界的,例如异二元叙事者的元认知入侵、透视主义的多元化、叙事者和人物自己的空间与自由间接话语的使用的混合以及内部和外部空间的问题化。叙述者对散居地、主体性、种族、多元文化和根源/路线等问题的参与,以及它们的叙事表现,在整部小说中都追溯到了“后殖民主义”的思想,这一概念与移民经历的日常性和平凡性相对应。因此,空间被证明是小说叙事和人物主体性的构成要素。
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引用次数: 0
The vicissitudes of bilingualism and plurilingualism in the European Union 欧盟双语和多语言主义的变迁
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2023-01-16 DOI: 10.1177/00472441221141976
M. Modiano
Starting with the early twentieth century, the shifts in what languages mainland Europeans have as additional languages are described and analysed. Historical events, such as World War II, the rise and fall of the Soviet Union, as well as the ramifications of globalization, are taken into consideration, as are the implications of Brexit for the role English maintains as Europe’s primary universal language. Declines in French, German and Russian as the first additional language are observed. Comparisons are made of the resources required for a language to challenge English as Europe’s primary lingua franca. It is found that the patterns which emerge over time, with few exceptions, result in the increased importance of English in all of the Member States of the European Union. Moreover, the rise of L2 English in the European Union has caused mainland Europeans to be more likely to become bilingual rather than plurilingual, something contrary to European Union policy.
从二十世纪初开始,描述和分析了欧洲大陆语言作为附加语言的变化。历史事件,如第二次世界大战、苏联的兴衰以及全球化的影响,以及英国脱欧对英语作为欧洲主要通用语言的影响,都被考虑在内。法语、德语和俄语作为第一种附加语言的数量有所下降。对一种语言挑战英语作为欧洲主要通用语所需的资源进行了比较。研究发现,随着时间的推移,除了少数例外,英语在欧洲联盟所有成员国的重要性都有所增加。此外,二语英语在欧盟的兴起使欧洲大陆更有可能成为双语国家,而不是多语言国家,这与欧盟的政策背道而驰。
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引用次数: 1
Book Review: Paul Brian Heise: The Wound That Will Never Heal: An Allegorical Interpretation of Richard Wagner’s ‘The Ring of the Nibelung’ 书评:保罗·布莱恩·海斯:永远无法愈合的创伤:理查德·瓦格纳《尼伯隆之环》的寓言解读
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736c
P. Bishop
Paul Brian Heise's The Wound That Will Never Heal is an original allegorical reading of Richard Wagner's epic music drama The Ring of the Nibelung. Heise challenges the standard view that Wagner merely dramatizes the conflict between love and power and demonstrates instead that his greatest work is an allegory exploring humanity's longing for transcendent value and that quest's paradoxical establishment of a science-based secular society. By employing a more extensive analysis of primary evidence than any prior interpretation, The Wound That Will Never Heal is the first interpretation to propose and sustain a global and conceptually coherent account of the entire Ring.... Download ebook, read file pdf An Allegorical Interpretation of Richard Wagner's the Ring of the Nibelung
保罗·布莱恩·海斯的《永不愈合的伤口》是对理查德·瓦格纳史诗音乐剧《尼伯隆之环》的原创寓言解读。Heise挑战了认为瓦格纳只是将爱与权力之间的冲突戏剧化的标准观点,相反,他证明了他最伟大的作品是一部寓言,探索了人类对超越价值的渴望,以及对以科学为基础的世俗社会的矛盾建立的追求。通过采用比任何先前的解释更广泛的主要证据分析,伤口永远不会愈合是第一个解释,提出并维持整个环的全球和概念上连贯的帐户....理查德·瓦格纳《尼伯龙之戒》的寓言解读
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引用次数: 0
Introduction: Heritage and the making of ‘Europe’ 引言:遗产与“欧洲”的形成
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221115859
M. van der Waal, Astrid Van Weyenberg, Sabine Volk
The notion of ‘European heritage’ plays an increasingly important role in the discursive constructions of a collective sense of European belonging. This Special Issue critically reviews some of the contemporary instrumentalizations of European heritage as processes of borderwork by which various political and non-political actors demarcate the boundaries of Europe and European identity. Specifically, the nine contributions shed light on some of the top-down and bottom-up uses of European heritage and explore whether the borderwork of European heritage delineates and separates Europeanness as an exclusive and singular identity, or whether it constitutes a space of exchange, flow and entanglement where Europeanness is defined as inclusive and pluralistic. Characterized by interdisciplinarity, methodological variety and a conception of Europe broader than the European Union, this Special Issue aims to broaden the scope of scholarship in European studies and (critical) heritage studies.
“欧洲遗产”的概念在欧洲集体归属感的话语建构中发挥着越来越重要的作用。本期特刊批判性地回顾了欧洲遗产的一些当代工具化过程,即各种政治和非政治行为者划定欧洲和欧洲身份界限的边界工作过程。具体而言,这九篇文章揭示了欧洲遗产的一些自上而下和自下而上的使用,并探讨了欧洲遗产边界工作是否将欧洲性界定和分离为一种排他性和单一的身份,或者它是否构成了一个交换、流动和纠缠的空间,在这个空间中,欧洲性被定义为包容性和多元性。本特刊的特点是跨学科、方法多样,对欧洲的概念比欧盟更广泛,旨在扩大欧洲研究和(批判性)遗产研究的学术范围。
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引用次数: 0
Book Review: Niamh Gallagher: Ireland and the Great War: A Social and Political History 书评:Niamh Gallagher:爱尔兰与一战:一部社会政治史
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736a
Elaine Callinan
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引用次数: 0
Book Review: Patrick Wright: The Sea View Has Me Again: Uwe Johnson in Sheerness 书评:帕特里克·赖特:《再次拥有我的海景:厄韦·约翰逊在希尔内斯》
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736d
G. Bond
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引用次数: 0
Book Review: Paul Julian Smith: Reimagining History in Contemporary Spanish Media: Theater, Cinema, Television, Streaming 书评:保罗·朱利安·史密斯:在当代西班牙媒体重新想象历史:戏剧,电影,电视,流媒体
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736g
Fiona Noble
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引用次数: 0
Book Review: Alberto Bertozzi: Plotinus on Love: An Introduction to his Metaphysics through the Concept of Eros 书评:阿尔贝托·贝托齐:《论爱的普罗提诺:通过爱神的概念介绍他的形而上学》
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736b
P. Bishop
nationalists in Ireland. In Canada and Australia, Catholic clerics exerted a strong influence resulting in strong allegiances to Ireland alongside a loyalty to their dominion of residence. There is a wealth of numerical evidence on diaspora recruitment and an analysis of how Ireland featured in propaganda to entice potential recruits. The emphasis then shifts to combine the national with the international through a case study of the IrishCanadian Rangers founded by Fr McShane of Montreal. The only comment here is that I am not sure this chapter is situated correctly in the book as Chapter 6 returns to the domestic front. Chapter 6 explores popular reactions to departing troops, familial and fraternal support, and educational support for Catholic servicemen, at least until the large death tolls from the Gallipoli campaign. An examination of reaction at home and abroad to the passage of the third Home Rule bill, particularly among the clergy, opens the question of similar support for the IPP’s position on the war effort. The author points out that ‘public opinion towards recruitment was highly complex’ (p. 142) and some interesting analysis on attendance at recruitment meetings is provided. The book culminates in an exploration of what happened after the Armistice of 1918 to look at the notion of ‘amnesia’. It also offers some evaluation of the ‘place of the Great War’ in the later twentieth and twenty-first centuries. This book covers many topics, and the research certainly brings some new opinions and evidence about Ireland’s war effort. Voice is given to ‘ordinary’ people rather than military and political elites, and this adds value to the history of the period. The research throws light on the conflicting atmosphere among Irish people of all denominations and highlights the nuances within Irish society to the war effort both before and after the Easter Rising. By situating Ireland’s response within the transnational and international this study of the Irish Catholic war experience builds on the work of other scholars of the Great War. A wide range of secondary and primary source evidence was used, such as newspapers, educational publications, private papers, personal diaries, war journals and letters, reports and maps, memoirs and autobiographical accounts and nationalist witness statements from the Bureau of Military History Archives. This book will be of particular interest to scholars, students and history enthusiasts of the Great War in Ireland, Europe and especially among the wider global diaspora communities.
爱尔兰的民族主义者。在加拿大和澳大利亚,天主教神职人员发挥了强大的影响力,对爱尔兰产生了强烈的忠诚,同时也忠于他们的居住地。有大量关于海外侨民招募的数字证据,并分析了爱尔兰如何在宣传中吸引潜在的招募者。然后,通过对蒙特利尔的麦克肖恩神父创建的爱尔兰加拿大流浪者队的案例研究,重点转移到将国家队与国际队结合起来。这里唯一的评论是,我不确定这一章在书中的位置是否正确,因为第六章回到了国内。第6章探讨了民众对离开军队的反应、家庭和兄弟会的支持,以及对天主教军人的教育支持,至少在加里波利战役造成大量死亡之前是如此。考察国内外对第三项自治法案通过的反应,特别是神职人员的反应,就可以发现对独立党在战争努力中的立场是否有类似的支持。作者指出,“公众对招聘的看法非常复杂”(第142页),并对参加招聘会议的情况进行了一些有趣的分析。这本书的高潮是对1918年停战后发生的事情的探索,以探讨“健忘症”的概念。它还对二十世纪末和二十一世纪的“大战地点”进行了一些评价。这本书涵盖了许多主题,研究无疑为爱尔兰的战争努力带来了一些新的观点和证据。声音被赋予了“普通人”,而不是军事和政治精英,这为这一时期的历史增添了价值。这项研究揭示了所有教派的爱尔兰人之间的冲突气氛,并强调了爱尔兰社会内部对复活节起义前后战争努力的细微差别。通过将爱尔兰的反应置于跨国和国际范围内,这项关于爱尔兰天主教战争经验的研究建立在其他二战学者的工作基础上。使用了广泛的次要和主要来源证据,如报纸、教育出版物、私人文件、个人日记、战争期刊和信件、报告和地图、回忆录和自传以及军事历史档案局的民族主义证人证词。这本书将引起爱尔兰、欧洲的学者、学生和历史爱好者的特别兴趣,尤其是在更广泛的全球侨民社区中。
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引用次数: 0
Book Review: Franziska Exeler: Ghosts of War: Nazi Occupation and its Aftermath in Soviet Belarus 书评:Franziska Exeler:《战争的幽灵:纳粹占领及其在苏联白俄罗斯的后果》
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736f
Jeremy Black
nation-wide network of patriotic exhibitions and theme parks collectively called ‘Russia. My History’. A travesty of Russia’s genuine past, these lavish installations seek – with jaw-dropping popular success – to inculcate a cult of the glories of the country’s magnificent evolution – military, territorial, political, cultural, and religious – perniciously marginalizing or ignoring any negative features and instilling a frenzy of popular patriotic fervour in unquestioning exaltation of the collaborative achievements of the Russian people, the Russian Church, and the Russian state. One original supporter, now critic, of this grotesque enterprise, Pavel Kuzenkov, described it as ‘a striking example of history used in lieu of political propaganda’ (p. 66). Or, as the author succinctly puts it, under the regime of Vladimir Putin: ‘History is politics in Russia’ (p. 255). In his book, based on his 2018 doctoral thesis, James Pearce demonstrates how this situation is utilized as the basis of the teaching of history throughout the Russian education system from kindergarten to high school. It is worth remembering that everyone in Russia under the age of 22 has grown up in the Putin era, and therefore have no knowledge of the history of their own country other than that taught to them by the peddlers of the ‘Authorized Version’. This version may not exactly be written down in stone, but it is certainly etched indelibly into their own consciousness. There is simply no textbook or forum from which it is possible to mount a critical challenge to the official orthodoxy – which would in any case be likely to be illegal. Unfortunately, or unavoidably, there is – given the books’ respective titles – a good deal of subject matter and evidential overlap. The same emphases, arguments and examples are present in both volumes, and both come to inevitably similar conclusions. They are: that under Putin, reasserting control over Russia’s past is seen as an essential weapon in the struggle to create a patriotic-minded, right-thinking, quintessentially Russophile, nationalistic and culturally homogeneous society. One of the distinguishing features of Pearce’s book is his analysis – based on personal interviews and questionnaires – of the way in which both qualified, experienced teachers and young trainee teachers of history view their role, their tasks, and their objectives in tutoring a new generation of Russian citizens who will, after all, shape their country’s future. These people will, in the very nature of things, outlive Putin and Putinism, and who can foresee what new contours may then emerge on the landscape of Russian historiography or ‘historymaking’? As the Leningrad (now St Petersburg!) writer, Tatyana Tolstaya, has put it: ‘Russia is a country whose past is impossible to predict’.
全国性的爱国主义展览网络和主题公园统称为“俄罗斯”。我的历史”。这些奢华的装置是对俄罗斯真实过去的一种嘲弄,以令人瞠目的大众成功为目的,向人们灌输一种对俄罗斯辉煌演变的崇拜——军事、领土、政治、文化和宗教——恶意地边缘化或忽视任何负面特征,并灌输一种狂热的大众爱国热情,对俄罗斯人民、俄罗斯教会和俄罗斯国家的合作成就进行毫无疑问的颂扬。帕维尔·库岑科夫(Pavel Kuzenkov)是这一怪诞事业的最初支持者,现在则是批评者,他将其描述为“用历史代替政治宣传的一个引人注目的例子”(第66页)。或者,正如作者简洁地指出的那样,在弗拉基米尔•普京(Vladimir Putin)的统治下:“俄罗斯的历史就是政治”(第255页)。在他的书中,基于他2018年的博士论文,詹姆斯·皮尔斯展示了这种情况是如何被利用为整个俄罗斯教育系统从幼儿园到高中的历史教学的基础。值得记住的是,在俄罗斯,22岁以下的人都是在普京时代长大的,因此除了兜售“授权版本”的小贩教给他们的之外,他们对自己国家的历史一无所知。这个版本可能不会确切地刻在石头上,但它肯定是不可磨灭地蚀刻在他们自己的意识中。根本没有教科书或论坛可以对官方的正统观念提出关键挑战——无论如何,这很可能是非法的。不幸的是,或者不可避免的是,考虑到这两本书各自的书名,它们的主题和证据都有很大的重叠。同样的重点、论点和例子出现在两卷书中,两者都不可避免地得出类似的结论。它们是:在普京的领导下,重申对俄罗斯过去的控制被视为一种重要的武器,以努力创建一个具有爱国意识、思维正确、典型亲俄、民族主义和文化同质的社会。皮尔斯这本书的一个显著特点是,他基于个人访谈和问卷调查,分析了合格的、经验丰富的历史教师和年轻的见习历史教师如何看待他们在指导新一代俄罗斯公民方面的角色、任务和目标,毕竟,这些人将塑造他们国家的未来。从本质上讲,这些人会比普京和普京主义活得更久,谁能预见俄罗斯史学或“历史创造”领域会出现什么样的新轮廓呢?正如列宁格勒(现在是圣彼得堡!)作家Tatyana Tolstaya所说:“俄罗斯是一个无法预测其过去的国家。”
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引用次数: 0
Book Review: James C. Pearce: The Use of History in Putin’s Russia and Anton Weiss-Wendt: Putin’s Russia and the Falsification of History: Reasserting Control of the Past 书评:詹姆斯·c·皮尔斯:《在普京的俄罗斯使用历史》和安东·韦斯-温特:《普京的俄罗斯和历史的伪造:重新确立对过去的控制》
IF 0.3 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1177/00472441221136736e
Alan B. Wood
major novel Jahrestage. Aus dem Leben von Gesine Cresspahl in 1983 (newly translated by Damien Searls as Anniversaries. From a Year in the Life of Gesine Cresspahl, 2018). Three volumes had already been published and the fourth was well in progress when Johnson left Berlin, but Wright does not reflect on Johnson’s nearly 10-year struggle to complete it, nor particularly on its significance as a major work of twentieth-century European literature. Otherwise, Johnson’s two most important works during his Sheerness years were his 1979 Frankfurt poetics lectures, published as Begleitumstände (Attendant Circumstances) in 1980, and the novella Skizze eines Verunglückten (Sketch of An Accident Victim) of 1981. Wright does not discuss the former in any depth, even though it is as close as Johnson got to an autobiography and offers plenty of material that might help understand his move to England. Wright uses the latter only as a comment on the break-up of Johnson’s marriage that took place during his Sheerness years, which it certainly can be seen to be, but to which it should not be reduced. It may be the case that there simply is not enough to say about Johnson himself in Sheerness that makes the tale worth telling as a story in its own right, whereas there would be value in a study of his years in Sheerness that addresses and assesses his literary production there and that also weaves in the author’s own origins and life before Sheerness, while taking a far more selective approach to Sheerness local history. A volume of Inselgeschichten (Island Stories, 1985) was published from Johnson’s literary estate, containing largely unfinished texts, mostly from Johnson’s letters, and only three short texts that Johnson published in his own lifetime. His essay ‘Ein unergründliches Schiff’ (published in English as ‘An Unfathomable Ship’ in 1983, translated by Lawrence Wilson) on the Richard Montgomery, a US ammunitions ship that was wrecked in 1944 and lies in view of Sheerness, stands out as the only text of substance based on the town of Sheerness that he wrote. Johnson’s research on the wreck evokes a sense of place in the present while salvaging the history that lies submerged, spinning a tale from contemporary Sheerness to the Second World War and its consequences. It condenses the ‘sea view’ that he himself ‘had’ in Sheerness down to a bigger story worth telling. Here we see Johnson not as ‘Charlie’ in Sheerness, but as the major European intellectual that he undoubtedly was.
主要的小说。1983年出版的ausdem lebenvon Gesine Cresspahl(达米安·塞尔斯新译为《周年纪念》)。摘自《Gesine Cresspahl的一年》,2018)。当时已经出版了三卷,约翰逊离开柏林时,第四卷正在进行中,但赖特并没有反思约翰逊近十年来为完成这本书所做的努力,也没有特别提到它作为20世纪欧洲文学的一部重要作品的意义。除此之外,约翰逊在他的Sheerness期间最重要的两部作品是1979年他在法兰克福的诗学讲座,1980年出版为Begleitumstände(附属情况),以及1981年的中篇小说Skizze eines verungl ckten(意外受害者的素描)。赖特没有深入讨论前者,尽管这本书接近约翰逊的自传,并提供了大量可能有助于理解他移居英国的材料。赖特使用后者只是为了评论约翰逊在他的Sheerness期间婚姻的破裂,这当然可以被看作是,但不应该被简化。也许约翰逊本人在希尔内斯的经历不足以让这个故事本身成为一个值得讲述的故事,然而,研究他在希尔内斯的岁月是有价值的,它涉及和评估了他在那里的文学作品,也编织了作者在希尔内斯之前的出身和生活,同时对希尔内斯的地方历史采取了更有选择性的方法。约翰逊的文学遗产出版了一卷《岛屿故事》(Inselgeschichten, 1985),其中大部分是未完成的文本,主要来自约翰逊的信件,只有三篇约翰逊生前出版的短文。他的文章《Ein unergrnndliches Schiff》(1983年由劳伦斯·威尔逊翻译,英文名为《一艘深不可测的船》)是关于1944年失事的美国弹药船理查德·蒙哥马利号的,这是他写的唯一一篇以希尔内斯镇为基础的文章。约翰逊对沉船的研究唤起了一种当下的地方感,同时挽救了被淹没的历史,编织了一个从当代希尔内斯到第二次世界大战及其后果的故事。它把他自己在希尔内斯的“海景”浓缩成了一个更大的故事。在这里,我们看到的约翰逊不是希尔内斯的“查理”,而是毫无疑问的欧洲主要知识分子。
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引用次数: 0
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