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Brouillarta par Ève Jauréguiberry
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0138
Roxane Petit-Rasselle
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引用次数: 0
Les liaisons dangereuses réal. par Rachel Suissa 危险的联系是真实的。作者:Rachel Suissa
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0103
K. Khalifé
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引用次数: 0
Taxi-Thérapie par Philippe Brenot Philippe Brenot的计程车治疗
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0127
K. Khalifé, Walter S. Temple
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引用次数: 0
Une vie à réparer par Yvon Richart Yvon Richart的《修复生活》
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0146
K. Khalifé
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引用次数: 0
Le jeu des si par Isabelle Carré 伊莎贝尔·卡雷的《IS游戏》
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0129
M. Bacholle
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引用次数: 0
La désapparition par Gerry L'Étang Gerry L‘Étang的幻灭
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0140
Annie Bandy
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引用次数: 0
Saharienne indigo par Tierno Monénembo
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0144
E. Ousselin
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引用次数: 0
Histoire de la description de la parole: de l'introspection à l'instrumentation éd. par Christelle Dodane, et Claudia Schweitzer 语音描述的历史:从内省到仪器编辑。Christelle Dodane和Claudia Schweitzer
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0091
W. Cichocki
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引用次数: 0
Making the Bible French: The "Bible historiale" and the Medieval Lay Reader by Jeanette L. Patterson 使《圣经》法语化:珍妮特·帕特森的《圣经史记》和中世纪通俗读物
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0122
Erika E. Hess
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引用次数: 0
Labyrinthes par Franck Thilliez Franck Thilliez的迷宫
IF 0.1 4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-05-01 DOI: 10.1353/tfr.2023.0149
Nathalie G. Cornelius
For those seeking to challenge their minds, this page-turning thriller offers multiple reading options. A free-standing detective mystery, the novel opens with police officer Camille Najinksi, who is tasked with solving the case of a brutal murder whose only suspect is an amnesiac found clutching a black bishop chess piece. Fortunately, hospital psychiatrist Fibonacci can shed some light on the situation. With a warning about the dangers of paramnesia and its capacity to create false memories, he relates the tale the unidentified woman shared with him before losing her memory. The subsequent account alternates between five women: Lysine, a journalist who discovers a disturbing film left in a post office box in her name; Véra, a psychiatrist whose electromagnetic hypersensitivity has forced her to seek refuge in an isolated region of the Vosges; Sophie, a novelist whose premonitions seem to become a tragic reality; Julie, a kidnapping victim sequestered and psychologically tortured by renowned author Caleb Traskman; and Ariane, a young woman of unknown origins who compulsively draws murals of mazes. It is up to the reader and Nijinski to find out why these women find themselves trapped in labyrinthine spaces struggling with memory loss and an inexplicable sense of imminent danger. For the appreciation of astute sleuths, peppered throughout the novel’s tightly constructed structure, are clues in the form of mythological, scientific, and artistic allusions, symbolic objects, and word plays. Those familiar with Thilliez will also find that his latest work sheds new light on the secondary characters of Julie Moscato and Caleb Traskman, who, although of core importance to Thilliez’s Il était deux fois (2020) and Le manuscrit inachevé (2018), never physically appeared in them (see my earlier reviews in FR 95:1 and FR 92:4 respectively). Without contradicting the detectives’ investi gations in these earlier novels, Labyrinthes, when taken as the third installment of a trilogy, elucidates further truths. Finally, as has come to be expected of Thilliez, the author invites the reader to go beyond the entertainment value of his fiction and bridge his literary world with the reader’s own reality. The novel’s references to authentic visual and literary shock artists spark reflection on the interplay of art and violence. Thilliez’s exploration of the power of the mind, well-engrained in the riveting storyline, is encapsulated at the end of the book by seemingly random letters scattered about a labyrinth for the reader to solve. The word revealed by finding a passage through the maze, itself another nod to the earlier installments of the trilogy, unlocks an additional online chapter in which the author shares his metacognition for the novel’s inner workings. Although at times gory and violent, this is one of Thilliez’s best. For those who enjoy being engaged not just viscerally but also intellectually, Labyrinthes is great fun for both Thilliez’s avid fans and n
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引用次数: 0
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FRENCH REVIEW
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