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Cultural Tropes and Political Power in Early Modern Russia 近代早期俄罗斯的文化修辞与政治权力
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0032
C. B. Stevens
Political power, elite support for the throne, and political ideologies were not solely represented by institutional rules or developed in polemical texts anywhere in early modern Europe. The two books reviewed below discuss, in different ways, how the vast and “undergoverned” early modern Russian Empire mustered its cultural resources to project political power and promote diffuse, if widely shared, political ideals outside of institutions and polemical texts. Instead, the ruling dynasties used art, architecture, and symbolic ritual to reinforce their divine authority and promote the related goals of unity, security, and social stability. The results contribute in important ways not only to understanding the ideals projected, but also to ongoing discussion about the dating of important transformations (“modernization”) in Russian society of the early modern period.  
政治权力、精英对王位的支持和政治意识形态不仅由制度规则代表,也不是在现代早期欧洲任何地方的争论文本中发展起来的。下面回顾的两本书以不同的方式讨论了庞大且“治理不足”的早期现代俄罗斯帝国如何整合其文化资源,在制度和争论性文本之外投射政治权力,促进分散的(如果广泛共享的话)政治理想。相反,统治王朝使用艺术、建筑和象征性仪式来加强他们的神圣权威,并促进团结、安全和社会稳定的相关目标。研究结果在重要方面不仅有助于理解所提出的理想,而且有助于对俄罗斯现代早期社会重要变革(“现代化”)的年代进行持续的讨论。 
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引用次数: 0
The Museum Visitor Book as a Means of Public Dialogue about the Gulag Past: The Case of the Solovki Museum 博物馆访客书作为古拉格历史公共对话的一种方式——以索洛夫斯基博物馆为例
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0023
Zuzanna Bogumił
There is common agreement that history museums are deeply engaged in transforming history into identity, because they create a public space where “personal, private or autobiographical narratives come into contact with larger-scale, collective or national narratives in mutually inter-animating ways.”1 It is thus very important to establish how museums affect the visitor’s memory and perception of the past on display. Visitor books in museums, where visitors can share their feedback and impressions of exhibitions, offer a space to present their views on the issues discussed in the exhibition.2 Moreover, they confirm that visitors are not mute observers but active participants in a public dialogue.3 As a specific source, visitor books do not offer
人们普遍认为,历史博物馆致力于将历史转化为身份,因为它们创造了一个公共空间,“个人、私人或自传体叙事以相互交织的方式与更大规模的集体或国家叙事接触。“1因此,确定博物馆如何影响游客对展出的过去的记忆和感知是非常重要的。博物馆的访客书籍可以分享他们对展览的反馈和印象,提供了一个空间来表达他们对展览中讨论的问题的看法。2此外,它们确认访客不是沉默的观察者,而是公众对话的积极参与者。3作为一个特定的来源,访客书籍不提供
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引用次数: 0
The Protagonists of Pipe Dreams 白日梦的主人公
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0029
Jeff Sahadeo
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引用次数: 0
Social Deviants, Urban Myths, and the Socialist Everyday 社会离经叛道者,都市神话,和社会主义者的日常
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0035
N. Chernyshova
Historians have recently been paying more attention to the margins. This is partly the long-term germination of seeds sown by the emergence of such approaches as microhistory, gender history, and Alltagsgeschichte. But it is also a reflection of the contemporary cultural and political climate: many of our own societies are paying more attention to those who once were, or still remain, on their margins. Scholarship on the Soviet Union and Eastern Europe is reflecting this broader trend. To their interrogations of Communist Party politics and the
历史学家最近开始更多地关注边缘。这在一定程度上是由于微观史、性别史和Alltagsgeschichte等方法的出现,播下了长期萌芽的种子。但它也反映了当代的文化和政治气候:我们自己的许多社会正在更多地关注那些曾经或仍然处于边缘地位的人。关于苏联和东欧的学术研究反映了这一更广泛的趋势。到他们对共产党政治的拷问
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引用次数: 0
An Anthropocene History of Central Asia 中亚人类世史
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0024
Andy Bruno
Pipe Dreams — the late Maya Peterson’s first and sadly sole monograph — presents a history of water and power in the Anthropocene. 1 Though the Anthropocene is a less overt facet of her overall framing than questions of empire and environment in the modern history of Central Asia, I would like to suggest that an enduring contribution of this splendid book will be the rich and sophisticated account it presents about how a major world region was forcefully brought into a new geological epoch. modern transformations contesta-tions and on and minus-cule scales, and struggles over touch food to the realization me she would a blue on her book’s cover rather than its vivid red. This design choice would have mir-rored the book’s suggestion that water was even more powerful in Central Asian history than the Soviet regime.
白日梦——玛雅彼得森的第一和唯一遗憾的是专著,提出了水和权力在人类世的历史。1尽管人类世公开方面的总体框架是一个小于帝国和环境问题在中亚的现代历史上,我建议一个持久的贡献这精彩的书将是丰富而复杂的账户提出了关于世界主要地区强行带进一个新的地质时代。现代变革的竞赛,大小尺度的较量,为食物而斗争,她意识到她会用蓝色而不是鲜艳的红色作为书的封面。这种设计选择可能会颠覆该书的观点,即在中亚历史上,水比苏联政权更强大。
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引用次数: 0
Crossing Boundaries: Maya Peterson’s Pipe Dreams 跨越边界:玛雅·彼得森的烟斗梦
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0026
A. Edgar
Anyone who has traveled in rural areas of Central Asia will recall seeing oozing, salt-encrusted fields, rendered unfit for cultivation by faulty Soviet irrigation practices. On my first visit to Turkmenistan in the 1990s, I passed miles of such ruined land on my way to a friend’s home village.1 While the devastation of the Aral Sea is the best-known result of the Soviet drive for cotton in the region, the environmental effects of Soviet rule extend far beyond the shores of that doomed body of water. Maya Peterson’s important book helps us understand how this situation came to be. In Pipe Dreams: Water and Empire in Central Asia’s Aral Sea Basin, Peterson tells a story of technology, modernist ideology, and imperial hubris.2 The drive to remake Central Asia’s land and water, begun under the tsars, reached its culmination in the Soviet era. In a perfect cascade of unintended consequences, Soviet “modernizing” policies of agricultural development in Central Asia resulted in famine, the spread of malaria, the destruction of agricultural land through salinization, and the desertification of the Aral Sea and surrounding areas. Water and the environment are vitally important yet neglected aspects of Soviet history. Discontent over environmental damage was a key factor fueling the separatist sentiments that led to the collapse of the Soviet Union, and the Soviet successor states are still struggling with the legacy of poor stewardship of natural resources. Yet the study of environmental history in Russia and the Soviet Union is in its infancy, and the number of works on this topic relating 1 A 2012 United Nations Economic Commission for Europe (UNECE) study found that 60 percent of all agricultural land in Turkmenistan is affected by salinization (“1st Environmental Performance Review of Turkmenistan” [https://unece.org/environment-policy/ publications/1st-environmental-performance-review-turkmenistan]). 2 Maya K. Peterson, Pipe Dreams: Water and Empire in Central Asia’s Aral Sea Basin (New York: Cambridge University Press, 2019).
任何去过中亚农村地区的人都会记得,苏联错误的灌溉做法使渗出的盐碱地变得不适合耕种。20世纪90年代,我第一次访问土库曼斯坦时,在去朋友家乡的路上,我经过了数英里的荒地。1虽然咸海的破坏是苏联在该地区争夺棉花的最著名结果,但苏联统治对环境的影响远远超出了这片注定要灭亡的水域的海岸。玛雅·彼得森(Maya Peterson)的重要著作有助于我们理解这种情况是如何发生的。在《管道梦:中亚咸海盆地的水与帝国》(Pipe Dreams:Water and Empire In Central Asia’s Aral Sea Basin)一书中,彼得森告诉一个关于技术、现代主义意识形态和帝国傲慢的故事。苏联对中亚农业发展政策的“现代化”导致了饥荒、疟疾的传播、盐碱化对农业土地的破坏以及咸海及其周边地区的沙漠化,这是一系列意想不到的后果。水和环境是苏联历史上极其重要但被忽视的方面。对环境破坏的不满是助长分离主义情绪的一个关键因素,导致苏联解体,而苏联的继承国仍在与自然资源管理不善的遗留问题作斗争。然而,俄罗斯和苏联的环境史研究尚处于起步阶段,与此相关的著作数量1 2012年联合国欧洲经济委员会(UNECE)的一项研究发现,土库曼斯坦60%的农业用地受到盐碱化的影响(“土库曼斯坦第一次环境绩效审查”[https://unece.org/environment-policy/出版物/土库曼斯坦第一次环境绩效评估])。2 Maya K.Peterson,《白日梦:中亚咸海盆地的水与帝国》(纽约:剑桥大学出版社,2019)。
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引用次数: 0
Equality, Welfare, Myth, and Memory: The Artek Pioneer Camp at the Height of the Khrushchev Era 平等、福利、神话与记忆:赫鲁晓夫时代的艺术先锋营
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0021
M. B. Smith
Artek, with its high-quality buildings and glorious Crimean location, was the most famous Pioneer camp in the Soviet Union. Following its foundation in the 1920s, its significance grew under Iosif Stalin, attracting children from elite families. By 1960, the camp had become an instantly recognizable institution inside the Ukrainian Republic of the USSR, with an all-union cultural presence and an international profile. It was also a gold-standard example of the relaunched post-Stalin welfare system. But if welfare was for everyone, and Artek had an elitist reputation, how did the camp’s social reality and cultural representation match up during the era of apparently protocommunist equality between 1953 and 1964? This article explores the myths and memories that constructed Artek as a Khrushchev-era welfare provider within the Soviet imaginary; it analyzes the lived experience of child welfare in Artek during that period; and it tests the competing pressures of elitism and equality in modulating access to Artek in the example year of 1960. Artek was an exceptional institution in the USSR, and its history is important in its own right, but it also offers a case study of how myths, memories, and social policy shaped childhood experiences during the Khrushchev era.  
阿尔特克是苏联最著名的先锋营,拥有高质量的建筑和辉煌的克里米亚地理位置。20世纪20年代成立后,在伊奥西夫·斯大林的领导下,它的重要性与日俱增,吸引了精英家庭的孩子。到1960年,该营地已成为苏联乌克兰共和国境内一个引人注目的机构,拥有全联盟的文化存在和国际形象。这也是后斯大林时期重新启动的福利制度的黄金标准范例。但是,如果福利是为每个人服务的,而阿尔特克有着精英主义的声誉,那么在1953年至1964年间明显的协议平等时代,该阵营的社会现实和文化代表性是如何匹配的呢?本文探讨了在苏联的想象中,阿尔特克作为赫鲁晓夫时代的福利提供者的神话和记忆;分析了这一时期阿特克儿童福利的生活经历;在1960年的例子中,它测试了精英主义和平等在调节Artek访问方面的竞争压力。Artek是苏联的一个特殊机构,它的历史本身就很重要,但它也提供了一个关于赫鲁晓夫时代神话、记忆和社会政策如何塑造童年经历的案例研究。 
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引用次数: 0
Ні війні!/No to War!/Нет войне! 没有战争/反对战争/没有战争!
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0018
Olivia Hanninen, Mark B. Smith, Kristiina Silvan, Zuzanna Bogumił, Andy Bruno, Ian W. Campbell, Adrienne Edgar, Julia Lajus, Madeleine Reeves, Jeff Sahadeo, Donald J. Raleigh, Uilleam Blacker, Carol B. Stevens, Shoshana Keller, Peter Whitewood, Natalya Chernyshova, Gregory L. Freeze
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引用次数: 0
Managing the Arts in Soviet Ukraine 苏维埃乌克兰的艺术管理
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0031
U. Blacker
Recent years have seen a renewed interest in Ukrainian culture of the early Soviet period, a topic that has previously enjoyed sparse academic attention among Western and English-language scholars. The landmark studies by eminent North American Ukrainian scholars such as George Luckyj, Oleh Ilnytzky, Myroslava Mudrak, or George Grabowicz have long stood as notable exceptions to this trend.1 Over the last ten years or so, new studies have built on this valuable work, as well as on the increasingly impressive achievements of Ukrainian scholars in Ukraine (Solomiia Pavlychko, Rostyslav Mel ́nykiv, Yaryna Tsymbal, Vira Aheieva, and others).2 Of particular significance, and 1 George Luckyj, Literary Politics in the Soviet Ukraine, 1917–1934 (Durham, NC: Duke University Press, 1990; repr. of 1956 Columbia University Press ed.); Oleh Ilnytzky, Ukrainian Futurism 1914–1930: A Historical and Critical Study (Cambridge, MA: Harvard Ukrainian Institute, 1997); Myroslava Mudrak, The New Generation and Artistic Modernism in the Ukraine (Ann Arbor, MI: UMI Research Press, 1986). 2 Solomiia Pavlychko, Dyskurs modernizmu v ukrains ́kii literaturi (Kyiv: Lybid, 1997); Rostyslav Mel ́nykiv, Literaturni 1920-ti: Postati (narysy, obrazky, etiudy) (Kharkiv: Maidan, 2013); Vira Aheieva, Apolohiia modernu: Obrys XX viku (Kyiv: Hrani-T, 2011); Galina Babak
近年来,人们对苏联早期的乌克兰文化重新产生了兴趣,这一话题此前在西方和英语学者中很少受到学术关注。著名的北美乌克兰学者如George Luckyj、Oleh Ilnytzky、Myroslava Mudrak或George Grabowicz的里程碑式研究长期以来一直是这一趋势的显著例外。1在过去十年左右的时间里,新的研究建立在这一宝贵工作的基础上,以及乌克兰学者在乌克兰取得的日益令人瞩目的成就(Solomiia Pavlychko、Rostyslav Meĺnykiv、Yaryna Tsymbal、Vira Aheieva等人);Oleh Ilnytzky,《1914–1930年乌克兰未来主义:历史与批判研究》(马萨诸塞州剑桥:哈佛乌克兰研究所,1997年);Myroslava Mudrak,《乌克兰的新一代与艺术现代主义》(密歇根州安娜堡:麻省理工学院研究出版社,1986年)。2 Solomiia Pavlychko,Dyskurs modernizmu v ukrainśkii literaturi(基辅:Lybid,1997);Rostyslav Meĺnykiv,《文学1920 ti:Postati》(narysy,obrazky,etiudy)(哈尔科夫:迈丹,2013);Vira Aheieva,Apolohia modernu:Obrys XX viku(基辅:Hrani-T,2011);Galina Babak
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引用次数: 0
Fear and Loathing in the Far East: Bandits, Law, and the Russo-Japanese War 远东的恐惧与厌恶:土匪、法律与日俄战争
IF 0.3 3区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/kri.2022.0020
Olivia Hanninen
Like other popular illustrated journals of the era, Niva deployed a “special correspondent” to the Far East to send back reports from the field during the Russo-Japanese War. In the issue published on 5 November 1904, the journalist Vladimir Taburin described the following adventure. He met with a lieutenant colonel at a train station and proceeded to join his detachment on an expedition along the Liao River to hunt down a group of so-called khunkhuzy. Although most of these bandits successfully evaded the Russian troops by fleeing over the border to Mongolia, one straggler was apprehended. Preparations were well underway for the bandit to be hanged when the brigade commander ordered a last-minute reprieve: “the Russians did not come here to fight with Chinese ... Russians are not violent. Any khunkhuz who is conscious of his guilt and drops his weapon will be forgiven. I release you to your freedom. Go and tell these words to your companions.”1 This resolution took Taburin by surprise. While this story shimmers with clichéd morality on its surface, dipping below reveals some striking absurdities, the most egregious being the Russian commander’s claim to nonviolence. Not only was Russia in the midst of fighting a brutal war (or, as was clear by November 1904, losing a brutal war), but Russian forces had been fiercely engaging with Chinese bandits at their Far Eastern border for years. What sort of edifice was capable of supporting this paradox? According to Judith Butler, nonviolence is more claim than principle; it is “an address or an appeal.” The pressing point thus becomes “under what conditions are we responsive to such a claim, what makes it possible to accept the claim when it arrives, or, rather, what provides for the arrival of the claim at all?”2 Some part of the answer can be gleaned from Taburin’s tale. 1 Niva, no. 51 (1905): 9–11. 2 Judith Butler, Frames of War: When Is Life Grievable? (New York: Verso, 2009), 165.
与那个时代其他流行的插图期刊一样,《日俄战争》向远东派遣了一名“特约记者”,发回日俄战争期间的实地报道。记者Vladimir Taburin在1904年11月5日出版的这期杂志中描述了下面的冒险经历。他在火车站会见了一名中校,然后加入他的分队,沿着辽河进行探险,追捕一群所谓的khunkhuzy。尽管这些土匪大多越过边境逃往蒙古,成功躲避了俄罗斯军队,但仍有一名掉队者被捕。当旅长在最后一刻下令缓刑时,准备绞死土匪的工作正在进行中:“俄罗斯人不是来这里与中国人作战的……俄罗斯人不是暴力分子。任何意识到自己有罪并放下武器的昆丘兹都会被原谅。我释放你,让你自由。去把这些话告诉你的同伴吧。”。“1这项决议使塔布林大吃一惊。虽然这个故事表面上闪烁着陈词滥调的道德,但往下看会发现一些惊人的荒谬,最令人震惊的是俄罗斯指挥官声称的非暴力。俄罗斯不仅正在进行一场残酷的战争(或者,正如1904年11月所清楚的那样,输掉了一场残酷战争),而且多年来,俄罗斯军队一直在远东边境与中国土匪激烈交战。什么样的大厦能够支撑这个悖论?朱迪斯·巴特勒认为,非暴力更多的是主张而非原则;这是“一个地址或一个上诉”。因此,当务之急变成了“我们在什么条件下对这样的索赔作出回应,是什么使索赔到达时能够接受,或者更确切地说,是什么规定了索赔的到达?”2部分答案可以从塔布林的故事中找到。1 Niva,编号51(1905):9-11。朱迪斯·巴特勒,《战争的框架:生活何时悲惨?》?(纽约:Verso,2009),165。
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引用次数: 0
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KRITIKA-EXPLORATIONS IN RUSSIAN AND EURASIAN HISTORY
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