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Institutional Complexity Around Locally Managed Marine Area: A Situation Analysis Of ‘The Bajau’ Sea Oriented Communities in Wakatobi 围绕地方管理海洋区域的制度复杂性:瓦卡托比“巴夭族”海洋社区的情况分析
IF 0.8 0 ART Pub Date : 2023-06-15 DOI: 10.36868/ijcs.2023.02.24
Wengki Ariando, Abdul Manan, Jonthon Coulson, N. Arunotai
The complexity of institutional issues that cross sectors and borders in natural resource management determines how a community entity might persist and endure. In Bajau communities, institutional supports are portrayed as impediments to carrying out thei
自然资源管理中跨部门、跨国界的体制问题的复杂性决定了一个社区实体如何持久存在。在巴乔社区,机构支持被描述为执行这一政策的障碍
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引用次数: 0
Stakeholder Identification for Collaborative Management of Ecotourism and Proboscis Conservation 生态旅游与长鼻保护协同管理的利益相关者识别
IF 0.8 0 ART Pub Date : 2023-06-15 DOI: 10.36868/ijcs.2023.02.23
A. Nugroho, Ulfah Karmila Sari
In developing countries, ecotourism naturally involves many j with contrary interests which could potentially disrupt ecotourism plans and programs. Therefore, stakeholder collaboration is essential. The Hitam river is located in Borneo Island of Indonesi
在发展中国家,生态旅游自然涉及到许多利益对立的人,这可能会破坏生态旅游计划和项目。因此,涉众协作是必不可少的。希坦河位于印度尼西亚婆罗洲岛
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引用次数: 0
Specificity of the Construction of Historical Temples of Shaanxi Province as the Basis of Their Preservation and Restoration 陕西历史寺庙建筑的特殊性作为其保护与修复的依据
IF 0.8 0 ART Pub Date : 2023-06-15 DOI: 10.36868/ijcs.2023.02.04
Yang Ding, Y. Ivashko, J. Kobylarczyk, Michael P. Krupa, Aneta Pawłowska
The Shaanxi province and its capital, the city of Xi'an, are areas of concentration of traditional Chinese architecture outstanding monuments. The study of the peculiarities of the genesis and compositional construction of various objects of functional pu
陕西省及其省会西安市是中国传统建筑的集中地区,是中国优秀的古迹。功能性pu的各种客体的成因和构成特点研究
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引用次数: 0
A Study on the Material Relationship between Whiteware and Material Soil of White Porcelain Kiln Site in Usan-ri 吾山里白瓷窑遗址白瓷与料土的物质关系研究
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.03
Du Hyeon Kim, Gyeong Jung Kim, Hyun Suk Kim, M. Han
This study identified the nature of objects through physical and chemical analysis of 28 whiteware pieces such as White porcelain, Gapbal, and Dochim excavated in Gwangju Usan-ri 4 and 9 and 14 material soil collected from Usan-ri 9, Gwangju. And confirmed material correlation between whiteware and whiteware-material soil. In the case of white porcelain, it was divided into four groups(W1∼4) according to the color and monochromaticity of the body, and two (M1-2) groups according to the Mullite peak intensity. Regardless of the kiln site, all of the high-middle-low quality white pocelain were identified, and and there was no significant difference in the overall composition. As a result of partic le size analysis, most of the material soil was c omposed of fine sand, silt, and clay. In particular, in the case of clay material soil, the main component and discriminant analysis results showed similar tendency to white porcelain pieces. Therefore, it was estimated that the white porcelain excavated in Usan-ri 9, Gwangju was manufactured using material soil collected from the adjacent klin site and the production techniques of Usan-ri No. 4 and No. 9 were similar, but there were some differences in materials.
此次研究对光州乌山里4号、9号出土的白瓷、伽巴、土琴等28件白色器皿和从光州乌山里9号采集的14件材料土进行了理化分析,确定了物品的性质。并证实了白浪与白浪土的物质相关性。以白瓷为例,根据瓷体的颜色和单色性分为4组(W1 ~ 4),根据莫来石峰强度分为2组(M1-2)。无论窑址如何,所有的高、中、低质量白瓷都被鉴定出来,并且在整体成分上没有显著差异。颗粒粒度分析表明,物质土主要由细砂、粉砂和粘土组成。特别是粘土材料土,其主成分和判别分析结果与白瓷件相似。因此,据推测,在光州乌山里9号出土的白瓷是用从邻近的窑场收集的材料土制成的,而且乌山里4号和9号的制作工艺相似,但在材料上存在一定差异。
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引用次数: 0
Conservation Treatment of the Printing Woodblocks with Inscription of “Hunmongjahoe” in the Collection of the Pusan National University Museum 釜山大学博物馆收藏的“洪蒙加会”刻字版画的保存处理
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.01
S. Jo, J. Park, Young Mok Kim, Min Ji Kang, S. Kim
Printing woodblocks with inscription of “Hunmongjahoe”, in the collection of the Pusan National University Museum, is engraved the “Hunmongjahoe” written by Se-jin Choi who is a translator at the reign of King Joongjong of the Joseon Dynasty on the woodblocks, and it is consists of totally 52 pieces of ‘In’, ‘Sang’, ‘Jung’ and ‘Ha’. A conservation treatment was performed because a number of damage to the woody part due to insect damage was confirmed on above woodblocks. A number of traces presumed as the insect holes generated by harmful insects were observed on the surface and inside of the woodblocks as a result of X-ray inspection to determine the approximate size of damage by insects prior to the conservation treatment. In addition, all 52 pieces were identified as Acer spp. as a result of species identification to confirm the tree species used in the woodblocks production. 3D Scan was conducted for digital recording and precise measurement of Printing woodblocks with inscription of “Hunmongjahoe” after the pre-treatment survey and analysis, and it was possible to produce various size-specific end pieces as a result of it. The conservation treatment of woodblocks were performed in the order of cleaning, consolidation treatment, edge of a woodblocks manufacturing and assembly, and it was possible to stably preserve and treat woody part which were degraded and peeled off due to the insects as a result of applying above conservation treatment method.
釜山大学博物馆收藏的刻有“亨蒙宰会”字样的印刷木版上刻有朝鲜中宗时代的翻译家崔世镇所写的《亨蒙宰会》,共由“仁”、“桑”、“正”、“河”等52个字组成。由于上述木版上确认有多处木本部分因虫害而受损,因此进行了保护处理。在进行保护处理之前,通过x射线检查,在木版表面和内部观察到许多推测为有害昆虫产生的虫孔的痕迹,以确定昆虫损坏的大致大小。此外,通过树种鉴定,鉴定出52块木版均为槭属,以确定木版所用树种。对“hunmonjahoe”刻字木版进行预处理调查和分析后,进行3D扫描,进行数字记录和精确测量,从而可以制作出各种尺寸的成品。木刻板的养护处理按清洗、固结、木刻板制造边缘、组装的顺序进行,采用上述养护处理方法可以稳定地保存和处理因虫蛀而退化剥落的木刻部分。
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引用次数: 0
A Time Series Analysis of Buddhist Painting Using Digital Image Data 基于数字图像数据的佛教绘画时间序列分析
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.05
T. Eom, Hwasoo Lee
Damage to the painting cultural heritage is recognized through visual observation, photographic data, and conservation diagnosis records, and technology that accurately understands the degree of change over time can prevent damage and be effectively used for conservation treatment. In this study, a time series analysis was conducted to diagnose and compare the conservation status of the past and the present using the digital image of Hanging Painting of Bongjeongsa Temple, Andong (The Vulture Peak Assembly) with different filming times. Color information was analyzed using a digital image analysis program. The shape information and area of crease, exfoliation of painting layer, loss of background material and contamination were calculated using the Relief, Threshold Switching, Color Mapping in HSV space function. Based on the calculated data, the change pattern was confirmed by comparing the damage that occurred in the same area. Quantitative data such as the area of damage and the length of the object were used together to comprehensively compare and analyze the degree of improvement and change in damage that occurred throughout the work to evaluate the change over time.
通过视觉观察、摄影资料和保护诊断记录来识别绘画文化遗产的损坏情况,准确了解随时间变化程度的技术可以防止损坏并有效地用于保护处理。本研究采用时间序列分析方法,对不同拍摄时间的安东奉正寺挂画(秃峰会)数字影像进行诊断和比较,分析了过去和现在的保护状况。使用数字图像分析程序分析颜色信息。利用HSV空间函数中的浮雕、阈值切换、颜色映射,计算折痕的形状信息和面积、涂装层的剥离、背景材料的损失和污染。在计算数据的基础上,通过对比同一区域发生的破坏情况,确定了变化规律。结合损伤面积、物体长度等定量数据,综合比较分析整个工作过程中损伤的改善程度和变化情况,评价其随时间的变化情况。
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引用次数: 0
A Study on the Composition and Manufacturing Technology of Rivets in Bronze Objects 青铜器铆钉组成及制造工艺研究
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.08
Woo Hyun Kim, Hyo Ryeong Choi, N. Cho
To completely bond two or more metals, there is a method of applying heat or using a nail. Most bronze containers use nails to bond and repair, which are called rivet techniques. Until now, the manufacturing technology of bronze ware has been conducted by many researchers, but research on rivets used in bronze ware is insufficient. In order to understand the manufacturing technology of bronze ware, research on not only the main body of the container but also each part must be conducted together. In the case of rivets, it is believed that they were made in consideration of the material, color, and economic feasibility suitable for the Bronze Age, and in this study, metallic analysis was conducted focusing on the four rivets excavated. As a result of metal microscope and SEM-EDS analysis, it is judged that the Cu-Sn-Pb ternary alloy and Cu-Ag binary alloy were manufactured using the general casting method. Compared to previous studies, rivets can be divided into (1) 100% pure copper (Cu) (2) Cu-Sn-Pb ternary alloys (Sn, Pb around 10%), and (3) Cu-Ag binary alloys, and this time the analyzed rivets correspond to types (2) and (3). If you study not only rivets but also containers in the future, it will be helpful to understand the manufacturing technology process of bronze containers.
要使两个或多个金属完全结合,有一种方法是加热或使用钉子。大多数青铜容器使用钉子来粘合和修复,这被称为铆钉技术。到目前为止,青铜器的制造技术已经有很多研究者进行了研究,但对青铜器中使用的铆钉的研究还不够。为了了解青铜器的制造工艺,不仅要对容器主体进行研究,而且要对各个部分进行研究。对于铆钉,可以认为它们是考虑到适合青铜器时代的材料,颜色和经济可行性而制作的,在本研究中,主要对出土的四个铆钉进行了金属分析。通过金属显微镜和SEM-EDS分析,判断采用常规铸造方法制备了Cu-Sn-Pb三元合金和Cu-Ag二元合金。与以往的研究相比,铆钉可分为(1)100%纯铜(Cu) (2) Cu-Sn-Pb三元合金(Sn, Pb约10%)和(3)Cu- ag二元合金,此次分析的铆钉对应类型为(2)和(3)。如果今后不仅研究铆钉,还研究容器,将有助于了解青铜容器的制造工艺过程。
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引用次数: 0
Provenance Interpretation and Petrological Characteristics of the Four Lion Three-story Stone Pagoda and Stone Lantern in Hwaeomsa Temple, Korea 华严寺四狮三层石塔和石灯的物源解释及岩石学特征
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.04
C. Lee, Sung Tae Kim, Woo Min Chae, Jun Hyoung Park
In this study, the lithological characteristics of the Four Lion Three-story Stone Pagoda and Stone Lantern in Hwaeomsa temple were analyzed, and the origin was interpreted. The stone properties composing the stone pagoda and the lantern are dark gray medium to coarse grained granodiorite with small to large mafic microgranular enclaves (MME), and show a fairly heterogeneous lithology. The stone properties constituting the main stone cultural heritages in the precincts of the temple use the same granodiorite as the stone pagoda and lantern. Magnetic susceptibilities of the stones ranged from 2.03 to 19.40 (mean 11.59)×10-3 SI unit, and the stones showed an almost identical distribution. The same granodiorites as the stone properties are exposed as a small intrusive rocks in the valley of Hwaeomsa temple, Toji-myeon and Gwangui-myeon area. As a result of comparing the lithological characteristics, magnetic susceptibility and geochemical behavior, it was confirmed that the rocks are identical to very similar rocks used in the stone cultural heritages of the temple. Also, many ancient quarrying traces are found in the outcrops of granodiorite, indicating that this was a place where stone quarried. Therefore, the grandiorite can be used as a substitution stones that may be needed in the repa ir process of the stone pa goda a nd stone la ntern.
本研究分析了华严寺四狮三层石塔和石灯的岩性特征,并对其成因进行了解释。组成石塔和灯笼的岩石性质为深灰色中~粗粒花岗闪长岩,具有小~大的基性微粒包体(MME),岩性相当不均匀。构成寺内主要石质文化遗产的石质物与石塔、石灯使用相同的花岗闪长岩。石的磁化率范围为2.03 ~ 19.40(平均11.59)×10-3 SI单位,石的磁化率分布基本一致。与岩石性质相同的花岗闪长岩以小型侵入岩的形式出现在花阴寺谷地、土知面和广桂面一带。通过岩石学特征、磁化率和地球化学行为的比较,证实这些岩石与寺庙石文化遗产中使用的非常相似的岩石相同。此外,在花岗闪长岩的露头中发现了许多古代采石的痕迹,表明这里曾是采石的地方。因此,在石坝和石坑的修复过程中,可以使用镁镁石作为可能需要的替代石。
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引用次数: 0
A Study on Manufacturing Technique and Corrosion Characteristics of Bronze Dirk, Bronze Sword, Bronze Mirror in Early Iron Age Excavated from the Osong Site in Cheongju 清州五松遗址出土早期铁器时代青铜剑、青铜剑、青铜镜的制作工艺及腐蚀特征研究
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.06
Woo Hyun Kim, Ji Min Jeon, N. Cho
Metallography, SEM-EDS, and Raman Micro-Spectroscopy analysis were conducted on bronze dirk, bronze sword, and bronze mirror excavated from the pit tomb No. 1-1 at 12th Point of Osong Site in Cheongju to study the manufacturing techniques and corrosion properties. The bronze dirk, bronze sword and bronze mirror are judged to be binary alloys of Cu(79.16∼79.89 wt%)-Sn (19.12∼20.34 wt%). The microstructure is a cast structure composed of δ phase and (α+δ) eutectoid, and no heat treatment was performed. As a result of classifying the corrosion characteristics, it was confirmed that the bronze dirk, bronze sword, bronze mirror were Type I. As a result of EDS analysis in subsurface area, tin oxide is located as a selective corrosion of (α+δ) eutectoid, and as a result of Raman Micro-Spectroscopy analysis, corrosion products of Cassiterite and Malachite were identified for the bronze dirk and Cassiterite for bronze sword and bronze mirror. The secondary metallic copper was mainly present in the hole left by corrosion of Pb particles and on the (α+δ) eutectoid, and was found to be 100.00 wt% of Cu as a result of the analysis, confirming that all of them were high-purity copper.
对清州市五松遗址12点1-1号坑墓出土的青铜剑、青铜剑、青铜镜等进行了金相、SEM-EDS、拉曼显微光谱等分析,研究了制作工艺和腐蚀性能。青铜剑、青铜剑和青铜镜被判定为铜(79.16 ~ 79.89 wt%)-锡(19.12 ~ 20.34 wt%)二元合金。组织为δ相和(α+δ)共析组成的铸态组织,未经热处理。通过对铜匕首、铜剑、铜镜的腐蚀特征进行分类,确定了铜匕首、铜剑、铜镜的腐蚀类型为ⅰ型。在亚表面EDS分析中,氧化锡被定位为(α+δ)共析的选择性腐蚀产物;在拉曼显微光谱分析中,铜匕首和铜剑、铜镜的腐蚀产物分别被鉴定为锡石和孔雀石。次级金属铜主要存在于Pb颗粒腐蚀留下的孔洞和(α+δ)共析上,分析结果表明铜的含量为100.00 wt%,均为高纯铜。
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引用次数: 0
Manufacturing Technique of the Buddhist Monk Bodhidharma Mural Painting in Geungnakjeon Hall, Daewonsa Temple, Boseong 佛城大院寺庆乐殿菩提达摩僧壁画制作工艺
IF 0.8 0 ART Pub Date : 2023-03-20 DOI: 10.12654/jcs.2023.39.1.07
Yeong Gyeong Yu, Hwasoo Lee
The manufacturing technique was studied through the structure and material characteristics of the Buddhist Monk Bodhidharma mural painting in Geungnakjeon Hall, Daewonsa Temple. The mural is painted connected to the earthen wall and the Joongkit. The earthen wall consists of an first layer, a middle layer, a finishing layer, and a painting layer. It was come to light that the first layer had a high content of loess below silt, and the finishing layer had a high content of fine sand. The painting layer was colored after preparing a ground layer using a soil mineral pigment. It was come to light that he Buddhist Monk Bodhidharma mural painting was created with the same technique as the Avalokitesvara Bodhisattva mural painting in Geungnakjeon Hall. The murals inside Geungnakjeon Hall belong to a category similar to the Joseon Dynasty’s buddhist mural painting (made of earthen) manufacturing style, but characteristic factors were found in the high fine sand content of the finishing layer, the condition of plastering according to the surface finishing technology, and the painting technique of the Joongkit. It is expected that this information can be used as an important indicator for monitoring the conservation status of murals inside the Geungnakjeon Hall of Daewonsa Temple in the future.
通过大院寺庆乐殿内的菩提达摩和尚壁画的结构和材质特点,研究了制作工艺。壁画是与土墙和中基相连的。所述土墙由第一层、中间层、饰面层和涂装层组成。结果表明:第一层淤泥下黄土含量高,末层细砂含量高。绘画层是在用土壤矿物颜料准备了地面层后上色的。据悉,这幅《菩提达摩和尚》壁画与观音殿的《观音菩萨》壁画技法相同。庆乐殿内的壁画与朝鲜时代的佛教壁画(土制)制作风格相似,但在精加工层的细砂含量高、根据表面加工工艺进行抹灰的条件、中基的绘画工艺等方面,发现了具有特色的因素。预计,这一信息将成为今后监测大元寺庆乐殿壁画保存状况的重要指标。
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引用次数: 0
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International Journal of Conservation Science
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