I-Perception最新文献

In the typical Orbison illusion, the sides of a square placed on concentric circles appear to be bending toward the center of the circles. We report a motion version of the Orbison illusion (namely, the kinetic Orbison illusion). When a dot moves along a square trajectory against a background of concentric circles, the sides of the trajectory appear to bend toward the center and the corners appear to be sharpened. In the present study, observers adjusted the shape of a comparison stimulus to the shape of the perceived trajectory by bending the sides. The amount of illusion was operationally defined as the largest discrepancy between the square and adjusted shape in the comparison stimulus. It was found that the illusory bending was more than twice the static Orbison illusion and reached a maximum of 7.3% of the length of one side. Experiments including a comparison between fixation and pursuit conditions revealed that the main cause of the kinetic illusion was not motion streaks of the dot crossing background circles. We propose an alternative hypothesis based on induced motion generated by background circle motion, the direction of which is misperceived owing to the aperture problem.

A movie taken from the front window of a running train, with zooming in and out, has been popularly acknowledged as a perceptual illusion such that the train motion is perceived as much slower when zoomed in. This is, however, not a real illusion because the image speed varies as a function of the focal length of the lens. This could be a meta-illusion, that is, an illusory sense of illusion, that might reflect a lack of understanding of how zooming changes the geometrical structure of the image.

The visual saltation illusion of a Kanizsa-type subjective triangle was demonstrated. After a subjective/real triangle was flashed twice at the same position, another subjective/real triangle was flashed at a displaced position. In a typical case, the second flash was perceived to occur midway between the first and third flash positions. This study showed that the rated illusion strength for the Kanizsa and real triangles largely depended on stimulus onset asynchrony and retinal eccentricity and that the illusion rating was the same between the Kanizsa and real gray triangles when they were presented on black disks (or inducers). When the real triangle was presented in isolation, the illusion rating was lower. Presenting flashes on disks appears to enhance the saltation illusion for both the Kanizsa and real triangles possibly due to a stronger crowding effect or shape changes of inducers enhancing the perception of object appearance and disappearance. Various types of saltation illusions with a Kanizsa triangle are demonstrated in a video.

The gap transfer illusion is an auditory phenomenon in which a temporal gap in a longer glide transfers perceptually to a crossing shorter glide, making the longer glide illusorily continuous. This continuity is often considered a variation of classic illusory auditory continuity attributed to auditory peripheral activity, but a new view is given here supported by a series of sound demonstrations indicating that this illusory continuity is purely caused by a higher mechanism of perceptual organization.

The subjective synchrony perception for audiovisual stimuli is affected by previous temporal information. The point of subjective simultaneity is shifted toward the same asynchronous direction of audiovisual stimuli in a previous trial. This phenomenon is called "rapid temporal recalibration." The factors that modulate the magnitude of rapid temporal recalibration have not been fully investigated. Previously, a positive correlation has been found between the magnitude of rapid temporal recalibration and the width of the temporal binding window (TBW). This preliminary study examined the causal relationship between TBW size and rapid recalibration magnitude using a single experimental group comparison design. In this experiment, the magnitude of rapid recalibration was compared before and after perceptual training, which narrowed the TBW width. The results indicated that the magnitude of rapid recalibration was reduced by perceptual training. Therefore, it was speculated that TBW size determined the magnitude of rapid recalibration. This causal relationship helps elucidate the mechanisms of the adaptation for temporal lags between visual and auditory sensations.

Gradient colors are widely used in product design. The variation of gradient colors muting a color as a series of steps from bright to dull creates a soft and gradual impression while also affecting people's perceptions. This study manipulates the types of gradient colors to explore the relationship between color gradients and perception of stability to determine whether weight perception plays a role. In the case of controlling for aesthetic differences, the study manipulated two types of color gradients (dark colors fading upward from the bottom versus downward from the top) and measured the perceptions of product stability. In the same hue, an upward gradient gives a stronger perception of stability. In addition, gradient colors significantly influence women's perception of stability more than men's. The study also investigated the mediating effect of weight perception: participants evaluated color fading-upward products with less weight relative to fading-downward colors. Furthermore, dark colors fading upward from the bottom lead to a stronger perception of weight, increasing the stability perception of the object. Finally, to aid future research, we discuss the practical implications of the current findings for areas such as sensory marketing, as well as possible directions for future research.