Pub Date : 2023-10-27DOI: 10.1177/10778004231209954
Marcelo Diversi
A letter of appreciation for Norman Denzin.
一封给诺曼·丹津的感谢信。
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Pub Date : 2023-10-25DOI: 10.1177/10778004231202936
Victoria Foster
This article explores synergies between surrealism and posthumanism, including ways of knowing the world in ways that simultaneously value and decenter the human, and inspire much-needed creative thinking about reworlding the planet. These are playful ways of knowing that embrace chance, accept paradox, and question conventional understandings of time. Such ideas are explored through the example of an arts-based research project at a community farm in Lancashire, United Kingdom. The project’s “surrealist sensibility” resulted not only in encouraging participants’ creativity but also in opening them up to encounters with the more-than-human and providing acknowledgment of how connected we really are.
{"title":"Surreal Encounters: Playing With the More-Than-Human at a Community Farm","authors":"Victoria Foster","doi":"10.1177/10778004231202936","DOIUrl":"https://doi.org/10.1177/10778004231202936","url":null,"abstract":"This article explores synergies between surrealism and posthumanism, including ways of knowing the world in ways that simultaneously value and decenter the human, and inspire much-needed creative thinking about reworlding the planet. These are playful ways of knowing that embrace chance, accept paradox, and question conventional understandings of time. Such ideas are explored through the example of an arts-based research project at a community farm in Lancashire, United Kingdom. The project’s “surrealist sensibility” resulted not only in encouraging participants’ creativity but also in opening them up to encounters with the more-than-human and providing acknowledgment of how connected we really are.","PeriodicalId":48395,"journal":{"name":"Qualitative Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135170796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.1177/10778004231208039
Angharad N. Valdivia
This is a letter to Norman Denzin, who passed away in August 2023.
这是一封写给诺曼·丹津的信，他于2023年8月去世。
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Pub Date : 2023-10-21DOI: 10.1177/10778004231208038
Gaile S. Cannella
This article demonstrates the profound role that Norman Denzin played as a qualitative researcher and friend to those of us in academia. Examples of his writing, contributions, and responses to those of us working in academia are provided. Norman was an activist who demonstrated how to survive within the often narrow confines of academia and also how to become a radical academic activist who creates expanded, more just spaces for thought and action. His work will continue to increase our possibilities. We honor and thank him for being our friend, supporter, and model.
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Pub Date : 2023-10-21DOI: 10.1177/10778004231208040
Grant Kien
A struggle with text in memory of Prof. Norman Denzin. When we stack these treasures altogether, we build a monument.
纪念诺曼·丹津教授的文字斗争。当我们把这些珍宝堆在一起时，我们就建造了一座纪念碑。
{"title":"Writing a Hero: A Textual Struggle in Memory of Prof. Norman Denzin","authors":"Grant Kien","doi":"10.1177/10778004231208040","DOIUrl":"https://doi.org/10.1177/10778004231208040","url":null,"abstract":"A struggle with text in memory of Prof. Norman Denzin. When we stack these treasures altogether, we build a monument.","PeriodicalId":48395,"journal":{"name":"Qualitative Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135510970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-21DOI: 10.1177/10778004231207918
Marc Spooner
This is my tribute to Norm.
这是我对Norm的致敬。
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Pub Date : 2023-10-16DOI: 10.1177/10778004231200791
Jaye Johnson Thiel
Finding inspiration from recent calls to consider the body, affect, movement, and otherwise as/in archives, this article focuses on events that took place with young archivists engaged in the act of drawing at a community center. These data-stories are put in conversation with spatial theory, children’s geographies, and feminist new materialisms to make sense of child-created archives and to offer researchers a way to (un)learn archival methods by acknowledging artifacts, as not only reflecting the community of makers but also reflecting the vibrancy of materials and space as an archival reciprocity.
{"title":"(Un)Learning Archival Methods From Young Archivists: A Lesson in Spatiality, Vitality, and Reciprocity","authors":"Jaye Johnson Thiel","doi":"10.1177/10778004231200791","DOIUrl":"https://doi.org/10.1177/10778004231200791","url":null,"abstract":"Finding inspiration from recent calls to consider the body, affect, movement, and otherwise as/in archives, this article focuses on events that took place with young archivists engaged in the act of drawing at a community center. These data-stories are put in conversation with spatial theory, children’s geographies, and feminist new materialisms to make sense of child-created archives and to offer researchers a way to (un)learn archival methods by acknowledging artifacts, as not only reflecting the community of makers but also reflecting the vibrancy of materials and space as an archival reciprocity.","PeriodicalId":48395,"journal":{"name":"Qualitative Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136114474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-16DOI: 10.1177/10778004231200264
Mike Kugler
Scholars know little of the inner lives of past children. Discovering a large collection of adolescent art, now older than 80 years old, seems like an archival treasure. James “Jimmy” Kugler (1932–1969) of Lexington, Nebraska, drew more than 120 sheets of comic strips, including retelling the Pacific theater of World War II as a violent confrontation of humanoid “Frogs” and “Toads.” The rest of the collection are gangster horror stories and violently humorous, single-panel drawings. What historical context helps make sense of such art? My father died over 50 years ago, and few if any of his classmates and loved ones are still alive. I describe searching through local newspapers, telephone directories, contemporary American propaganda and comic books, movies, just about anything that my father might have read, watched or seen. I treat the project as a microhistory of adolescent rebellion inspired by wartime propaganda and popular culture. What we may want from the past, I argue, contrasts what the past cannot give us. I hope to depict the necessity, and limits, of historical explanation and speculation.
{"title":"The Graphic and the Grotesque: Doing History With Your Dad’s Violent, Funny (and Possibly Racist) Comic Strips","authors":"Mike Kugler","doi":"10.1177/10778004231200264","DOIUrl":"https://doi.org/10.1177/10778004231200264","url":null,"abstract":"Scholars know little of the inner lives of past children. Discovering a large collection of adolescent art, now older than 80 years old, seems like an archival treasure. James “Jimmy” Kugler (1932–1969) of Lexington, Nebraska, drew more than 120 sheets of comic strips, including retelling the Pacific theater of World War II as a violent confrontation of humanoid “Frogs” and “Toads.” The rest of the collection are gangster horror stories and violently humorous, single-panel drawings. What historical context helps make sense of such art? My father died over 50 years ago, and few if any of his classmates and loved ones are still alive. I describe searching through local newspapers, telephone directories, contemporary American propaganda and comic books, movies, just about anything that my father might have read, watched or seen. I treat the project as a microhistory of adolescent rebellion inspired by wartime propaganda and popular culture. What we may want from the past, I argue, contrasts what the past cannot give us. I hope to depict the necessity, and limits, of historical explanation and speculation.","PeriodicalId":48395,"journal":{"name":"Qualitative Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136112347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-14DOI: 10.1177/10778004231193766
Heike Greschke
In this article, I outline the framework of (auto)ethnographic positioning analysis. Using the example of an unpleasant field experience, I first develop the “metainvective positioning circle,” a heuristic model that I use to address the crisis of ethnography, its consequences for methodological development, and its implications for contemporary ethnographic practice. In the further sections, I outline how (auto)ethnographic positioning analysis combines various previously established methodological procedures, how it differs from them, and how it goes beyond them. Furthermore, I highlight key features of (auto)ethnographic positioning analysis and the most promising moments in the research process for its application.
{"title":"Coming to Terms With the Invective Latency of Ethnographic Relations: A Plea for (Auto)Ethnographic Positioning Analysis","authors":"Heike Greschke","doi":"10.1177/10778004231193766","DOIUrl":"https://doi.org/10.1177/10778004231193766","url":null,"abstract":"In this article, I outline the framework of (auto)ethnographic positioning analysis. Using the example of an unpleasant field experience, I first develop the “metainvective positioning circle,” a heuristic model that I use to address the crisis of ethnography, its consequences for methodological development, and its implications for contemporary ethnographic practice. In the further sections, I outline how (auto)ethnographic positioning analysis combines various previously established methodological procedures, how it differs from them, and how it goes beyond them. Furthermore, I highlight key features of (auto)ethnographic positioning analysis and the most promising moments in the research process for its application.","PeriodicalId":48395,"journal":{"name":"Qualitative Inquiry","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135803995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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