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How to build a scientific discipline in the nineteenth century: In search of autonomy for zoology at the Lisbon Polytechnic School (1837-1862). 如何在19世纪建立一门科学学科:在里斯本理工学院寻求动物学的自主权(1837-1862)。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-06-01 Epub Date: 2023-11-08 DOI: 10.1017/S0269889723000169
Daniel Gamito-Marques

This article discusses the conditions that lead to the autonomy of scientific disciplines by analyzing the case of zoology in the nineteenth century. The specialization of knowledge and its institutionalization in higher education in the nineteenth century were important processes for the autonomy of scientific disciplines, such as zoology. The article argues that autonomy only arises after social and political power is mobilized by specific groups to acquire appropriate conceptual, physical, and institutional spaces for a discipline. This is illustrated through the case study of the Lisbon Polytechnic School, a higher education establishment that was created in 1837, in Portugal. The case shows that autonomy in zoology can arise before the consolidation of a community of experts in the discipline, which may have been a common feature of the discipline in other countries.

本文通过对19世纪动物学案例的分析,探讨了科学学科自主的条件。19世纪高等教育中知识的专业化及其制度化是动物学等科学学科自主的重要过程。文章认为,只有在特定群体动员社会和政治权力,为一门学科获得适当的概念、物理和制度空间后,自治才会产生。里斯本理工学院是一所高等教育机构,创建于1837年,位于葡萄牙。该案例表明,动物学的自主性可能在该学科的专家群体整合之前产生,这可能是该学科在其他国家的共同特点。
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引用次数: 0
Detecting the unknown in a sea of knowns: Health surveillance, knowledge infrastructures, and the quest for classification egress. 在已知的海洋中发现未知:健康监测、知识基础设施和寻求分类出口。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-06-01 Epub Date: 2023-11-23 DOI: 10.1017/S0269889723000133
Francis Lee

The sociological study of knowledge infrastructures and classification has traditionally focused on the politics and practices of classifying things or people. However, actors' work to escape dominant infrastructures and pre-established classification systems has received little attention. In response to this, this article argues that it is crucial to analyze, not only the practices and politics of classification, but also actors' work to escape dominant classification systems. The article has two aims: First, to make a theoretical contribution to the study of classification by proposing to pay analytical attention to practices of escaping classification, what the article dubs classification egress. This concept directs our attention not only to the practices and politics of classifying things, but also to how actors work to escape or resist classification systems in practice. Second, the article aims to increase our understanding of the history of quantified and statistical health surveillance. In this, the article investigates how actors in health surveillance assembled a knowledge infrastructure for surveilling, quantifying, and detecting unknown patterns of congenital malformations in the wake of the thalidomide disaster in the early 1960s. The empirical account centers on the actors' work to detect congenital malformations and escape the dominant nosological classification of diseases, the International Classification of Diseases (ICD), by replacing it with a procedural standard for reporting of symptoms. Thus, the article investigates how actors deal with the tension between the-already-known-and-classified and the unknown-unclassified-phenomenon in health surveillance practice.

知识基础结构和分类的社会学研究传统上集中在对事物或人进行分类的政治和实践上。然而,行为者逃避主导基础设施和预先建立的分类系统的工作很少受到关注。针对这一点,本文认为,不仅要分析分类的实践和政治,而且要分析行为者为逃避主流分类制度所做的努力。本文的目的有两个:一是提出对逃避分类的实践予以分析关注,即本文所称的分类出口,为分类研究做出理论贡献。这一概念不仅将我们的注意力引导到对事物进行分类的实践和政治上,而且还引导我们关注行为者在实践中如何逃避或抵制分类系统。其次,本文旨在增加我们对量化和统计健康监测历史的理解。在这篇文章中,本文调查了在20世纪60年代早期沙利度胺灾难之后,健康监测中的参与者如何为监测、量化和检测未知的先天性畸形模式组装知识基础设施。经验性叙述的中心是行动者的工作,以检测先天性畸形和逃避主要的疾病分类学分类,即国际疾病分类(ICD),通过用报告症状的程序标准取代它。因此,本文探讨了行动者如何处理卫生监测实践中已知和分类与未知和未分类现象之间的紧张关系。
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引用次数: 0
Introduction 介绍
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1017/S0269889700001551
Jordana Blejmar
On June 3, 2015, thousands of people in Argentina gathered in the streets to protest the murder of fourteen-year-old Chiara Paez at the hands of her boyfriend. Following her brutal death, a wave of indignation spread on social media with the viral hashtags #NiUnaMenos and #VivasNosQueremos. What started as an act of public grief and defiance against patriarchy rapidly found an angry but also unexpectedly upbeat tone, a combination of collective fury and exhaustion expressed in highly theatrical and political performances of affection and resistance. “We are moved by desire” became one of the movement's taglines. María Pia López's Not One Less: Mourning, Disobedience, and Desire (2021), among the first English accounts from inside the movement, reflects on this phenomenon and serves as a practical tool in current feminist struggles, feeding the very same transnational, intersectional, transformative movement in which the author has participated as protagonist, connoisseur, and chronicler. López is one of the leading voices of the fourth wave of Latin American feminisms. This collection of commentaries is animated by the dialogical spirit of her book, addressing issues ranging from the transnational identity of feminist political activism; the connection between gender equality and class struggle; the movement's combination of mourning, ecstasy, and desire; and—arguably one of the most important achievements of NUM—feminism's ability to alter the political imagination and common sense.
2015年6月3日,阿根廷数千人聚集在街头,抗议14岁的Chiara Paez被男友谋杀。在她惨死后,社交媒体上掀起了一股愤怒的浪潮,标签是#NiUnaMenos和#VivasNosQueremos。起初是公众对父权制的悲痛和反抗,但很快就发现了一种愤怒但又出乎意料的乐观基调,一种集体愤怒和疲惫的结合,在高度戏剧化和政治化的情感和抵抗表演中表达出来。“我们被欲望所打动”成为了这场运动的口号之一。玛丽亚·皮亚·洛佩斯(María Pia López。洛佩斯是第四波拉丁美洲女性主义的主要代言人之一。这本评论集受到了她书中对话精神的启发,涉及的问题包括女权主义政治激进主义的跨国身份;性别平等与阶级斗争之间的联系;这场运动结合了哀悼、狂喜和欲望;以及——可以说是NUM最重要的成就之一——女权主义改变政治想象力和常识的能力。
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引用次数: 0
Introduction 介绍
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1017/S0269889700002350
Keri Facer, Christopher Newfield
The authors organized a conference, “Global Higher Education in 2050: Imagining Universities for Sustainable Societies,” at the University of California, Santa Barbara, March 4–6, 2020, right before the campus was closed for eighteen months in response to the COVID-19 pandemic. The event's premise was that the futures of higher education will be plural, must be responsive to large international divergences, and must be actively created by global majorities rather than policy elites. This introduction describes the papers' common project of identifying the key elements in the higher education status quo and features that might lead toward unexpected futures. We summarize the three horizons methodology that guided some of the work. We also outline the activities of the third day, the workshop that sought a means of linking the present to the future. This work continues beyond the horizons of the papers published here.
作者于2020年3月4日至6日在加州大学圣巴巴拉分校组织了一场题为“2050年的全球高等教育:为可持续社会设想大学”的会议,随后该校因应对COVID-19大流行而关闭了18个月。这次会议的前提是,高等教育的未来将是多元的,必须对巨大的国际分歧做出反应,必须由全球多数人而不是政策精英积极创造。这篇引言描述了论文的共同项目,即确定高等教育现状的关键因素和可能导致意想不到的未来的特征。我们总结了指导某些工作的三个视界方法。我们还概述了第三天的活动,该讲习班寻求一种将现在与未来联系起来的手段。这项工作在这里发表的论文的范围之外继续进行。
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引用次数: 0
Euclid's Fourth Postulate: Its authenticity and significance for the foundations of Greek mathematics. 欧几里得第四公设:其真实性及其对希腊数学基础的意义。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-03-01 Epub Date: 2023-12-07 DOI: 10.1017/S0269889723000145
Vincenzo De Risi

The Fourth Postulate of Euclid's Elements states that all right angles are equal. This principle has always been considered problematic in the deductive economy of the treatise, and even the ancient interpreters were confused about its mathematical role and its epistemological status. The present essay reconsiders the ancient testimonies on the Fourth Postulate, showing that there is no certain evidence for its authenticity, nor for its spuriousness. The paper also considers modern mathematical interpretations of this postulate, pointing out various anachronisms. It further discusses the validity of the ancient proof by superposition of the Fourth Postulate. Finally, the article proposes an interpretation of the history of the concept of angle in Greek geometry between Euclid and Apollonius, and puts forward a conjecture on the interpolation of the Fourth Postulate in the Hellenistic age. The essay contributes to a general reassessment of the axiomatic foundations of ancient mathematics.

欧几里得的第四个公设说所有的直角都是相等的。在论著的演绎经济中,这个原则一直被认为是有问题的,甚至古代的诠释者也对它的数学作用和认识论地位感到困惑。本文重新考虑了古代关于第四假设的证词,表明没有一定的证据证明它的真实性,也没有证据证明它的虚假。本文还考虑了对这一假设的现代数学解释,指出了各种时代错误。它进一步讨论了第四公设叠加的古代证明的有效性。最后,本文对欧几里得和阿波罗尼乌斯之间希腊几何中角度概念的历史进行了解释,并对希腊化时代第四公设的插值提出了一个猜想。这篇文章有助于对古代数学的公理基础进行普遍的重新评估。
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引用次数: 0
Ruling the Hive: An Interview with Melody Eötvös 统治蜂巢:采访梅洛迪Eötvös
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx12367
Simon Maurer
Melody Eötvös (b. 1984) was born in the Southern Highlands, NSW, Australia. Her work draws on both multimedia and traditional instrumental contexts, and makes substantial extra-musical references to philosophical, biological and ancient topics as well as her sustained interest in late nineteenth-century life and literature…
Melody Eötvös(出生于1984年)出生于澳大利亚新南威尔士州南部高地。她的作品借鉴了多媒体和传统的乐器背景,并使大量的音乐以外的参考哲学,生物学和古代的话题,以及她对19世纪晚期的生活和文学的持续兴趣……
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引用次数: 0
Rationale and Neurodivergence: Reflections on, and Repercussions of, the Quintessence Project 基本原理和神经分化:对国粹计划的反思和影响
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx60127
Quin Thomson
In Autumn 2003, under a previous name, I published a research report in this journal, entitled ‘The Quintessence Project: Re-envisioning Mediæval Music through the Lens of Electroacoustic Technology.’ The report detailed the beginnings of an effort to blend historically informed performance practice (specifically of Gregorian chant) with improvisatory techniques, scaffolded by electroacoustic ‘found sound’ techniques including looping, filtering and granulation…
2003年秋,我在该杂志上发表了一篇研究报告,题为《国粹项目:通过电声技术的镜头重新设想mediaeval音乐》。该报告详细介绍了将历史上的表演实践(特别是格里高利圣咏)与即兴技巧结合起来的努力的开始,并以电声“发现的声音”技术为基础,包括循环、过滤和颗粒化……
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引用次数: 0
Amanda Harris. Representing Australian Aboriginal Music and Dance, 1930–1970 阿曼达·哈里斯。代表澳大利亚土著音乐和舞蹈,1930-1970
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx80760
Georgia Curran
In Representing Australian Aboriginal Music and Dance 1930–1970, Amanda Harris sets out a history of Aboriginal music and dance performances in south-east Australia during the four-decade-long period defined as the Australian assimilation era. During this era, and pushing its boundaries, harsh government policies under the guise of ‘protection’ and ‘welfare’ were designed forcibly to assimilate Aboriginal people into the mainstream population. It is striking while reading this book how few of these stories are widely known, particularly given the heavy influence that Harris uncovers it having on the Australian art music scene of today. As such, the book makes an important contribution to the ‘truth telling’ of Australian history while also showing that—despite the severe policies during this era, including the banning of speaking in Indigenous languages and restricting the performance of ceremony—Aboriginal people have remained active agents in driving their own engagements and asserting their own culturally distinct modes of music and dance performance. This resilience against significant odds has been aptly described by one of the book’s contributors, Yorta Yorta and Dja Dja Warrung cultural leader, visual and performance artist, curator and opera singer Tiriki Onus, as ‘hiding in plain sight,’ referring to the ways in which Aboriginal people ensured the continued practice and performance of their culture by doing so in public, the only place they were allowed to…
在《代表澳大利亚土著音乐和舞蹈1930-1970》一书中,阿曼达·哈里斯(Amanda Harris)讲述了澳大利亚东南部长达40年的土著音乐和舞蹈表演历史,这段历史被定义为澳大利亚同化时代。在这个时代,在“保护”和“福利”的幌子下,政府制定了严厉的政策,强行将土著人同化为主流人口。在阅读这本书时,令人惊讶的是,这些故事很少为人所知,尤其是考虑到哈里斯揭示的这些故事对当今澳大利亚艺术音乐界的重大影响。因此,这本书对澳大利亚历史的“真相”做出了重要贡献,同时也表明,尽管在这个时代有严厉的政策,包括禁止使用土著语言和限制仪式的表演,土著人民仍然积极地推动他们自己的活动,并主张他们自己的文化独特的音乐和舞蹈表演模式。这本书的作者之一Yorta Yorta和Dja Dja Warrung文化领袖、视觉和表演艺术家、策展人和歌剧演唱家Tiriki Onus恰当地描述了这种对重大困难的适应能力,称之为“隐藏在视线之中”,指的是土著居民通过在公共场所(他们唯一被允许的地方)继续实践和表演他们的文化的方式。
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引用次数: 0
Kerry McCarthy. Tallis 克里麦卡锡。塔利斯
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx10871
Suzanne Cole
In a 2005 article commemorating five hundred years since the estimated date of Thomas Tallis’s birth, Peter Phillips (conductor of the appropriately-named Tallis Scholars) lamented the lack of published scholarship on the composer. At that time, the only book dedicated solely to Tallis was Paul Doe’s extremely slim (seventy-one page) book, published in 1968. This gap has since been filled by not one but two books on Tallis: John Harley’s 2015 Thomas Tallis (Ashgate), and Kerry McCarthy’s 2020 addition to the Oxford University Press (OUP) Master Musicians series, Tallis…
2005年,在一篇纪念托马斯•塔利斯诞辰500周年的文章中,彼得•菲利普斯(Peter Phillips)(塔利斯学者的指挥)哀叹缺乏关于这位作曲家的学术研究。当时,唯一一本专门介绍塔利斯的书是保罗·多伊(Paul Doe)于1968年出版的极其薄(71页)的书。此后,这一空白被两本关于塔利斯的书所填补:约翰·哈利2015年出版的《托马斯·塔利斯》(阿什盖特出版社),以及克里·麦卡锡2020年出版的牛津大学出版社(OUP)大师音乐家系列新作《塔利斯》……
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引用次数: 0
Tracing Eugene Goossens: Goossensiana in the National Library of Australia 追踪尤金·古森斯:澳大利亚国家图书馆的鹅
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx36915
S. Mould
The ‘Eugene Goossens Collection’ (EGC), consisting of approximately 220 music scores, was acquired by the National Library of Australia (NLA) in 2009 from the ‘Symphony Australia Collection.’ The ‘Goossens Collection’ (GC) was purchased from Eugene Goossens III (1893–1962) in 1956 and consists of around 100 items that were housed in the ABC Federal Music Library. This GC forms a part of the larger EGC, and its position within the larger collection is the subject of this paper. The GC appears to have been amalgamated with other material prior to its acquisition by the NLA, with the larger collection (EGC) nevertheless retaining the conductor’s name as an overall descriptor. As well as investigating issues of provenance that have emerged in relation to the EGC, this paper explores wider questions pertaining to the fate of Goossens’ papers, composition manuscripts, and print scores. Potential points of entry for further exploring and clarifying the Collection (EGC) will be proposed, the catalogue of which can be found on the NLA website.
“Eugene Goossens Collection”(EGC)由大约220首乐谱组成,由澳大利亚国家图书馆(NLA)于2009年从“澳大利亚交响乐收藏”中收购。“Goossens Collection”(GC)是1956年从Eugene Goossens III(1893-1962)手中购买的,由大约100件物品组成,这些物品被存放在ABC联邦音乐图书馆。这个GC构成了更大的EGC的一部分,它在更大的集合中的位置是本文的主题。在被NLA收购之前,GC似乎已经与其他材料合并,而更大的收集(EGC)仍然保留了指挥家的名字作为总体描述符。除了调查与EGC相关的出处问题外,本文还探讨了与Goossens的论文、作文手稿和印刷分数的命运有关的更广泛的问题。将提出进一步研究和澄清馆藏的潜在切入点,其目录可在国家图书馆网站上找到。
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引用次数: 0
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