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Jon Stratton, Jon Dale and Tony Mitchell, eds. An Anthology of Australian Albums: Critical Engagements 乔恩·斯特拉顿、乔恩·戴尔和托尼·米切尔主编。澳大利亚专辑选集:批判性参与
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx26553
Benjamin Hillier
An Anthology of Australian Albums: Critical Engagements is a welcome addition to the growing body of work that examines Australian popular music from a critical and scholarly perspective. It was conceptualised by eminent Australian musicologist Tony Mitchell as an academic companion to the often excellent work of non-academic journalists examining Australian popular music albums. As such, this book provides a critical perspective on Australian albums across a range of genres, from black metal to hip-hop, singer-songwriters, and the ever-present pub-rock bands that dominate the landscape of Australian popular music. This perspective leads the volume to consider some of these more common topics from new angles, omitting many of the great works of the canon of Australian rock royalty from the 1970s (AC/DC, The Angels, et al.) in favour of significant yet overlooked or marginalised artists. It is also decidedly contemporary in its choice of albums to analyse, with ten of the fifteen chapters focused on albums released in the twenty-first century, thus providing a valuable insight into recent developments in Australian popular music. Finally, the volume’s focus on individual works and albums makes it a useful complement to other scholarly volumes, such as Sounds of Then, Sounds of Now: Popular Music in Australia…
《澳大利亚专辑选集:批判性参与》是一本受欢迎的作品,它从批判和学术的角度审视了澳大利亚流行音乐。它是由著名的澳大利亚音乐学家托尼·米切尔概念化的,作为非学术记者研究澳大利亚流行音乐专辑的优秀作品的学术伴侣。正因为如此,这本书提供了一个批判的角度对澳大利亚专辑跨越一系列流派,从黑金属到嘻哈,歌手-歌曲作者,和无处不在的酒吧-摇滚乐队,主导景观的澳大利亚流行音乐。这一视角导致本书从新的角度考虑这些更常见的主题,省略了20世纪70年代澳大利亚摇滚皇室经典的许多伟大作品(AC/DC,天使等),以支持重要但被忽视或边缘化的艺术家。在选择专辑进行分析时,它也绝对是当代的,十五章中有十章专注于二十一世纪发行的专辑,从而为澳大利亚流行音乐的最新发展提供了宝贵的见解。最后,本书对个人作品和专辑的关注使其成为其他学术性书籍的有益补充,如《当时之声》、《现在之声:澳大利亚流行音乐》……
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引用次数: 0
Reconsidering the Role of Instrumental Technique in Creative Process: The ‘Canadian School of Double Bass’ Applied to Jazz Performance 重新思考器乐技术在创作过程中的作用:“加拿大低音提琴学派”在爵士演奏中的应用
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx57324
Samuel Dobson
Contemporary research exploring embodiment in music has suggested that creative musical thought is directly linked to a performer’s learnt physical techniques. Within this discourse, it is understood that an improvising musician’s embodied physical techniques play a primary role in informing their creative processes. This view suggests that subsequent changes or developments to a jazz musician’s physical technique may fundamentally influence the ways in which musical ideas are conceived while improvising. This article begins by unpacking a cross-section of literature in support of this claim, before presenting the results of a practice-led autoethnographic experiment exploring the relationship between instrumental technique and creative practice. In this experiment, I transition to a new way of playing the double bass, informed by Joel Quarrington’s The Canadian School of Double Bass, and observe transformations in hand frame, use of vertical shifts, use of register, feelings of tension and overall dexterity, all of which appear to influence my creative decision making. The results highlight how this reformed technical approach affected the physical accessibility of certain intervallic options, and appear to have fundamentally impacted my conception and construction of melodic content on a cognitive level.
当代对音乐体现的研究表明,创造性的音乐思维与表演者所学的身体技巧直接相关。在这个论述中,可以理解的是,一个即兴音乐家的具体物理技术在告知他们的创作过程中起着主要作用。这一观点表明,爵士音乐家身体技术的后续变化或发展可能会从根本上影响即兴创作时音乐思想的形成方式。本文首先分析了支持这一观点的横截面文献,然后展示了一项以实践为主导的自我民族志实验的结果,该实验探索了工具技术和创造性实践之间的关系。在这个实验中,我在Joel Quarrington的the Canadian School of double bass的指导下过渡到一种新的演奏低音提琴的方式,并观察了手框的变化,垂直移动的使用,音阶的使用,紧张的感觉和整体的灵活性,所有这些似乎都影响了我的创作决策。结果突出了这种改革后的技术方法如何影响某些音程选项的物理可达性,并且似乎从根本上影响了我在认知层面上对旋律内容的概念和构建。
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引用次数: 0
Megan Kaes Long. Hearing Homophony 梅根·凯斯·朗。听到同音异义
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx98123
T. Daly
A consistent problem in the analysis of changing musical technique is the temptation to apply anachronistic methods simply because they are well understood, or to measure the nascent style with tools designed for the mature form. This is especially the case when considering the development of tonal harmony, where the use of harmonic analysis well suited to common-practice music runs the risk of seeing earlier technique as an imperfect realisation of the later style: all roads lead to Beethoven! Hearing Homophony by Megan Kaes Long seeks to avoid this snare by taking a strictly circumscribed body of repertoire from the late sixteenth and early seventeenth centuries and examining it through the lens of expectation. In doing so, she demonstrates how the combined effect of this repertoire’s typical features conspires to produce an expectation of tonal resolution, even if this resolution is not yet completely functional in harmonic terms…
在分析不断变化的音乐技术时,一个始终存在的问题是,人们容易因为很容易理解而采用过时的方法,或者用为成熟形式设计的工具来衡量新生的风格。当考虑到调性和声的发展时,尤其如此,在这种情况下,和声分析的使用非常适合于普通练习的音乐,有可能把早期的技术看作是对后期风格的不完美实现:条条大路通贝多芬!Megan Kaes Long的《听谐音》试图避免这个陷阱,他选取了16世纪晚期到17世纪早期严格限定的曲目,并通过期待的视角来审视它。在此过程中,她展示了这些曲目的典型特征是如何共同产生一种对音调分辨率的期望的,即使这种分辨率在和声方面还没有完全发挥作用……
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引用次数: 0
John Whiteoak. 'Take me to Spain': Australian Imaginings of Spain Through Music and Dance 约翰Whiteoak。“带我去西班牙”:澳大利亚人通过音乐和舞蹈想象西班牙
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx82573
E. Kertesz
Writing in the late 1920s, J.B. Trend proclaimed that ‘Spain, as we know it today, seems to be pre-eminently a country of the dance, and no interpreter of Spanish music can make us feel its full beauty or vitality unless he feel those vital dance-rhythms within himself.’ This connection between Spain, dance, and the rhythms of its music has long characterised perceptions of Spanish culture, fostering the enduring popularity of Spanish-styled entertainments. In ‘Take me to Spain’: Australian Imaginings of Spain through Music and Dance, John Whiteoak traces this phenomenon through Australian history, from the early colonial era of the 1820s to the 1970s. His narrative concludes before the major changes caused in local Hispanic culture by mass migration from Latin America, the new policy of multiculturalism, and the emergence of world music…
J.B. Trend在20世纪20年代末写道:“正如我们今天所知道的,西班牙似乎是一个卓越的舞蹈之国,没有一个西班牙音乐的诠诠者能让我们感受到它的美丽和活力,除非他能感受到自己内心充满活力的舞蹈节奏。”西班牙、舞蹈和音乐节奏之间的这种联系长期以来一直是西班牙文化的特征,促进了西班牙风格娱乐的持久流行。在《带我去西班牙》一书中:澳大利亚人通过音乐和舞蹈想象西班牙,约翰·怀特亚克追溯了从19世纪20年代早期殖民时代到20世纪70年代的澳大利亚历史。他的叙述结束于拉丁美洲的大规模移民、多元文化主义的新政策和世界音乐的出现给当地西班牙文化带来的重大变化之前……
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引用次数: 0
Julian Dodd. Being True to Works of Music 朱利安·多德。忠实于音乐作品
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-31 DOI: 10.46580/cx93010
Sevastiana Nourou
The concept of being true to works of music and how true a performer is to the composer’s work has been an ongoing debate for many years. The idea of authenticity in the performance of musical works raises many questions, such as: what does it mean exactly to be authentic in music; how can one be authentic; to what exactly is one being faithful; which rules and conceptions should one follow to realise that authenticity; and can different performances of the same work both be authentic? Julian Dodd’s Being True to Works of Music is a short but insightful book about musical authenticity and musical meaning. It will be an important source not only for philosophers and musicologists, but also for students, and, most importantly, performers and listeners. It may also be of interest to general music readers…
忠实于音乐作品的概念,以及表演者对作曲家作品的忠实程度,多年来一直是一个争论不休的问题。音乐作品表演中的真实性概念提出了许多问题,例如:音乐中的真实性究竟意味着什么;一个人如何做到真实;到底什么是忠诚?我们应该遵循哪些规则和概念来认识这种真实性呢?同一作品的不同表演是否都是真实的?朱利安·多德的《忠实于音乐作品》是一本关于音乐真实性和音乐意义的短小精悍的书。它不仅是哲学家和音乐学家的重要资料来源,也是学生,最重要的是,表演者和听众的重要资料来源。一般音乐读者可能也会感兴趣……
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引用次数: 0
Evidence of undercounting: Collecting data on mental illness in Germany (c. 1825-1925). 少计的证据:收集德国精神疾病的数据(约1825-1925年)。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000078
Sophie Ledebur

Collecting data about people with mental disorders living outside of asylums became a heightened concern from the early nineteenth century onwards. In Germany, so-called "insanity counts" targeted the number and sometimes the type the mentally ill who were living unattended and untreated by professional care throughout the country. An eagerly expressed assumption that the "true" extent of the gathered numbers must be much higher than the surveys could reveal came hand in glove with the emerging task of "managing" insanity and its potential dangers in a modern society. The doorstep of the family home became a crucial site in psychiatrists' and enumerators' efforts to register the most sensitive of personal data. This article traces the ever more diligent methods that were employed to obtain the desired information, as well as the hidden agenda of the postulate of missing data itself. It also addresses the profound impact that the presumption of having only incomplete data has had on the practice of counting and surveying, as well as on the understanding of the need for professional monitoring of mental illness.

从19世纪初开始,收集住在精神病院之外的精神障碍患者的数据成为人们高度关注的问题。在德国,所谓的“精神错乱计数”针对的是全国范围内无人照料和未经专业护理的精神病患者的数量,有时是类型。人们热切地认为,收集到的数据的“真实”程度一定比调查显示的要高得多,这种假设与“管理”精神错乱及其在现代社会中的潜在危险的新任务密切相关。在精神科医生和人口普查员登记最敏感的个人数据的努力中,家里的门口成为了一个重要的地点。本文追溯了为获得所需信息而采用的越来越勤奋的方法,以及缺失数据本身假设的隐藏议程。它还讨论了只有不完整数据的假设对计数和调查实践的深刻影响,以及对精神疾病专业监测需求的理解。
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引用次数: 1
The world of deviance in the classroom: Psychological experiments on schoolchildren in Weimar Germany. 课堂上的偏差世界:魏玛德国学童的心理实验。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000066
Laurens Schlicht

The article uses three case studies from the 1920s to explore how psychologists and elementary school teachers employed psychological techniques to gain knowledge about elementary school children and their milieu. It begins by describing the role of the elementary school and the elementary school teacher in the Weimar Republic. It then discusses the so-called "observation sheets" that were used in elementary schools in the 1920s to gain insights into the mental and moral characteristics of pupils. Third, it examines psychological experiments undertaken in elementary school classrooms based on the exemplar case of a single teacher/experimenter, before concluding with a comparison of the two practices. I argue that psychology gained in standing through this history, becoming recognized as a foundational science in the context of education. Teachers used the professionalization of observation techniques in school to enhance their socio-epistemic status.

本文通过20世纪20年代的三个案例研究,探讨了心理学家和小学教师如何运用心理学技术来获得关于小学生及其环境的知识。文章首先描述了魏玛共和国小学和小学教师的角色。然后讨论了所谓的“观察表”,这种表在20世纪20年代用于小学,以了解学生的心理和道德特征。第三,在对两种实践进行比较之前,它基于单个教师/实验者的范例案例,检查了在小学课堂上进行的心理实验。我认为心理学在这段历史中获得了地位,在教育的背景下被认为是一门基础科学。教师在学校使用专业化的观察技术来提高他们的社会认知地位。
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引用次数: 0
True to form: Media and data technologies of self-inscription. 原形:自铭的媒介与数据技术。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1017/S026988972300008X
Christine von Oertzen

This paper examines self-inscription, a mode of census enumeration that emerged during the nineteenth century. Starting in the 1840s, a number of European states introduced self-inscription as an auxiliary means to facilitate the work of enumerators. However, a decisive shift occurred when Prussian census statisticians implemented self-inscription via individual "Zählkarten"-or "counting cards"-in 1871. The paper argues that scientific ideals of accuracy and precision prevalent in the sciences at the time motivated Prussian census officials to initiate self-inscription as an at-home scenario unmediated by enumerators, in which the census form alone was to yield truthful information from the respondents. By illuminating the bureaucratic means for implementing scientific ideals and practices in gathering personal census data, the paper offers an in-depth analysis of the media, technologies, and manpower that census takers deployed to reveal the epistemic-as well as social and political-impact of being "true to form."

本文考察了19世纪出现的一种人口普查计数模式——自我铭文。从19世纪40年代开始,一些欧洲国家引入了自我题记作为辅助手段,以方便计数人员的工作。然而,1871年普鲁士人口普查统计员通过个人“Zählkarten”或“计数卡”实现了自我铭文,这是一个决定性的转变。本文认为,当时科学中普遍存在的准确和精确的科学理想促使普鲁士人口普查官员将自我题记作为一种不受人口普查员干预的家庭场景,其中人口普查表本身就是从受访者那里获得真实信息。通过阐明在收集个人人口普查数据中实施科学理想和实践的官僚手段,本文深入分析了人口普查员为揭示“忠于形式”的认识论以及社会和政治影响而部署的媒体、技术和人力。
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引用次数: 1
Interview and interior: Procedures of narrative surveys around 1900. 采访与内部:1900年前后的叙事调查程序。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000054
Anke Te Heesen

In the spring of 1893, the Austrian writer and critic Hermann Bahr began interviewing various people on antisemitism, a subject of heated discussion in the European feuilleton around 1900. "Once again, I am travelling the world sounding out people's opinions and listening to what they have to say," he wrote in his introduction to a series of articles on that issue that appeared in the feuilleton of the Deutsche Zeitung between March and September 1893. A year later, the Berlin publishing house S. Fischer turned Bahr's articles into a book. Bahr conducted a total of thirty-eight interviews with prominent personages, such as August Bebel, Theodor Mommsen, Ernst Haeckel, Henrik Ibsen and Jules Simon. Bahr did not focus on the arguments in favour or against antisemitism. Instead, he set out explicitly to investigate the sentiments, perceptions and opinions on this topic within the cultured classes. Yet, as I will show in this article, Bahr tried to capture not only the "sentiments" [Empfindungen] aired by his interviewees, but also the settings and interiors in which the interviews took place. I argue that these descriptions of physical space served Bahr as authentication, as a three-dimensional certificate for the "facts of opinion" [Meinungstatsachen] he recorded.

1893年春天,奥地利作家和评论家赫尔曼·巴尔(Hermann Bahr)开始就反犹主义采访不同的人,这是1900年左右欧洲封建社会热烈讨论的话题。1893年3月至9月间,他在《德意志日报》(Deutsche Zeitung)的副刊上发表了一系列关于这个问题的文章,他在前言中写道:“我再一次周游世界,倾听人们的意见,倾听他们的看法。”一年后,柏林的S. Fischer出版社将巴尔的文章写成了一本书。Bahr总共采访了38位著名人士,如August Bebel, Theodor Mommsen, Ernst Haeckel, Henrik Ibsen和Jules Simon。巴尔并没有把重点放在支持或反对反犹主义的争论上。相反,他明确地着手调查文化阶层对这个话题的情绪、看法和意见。然而,正如我将在本文中展示的那样,Bahr不仅试图捕捉他的受访者所传达的“情感”,而且还试图捕捉采访发生的环境和内部。我认为,这些对物理空间的描述为巴尔提供了一种认证,作为他所记录的“观点事实”的三维证明。
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引用次数: 0
Crossing the doorsteps for social reform: The social crusades of Florence Kelley and Ellen Richards. 跨越社会改革的门槛:弗洛伦斯·凯利和艾伦·理查兹的社会十字军。
IF 0.3 4区 哲学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1017/S0269889723000091
Gabrielle Soudan, David Philippy, Harro Maas

This paper contrasts the research strategies of two women reformers, Florence Kelley and Ellen Swallow Richards, which entailed different strategies of social reform. In the early 1890s, social activist Florence Kelley used the social survey as a weapon for legal reform of the working conditions of women and children in Chicago's sweatshop system. Kelley's case shows that her surveys were most effective as "grounded" knowledge, rooted in a local community with which she was well acquainted. Her social survey, re-enacted by lawmakers and the press, provided the evidence that moved her target audience to legal action. Chemist and propagator of the Home Economics Movement Ellen Richards situated the social problem, and hence its solution, not in exploitative working conditions, but in the inefficient and wasteful usage of available resources by the poor. Laboratory work, she argued, would enable the development of optimal standards, and educational programs should bring these standards to the household by means of models and exhibits. With this aim, she constructed public spaces that she ran as food laboratories and sanitary experiments. Kelley and Richards thus crossed the doorsteps of the household in very different ways. While Florence Kelley entered the household to change the living and working conditions of the poor by changing the law, Richards flipped the household inside out by bringing women into hybrid public laboratory spaces to change their behavior by experiment and instruction.

本文比较了两位女性改革家弗洛伦斯·凯利和艾伦·斯沃洛·理查兹的研究策略,发现她们的社会改革策略不同。19世纪90年代初,社会活动家弗洛伦斯·凯利(Florence Kelley)利用社会调查作为武器,对芝加哥血汗工厂系统中妇女和儿童的工作条件进行了法律改革。凯利的案例表明,她的调查最有效的是“有根据的”知识,植根于她熟悉的当地社区。她的社会调查由立法者和媒体重新制定,提供了促使她的目标受众采取法律行动的证据。化学家和家政学运动的传播者艾伦·理查兹(Ellen Richards)认为,社会问题及其解决方案不在于剥削性的工作条件,而在于穷人对可用资源的低效和浪费。她认为,实验室工作将有助于制定最佳标准,而教育项目应该通过模型和展览的方式将这些标准带入家庭。出于这个目的,她建造了公共空间,作为食品实验室和卫生实验。凯利和理查兹就这样以截然不同的方式走过了家里的台阶。当弗洛伦斯·凯利进入家庭,通过改变法律来改变穷人的生活和工作条件时,理查兹将妇女带入混合公共实验室空间,通过实验和指导来改变她们的行为,从而彻底改变了家庭。
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引用次数: 0
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