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The box-circle illusion. 盒子圈错觉。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-09-01 DOI: 10.1177/03010066231186557
Chenyang Lin, Ladan Shams

A novel geometrical optical illusion is reported in this article: the horizontal distances of the contextual structures distort the perceived vertical positions of observed objects. Specifically, the illusion manifests in the form of connected boxes of varying widths but equal heights, each containing a circle at the center. Despite identical vertical positioning of the circles, they appear misaligned. The illusion diminishes when the boxes are removed. Potential underlying mechanisms are discussed.

本文报道了一种新的几何错觉:背景结构的水平距离扭曲了观察对象的垂直位置。具体来说,这种错觉表现为宽度不同但高度相等的连接盒子的形式,每个盒子的中心都有一个圆圈。尽管圆的垂直位置相同,但它们似乎不对齐。当盒子被移除时,这种错觉就消失了。讨论了潜在的潜在机制。
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引用次数: 0
No increased prevalence of prosopagnosia in aphantasia: Visual recognition deficits are small and not restricted to faces. 失视症中面孔失认症的患病率没有增加:视觉识别缺陷很小,并不局限于面部。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-09-01 DOI: 10.1177/03010066231180712
Merlin Monzel, Annabel Vetterlein, Svea A Hogeterp, Martin Reuter

Aphantasia and prosopagnosia are both rare conditions with impairments in visual cognition. While prosopagnosia refers to a face recognition deficit, aphantasics exhibit a lack of mental imagery. Current object recognition theories propose an interplay of perception and mental representations, making an association between recognition performance and visual imagery plausible. While the literature assumes a link between aphantasia and prosopagnosia, other impairments in aphantasia have been shown to be rather global. Therefore, we assumed that aphantasics do not solely exhibit impairments in face recognition but rather in general visual recognition performance, probably moderated by stimulus complexity. To test this hypothesis, 65 aphantasics were compared to 55 controls in a face recognition task, the Cambridge Face Memory Test, and a corresponding object recognition task, the Cambridge Car Memory Test. In both tasks, aphantasics performed worse than controls, indicating mild recognition deficits without face-specificity. Additional correlations between imagery vividness and performance in both tasks were found, suggesting that visual imagery influences visual recognition not only in imagery extremes. Stimulus complexity produced the expected moderation effect but only for the whole imagery-spectrum and only with face stimuli. Overall, the results imply that aphantasia is linked to a general but mild deficit in visual recognition.

失视症和面孔失认症都是视觉认知障碍的罕见疾病。面孔失认症指的是面部识别缺陷,而幻觉则表现为缺乏心理意象。当前的物体识别理论提出了感知和心理表征的相互作用,使得识别表现和视觉图像之间的联系变得可信。虽然文献假设失视症和面孔失认症之间存在联系,但失视症的其他损伤已被证明是相当普遍的。因此,我们假设失忆症患者不仅在面部识别方面表现出障碍,而且在一般的视觉识别表现方面也表现出障碍,这可能受到刺激复杂性的影响。为了验证这一假设,65名失忆者与55名对照组进行了面部识别任务(剑桥面部记忆测试)和相应的物体识别任务(剑桥汽车记忆测试)的比较。在这两项任务中,失忆症患者的表现都比对照组差,表明没有面部特异性的轻度识别缺陷。在这两项任务中,还发现了图像生动度与表现之间的额外相关性,这表明视觉图像不仅在图像极端情况下影响视觉识别。刺激复杂性产生了预期的调节效应,但仅对整个图像谱和面部刺激有效。总的来说,研究结果表明,失视症与一种普遍但轻微的视觉识别缺陷有关。
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引用次数: 3
Double fusion, a depth perception mechanism in Panum's limiting case. 双重融合,是帕努姆极限情况下的深度知觉机制。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-09-01 Epub Date: 2023-07-05 DOI: 10.1177/03010066231177513
Huayun Li, Xin Wang, Jing Li, Wenmin Lin

The origin of depth in Panum's limiting case is unclear at present, so we investigated the depth perception mechanism using a triangle type of Panum's stimulus with a slant effect and clear criterion. Experiment 1 explored whether participants can correctly perceive fixation and nonfixation features using the fixation point and quick representation of stimuli, then examined whether participants' depth judgments supported double fusion or single fusion. The results of Experiment 1 showed that participants could correctly perceive the depth of fixation and nonfixation features. That is, it supported double fusion. In Experiment 2, we examined whether the depth perceived by observers comes from depth contrast. The results of Experiment 2 showed that the depth of the two features perceived after binocular fusion did not originate from the depth contrast. The findings suggest that the depth perception mechanism of Panum's limiting case is more likely to be double fusion.

目前尚不清楚帕努姆极限情况下深度的起源,因此我们使用一种具有斜面效应和清晰标准的三角形帕努姆刺激来研究深度知觉机制。实验 1 探讨了参与者能否利用刺激物的定点和快速表征正确感知定点和非定点特征,然后考察了参与者的深度判断是支持双重融合还是单一融合。实验 1 的结果表明,被试能够正确感知定点和非定点特征的深度。也就是说,它支持双重融合。在实验 2 中,我们考察了观察者感知到的深度是否来自深度对比。实验 2 的结果表明,双目融合后感知到的两个特征的深度并非来自深度对比。这些结果表明,帕努姆限制性案例的深度知觉机制更有可能是双重融合。
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引用次数: 0
Effect of the number and diversity of visual stimuli on the reproduction of short time intervals. 视觉刺激的数量和多样性对短时间间隔再现的影响。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-09-01 DOI: 10.1177/03010066231190220
Ali Bozorgmehr, Razieh Moayedi, Bahman Sadeghi, MohammadReza Molaei, Eli Brenner

Presenting more items within a space makes the space look and feel bigger. Presenting more tones within a time interval makes the interval seem longer. Does presenting more visual items also make a time interval seem longer? Does it matter what these items are? A series of 2-4 images were presented sequentially on a screen. Participants had to press the spacebar to indicate either the interval between the first and the last item or the intervals between all items. The first and last items were red squares with onset asynchronies of 700, 900, or 1,100 ms. We found that the times between key presses were longer when additional items had different shapes and colors than when they were also red squares. With only red squares, the time may even decrease with the number of items. Whether one had to tap for all targets or only the first and the last hardly mattered.

在一个空间中展示更多的物品会让空间看起来更大。在一个时间间隔内呈现更多的音调会使间隔看起来更长。呈现更多的视觉项目是否也会使时间间隔看起来更长?这些项目是什么重要吗?一组2-4幅图像依次呈现在屏幕上。参与者必须按空格键来表示第一个项目和最后一个项目之间的间隔或所有项目之间的间隔。第一项和最后一项是红色方块,开始的异步时间分别为700、900和1100毫秒。我们发现,当额外的物品具有不同的形状和颜色时,按键间隔的时间比它们也是红色方块时要长。在只有红色方块的情况下,时间甚至会随着项目的数量而减少。一个人是否需要监听所有的目标,或者只监听第一个和最后一个目标几乎无关紧要。
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引用次数: 0
Mario Ponzo (1928) on perception of numerosity: A translation and commentary. 马里奥·庞佐(1928)论数量的感知:一种翻译和评论。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-08-01 DOI: 10.1177/03010066231176744
Marco Bertamini, Nicholas J Wade

Ponzo is a familiar name in psychology because of the illusion that takes his name. He had a long and productive career in Italy, and some of his work was translated for international journals already in his lifetime. However, few of these papers are available in English. We provide a commentary that considers how his name came to be associated with an illusion he did not discover. We explain the content of several papers, some of which are often cited in a wrong context in the literature (i.e., papers on touch mentioned in relation to the Ponzo illusion). More importantly, we discuss his contribution to the study of perceived numerosity, and provide a full translation of his important 1928 paper, including a redrawing of its 28 illustrations.

庞佐在心理学上是一个熟悉的名字,因为以他的名字命名的错觉。他在意大利度过了漫长而富有成效的职业生涯,他的一些作品在他有生之年就被翻译成国际期刊。然而,这些论文很少有英文版本。我们提供了一篇评论,考虑他的名字是如何与他没有发现的幻觉联系在一起的。我们解释了几篇论文的内容,其中一些经常在文献中的错误语境中被引用(即,与庞佐错觉有关的关于触摸的论文)。更重要的是,我们讨论了他对感知数量级研究的贡献,并提供了他1928年重要论文的完整翻译,包括对其28个插图的重新绘制。
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引用次数: 2
Book Review: The Pervasiveness of Ensemble Perception by Jennifer E. Corbett, Igor Utochkin, & Shaul Hochstein Jennifer E.Corbett、Igor Utochkin和Shaul Hochstein的书评:合奏感知的普遍性
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-08-01 DOI: 10.1177/03010066231191617
S. C. Chong
The book “ The Pervasiveness of Ensemble Perception ” is part of the Cambridge Elements series on perception. It effectively ful fi lls the objectives of Cambridge Elements by merging the advantageous aspects of journals and books, resulting in a scholarly discussion on a focused topic and a reliable reference source. With its comprehensive content, it can be regarded as an extended, original, peer-reviewed paper. Simultaneously, it serves as a convenient reference book for ensemble researchers, providing valuable insights whenever needed. This publication is particularly suitable for specialized graduate courses in vision science and caters to researchers of all levels who are interested in ensemble perception and its practical applications
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引用次数: 0
Trustworthiness judgments without the halo effect: A data-driven computational modeling approach. 没有光环效应的可信度判断:一种数据驱动的计算建模方法。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-08-01 DOI: 10.1177/03010066231178489
DongWon Oh, Nicole Wedel, Brandon Labbree, Alexander Todorov

Trustworthy-looking faces are also perceived as more attractive, but are there other meaningful cues that contribute to perceived trustworthiness? Using data-driven models, we identify these cues after removing attractiveness cues. In Experiment 1, we show that both judgments of trustworthiness and attractiveness of faces manipulated by a model of perceived trustworthiness change in the same direction. To control for the effect of attractiveness, we build two new models of perceived trustworthiness: a subtraction model, which forces the perceived attractiveness and trustworthiness to be negatively correlated (Experiment 2), and an orthogonal model, which reduces their correlation (Experiment 3). In both experiments, faces manipulated to appear more trustworthy were indeed perceived to be more trustworthy, but not more attractive. Importantly, in both experiments, these faces were also perceived as more approachable and with more positive expressions, as indicated by both judgments and machine learning algorithms. The current studies show that the visual cues used for trustworthiness and attractiveness judgments can be separated, and that apparent approachability and facial emotion are driving trustworthiness judgments and possibly general valence evaluation.

看起来值得信赖的脸也被认为更有吸引力,但是否有其他有意义的线索有助于感知可信度呢?使用数据驱动模型,我们在去除吸引力线索后识别这些线索。在实验1中,我们发现在感知可信度模型的操纵下,人们对面孔的可信度和吸引力的判断都朝着同一方向变化。为了控制吸引力的影响,我们建立了两个新的感知可信度模型:减法模型,该模型迫使感知吸引力和可信度呈负相关(实验2),以及正交模型,该模型降低了它们的相关性(实验3)。在两个实验中,被操纵得更值得信赖的面孔确实被认为更值得信赖,但不是更有吸引力。重要的是,在这两个实验中,正如判断和机器学习算法所表明的那样,这些面孔也被认为更平易近人,表情更积极。目前的研究表明,用于可信度和吸引力判断的视觉线索是可以分离的,明显的可接近性和面部情绪驱动着可信度判断和可能的一般效价评价。
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引用次数: 0
Assessing the time course and magnitude of different forms of attentional priming. 评估不同形式的注意启动的时间过程和大小。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-08-01 DOI: 10.1177/03010066231175827
Árni Kristjánsson, Ómar I Jóhannesson

Priming of attentional selection involves speeded selection of task-relevant visual search items when search stimuli remain constant between trials. Various paradigms involving different features have been used to study the nature of this priming. The tasks differ greatly in difficulty and the neural mechanisms involved, raising the question of how easily priming on one feature dimension can be used to draw conclusions about priming on another. Here, this was addressed by contrasting time courses and relative sizes of priming effects for the repetition of a lower-level and higher-level feature (color vs. facial expression). Priming was tested in two odd-one-out search tasks, one involving discrimination (experiments 1A and 1B), the other a present/absent judgment (experiments 2A and 2B). The main question was how similar the size and temporal profiles of priming are for the two features. The sizes of the priming effects were very different for color and expression and color priming effects lasted for much longer than expression priming (measured with memory kernel analyses), suggesting that the mechanisms behind the effects differ in their operational principles. Different forms of priming should only be compared with great caution and priming seems to occur at many levels of processing. Priming should be thought of as a general principle of perceptual processing.

注意选择的启动涉及当搜索刺激在试验之间保持不变时,与任务相关的视觉搜索项目的快速选择。涉及不同特征的各种范式已被用于研究这种启动的性质。这些任务在难度和涉及的神经机制上有很大的不同,这就提出了一个问题,即对一个特征维度的启动如何容易地用于得出对另一个特征维度的启动的结论。在这里,这是通过对比时间进程和相对大小的启动效应的重复低水平和高水平的特征(颜色与面部表情)来解决的。在两个奇一出搜索任务中测试启动,一个涉及歧视(实验1A和1B),另一个涉及在场/缺席判断(实验2A和2B)。主要问题是这两个特征的启动大小和时间分布有多相似。颜色启动效应和表情启动效应的大小有很大差异,颜色启动效应持续的时间比表情启动长得多(用记忆核分析测量),这表明颜色启动效应背后的机制在运作原理上存在差异。不同形式的启动只应该非常谨慎地进行比较,启动似乎发生在许多层次的加工。启动应该被认为是知觉加工的一般原则。
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引用次数: 1
Effectiveness of the ability to form mental images in Müller-Lyer optical illusions. 在<s:1>勒-莱尔视错觉中形成心理图像的能力的有效性。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-08-01 DOI: 10.1177/03010066231178232
María José Pérez-Fabello, Alfredo Campos

The purpose of this study was to establish whether wing length and the ability to form spatial mental images and vivid images affected optical illusions obtained in the Müller-Lyer figures, both real and imagined. The study involved a group of 137 fine arts college students who were shown two forms of the Müller-Lyer figures with different wing length (15 and 45 mm). In the imagined situation, a plain horizontal line was presented, and participants were expected to imagine the arrowheads aligned in the same way as in the real situation. Discrepancies in the perception of the horizontal lines in the Müller-Lyer illusion ("Point of Subjective Equality") were measured both in the real and imagined situation. Participants were then asked to complete the Vividness of Visual Imagery Questionnaire and the Measure of the Ability to Form Spatial Mental Imagery. It emerged that, in the condition of 45 mm wing length, participants were significantly more susceptible to the illusion than those in the condition of 15 mm wing length. Additionally, in the real situation, participants scoring high in spatial image were significantly more resistant to the illusion than those scoring low.

本研究的目的是确定翅膀长度和形成空间心理图像和生动图像的能力是否影响在真实和想象的 ller- lyer图形中获得的视错觉。这项研究涉及137名美术学院的学生,他们被展示了两种不同翼长(15毫米和45毫米)的勒-莱尔人物模型。在想象的情况下,呈现一条普通的水平线,参与者被要求想象箭头以与真实情况相同的方式排列。在真实和想象的情况下,测量了勒-莱尔错觉(“主观平等点”)中对水平线感知的差异。然后,参与者被要求完成视觉意象生动度问卷和空间心理意象形成能力测试。结果表明,在45毫米的翼长条件下,被试明显比15毫米的翼长条件下更容易产生错觉。此外,在真实情境中,空间意象得分高的参与者对错觉的抵抗力明显强于得分低的参与者。
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引用次数: 0
Book Review: A Sense of Plausibility in Vision and Music Perception by Yoshizawa, T. 《视觉与音乐感知中的真实感》,吉泽著。
IF 1.7 4区 心理学 Q3 OPHTHALMOLOGY Pub Date : 2023-07-18 DOI: 10.1177/03010066231187465
H. Ashida
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引用次数: 0
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Perception
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