Pub Date : 2023-09-01DOI: 10.1177/03010066231186557
Chenyang Lin, Ladan Shams
A novel geometrical optical illusion is reported in this article: the horizontal distances of the contextual structures distort the perceived vertical positions of observed objects. Specifically, the illusion manifests in the form of connected boxes of varying widths but equal heights, each containing a circle at the center. Despite identical vertical positioning of the circles, they appear misaligned. The illusion diminishes when the boxes are removed. Potential underlying mechanisms are discussed.
{"title":"The box-circle illusion.","authors":"Chenyang Lin, Ladan Shams","doi":"10.1177/03010066231186557","DOIUrl":"https://doi.org/10.1177/03010066231186557","url":null,"abstract":"<p><p>A novel geometrical optical illusion is reported in this article: the horizontal distances of the contextual structures distort the perceived vertical positions of observed objects. Specifically, the illusion manifests in the form of connected boxes of varying widths but equal heights, each containing a circle at the center. Despite identical vertical positioning of the circles, they appear misaligned. The illusion diminishes when the boxes are removed. Potential underlying mechanisms are discussed.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 9","pages":"670-675"},"PeriodicalIF":1.7,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/c7/62/10.1177_03010066231186557.PMC10469466.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10508354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1177/03010066231180712
Merlin Monzel, Annabel Vetterlein, Svea A Hogeterp, Martin Reuter
Aphantasia and prosopagnosia are both rare conditions with impairments in visual cognition. While prosopagnosia refers to a face recognition deficit, aphantasics exhibit a lack of mental imagery. Current object recognition theories propose an interplay of perception and mental representations, making an association between recognition performance and visual imagery plausible. While the literature assumes a link between aphantasia and prosopagnosia, other impairments in aphantasia have been shown to be rather global. Therefore, we assumed that aphantasics do not solely exhibit impairments in face recognition but rather in general visual recognition performance, probably moderated by stimulus complexity. To test this hypothesis, 65 aphantasics were compared to 55 controls in a face recognition task, the Cambridge Face Memory Test, and a corresponding object recognition task, the Cambridge Car Memory Test. In both tasks, aphantasics performed worse than controls, indicating mild recognition deficits without face-specificity. Additional correlations between imagery vividness and performance in both tasks were found, suggesting that visual imagery influences visual recognition not only in imagery extremes. Stimulus complexity produced the expected moderation effect but only for the whole imagery-spectrum and only with face stimuli. Overall, the results imply that aphantasia is linked to a general but mild deficit in visual recognition.
{"title":"No increased prevalence of prosopagnosia in aphantasia: Visual recognition deficits are small and not restricted to faces.","authors":"Merlin Monzel, Annabel Vetterlein, Svea A Hogeterp, Martin Reuter","doi":"10.1177/03010066231180712","DOIUrl":"https://doi.org/10.1177/03010066231180712","url":null,"abstract":"<p><p>Aphantasia and prosopagnosia are both rare conditions with impairments in visual cognition. While prosopagnosia refers to a face recognition deficit, aphantasics exhibit a lack of mental imagery. Current object recognition theories propose an interplay of perception and mental representations, making an association between recognition performance and visual imagery plausible. While the literature assumes a link between aphantasia and prosopagnosia, other impairments in aphantasia have been shown to be rather global. Therefore, we assumed that aphantasics do not solely exhibit impairments in face recognition but rather in general visual recognition performance, probably moderated by stimulus complexity. To test this hypothesis, 65 aphantasics were compared to 55 controls in a face recognition task, the Cambridge Face Memory Test, and a corresponding object recognition task, the Cambridge Car Memory Test. In both tasks, aphantasics performed worse than controls, indicating mild recognition deficits without face-specificity. Additional correlations between imagery vividness and performance in both tasks were found, suggesting that visual imagery influences visual recognition not only in imagery extremes. Stimulus complexity produced the expected moderation effect but only for the whole imagery-spectrum and only with face stimuli. Overall, the results imply that aphantasia is linked to a general but mild deficit in visual recognition.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 9","pages":"629-644"},"PeriodicalIF":1.7,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10489948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01Epub Date: 2023-07-05DOI: 10.1177/03010066231177513
Huayun Li, Xin Wang, Jing Li, Wenmin Lin
The origin of depth in Panum's limiting case is unclear at present, so we investigated the depth perception mechanism using a triangle type of Panum's stimulus with a slant effect and clear criterion. Experiment 1 explored whether participants can correctly perceive fixation and nonfixation features using the fixation point and quick representation of stimuli, then examined whether participants' depth judgments supported double fusion or single fusion. The results of Experiment 1 showed that participants could correctly perceive the depth of fixation and nonfixation features. That is, it supported double fusion. In Experiment 2, we examined whether the depth perceived by observers comes from depth contrast. The results of Experiment 2 showed that the depth of the two features perceived after binocular fusion did not originate from the depth contrast. The findings suggest that the depth perception mechanism of Panum's limiting case is more likely to be double fusion.
{"title":"Double fusion, a depth perception mechanism in Panum's limiting case.","authors":"Huayun Li, Xin Wang, Jing Li, Wenmin Lin","doi":"10.1177/03010066231177513","DOIUrl":"10.1177/03010066231177513","url":null,"abstract":"<p><p>The origin of depth in Panum's limiting case is unclear at present, so we investigated the depth perception mechanism using a triangle type of Panum's stimulus with a slant effect and clear criterion. Experiment 1 explored whether participants can correctly perceive fixation and nonfixation features using the fixation point and quick representation of stimuli, then examined whether participants' depth judgments supported double fusion or single fusion. The results of Experiment 1 showed that participants could correctly perceive the depth of fixation and nonfixation features. That is, it supported double fusion. In Experiment 2, we examined whether the depth perceived by observers comes from depth contrast. The results of Experiment 2 showed that the depth of the two features perceived after binocular fusion did not originate from the depth contrast. The findings suggest that the depth perception mechanism of Panum's limiting case is more likely to be double fusion.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 9","pages":"613-628"},"PeriodicalIF":1.7,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10107854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1177/03010066231190220
Ali Bozorgmehr, Razieh Moayedi, Bahman Sadeghi, MohammadReza Molaei, Eli Brenner
Presenting more items within a space makes the space look and feel bigger. Presenting more tones within a time interval makes the interval seem longer. Does presenting more visual items also make a time interval seem longer? Does it matter what these items are? A series of 2-4 images were presented sequentially on a screen. Participants had to press the spacebar to indicate either the interval between the first and the last item or the intervals between all items. The first and last items were red squares with onset asynchronies of 700, 900, or 1,100 ms. We found that the times between key presses were longer when additional items had different shapes and colors than when they were also red squares. With only red squares, the time may even decrease with the number of items. Whether one had to tap for all targets or only the first and the last hardly mattered.
{"title":"Effect of the number and diversity of visual stimuli on the reproduction of short time intervals.","authors":"Ali Bozorgmehr, Razieh Moayedi, Bahman Sadeghi, MohammadReza Molaei, Eli Brenner","doi":"10.1177/03010066231190220","DOIUrl":"https://doi.org/10.1177/03010066231190220","url":null,"abstract":"<p><p>Presenting more items within a space makes the space look and feel bigger. Presenting more tones within a time interval makes the interval seem longer. Does presenting more <i>visual</i> items also make a time interval seem longer? Does it matter what these items are? A series of 2-4 images were presented sequentially on a screen. Participants had to press the spacebar to indicate either the interval between the first and the last item or the intervals between all items. The first and last items were red squares with onset asynchronies of 700, 900, or 1,100 ms. We found that the times between key presses were longer when additional items had different shapes and colors than when they were also red squares. With only red squares, the time may even decrease with the number of items. Whether one had to tap for all targets or only the first and the last hardly mattered.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 9","pages":"662-669"},"PeriodicalIF":1.7,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10469478/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10192096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1177/03010066231176744
Marco Bertamini, Nicholas J Wade
Ponzo is a familiar name in psychology because of the illusion that takes his name. He had a long and productive career in Italy, and some of his work was translated for international journals already in his lifetime. However, few of these papers are available in English. We provide a commentary that considers how his name came to be associated with an illusion he did not discover. We explain the content of several papers, some of which are often cited in a wrong context in the literature (i.e., papers on touch mentioned in relation to the Ponzo illusion). More importantly, we discuss his contribution to the study of perceived numerosity, and provide a full translation of his important 1928 paper, including a redrawing of its 28 illustrations.
{"title":"Mario Ponzo (1928) on perception of numerosity: A translation and commentary.","authors":"Marco Bertamini, Nicholas J Wade","doi":"10.1177/03010066231176744","DOIUrl":"https://doi.org/10.1177/03010066231176744","url":null,"abstract":"<p><p>Ponzo is a familiar name in psychology because of the illusion that takes his name. He had a long and productive career in Italy, and some of his work was translated for international journals already in his lifetime. However, few of these papers are available in English. We provide a commentary that considers how his name came to be associated with an illusion he did not discover. We explain the content of several papers, some of which are often cited in a wrong context in the literature (i.e., papers on touch mentioned in relation to the Ponzo illusion). More importantly, we discuss his contribution to the study of perceived numerosity, and provide a full translation of his important 1928 paper, including a redrawing of its 28 illustrations.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 8","pages":"545-575"},"PeriodicalIF":1.7,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9851230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1177/03010066231191617
S. C. Chong
The book “ The Pervasiveness of Ensemble Perception ” is part of the Cambridge Elements series on perception. It effectively ful fi lls the objectives of Cambridge Elements by merging the advantageous aspects of journals and books, resulting in a scholarly discussion on a focused topic and a reliable reference source. With its comprehensive content, it can be regarded as an extended, original, peer-reviewed paper. Simultaneously, it serves as a convenient reference book for ensemble researchers, providing valuable insights whenever needed. This publication is particularly suitable for specialized graduate courses in vision science and caters to researchers of all levels who are interested in ensemble perception and its practical applications
{"title":"Book Review: The Pervasiveness of Ensemble Perception by Jennifer E. Corbett, Igor Utochkin, & Shaul Hochstein","authors":"S. C. Chong","doi":"10.1177/03010066231191617","DOIUrl":"https://doi.org/10.1177/03010066231191617","url":null,"abstract":"The book “ The Pervasiveness of Ensemble Perception ” is part of the Cambridge Elements series on perception. It effectively ful fi lls the objectives of Cambridge Elements by merging the advantageous aspects of journals and books, resulting in a scholarly discussion on a focused topic and a reliable reference source. With its comprehensive content, it can be regarded as an extended, original, peer-reviewed paper. Simultaneously, it serves as a convenient reference book for ensemble researchers, providing valuable insights whenever needed. This publication is particularly suitable for specialized graduate courses in vision science and caters to researchers of all levels who are interested in ensemble perception and its practical applications","PeriodicalId":49708,"journal":{"name":"Perception","volume":"1 1","pages":""},"PeriodicalIF":1.7,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43109467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1177/03010066231178489
DongWon Oh, Nicole Wedel, Brandon Labbree, Alexander Todorov
Trustworthy-looking faces are also perceived as more attractive, but are there other meaningful cues that contribute to perceived trustworthiness? Using data-driven models, we identify these cues after removing attractiveness cues. In Experiment 1, we show that both judgments of trustworthiness and attractiveness of faces manipulated by a model of perceived trustworthiness change in the same direction. To control for the effect of attractiveness, we build two new models of perceived trustworthiness: a subtraction model, which forces the perceived attractiveness and trustworthiness to be negatively correlated (Experiment 2), and an orthogonal model, which reduces their correlation (Experiment 3). In both experiments, faces manipulated to appear more trustworthy were indeed perceived to be more trustworthy, but not more attractive. Importantly, in both experiments, these faces were also perceived as more approachable and with more positive expressions, as indicated by both judgments and machine learning algorithms. The current studies show that the visual cues used for trustworthiness and attractiveness judgments can be separated, and that apparent approachability and facial emotion are driving trustworthiness judgments and possibly general valence evaluation.
{"title":"Trustworthiness judgments without the halo effect: A data-driven computational modeling approach.","authors":"DongWon Oh, Nicole Wedel, Brandon Labbree, Alexander Todorov","doi":"10.1177/03010066231178489","DOIUrl":"https://doi.org/10.1177/03010066231178489","url":null,"abstract":"<p><p>Trustworthy-looking faces are also perceived as more attractive, but are there other meaningful cues that contribute to perceived trustworthiness? Using data-driven models, we identify these cues after removing attractiveness cues. In Experiment 1, we show that both judgments of trustworthiness and attractiveness of faces manipulated by a model of perceived trustworthiness change in the same direction. To control for the effect of attractiveness, we build two new models of perceived trustworthiness: a subtraction model, which forces the perceived attractiveness and trustworthiness to be negatively correlated (Experiment 2), and an orthogonal model, which reduces their correlation (Experiment 3). In both experiments, faces manipulated to appear more trustworthy were indeed perceived to be more trustworthy, but not more attractive. Importantly, in both experiments, these faces were also perceived as more approachable and with more positive expressions, as indicated by both judgments and machine learning algorithms. The current studies show that the visual cues used for trustworthiness and attractiveness judgments can be separated, and that apparent approachability and facial emotion are driving trustworthiness judgments and possibly general valence evaluation.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 8","pages":"590-607"},"PeriodicalIF":1.7,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9788701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1177/03010066231175827
Árni Kristjánsson, Ómar I Jóhannesson
Priming of attentional selection involves speeded selection of task-relevant visual search items when search stimuli remain constant between trials. Various paradigms involving different features have been used to study the nature of this priming. The tasks differ greatly in difficulty and the neural mechanisms involved, raising the question of how easily priming on one feature dimension can be used to draw conclusions about priming on another. Here, this was addressed by contrasting time courses and relative sizes of priming effects for the repetition of a lower-level and higher-level feature (color vs. facial expression). Priming was tested in two odd-one-out search tasks, one involving discrimination (experiments 1A and 1B), the other a present/absent judgment (experiments 2A and 2B). The main question was how similar the size and temporal profiles of priming are for the two features. The sizes of the priming effects were very different for color and expression and color priming effects lasted for much longer than expression priming (measured with memory kernel analyses), suggesting that the mechanisms behind the effects differ in their operational principles. Different forms of priming should only be compared with great caution and priming seems to occur at many levels of processing. Priming should be thought of as a general principle of perceptual processing.
{"title":"Assessing the time course and magnitude of different forms of attentional priming.","authors":"Árni Kristjánsson, Ómar I Jóhannesson","doi":"10.1177/03010066231175827","DOIUrl":"https://doi.org/10.1177/03010066231175827","url":null,"abstract":"<p><p>Priming of attentional selection involves speeded selection of task-relevant visual search items when search stimuli remain constant between trials. Various paradigms involving different features have been used to study the nature of this priming. The tasks differ greatly in difficulty and the neural mechanisms involved, raising the question of how easily priming on one feature dimension can be used to draw conclusions about priming on another. Here, this was addressed by contrasting time courses and relative sizes of priming effects for the repetition of a lower-level and higher-level feature (color vs. facial expression). Priming was tested in two odd-one-out search tasks, one involving discrimination (experiments 1A and 1B), the other a present/absent judgment (experiments 2A and 2B). The main question was how similar the size and temporal profiles of priming are for the two features. The sizes of the priming effects were very different for color and expression and color priming effects lasted for much longer than expression priming (measured with memory kernel analyses), suggesting that the mechanisms behind the effects differ in their operational principles. Different forms of priming should only be compared with great caution and priming seems to occur at many levels of processing. Priming should be thought of as a general principle of perceptual processing.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 8","pages":"527-544"},"PeriodicalIF":1.7,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10152842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1177/03010066231178232
María José Pérez-Fabello, Alfredo Campos
The purpose of this study was to establish whether wing length and the ability to form spatial mental images and vivid images affected optical illusions obtained in the Müller-Lyer figures, both real and imagined. The study involved a group of 137 fine arts college students who were shown two forms of the Müller-Lyer figures with different wing length (15 and 45 mm). In the imagined situation, a plain horizontal line was presented, and participants were expected to imagine the arrowheads aligned in the same way as in the real situation. Discrepancies in the perception of the horizontal lines in the Müller-Lyer illusion ("Point of Subjective Equality") were measured both in the real and imagined situation. Participants were then asked to complete the Vividness of Visual Imagery Questionnaire and the Measure of the Ability to Form Spatial Mental Imagery. It emerged that, in the condition of 45 mm wing length, participants were significantly more susceptible to the illusion than those in the condition of 15 mm wing length. Additionally, in the real situation, participants scoring high in spatial image were significantly more resistant to the illusion than those scoring low.
{"title":"Effectiveness of the ability to form mental images in Müller-Lyer optical illusions.","authors":"María José Pérez-Fabello, Alfredo Campos","doi":"10.1177/03010066231178232","DOIUrl":"https://doi.org/10.1177/03010066231178232","url":null,"abstract":"<p><p>The purpose of this study was to establish whether wing length and the ability to form spatial mental images and vivid images affected optical illusions obtained in the Müller-Lyer figures, both real and imagined. The study involved a group of 137 fine arts college students who were shown two forms of the Müller-Lyer figures with different wing length (15 and 45 mm). In the imagined situation, a plain horizontal line was presented, and participants were expected to imagine the arrowheads aligned in the same way as in the real situation. Discrepancies in the perception of the horizontal lines in the Müller-Lyer illusion (\"Point of Subjective Equality\") were measured both in the real and imagined situation. Participants were then asked to complete the Vividness of Visual Imagery Questionnaire and the Measure of the Ability to Form Spatial Mental Imagery. It emerged that, in the condition of 45 mm wing length, participants were significantly more susceptible to the illusion than those in the condition of 15 mm wing length. Additionally, in the real situation, participants scoring high in spatial image were significantly more resistant to the illusion than those scoring low.</p>","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 8","pages":"576-589"},"PeriodicalIF":1.7,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10177089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-18DOI: 10.1177/03010066231187465
H. Ashida
{"title":"Book Review: A Sense of Plausibility in Vision and Music Perception by Yoshizawa, T.","authors":"H. Ashida","doi":"10.1177/03010066231187465","DOIUrl":"https://doi.org/10.1177/03010066231187465","url":null,"abstract":"","PeriodicalId":49708,"journal":{"name":"Perception","volume":"52 1","pages":"676 - 677"},"PeriodicalIF":1.7,"publicationDate":"2023-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42904306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}