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Inside Front Cover - Editorial Board Page 内页封面-编辑委员会页
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/S0142-694X(23)00063-7
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引用次数: 0
The refashion circular design strategy — Changing the way we design and manufacture clothes 时尚循环设计策略——改变我们设计和制造服装的方式
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101205
M. Cristina Dan, Andrei Ciortea, Simon Mayer

Approximately 65% of a garment's climate impact stems from fabric production. With 53 M tons of fibre produced every year and 87% ending in landfills, the fashion industry is polluting and wasting precious resources. Therefore, waste prevention and recapturing value become essential. Our research explores the development of a new circular design strategy (CDS) - Refashion, for service innovation through a design thinking process. Grounded in sustainable design strategies and advanced manufacturing technology, the Refashion CDS aims to enable multiple reutilization of fabric before fibre recycling. This is showcased via a proof-of-concept collection launched on the market in 2022, where three pre-designed multifunctional fabric blocks create 11 different garments, accompanied by a diagram showcasing the product-service system's closed-loop material flow.

大约65%的服装对气候的影响来自面料生产。时装业每年生产5300万吨纤维,其中87%最终被填埋,造成污染和浪费宝贵的资源。因此,防止浪费和回收价值变得至关重要。我们的研究探索了一种新的循环设计策略(CDS)的发展-重塑,通过设计思维过程进行服务创新。基于可持续的设计策略和先进的制造技术,Refashion CDS旨在实现纤维回收之前对织物的多次再利用。这是通过2022年在市场上推出的概念验证系列来展示的,其中三个预先设计的多功能面料块创造了11种不同的服装,并附有一张展示产品服务系统闭环物料流的图表。
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引用次数: 0
A programming grammar for robotic fabrication: Incorporating material agency into clay textures 机器人制造的编程语法:将材料代理整合到粘土纹理中
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101220
Iremnur Tokac, Herman Bruyninckx, Andrew Vande Moere

Material agency describes how material affordances and constraints have the inherent capacity to suggest formal transformations. Digital fabrication typically excludes material agency because it requires the final form is digitally modelled before it can be fabricated. To enrich the fabrication design space with material agency, we introduce 1) a programming grammar that relates the sensing of material states with the transformation of fabrication actions via explicit rule notations; 2) a grammatical compiler that translates these rule notations into a responsive robot executable program; 3) a set of critical reflections on how this grammar enhances the fabrication design space with material agency. Consequently, our contributions broaden digital fabrication to produce intricate material forms that cannot be simulated by geometrical definitions.

物质代理描述了物质的支持和约束如何具有建议形式转换的内在能力。数字制造通常不包括材料代理,因为它需要在制造之前对最终形式进行数字建模。为了用材料代理丰富制造设计空间,我们引入了1)一种编程语法,该语法通过明确的规则符号将材料状态的感知与制造动作的转换联系起来;2)语法编译器,将这些规则符号翻译成响应式机器人可执行程序;3)关于这种语法如何通过材料代理增强制造设计空间的一系列批判性思考。因此,我们的贡献扩大了数字制造,以生产无法通过几何定义模拟的复杂材料形式。
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引用次数: 0
Transition co-design dynamics in high level policy processes 在高级策略流程中转换协同设计动态
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101207
Satu Lähteenoja, Tatu Marttila, İdil Gaziulusoy, Sampsa Hyysalo

Despite the increasing interest in bringing together the fields of sustainability transitions and design research, the ways transition design connects to earlier theories on design action have not been extensively studied. By using Buchanan’s (1992; 1998) ‘four orders of design’ and Young’s (2008) ‘complexity in design’ models as a framework, this article provides an empirical example of how to examine transition co-design dynamics. With a case study of a national sustainable development strategy creation in Finland, we argue that design does not only contribute to transition processes instrumentally but also from attitudinal and intellectual perspectives. Designing for transitions blends existing forms of design work for success, and it offers new agencies for design in supporting governance of highly complex policy processes.

尽管将可持续性过渡和设计研究领域结合在一起的兴趣越来越大,但过渡设计与早期设计行为理论的联系方式尚未得到广泛研究。通过使用布坎南(1992;1998)的“四阶设计”和Young(2008)的“设计中的复杂性”模型作为框架,本文提供了一个如何检查过渡协同设计动力学的实证例子。通过对芬兰国家可持续发展战略制定的案例研究,我们认为设计不仅在工具上有助于过渡过程,而且从态度和智力角度也有助于过渡过程。过渡设计融合了现有的成功设计工作形式,并为支持高度复杂的策略过程治理的设计提供了新的代理。
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引用次数: 0
Listening to the sociomaterial: When thinking through making extends beyond the individual 倾听社会材料:当思考通过制作超越了个人
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101203
Luis Vega, Maarit Mäkelä, Pirita Seitamaa-Hakkarainen

Current discussions in practice-led design research concentrate on the thoughtful dimension of working with materials and the problem of analyzing acts of making at the scale of individual practice. Informed by the theoretical tenets of sociomateriality, this paper encloses a practice-led study addressing both issues. We followed the making of a collaboration-based, material-intensive workshop designed by the first author, where he also participated as a maker. This approach afforded us an insider's perspective to delineate how thinking through making transcends the individual and distributes across the entangled becoming of the social and the material. Our findings shed light on four features of sociomaterial assemblages that warrant critical attention in practice-led design research: temporality, contingency, epistemic capability, and analytical agency.

目前在以实践为主导的设计研究中的讨论集中在材料的思考维度和分析个人实践规模的制作行为的问题上。根据社会物质性的理论原则,本文包含了一个以实践为主导的研究,解决了这两个问题。我们跟随第一作者设计的一个以合作为基础的、材料密集的工作坊,他也以制作者的身份参与其中。这种方法为我们提供了一个局内人的视角,来描绘通过制作思考如何超越个人,并分布在社会和物质的纠缠之中。我们的研究结果揭示了社会材料组合的四个特征,这些特征在以实践为主导的设计研究中值得关注:暂时性、偶然性、认知能力和分析代理。
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引用次数: 1
Capturing and revisiting ideas in the design process: A longitudinal technology probe study 在设计过程中捕捉和重新审视想法:一项纵向技术探索研究
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101200
Peter Dalsgaard, Michael Mose Biskjaer, Jonas Frich

Managing ideas is a central activity of professional designers and an essential element in the creative design process. However, while designers use a diverse range of tools to capture, manage, and recollect ideas, they often lack well-established and proven efficient routines for doing so. To better understand how these idea-centered design processes play out and, potentially, might be improved, we conducted a longitudinal study with ten professional designers where we deployed a technology probe in the form of an app, Recollect, to explore critical aspects of their idea management practices. Based on weekly interviews, we contribute four central insights, which pairwise form two current tensions related to idea capture and idea recollection among designers. These two tensions are that 1) designers have similar conceptions of what constitutes a good design idea, but have very diverse practices for working with ideas; and that 2) designers find value in revisiting ideas, but lack structured and efficient approaches for doing so. We discuss the implications of these findings, and we propose that the complexity of designers' idea management practices call for more research.

管理创意是专业设计师的核心活动,也是创意设计过程中的基本要素。然而,虽然设计师使用各种各样的工具来捕捉、管理和回忆想法,但他们往往缺乏行之有效的有效方法。为了更好地理解这些以创意为中心的设计过程是如何发挥作用的,并有可能得到改进,我们对10名专业设计师进行了纵向研究,我们以应用程序“回忆”的形式部署了一个技术探针,以探索他们的创意管理实践的关键方面。基于每周的采访,我们提供了四个核心见解,它们成对地形成了设计师之间与想法捕捉和想法回忆相关的两种当前紧张关系。这两种矛盾是:1)设计师对于什么是优秀的设计理念有着相似的概念,但在处理理念时却有着不同的做法;设计师发现了重新审视想法的价值,但却缺乏结构化和有效的方法。我们讨论了这些发现的含义,并提出设计师想法管理实践的复杂性需要更多的研究。
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引用次数: 0
Evaluating the efficacy and effectiveness of design methods: A systematic review and assessment framework 评估设计方法的有效性和有效性:一个系统的审查和评估框架
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101204
Philip Cash, Jaap Daalhuizen, Paul Hekkert

The increasingly transdisciplinary context of design, where designers collaborate with other disciplinary and domain experts, means there is a growing need to evidence the effectiveness of design methods. We address this need in two ways. First, we propose a ‘chain of evidence’, from motivation to claims, operationalising this in a systematic assessment framework. Second, we systematically review current design method research. Our results reveal that while all links in the chain of evidence are reported across the literature and best practices can be identified, no individual paper either reports all links or consistently achieves best practice. Our framework and results demonstrate the need for standards of evidence in this area, with implications for design method research, development, education, and practice.

设计的跨学科背景越来越多,设计师与其他学科和领域的专家合作,这意味着越来越需要证明设计方法的有效性。我们通过两种方式满足这一需求。首先,我们提出了一个“证据链”,从动机到主张,在一个系统的评估框架中进行操作。其次,系统回顾了当前设计方法的研究现状。我们的研究结果表明,虽然文献中报告了证据链中的所有环节,并且可以确定最佳实践,但没有一篇论文报告了所有环节或始终达到最佳实践。我们的框架和结果表明,在这一领域需要证据标准,这对设计方法的研究、开发、教育和实践都有影响。
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引用次数: 0
Method in their madness: Explaining how designers think and act through the cognitive co-evolution model 疯狂中的方法:通过认知协同进化模型解释设计师如何思考和行动
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101219
Philip Cash, Milene Gonçalves, Kees Dorst

Designers often face situations where the only way forward is through the exploration of possibilities. However, there is a critical disconnect between understanding of how designer’s think and act in such situations. We address this disconnect by proposing and testing (via protocol analysis) the cognitive co-evolution model. Our model comprises a new approach to co-evolutionary design theory by explaining both the progression of the process itself and the creation of design outputs via an interplay between metacognitive perceived uncertainty, cognition, and the external world. We thus connect explanations of how designers think with descriptions of how they act. We provide a foundation for connecting to other theories, models, and questions in design research via common links to cognition and metacognition.

设计师经常面临这样的情况:唯一的出路就是探索各种可能性。然而,在理解设计师在这种情况下的想法和行为之间存在着严重的脱节。我们通过提出和测试(通过协议分析)认知协同进化模型来解决这种脱节。我们的模型包含了共同进化设计理论的一种新方法,通过元认知感知不确定性、认知和外部世界之间的相互作用,解释了过程本身的进展和设计输出的创造。因此,我们将设计师如何思考的解释与他们如何行动的描述联系起来。我们通过与认知和元认知的共同联系,为设计研究中的其他理论、模型和问题提供了基础。
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引用次数: 0
Global diversity in design research: A bibliometric investigation of design journals 设计研究的全球多样性:设计期刊的文献计量学调查
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-09-01 DOI: 10.1016/j.destud.2023.101217
Gabriela Trindade Perry, Leônidas Soares Pereira

Design, as a field, is inherently multifaceted. For this reason, it might be expected that design research would be reflective of this diversity, not only regarding research themes, but also geographic representation. This paper employs bibliometric methods to explore the issue of country of institutional affiliation of the authors of 14 design journals. Through the analysis of data on paper authorship, cited references and patterns of co-authorship collaboration, we develop a profile of country participation in the design research field. Our findings indicate that the distributions of country affiliation are alarmingly concentrated. As a result, we aim to foster a deeper discussion on the topic of geographic inclusivity in design research, suggesting probable causes and possible ways forward aimed at alleviating this reality.

设计作为一个领域,本质上是多方面的。出于这个原因,可以预期设计研究将反映这种多样性,不仅在研究主题方面,而且在地理代表性方面。本文采用文献计量学方法对14种设计类期刊的作者所属国问题进行了研究。通过对论文作者、被引用文献和共同作者合作模式的数据分析,我们建立了一个国家参与设计研究领域的概况。我们的研究结果表明,国家归属的分布惊人地集中。因此,我们的目标是促进对设计研究中地理包容性主题的深入讨论,提出可能的原因和可能的方法,旨在缓解这一现实。
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引用次数: 0
Visualising product concepts to engage manufacturers with little or no industrial design capability 可视化产品概念,以吸引制造商很少或没有工业设计能力
IF 3.5 1区 工程技术 Q1 Engineering Pub Date : 2023-07-01 DOI: 10.1016/j.destud.2023.101188
Blair Kuys, Charlie Ranscombe, Wendy Zhang

Underlying theories behind visualisation are well reported in literature; likewise, are visualisation strategies from the perspective of in-house design operations. This research addresses a gap in literature on the topic of visualisation with respect to collaborative design projects with manufacturers that have little or no industrial design capability. The research investigates designers' practices and characteristics of visualisations from 15 new product development projects, followed by a series of reflections by designers involved. Findings illustrate how designers combine different styles of visualisation to balance details, accuracy, aesthetics and fidelity in response to the type of project and collaborator's capability. We conclude with examples of best practice for designers when using visualisation to engage manufacturers who have little experience with industrial design.

可视化背后的潜在理论在文献中有很好的报道;同样,从内部设计操作的角度来看,可视化策略也是如此。本研究解决了文献中关于与很少或没有工业设计能力的制造商合作设计项目的可视化主题的空白。该研究调查了15个新产品开发项目中设计师的实践和视觉化特点,随后是设计师们的一系列反思。研究结果说明了设计师如何结合不同风格的可视化来平衡细节、准确性、美学和保真度,以响应项目类型和合作者的能力。我们总结了设计师在使用可视化与缺乏工业设计经验的制造商接触时的最佳实践示例。
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引用次数: 1
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Design Studies
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