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Harappa and cultural ownership: The Inheriting Harappa internship programme at the Lahore Museum 哈拉帕和文化所有权:在拉合尔博物馆继承哈拉帕实习项目
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/20518196.2021.2008450
Tehnyat Majeed
ABSTRACT The 2015 summer internship programme connected to a special exhibition on the Indus Valley Civilization was a watershed in the history of the Lahore Museum. Rediscovering Harappa: Through the Five Elements opened on the 21st of November 2015, showcasing original Harappan artefacts from the museum’s permanent holdings in conjunction with interpretive artworks that had been produced by the ‘artist-interns’ within the internship programme. This paper provides an overview of this internship – one that offered opportunities for curatorial research documentation and artistic production to college students, under the mentorship of museum experts. Conducted by the Inheriting Harappa Project, a major challenge taken up by this internship was to cultivate a sense of ownership of Harappan cultural legacy amongst the youth of Pakistan.
2015年夏季实习项目与印度河流域文明特别展览有关,是拉合尔博物馆历史上的一个分水岭。重新发现哈拉帕:通过五种元素于2015年11月21日开幕,展示了博物馆永久收藏的哈拉帕原始文物,以及实习项目中“艺术家实习生”制作的解释性艺术品。本文提供了一个实习的概述-一个提供机会的策展研究文件和艺术生产的大学生,在博物馆专家的指导下。这次实习由继承哈拉帕项目(inheritance Harappa Project)进行,主要挑战是在巴基斯坦青年中培养哈拉帕文化遗产的主人翁意识。
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引用次数: 0
Indigenous archaeology and heritage in Pakistan: Supporting Kalash cultural preservation through education and awareness 巴基斯坦土著考古和遗产:通过教育和提高认识支持卡拉什文化保护
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/20518196.2021.2008444
Sayed Gul Kalash
ABSTRACT In this article I reflect on work I am engaged in to support heritage preservation within and along with the indigenous Kalash community in Pakistan, as an active member of that community and the head of the Chitral Museum. As a curator and archaeologist, my main aim has been to secure and protect the identity of the Kalasha people and our links to the archaeological past. I also work with the community to improve the recognition of both tangible and intangible heritage, particularly in the context of challenges posed by factors such as socio-economic, environmental, and political issues impacting the livelihood, health, and education of the Kalasha people. The key changes needed are improvements in education done in conjunction with improvements to livelihood and infrastructure – it is through working on all of these needs in concert that we will also be able to do heritage work, as these are all interrelated. Ultimately, I seek to preserve the archaeology of Chitral as well as greatly improve public awareness and education regarding Kalash history and culture – I want every Kalash child to be proud of being Kalash.
在这篇文章中,我反思了我所从事的工作,以支持巴基斯坦土著卡拉什社区的遗产保护,作为该社区的积极成员和吉德拉尔博物馆的负责人。作为一名策展人和考古学家,我的主要目标是确保和保护卡拉沙人的身份,以及我们与考古历史的联系。我还与社区合作,提高对物质和非物质遗产的认识,特别是在影响卡拉沙人生计、健康和教育的社会经济、环境和政治问题等因素构成挑战的背景下。需要的关键变化是在改善民生和基础设施的同时改善教育——只有通过协调所有这些需求,我们才能做遗产工作,因为这些都是相互关联的。最终,我寻求保护吉德拉尔的考古,并极大地提高公众对卡拉什历史和文化的认识和教育——我希望每个卡拉什的孩子都为自己是卡拉什人而自豪。
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引用次数: 0
Role of local legends in the protection and preservation of heritage sites: A study based on the recently documented legends from Hazara Division of the Khyber Pakhtunkhwa Province of Pakistan 当地传说在保护和保存遗产遗址中的作用:一项基于巴基斯坦开伯尔-普赫图赫瓦省哈扎拉地区最近记录的传说的研究
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/20518196.2021.2008441
A. Hameed, S. Sher
ABSTRACT Legends - the folk stories of the local community - play a vital role in archaeological investigations. Many times these stories have led to important archaeological discoveries, and some have helped archaeologists to interpret the data. Local legends frequently act to safeguard sites, even though they may also destroy them. After addressing the concept of community archaeology to clarify the meaning of community engagement in archaeological projects, this article focuses on the role of legends in the protection of archaeological sites. A total of four sites all located in Hazara Division of Pakistan were selected for the present study. The legends associated with these sites narrate tragedies (that occurred during illegal digging at these sites. And, having strong belief in these legends, the local community do not dare to damage to these sites. Thus, this article argues that these sites remain in a better state of preservation as compared to other sites due to the influence of local legends.
摘要传说——当地社区的民间故事——在考古调查中发挥着至关重要的作用。许多时候,这些故事导致了重要的考古发现,有些故事帮助考古学家解读了数据。当地传说经常采取行动保护遗址,尽管他们也可能摧毁遗址。在阐述了社区考古的概念以阐明社区参与考古项目的意义之后,本文重点讨论了传说在考古遗址保护中的作用。本研究共选择了四个地点,均位于巴基斯坦哈扎拉省。与这些遗址相关的传说讲述了在这些遗址非法挖掘时发生的悲剧。由于对这些传说有着强烈的信仰,当地社区不敢对这些遗址进行破坏。因此,本文认为,与其他遗址相比,由于当地传说的影响,这些遗址的保存状况更好。
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引用次数: 0
Community engagement in archaeology and heritage in Pakistan 巴基斯坦考古和遗产的社区参与
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/20518196.2021.2008443
Uzma Z. Rizvi
EDITORS' COMMENT We are delighted to be able to host this outstanding collection of papers on community engaged heritage projects in Pakistan, written by eight specialist from that country. As so eloquently expressed by our guest editor for this issue, Uzma Z. Rizvi, the Global North has for too long acted as gate keeper for what material from other parts of the world gets published in international journals. Consequently, it would seem much more appropriate for this collection, entirely written by archaeologists and heritage professionals from Pakistan for such professionals in Pakistan, to also be introduced by an archaeologist of South Asian descent. Therefore without further ado, we wish to cede the ground to Uzma Z. Rizvi, who is much better placed than we are to describe the depth and significance of the contributions to this exciting issue. Sarah De Nardi and Thomas Kador.
编辑评论我们很高兴能够主办这本由巴基斯坦八位专家撰写的关于巴基斯坦社区参与遗产项目的优秀论文集。正如我们本期的客座编辑乌兹玛·Z·里兹维雄辩地表达的那样,《全球北方》长期以来一直是世界其他地区的材料在国际期刊上发表的把关人。因此,这批藏品似乎更适合由南亚裔考古学家介绍,这些藏品完全由巴基斯坦的考古学家和遗产专业人员为巴基斯坦的这些专业人员撰写。因此,事不宜迟,我们希望把阵地让给乌兹马·里兹维,他比我们更适合描述对这一令人兴奋的问题所作贡献的深度和意义。莎拉·德·纳尔迪和托马斯·卡多尔。
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引用次数: 1
The role of museums, design accessibility and community concerns: A case study of the State Bank of Pakistan Museum & Art Gallery 博物馆的作用、设计的可及性和社区关注:以巴基斯坦国家银行博物馆和美术馆为例
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/20518196.2021.2008446
A. Ibrahim
ABSTRACT This article addresses strategies for community engagement and social inclusion in museum practice through a case study of the State Bank of Pakistan Museum & Art Gallery from the museum director’s point of view. Through the initial interior and visual design and the ongoing programmes design, the museum staff have sought to foster interactivity and accessibility that support the engagement of a diverse community of museumgoers. In this case study, specific design strategies are described which are used at the museum, as well as a range of interactive activities, from tours for the hearing impaired to the incorporation of local craft making into museum programmes. Through these actions, the museum works to support the community’s engagement with heritage as well as heritage’s development through community. Museums must be accountable to and supportive of communities because it is people’s active participation in museum activities that keeps heritage alive.
摘要本文从博物馆馆长的角度,通过对巴基斯坦国家银行博物馆和美术馆的案例研究,阐述了博物馆实践中的社区参与和社会包容策略。通过最初的室内和视觉设计以及正在进行的项目设计,博物馆工作人员努力促进互动性和无障碍性,以支持不同社区的博物馆游客参与。在本案例研究中,介绍了博物馆使用的具体设计策略,以及一系列互动活动,从为听力受损者进行的参观到将当地工艺制作纳入博物馆计划。通过这些行动,博物馆致力于支持社区参与遗产以及通过社区发展遗产。博物馆必须对社区负责并给予支持,因为正是人们积极参与博物馆活动,才能使遗产保持活力。
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引用次数: 1
Exploring co-production in community heritage research: Reflections from the Bennachie Landscapes Project 探索社区遗产研究中的合作生产:来自Bennachie景观项目的思考
Q1 Arts and Humanities Pub Date : 2021-12-19 DOI: 10.1080/20518196.2021.2014659
J. Oliver, John P. Armstrong, Elizabeth Curtis, N. Curtis, J. Vergunst
ABSTRACT Co-production of community heritage research is in the ascendant. Co-production aims to break down barriers between ‘experts’ and the ‘public’ to co-create knowledge about the past. Few projects have sought to critically evaluate the complexities of co-producing research, particularly long-term ones, composed of multiple activities, which draw on differently situated groups. This paper presents a reflective analysis by the university-based participants of a long-standing community heritage project focusing on the ruins of a locally celebrated crofting community in Northeast Scotland. The use of archaeological and archival techniques, the creation of an exhibition, a kitchen garden, promenade drama, a heritage app, and publications, provide both opportunities and challenges for co-production. The meaning of co-production was shaped by the nature of research activities, resulting in significantly varied levels of participation; its embedding, therefore, requires managing expectations. Effective relationships for co-creating knowledge are an outgrowth of building trust, which take time, patience, and commitment.
社区遗产合作研究方兴未艾。联合制作旨在打破“专家”和“公众”之间的障碍,共同创造关于过去的知识。很少有项目试图批判性地评估共同生产研究的复杂性,尤其是由多个活动组成的长期研究,这些活动吸引了不同处境的群体。本文由一个长期社区遗产项目的大学参与者进行了反思性分析,该项目的重点是苏格兰东北部一个当地著名的小农户社区的废墟。考古和档案技术的使用,展览、菜园、海滨戏剧、遗产应用程序和出版物的创建,为联合制作提供了机遇和挑战。共同生产的意义是由研究活动的性质决定的,导致参与程度明显不同;因此,它的嵌入需要管理预期。共同创造知识的有效关系是建立信任的结果,需要时间、耐心和承诺。
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引用次数: 0
The shape of absence: Community Archaeology and the heritage of the Queensland Native Mounted Police, Australia 缺席的形态:社区考古学和澳大利亚昆士兰土著骑警的遗产
Q1 Arts and Humanities Pub Date : 2021-12-13 DOI: 10.1080/20518196.2021.1996155
Heather Burke, Lynley A. Wallis, I. Davidson, N. Cole, B. Barker, E. Hatte
ABSTRACT This paper explores the notion of absence as a key, but elusive, element in the contemporary recognition, perception and reception of Australian frontier conflict. It derives from a four-year-long community archaeology project to document the lives and legacies of a devastating frontier paramilitary policing force – the Queensland Native Mounted Police (NMP). The sources of absence in the heritage of the NMP are complex, deriving from silences in historical records, the partial nature of archaeological data, and the vicissitudes of memory work. We offer an introductory taxonomy for the kinds of absence that characterize the NMP and use this to consider the potency of absence in theorizing, reconstructing, defending and interpreting the heritage of Australian frontier conflict.
摘要本文探讨了缺席的概念,它是当代对澳大利亚边境冲突的认识、感知和接受中一个关键但难以捉摸的因素。它源于一个为期四年的社区考古项目,该项目旨在记录一支毁灭性的边境准军事警察部队——昆士兰土著骑警(NMP)的生活和遗产。NMP遗产中缺失的来源是复杂的,源于历史记录中的沉默、考古数据的局部性以及记忆工作的变迁。我们为NMP的缺席类型提供了一个介绍性分类法,并以此来考虑缺席在理论化、重建、捍卫和解释澳大利亚边境冲突遗产方面的效力。
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引用次数: 1
GIRT scientific divers citizen science programme: Volunteer motivations and characteristics GIRT科学潜水员公民科学计划:志愿者的动机和特点
Q1 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.1080/20518196.2021.2005411
A. Viduka, Joanne Edney
ABSTRACT The no-impact maritime archaeological conservation-focused citizen science programme gathering information via recreational and technical (GIRT) scientific divers formally started in January 2019 and was designed and developed to encourage interested people, businesses, and groups to have an active and positive maritime archaeology management role. Initially launched in New Zealand and Australia, GIRT has expanded to include members in 9 countries. To better understand who is interested to participate in GIRT, why, and what it is they seek to get out of their participation, a survey was sent out to the first 119 people who undertook training. 100 people responded to the survey providing information about the demographics of participants, their background in heritage and protection, diving, science and conservation, and volunteering. Survey results show that GIRT is acting as a gateway into maritime archaeology for individuals who have never dived wrecks and for people interested in natural heritage.
摘要以无影响海洋考古保护为重点的公民科学计划于2019年1月正式启动,通过娱乐和技术(GIRT)科学潜水员收集信息,旨在鼓励感兴趣的人、企业和团体发挥积极的海洋考古管理作用。GIRT最初在新西兰和澳大利亚推出,现已扩展到9个国家的会员。为了更好地了解谁有兴趣参加GIRT,为什么,以及他们想从中获得什么,向首批119名接受培训的人进行了一项调查。100人对调查做出了回应,提供了参与者的人口统计信息、他们在遗产和保护、潜水、科学和保护以及志愿服务方面的背景。调查结果显示,GIRT是从未潜水沉船的个人和对自然遗产感兴趣的人进入海洋考古的门户。
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引用次数: 4
JCAH 8.4 Editorial JCAH 8.4社论
Q1 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/20518196.2021.1984130
Thomas Kador, Sarah De Nardi
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引用次数: 0
The Magic Mountain community archaeology project 魔山社区考古项目
Q1 Arts and Humanities Pub Date : 2021-08-28 DOI: 10.1080/20518196.2021.1972560
M. Koons, M. D. Mitchell, Maritza Hernandez-Bravo, Taylor Hitte, J. M. Logan, Erin Baxter
ABSTRACT Nestled in the foothills of Golden, Colorado, Magic Mountain is one of the most important archaeological sites in the Front Range of the Southern Rocky Mountains. The earliest contexts date back to 9000 BP, when the site served as camping grounds for groups passing through the region. Later remains, such as ceramics and stone structures, indicate that through time it became a semi-permanent residence that was inhabited until at least 1000 CE. From 2016 to 2018 the Denver Museum of Nature & Science and Paleocultural Research Group conducted research at the site through a large-scale, community-based effort. This paper details the community involvement and provides a template for others wishing to engage in similar endeavours.
魔术山坐落于科罗拉多州的戈尔登山脚下,是南落基山脉前山脉最重要的考古遗址之一。最早的背景可以追溯到公元前9000年,当时该遗址是经过该地区的团体的露营地。后来的遗迹,如陶瓷和石头结构,表明随着时间的推移,它成为了一个半永久性的住所,直到至少公元1000年才有人居住。从2016年到2018年,丹佛自然与科学博物馆和古文化研究小组通过大规模的社区努力在该遗址进行了研究。本文详细介绍了社区参与,并为其他希望参与类似努力的人提供了一个模板。
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引用次数: 1
期刊
Journal of Community Archaeology and Heritage
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