Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-roc2
L. Rocca, Demis Quadri
4° Workshop Internazionale sui Paesaggi Sonori La Società Svizzera di Studi Teatrali, in collaborazione con l’Accademia Teatro Dimitri e il Dipartimento Formazione e Apprendimento della Scuola Universitaria Professionale della Svizzera Italiana e con il sostegno della Accademia Svizzera di Scienze Umane e Sociali, nell’ambito della rassegna di manifestazioni “La Suisse existe - La Suisse n’existe pas / Raum - Espace” ha promosso la realizzazione del 4° Workshop Internazionale sui Paesaggi Sonori, che si è svolto il 13 e 14 giugno 2019 tra Verscio e Locarno (CH).
{"title":"Teatro di suoni. Spazi acustici teatrali e territoriali","authors":"L. Rocca, Demis Quadri","doi":"10.7358/gn-2021-001-roc2","DOIUrl":"https://doi.org/10.7358/gn-2021-001-roc2","url":null,"abstract":"4° Workshop Internazionale sui Paesaggi Sonori La Società Svizzera di Studi Teatrali, in collaborazione con l’Accademia Teatro Dimitri e il Dipartimento Formazione e Apprendimento della Scuola Universitaria Professionale della Svizzera Italiana e con il sostegno della Accademia Svizzera di Scienze Umane e Sociali, nell’ambito della rassegna di manifestazioni “La Suisse existe - La Suisse n’existe pas / Raum - Espace” ha promosso la realizzazione del 4° Workshop Internazionale sui Paesaggi Sonori, che si è svolto il 13 e 14 giugno 2019 tra Verscio e Locarno (CH).","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44814303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-stol
A. Knecht
This research project explores the interactions between music and clowning from two perspectives: first, by investigating the uses and functions of music and sound in European clowning traditions, and second, by revisiting the notion of musical humor and introducing the category of the ‘clownesque’ – taking Gustav Mahler’s Seventh Symphony as a case study. Clowning practices can inform modern instrumental music, I suggest, because of the cross-fertilization of ‘cultivated’ and ‘popular’ genres characteristic of this era. My musicological perspective on clowning will throw new light on this tradition; and, in turn, interpreting musical humor in the 20th century through the lens of clowning practices will emphasize the physicality of musical gestures.
{"title":"Music and Clowning in Europe, 20th-21st centuries","authors":"A. Knecht","doi":"10.7358/gn-2021-001-stol","DOIUrl":"https://doi.org/10.7358/gn-2021-001-stol","url":null,"abstract":"This research project explores the interactions between music and clowning from two perspectives: first, by investigating the uses and functions of music and sound in European clowning traditions, and second, by revisiting the notion of musical humor and introducing the category of the ‘clownesque’ – taking Gustav Mahler’s Seventh Symphony as a case study. Clowning practices can inform modern instrumental music, I suggest, because of the cross-fertilization of ‘cultivated’ and ‘popular’ genres characteristic of this era. My musicological perspective on clowning will throw new light on this tradition; and, in turn, interpreting musical humor in the 20th century through the lens of clowning practices will emphasize the physicality of musical gestures.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46098280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-deni
F. Zuccoli, Alessandra De Nicola, Anita Bacigalupo, Paola Boccaletti, G. Caroli, Gak Sato, Chiara Monetti, Carlotta Montebello, Steve Piccolo, Amelia Silvestri
The contribution presents a research project conducted by Fondazione Arnaldo Pomodoro to formulate, design and create, together with children and teachers, and to evaluate – with the help of the University – a different approach to the experience of contemporary art. This project has been implemented thanks to co-funding provided by Fondazione Cariplo. The initial hypothesis, after many years of experimentation on the part of Fondazione Arnaldo Pomodoro in the field of art education, and in the various temporary and permanent exhibitions organized by the foundation, was to explore a series of new possibilities that underline the value of participation, in which the soundscape can also become part of a meaningful experience.
{"title":"#exploreART: il labirinto di A. Pomodoro e i bambini. Un progetto di fruizione condivisa con percorsi sensoriali partecipati","authors":"F. Zuccoli, Alessandra De Nicola, Anita Bacigalupo, Paola Boccaletti, G. Caroli, Gak Sato, Chiara Monetti, Carlotta Montebello, Steve Piccolo, Amelia Silvestri","doi":"10.7358/gn-2021-001-deni","DOIUrl":"https://doi.org/10.7358/gn-2021-001-deni","url":null,"abstract":"The contribution presents a research project conducted by Fondazione Arnaldo Pomodoro to formulate, design and create, together with children and teachers, and to evaluate – with the help of the University – a different approach to the experience of contemporary art. This project has been implemented thanks to co-funding provided by Fondazione Cariplo. The initial hypothesis, after many years of experimentation on the part of Fondazione Arnaldo Pomodoro in the field of art education, and in the various temporary and permanent exhibitions organized by the foundation, was to explore a series of new possibilities that underline the value of participation, in which the soundscape can also become part of a meaningful experience.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41803974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-roc3
L. Rocca, Martino Mocchi
Il confronto da cui hanno preso forma alcune delle riflessioni presentate in questo numero è stato promosso attraverso uno strumento di lavoro partecipativo: l’Open Space Technology 2. Si tratta di un metodo d’interazione che scommette sulla spontaneità, lasciando ai partecipanti la definizione dei temi da trattare.
{"title":"Alla ricerca di un metodo: Open Space Technology","authors":"L. Rocca, Martino Mocchi","doi":"10.7358/gn-2021-001-roc3","DOIUrl":"https://doi.org/10.7358/gn-2021-001-roc3","url":null,"abstract":"Il confronto da cui hanno preso forma alcune delle riflessioni presentate in questo numero è stato promosso attraverso uno strumento di lavoro partecipativo: l’Open Space Technology 2. Si tratta di un metodo d’interazione che scommette sulla spontaneità, lasciando ai partecipanti la definizione dei temi da trattare.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41943718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-sill
Carlotta Sillano
The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.
{"title":"Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione","authors":"Carlotta Sillano","doi":"10.7358/gn-2021-001-sill","DOIUrl":"https://doi.org/10.7358/gn-2021-001-sill","url":null,"abstract":"The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47197012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-mich
Francesco Michi
Through the description of some works that I have conducted in recent years with Mechi Cena and Maurizio Montini, I will try to outline some possibilities in which the narration of the listening, of what you listen to, can become a matter of theater, meaning theater as a place where sounds, in this case, are presented in a certain way and in a certain way they are listened to. The theater is not only, we know that, a certain architectural space, but a place in which there is a here and a there, things represented and the target audience of those representations, and the representations are, in this case, stories of sounds.
{"title":"La narrazione spettacolarizzata del paesaggio sonoro. Da Giuseppe Chiari a Philip K. Dick e oltre","authors":"Francesco Michi","doi":"10.7358/gn-2021-001-mich","DOIUrl":"https://doi.org/10.7358/gn-2021-001-mich","url":null,"abstract":"Through the description of some works that I have conducted in recent years with Mechi Cena and Maurizio Montini, I will try to outline some possibilities in which the narration of the listening, of what you listen to, can become a matter of theater, meaning theater as a place where sounds, in this case, are presented in a certain way and in a certain way they are listened to. The theater is not only, we know that, a certain architectural space, but a place in which there is a here and a there, things represented and the target audience of those representations, and the representations are, in this case, stories of sounds.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42626681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-roc1
L. Rocca
Body is our access key to places: the medium that allow us to possess, belong, and identify ourselves in places. Body remembers places, mediating the twoway relationship between abstract and physical, social and mental, individual and collective perspectives. Body expresses different cultural images of societies: going through social space and making the collective experience possible. Each body is indeed a “place” in which social and political constructions take shape. The paper considers body as the starting and the ending point of the reflection, presenting a circular path for reconstructing the relationship with places through sounds. The research questions shall be as follows: when body experiences the space of theater, which geographies come to life? how does sound affect this process, developing the sense of attachment to places? why is this important – for both individuals and places?
{"title":"Teatro di suoni per l’attaccamento ai luoghi. Uno sguardo geografico","authors":"L. Rocca","doi":"10.7358/gn-2021-001-roc1","DOIUrl":"https://doi.org/10.7358/gn-2021-001-roc1","url":null,"abstract":"Body is our access key to places: the medium that allow us to possess, belong, and identify ourselves in places. Body remembers places, mediating the twoway relationship between abstract and physical, social and mental, individual and collective perspectives. Body expresses different cultural images of societies: going through social space and making the collective experience possible. Each body is indeed a “place” in which social and political constructions take shape. The paper considers body as the starting and the ending point of the reflection, presenting a circular path for reconstructing the relationship with places through sounds. The research questions shall be as follows: when body experiences the space of theater, which geographies come to life? how does sound affect this process, developing the sense of attachment to places? why is this important – for both individuals and places?","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42108249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-gron
M. Groneberg
This contribution invites the reader on a conceptual and imaginary journey through the relation between the visual and auditive dimensions of theatre. A reading of Ovid’s metamorphosis of Hermaphroditus and Salmacis will illustrate the general idea which I will then confront with the recent proposal of Denis Guénoun to conceive of theatre as the (visual) hypotyposis of poetry. Hegel and others will serve as the catalyst potion to allow for a union of the two lines of thought, leading to the conclusion that theatre is not only a visual but also an auditive hypotyposis of the poetic – in a wide sense, encompassing music and dance. The roots of theatre are often identified in Ancient Greek tragedy and comedy. In that context, a link between the terms “theatre” and “theory” has been observed via the verb theôrein (being spectator, behold) and its noun thea (view, spectacle). It might thus seem that theatre is first of all to be viewed, and that sound and listening are secondary. The following thoughts provide an additional view – if not a different understanding.
{"title":"Voicing One’s Will. Theatre as Audio-Visual Hypotyposis of the Poetic","authors":"M. Groneberg","doi":"10.7358/gn-2021-001-gron","DOIUrl":"https://doi.org/10.7358/gn-2021-001-gron","url":null,"abstract":"This contribution invites the reader on a conceptual and imaginary journey through the relation between the visual and auditive dimensions of theatre. A reading of Ovid’s metamorphosis of Hermaphroditus and Salmacis will illustrate the general idea which I will then confront with the recent proposal of Denis Guénoun to conceive of theatre as the (visual) hypotyposis of poetry. Hegel and others will serve as the catalyst potion to allow for a union of the two lines of thought, leading to the conclusion that theatre is not only a visual but also an auditive hypotyposis of the poetic – in a wide sense, encompassing music and dance. The roots of theatre are often identified in Ancient Greek tragedy and comedy. In that context, a link between the terms “theatre” and “theory” has been observed via the verb theôrein (being spectator, behold) and its noun thea (view, spectacle). It might thus seem that theatre is first of all to be viewed, and that sound and listening are secondary. The following thoughts provide an additional view – if not a different understanding.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49357405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-matt
Sebastian Matthias
This contribution examines groove dynamics across various spatial contexts such as the dance club and the artistic performance space. As groove dynamics do not occur in a spatial vacuum but are embedded in affective environments, they need to be approached from an interdisciplinary perspective that ties together findings from experimental field studies, performance studies, musicology, cognitive hermeneutics etc. and places them in the physical, anatomic and acoustic contexts of concrete dance situations. In that way, the dance floor can be understood as a space of entanglements where acoustic, movement and kinaesthetic grooves mark and create a fluid territory of improvisational interaction and communication.
{"title":"Groove Fields. Understanding the Dance Floor from an Art-Based Research Perspective","authors":"Sebastian Matthias","doi":"10.7358/gn-2021-001-matt","DOIUrl":"https://doi.org/10.7358/gn-2021-001-matt","url":null,"abstract":"This contribution examines groove dynamics across various spatial contexts such as the dance club and the artistic performance space. As groove dynamics do not occur in a spatial vacuum but are embedded in affective environments, they need to be approached from an interdisciplinary perspective that ties together findings from experimental field studies, performance studies, musicology, cognitive hermeneutics etc. and places them in the physical, anatomic and acoustic contexts of concrete dance situations. In that way, the dance floor can be understood as a space of entanglements where acoustic, movement and kinaesthetic grooves mark and create a fluid territory of improvisational interaction and communication.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43752778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-05DOI: 10.7358/gn-2021-001-caro
Sebastiano Caroni
The article is motivated by the lack of studies which address silence as a context- dependent phenomenon; that is, as a phenomenon whose meaning arises within specific contexts, situations and physical spaces. Accordingly, I address the ways in which the phenomenon of silence plays an essential role in particular professional and vocational domains. The analysis leads through some thoughts and considerations of people who work or are active in specialized fields that have a significant connection with the practice and the experience of silence. I especially examine areas such as meditation, teaching, health professions, and other professional and even – to some extent – artistic practices.
{"title":"Il silenzio come esperienza trasformativa. L’importanza del silenzio nella meditazione e in ambito professionale","authors":"Sebastiano Caroni","doi":"10.7358/gn-2021-001-caro","DOIUrl":"https://doi.org/10.7358/gn-2021-001-caro","url":null,"abstract":"The article is motivated by the lack of studies which address silence as a context- dependent phenomenon; that is, as a phenomenon whose meaning arises within specific contexts, situations and physical spaces. Accordingly, I address the ways in which the phenomenon of silence plays an essential role in particular professional and vocational domains. The analysis leads through some thoughts and considerations of people who work or are active in specialized fields that have a significant connection with the practice and the experience of silence. I especially examine areas such as meditation, teaching, health professions, and other professional and even – to some extent – artistic practices.","PeriodicalId":52751,"journal":{"name":"Geography Notebooks","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44957456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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