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UNDERLYING MASTER NARRATIVE AND COUNTER-STORIES ON SELECTED AMERICAN ONLINE NEWS 在选定的美国在线新闻中,潜在的主叙事和反故事
Pub Date : 2020-08-31 DOI: 10.24071/IJHS.V4I1.2680.G1997
Irma Febriyanti
This paper extrapolates the contrasting discourse of master narrative and counter stories through an analysis of online news articles dealing with the marginalization of African-American students in Newark. The discourse of master narrative works to maintain the ongoing racism that limits the opportunity of African-American community in Newark educational field. The claim of equal opportunity, as is propagated by the discourse of Cami Anderson, the superintendent of Newark works to conceal the prevailing ideology of Whiteness and color-blind view that deny special privileged to the Whites. Employing Faircloughs CDA (2010) under the framework of Critical Race Theory (CRT), the study underlines micro-structures of linguistic features within the wider scope of racism in American education. This paper argues that Whiteness as ideology remains prevalent in American educational system, and one avenue to subvert this view by increasing the involvement of marginalized group in the policy making decision. The discourse of the public, as seen in Barakas narration aligns with the African-American communitys struggle for equal access to through its advocatory tone as a catalyst for social change.
本文通过对纽瓦克非裔美国学生边缘化的网络新闻文章的分析,推断出主叙事和反故事的对比话语。主叙事的话语维持了持续的种族主义,限制了非裔美国人社区在纽瓦克教育领域的机会。机会均等的主张,正如纽瓦克的校长卡米·安德森(Cami Anderson)的话语所宣传的那样,是为了掩盖主流的白人意识形态和否认白人享有特殊特权的色盲观点。本研究在批判种族理论(CRT)的框架下,运用fairclough(2010)的批评性话语分析(CDA),强调了美国教育中种族主义更大范围内语言特征的微观结构。本文认为,白人作为一种意识形态在美国教育体系中仍然普遍存在,而通过增加边缘化群体在政策制定中的参与,是颠覆这种观点的一种途径。在巴拉卡的叙述中,公众话语与非裔美国人社区通过其倡导的语气作为社会变革的催化剂而争取平等机会的斗争是一致的。
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引用次数: 0
CAN HISTORICAL SITES IN MANADO BE AN EDUCATIONAL TOURIST ATTRACTION? 万鸦老的历史遗迹可以成为教育旅游景点吗?
Pub Date : 2020-08-31 DOI: 10.24071/ijhs.v4i1.2406
D. Permana, Benny Irwan Towoliu, A. Lumettu, Jufrina Mandulangi
Manado as the capital of North Sulawesi province in the past four years has become one of the leading destinations for Chinese tourists visiting Indonesia. One of the things that has not yet been explored well is cultural and historical tourism. Though this can be a special attraction when managed properly, it can be an alternative to tourism other than marine tourism. But in his observation the sites were not used as a means of learning culture and history for the people of Manado. The purpose of this study is the use of Historical Sites as Educational Tourism. The analytical method used is descriptive by combining qualitative and quantitative methods. The research instruments used were interviews, observation and questionnaires. The analytical method used is the assessment using a Likert attitude scale. The results showed that the Manado community agreed that the various sites were used as educational tourism
过去四年,作为北苏拉威西省首府的万鸦老已成为中国游客赴印尼旅游的主要目的地之一。文化和历史旅游还没有得到很好的开发。虽然如果管理得当,这可能是一个特别的景点,但它可以成为海洋旅游以外的旅游选择。但在他的观察中,这些遗址并没有被用作万鸦老人学习文化和历史的手段。本研究的目的是利用历史遗迹作为教育旅游。分析方法采用定性与定量相结合的描述性方法。研究手段为访谈、观察和问卷调查。所使用的分析方法是使用李克特态度量表进行评估。结果显示,万鸦老社区同意将各种遗址用作教育旅游
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引用次数: 0
TYPES AND TRUST SYSTEMS BASED ON THE IDEOLOGY OF BUGIS COMMUNITY CULTURE ON LOCAL INTEREST VALUES IN CENNING RARA SPELLS 基于布吉士社区文化意识形态的珍奇珍奇地方利益价值观的类型与信任体系
Pub Date : 2020-08-25 DOI: 10.24071/IJHS.V4I1.2652
Muhsyanur Muhsyanur
This research analyzes the type and belief system based on the Bugis cultural ideology of the values of local wisdom in the cenning rara spells. This research is a descriptive qualitative research by having two sources of data, which are spells and responses or opinions of Bugis people about spells. This type of research data in the form of words, phrases, expressions, and statements, both from the contents of the spell and from the opinion of the Bugis community about spells. The approach used in research, namely the ethnographic approach. The work method of ethnographic approach is that the researcher is directly involved in the field or the Bugis community environment to obtain more accurate data. The data analysis technique used for the data collected is a cultural interpretation technique. The results showed that there are three types and cultural ideology contexts of the Bugis community in the cenning rara spells, namely (1) the enchanting cenning rara spells that is considered effective in capturing the hearts of the opposite sex, (2) the power cenning rara spells which is considered as a thickener, and (3 ) cenning rara spells treatment that is considered a young preservative.
本研究分析了以布吉族文化意识形态为基础的策宁藏传法术中地方智慧价值观的类型和信仰体系。本研究是描述性质的研究,有两个数据来源,分别是符咒和布吉族人对符咒的反应或看法。这种类型的研究数据以单词、短语、表达和陈述的形式,既来自咒语的内容,也来自武吉士社区对咒语的看法。研究中使用的方法,即民族志方法。民族志方法的工作方法是研究人员直接参与该领域或布吉族社区环境,以获得更准确的数据。对收集到的数据所使用的数据分析技术是一种文化解释技术。结果表明,布吉族的魔咒存在三种类型和文化意识形态语境,即(1)被认为是有效俘获异性心的妖娆魔咒,(2)被认为是增稠剂的力量魔咒,(3)被认为是年轻保育剂的治疗魔咒。
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引用次数: 1
SOCIAL ACTOR REPRESENTATION OF INDONESIAN MIGRANT WORKERS� EXECUTIONS IN SAUDI ARABIA 印尼移民工人在沙特阿拉伯被处决的社会行动者代表
Pub Date : 2020-08-25 DOI: 10.24071/ijhs.v4i1.2170
Gina Nanda Utama, R. Amalia, S. Yuliawati
This study aims to describe how the Middle East Media represent the Indonesian government and the executed Indonesian migrant workers in the case of Indonesian migrant workers executions in Saudi Arabia. The data are analyzed through Critical Discourse Analysis focuses on the representation of social actors by Van Leeuwen (2008). This theory examines how the social actors are presented or excluded in the representation. In addition, the analysis of this study is also supported by the lexical analysis based on Richardsons theory (2007) of analyzing news text: level of analysis. This study uses descriptive analysis method since the data are analyzed based on the indicators, categories or strategies in the theories which are used to analyze the data. This study found that the Indonesian government is represented as the party who has done many efforts to save Indonesian migrant workers from the executions abroad but on the other side, Indonesian government is also represented as hypocritical party since Middle East Media nominate the Indonesian government as the party that still implement the death penalty. Generally, the lexical analysis show that the executed Indonesian migrant workers are represented as the cruel killers although several media present another information which show their reasons to do the crimes such as self-defense and suffering mental-illness.
本研究旨在描述中东媒体如何在印尼移民工人在沙特阿拉伯被处决的情况下代表印尼政府和被处决的印尼移民工人。Van Leeuwen(2008)的批判性话语分析侧重于社会行动者的表征。这一理论考察了社会行为者如何在表象中被呈现或被排除。此外,本研究的分析还得到了基于理查森新闻语篇分析理论(2007)的词法分析的支持:分析水平。本研究采用描述性分析方法,因为数据是根据分析数据的理论中的指标、类别或策略进行分析的。本研究发现,印度尼西亚政府被代表为在国外为拯救印尼移民工人而做出了许多努力的一方,但另一方面,印度尼西亚政府也被代表为伪善的一方,因为中东媒体提名印度尼西亚政府为仍然执行死刑的一方。从词汇分析来看,被处决的印尼移民一般被描述为残忍的杀手,但也有一些媒体给出了另一种信息,显示了他们犯罪的原因,如自卫和患有精神疾病。
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引用次数: 1
SURVIVING TYPHOON YOLANDA (HAIYAN) IN THE LENS OF COMTEAN ALTRUISM 在集体利他主义的镜头下,从台风“尤兰达”(海燕)中幸存下来
Pub Date : 2020-08-25 DOI: 10.24071/IJHS.V4I1.2644.G1978
D. M. Bautista
Altruism for August Comte is a belief of disinterestedness and an unselfish concern for other people. It is a theory that postulates the generous side of a person even in times of difficulty and even death. The onslaught of the strongest typhoon ever recorded in history brought substantial damage to different spheres of a human life. Despair and unwillingness to live were evident. However, despite severe damage to both body and soul to almost everyone in the hardest-hit areas, the victims managed to survive, share, and assist even the minutest that they have to others. Supplies were depleted and people have nowhere to buy food and other necessary elements. This study collected narrative experiences from individuals who were caught up in the storm and its aftermath. The study utilized the philosophical and critical social type of qualitative research, which aims to provide knowledge, which involve the existing social structure. This described, evaluated, and interpreted the different personal experiences of Yolanda survivors anchored on the Comtean philosophy of altruism.
对奥古斯特·孔德来说,利他主义是一种无私的信念,是对他人的无私关怀。这是一种假设一个人即使在困难甚至死亡的时候也能表现出慷慨的一面的理论。史上最强台风的袭击给人类生活的各个方面带来了巨大的破坏。绝望和不愿活下去是显而易见的。然而,尽管在受灾最严重的地区,几乎每个人的身体和灵魂都受到了严重的伤害,但受害者们设法生存下来,分享和帮助他们所拥有的最微小的东西。物资枯竭,人们无处购买食物和其他必需品。这项研究收集了陷入风暴及其后果的个人的叙述经验。本研究采用了哲学和批判社会类型的定性研究,旨在提供涉及现有社会结构的知识。这篇文章描述、评估和解释了以康特利他主义哲学为基础的约兰达幸存者的不同个人经历。
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引用次数: 0
ECO-PSYCHOLOGICAL ANALYSIS OF BIMBO�S BELALANG SONG LYRIC: A DISCOURSE PERSPECTIVE 语篇视角下的少女情歌歌词生态心理学分析
Pub Date : 2020-08-25 DOI: 10.24071/ijhs.v4i1.2465
Idha Nurhamidah, Sugeng Purwanto, Katharina Rustipa
The current study investigated Bimbos Song lyric entitled Belalang in a Discourse Perspective. It has come to be known that Bimbo is a senior music group, specializing in deep philosophical touches of romantic songs. Belalang is a song attempting to create an analog of an insect (mantis) with special mating behaviors to human love affairs tied in dangerous wedlock. The lyric was analyzed in two ways, (1) to find out the field, tenor and mode of the discourse, employing the analytical framework of Systemic Functional Linguistics (SFL) in a macro sense, and (2) to find out the eco-psychological phenomena, employing the analytical framework of eco-psychology. The findings show that both mantis (with its special mating behavior) and humans (in showing true love to the destructive wife) have a similar patternto preserve the ecosystem or in other words to create a conducive environment. The moral teaching seems to support the old saying that to love does not necessarily own despite the presence of love-chemistry. A seemingly peaceful marital life has to come to its end due to an unexpected mystical curse of Bahu Laweyan. Yet, secondary love can be made possible in search of peaceful lives, to avoid self-destruction.
本研究从语篇视角考察Bimbos Song抒情诗《Belalang》。据悉,“Bimbo”是以浪漫歌曲的哲学色彩为特色的高级音乐组合。Belalang是一首试图模仿昆虫(螳螂)有特殊交配行为的歌曲,以模拟人类陷入危险婚姻的爱情。本文从两个方面对歌词进行了分析:一是运用宏观意义上的系统功能语言学(SFL)的分析框架,找出歌词的话语场域、语篇主旨和话语模式;二是运用生态心理学的分析框架,找出歌词中的生态心理现象。研究结果表明,螳螂(有其特殊的交配行为)和人类(向破坏性的妻子表达真爱)都有类似的模式来保护生态系统,换句话说,就是创造一个有利的环境。道德教育似乎支持了那句老话:尽管存在爱的化学反应,但爱不一定拥有。一个看似和平的婚姻生活不得不走到它的尽头,由于一个意想不到的神秘诅咒的巴胡罗威扬。然而,为了寻求平静的生活,避免自我毁灭,二级爱情是可能的。
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引用次数: 0
BEYOND THE PASTORAL: ENVIRONMENTAL IMAGINATION IN O.A BUSHNELL�S KA�A�AWA 超越田园:布什内尔的《卡阿瓦瓦》中的环境想象
Pub Date : 2020-08-25 DOI: 10.24071/ijhs.v4i1.2255
Kristiawan Indriyanto
This paper explores the environmental imagination in O.A Bushnells Kaaawa through his representation of pastoralism. A Hawaiian novelist, Bushnell conceptualizes his idea of pastoral based on the Hawaiians traumatic experience with the Western colonial powers. Different with the Anglo-American discourse of pastoralism which emphasizes more on the individual self and the reorientation toward the natural world in rural area, Bushnell foregrounds the far-reaching impact of colonialism which affects even the periphery of Oahu island. The titular village of Kaaawa, previously a sacred place where the inhabitants with the blessing of Hawaiian gods lived bountiful with nature also suffers the outbreak of Western diseases. Instead of a place for reorientation and rejuvenation, Bushnells concept of pastoralism in Kaaawa evoke the traumatic experience of the islanders in which the picturesque landscape of Hawaii represents the silent witness towards the desolation of Hawaiian archipelago. To reiterate, this paper argues how Bushnell orients his work within the socio-historical background of Hawaii and deliver a critique towards the impact of colonialism towards the islanders through his conception of pastoral.
本文通过布什内尔的《Kaaawa》对田园生活的再现来探讨其对环境的想象。布什内尔是一位夏威夷小说家,他根据夏威夷人在西方殖民列强统治下的创伤经历,将他的田园小说概念概念化。与英美的田园主义话语更强调个体自我和乡村地区对自然世界的重新定位不同,布什内尔强调殖民主义的深远影响,甚至波及瓦胡岛的外围。名义上的Kaaawa村,以前是一个神圣的地方,在夏威夷神的祝福下,居民们生活在这里,与大自然富饶,现在也遭受了西方疾病的爆发。而不是一个重新定位和复兴的地方,布什内尔在Kaaawa的田园生活概念唤起了岛民的创伤经历,其中夏威夷风景如画的风景代表了夏威夷群岛荒凉的无声见证。重申一下,本文讨论了布什内尔如何在夏威夷的社会历史背景下定位他的作品,并通过他的田园概念对殖民主义对岛民的影响进行了批判。
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引用次数: 0
NEW AGE ATHEISM MOVEMENT: A VANISHING MEDIATOR INTO A FUTURISTIC SECULAR SOCIETY 新时代无神论运动:一个消失的中介进入未来的世俗社会
Pub Date : 2020-08-24 DOI: 10.24071/IJHS.V4I1.2627.G1964
N. F. Pacaol
The progress of natural science together with some of the crimes and violent actions committed by religions were central to the New Age Movement of Atheism since the first decade of the century. Their atheistic evangelicalism is for the secularization of society and the dissolution of religions in every aspect of human life. This paper hinges on Kahambings development of the concept vanishing mediator and applies its synthesized framework as methodology. The application of the concept: a.) retroactively traces an intervention, b.) evaluates the intervention, c.) identifies the mediator, and d.) locates the vanishing point. Applying this to new age atheism, the discussion of the study is divided into three parts. First, it introduces the historical origin and atheistic interventions on religions; second, the movement is treated as a vanishing mediator or transition from religious to secular society; and lastly, it gives a futuristic account of a secular world that is rooted on the influence of new atheism in the era.
自本世纪头十年以来,自然科学的进步以及宗教犯下的一些罪行和暴力行为是无神论新时代运动的核心。他们的无神论福音主义是为了社会的世俗化和宗教在人类生活的各个方面的解体。本文以卡汉宾斯对消失中介概念的发展为基础,运用其综合框架作为方法论。概念的应用:a.)追溯干预,b.)评估干预,c.)识别中介,d.)定位消失点。将此应用于新时代无神论,本研究的讨论分为三个部分。首先,介绍了无神论对宗教的历史渊源和干预;第二,该运动被视为从宗教社会到世俗社会的逐渐消失的中介或过渡;最后,它给出了一个世俗世界的未来主义的描述,这个世界植根于那个时代的新无神论的影响。
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引用次数: 1
GOFFMAN� DRAMATURGY OF MOVEMENT CONCEPT IN SETAN JAWA FILM BY GARIN NUGROHO 高夫曼——加林·努格罗霍在《塞坦贾瓦》电影中运动概念的戏剧手法
Pub Date : 2020-03-11 DOI: 10.24071/IJHS.V3I2.2339
A. Dewi, Y. Piliang, I. Irfansyah, Acep Iwan Saidi
DramaturgyGoffmanncloselyrelatedtothemodeloftheinteractionbetweenthepersonabyassumingthatamodeofsocialrelationsasastageshow.Thereareself-raised,therearepurposelyhiddenformanagementtocreateacertainimpression.SetanJawaFilmbyGarinNugroho,asanartfilm,theissueofmovementasthemediasaidthefilmthatmarkstheculturalcodeofJavatointeract.Thisstudyaimstoidentifytheperceptionofmotionapplicabletothe'movement'inSetanJawaFilmusingtestquestionnaireresponsesontheperceptionofrespondentsfromdiverseethnic,whichwaslaterconfirmedbythemethodofFocusedGroupDiscussionwithGoffmannDramaturgyanalysisasthebasisofinterpretation.
DramaturgyGoffmanncloselyrelatedtothemodeloftheinteractionbetweenthepersonabyassumingthatamodeofsocialrelationsasastageshow.Thereareself-raised、therearepurposelyhiddenformanagementtocreateacertainimpression.SetanJawaFilmbyGarinNugroho asanartfilm, theissueofmovementasthemediasaidthefilmthatmarkstheculturalcodeofJavatointeract.Thisstudyaimstoidentifytheperceptionofmotionapplicabletothe 'movement 'inSetanJawaFilmusingtestquestionnaireresponsesontheperceptionofrespondentsfromdiverseethnic, whichwaslaterconfirmedbythemethodofFocusedGroupDiscussionwithGoffmannDramaturgyanalysisasthebasisofinterpretation。
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引用次数: 1
DOMINATED INDIVIDUALS� TACTICS TO DISRUPT BEING OTHERED IN NEO-COLONIAL NOVELS OF BAUTISTA AND WA THIONG�O 新殖民主义bautista和wa的小说中被支配的个体扰乱他人的策略
Pub Date : 2020-03-03 DOI: 10.24071/ijhs.v3i2.2456
Marvin Pableo
Dominated subjects or those Othered in many societies are among the most misrepresented class of people. Such misrepresentation has popularised their being imagined in literature and other fields of study as almost always despondent and meek individuals. In this context, this paper interrogates Western archetypal images on Others as passive recipients of domination. Applying De Certeaus concept of tactics, this paper investigated how tactics of dominated subjects become immediate yet temporary solution among Others to disturb the everyday practices of Othering. Lualhati Bautistas Gapo and Ngugi Wa Thiongos Matigari were scrutinised through discourse analysis and both revealed that everyday tactics are used by Othered characters to grapple with, respond to and, later on, overcome societys exclusionary practices. Set in the after colonial environs, the novels portray Othered characters as capable of resistance and agency despite their political, economic and/or cultural marginalisation. Such use of tactics as means of resistance are however temporary and, ultimately, cannot solve their being dominated. Nonetheless, the counter-discourse this frame of thought offers as well as how tactics provides space and how space simultaneously allows the production of tactics can provide us a more nuanced understanding of resistance and the lived experiences of Others.
在许多社会中,被支配的主体或其他主体是最被歪曲的一类人。这种误传使他们在文学和其他研究领域被想象成几乎总是沮丧和温顺的人。在此背景下,本文对西方作为被动接受者的他者原型形象进行了质疑。本文运用德塞特的策略概念,探讨了被支配主体的策略如何成为他者之间的直接而又暂时的解决方案,从而干扰他者的日常实践。Lualhati Bautistas Gapo和Ngugi Wa Thiongos Matigari通过话语分析进行了仔细研究,他们都揭示了其他角色使用的日常策略,以应对,回应并后来克服社会的排他性做法。背景设定在后殖民时代的环境中,小说将其他角色描绘为尽管在政治、经济和/或文化上被边缘化,但仍有能力进行抵抗和代理。然而,这种作为抵抗手段的策略的使用是暂时的,并不能最终解决他们被统治的问题。尽管如此,这种思想框架提供的反话语以及策略如何提供空间以及空间如何同时允许策略的产生可以为我们提供对抵抗和他人生活经验的更细致的理解。
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引用次数: 0
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International Journal of Humanity Studies IJHS
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