Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-346-357
Aleksey A. Arzamazov
The article deals with the problematic and thematic contexts of the work of Dmitry Taganov, one of the most prominent representatives of modern Mordovian (Erzian) literature. D. Taganov, who was born and lives in the Ural region, personifies the literary diaspora of the Mordovians with his biography and poems. In the course of the study, it was found out that his poetic world is distinguished by an ascetic figurative system and a stable set of figurative and symbolic elements, which almost does not change from collection to collection. The study included not only original texts in the Erzya language but also Russian interlinear translations made by the author, which allow interpreting artistic features and stylistic details in two linguopoetical “projections” at once. It has been established that in his poems D. Taganov mostly avoids the actualization of the ethno-cultural component, prefers ethnically neutral lyrical plots, and pays increased attention to the psychological realities of love existence. Some motif-figurative elements connected with the poet’s professional activity in medicine are shown. An important aspect of this study is the analysis of literary translations of D. Taganov’s poems into Russian. Difficulty in understanding the original works by the translator and facts of inattentive attitude to the core parameters of the original text are demonstrated on the example of texts.
{"title":"Erzya Poetry in the Ural Region: the Artistic World of Dmitry Taganov","authors":"Aleksey A. Arzamazov","doi":"10.22363/2618-897x-2023-20-2-346-357","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-346-357","url":null,"abstract":"The article deals with the problematic and thematic contexts of the work of Dmitry Taganov, one of the most prominent representatives of modern Mordovian (Erzian) literature. D. Taganov, who was born and lives in the Ural region, personifies the literary diaspora of the Mordovians with his biography and poems. In the course of the study, it was found out that his poetic world is distinguished by an ascetic figurative system and a stable set of figurative and symbolic elements, which almost does not change from collection to collection. The study included not only original texts in the Erzya language but also Russian interlinear translations made by the author, which allow interpreting artistic features and stylistic details in two linguopoetical “projections” at once. It has been established that in his poems D. Taganov mostly avoids the actualization of the ethno-cultural component, prefers ethnically neutral lyrical plots, and pays increased attention to the psychological realities of love existence. Some motif-figurative elements connected with the poet’s professional activity in medicine are shown. An important aspect of this study is the analysis of literary translations of D. Taganov’s poems into Russian. Difficulty in understanding the original works by the translator and facts of inattentive attitude to the core parameters of the original text are demonstrated on the example of texts.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49043085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-240-248
L. Ivshin
The study of the terminology of various crafts, including beekeeping, is one of the current trends in modern linguistics. The purpose of the study is to trace the history of the fixation of the words podem ‘bort’ and umorto ‘beehive’ in the Udmurt language, starting from the 18th century - the earliest written monuments - and ending with dictionaries of the modern period, to analyze the development of their semantics, and also to determine the origin. To achieve this goal, the article solves problems focused on identifying and describing the above terms and comparing them with data from other languages. The material of the study was written monuments of the 18th- 19th centuries, modern dictionaries of the Udmurt language, as well as parallels from related and contacting languages. A descriptive method, elements of semantic and etymological analysis are used. The work for the first time traces the history of more than two centuries of fixation of Udmurt words related to beekeeping. The study revealed the expansion of the lexical content of the word umorto in the course of language development. The etymological analysis made it possible to reveal that podem ‘bort’ is a native Udmurt word, and umorto ‘beehive’ was borrowed from Tatar.
{"title":"Some Names of “Bee Houses” in the Udmurt language of the 18th Century","authors":"L. Ivshin","doi":"10.22363/2618-897x-2023-20-2-240-248","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-240-248","url":null,"abstract":"The study of the terminology of various crafts, including beekeeping, is one of the current trends in modern linguistics. The purpose of the study is to trace the history of the fixation of the words podem ‘bort’ and umorto ‘beehive’ in the Udmurt language, starting from the 18th century - the earliest written monuments - and ending with dictionaries of the modern period, to analyze the development of their semantics, and also to determine the origin. To achieve this goal, the article solves problems focused on identifying and describing the above terms and comparing them with data from other languages. The material of the study was written monuments of the 18th- 19th centuries, modern dictionaries of the Udmurt language, as well as parallels from related and contacting languages. A descriptive method, elements of semantic and etymological analysis are used. The work for the first time traces the history of more than two centuries of fixation of Udmurt words related to beekeeping. The study revealed the expansion of the lexical content of the word umorto in the course of language development. The etymological analysis made it possible to reveal that podem ‘bort’ is a native Udmurt word, and umorto ‘beehive’ was borrowed from Tatar.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45145775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-261-270
L. V. Borisova, A. M. Ivanova, Elvira V. Chuyeva
The article is devoted to a comparative study of the national and cultural features of the representation of the concept of “war” in the Russian and Chuvash pictures of the world. Based on the material of Russian and Chuvash proverbs and sayings selected from lexicographic and folklore sources, a comprehensive comparative analysis of the concept of “war” at the semantic, pragmatic and culturological levels was conducted for the first time, the features of its verbalization were considered. For the first time, the national-cultural features of the representation of the concept of “war” at the cognitive-discursive level are revealed, which determines the relevance of our research. The analysis made it possible to reveal that the concept of “war” is a universal unit included in the spiritual code of the nation, has a dynamic semantic structure and is multidimensional in its content. As a result of a comparative analysis, it was found that the fundamental values of the moral order in the study of the concept of “war” are the same for both peoples. The speech embodiment of this concept in the Russian and Chuvash language pictures of the world is defined as a process that contradicts the human mind.
{"title":"National and Cultural Features Representations of the Concept of “War” in the Russian and Chuvash language Pictures of the World","authors":"L. V. Borisova, A. M. Ivanova, Elvira V. Chuyeva","doi":"10.22363/2618-897x-2023-20-2-261-270","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-261-270","url":null,"abstract":"The article is devoted to a comparative study of the national and cultural features of the representation of the concept of “war” in the Russian and Chuvash pictures of the world. Based on the material of Russian and Chuvash proverbs and sayings selected from lexicographic and folklore sources, a comprehensive comparative analysis of the concept of “war” at the semantic, pragmatic and culturological levels was conducted for the first time, the features of its verbalization were considered. For the first time, the national-cultural features of the representation of the concept of “war” at the cognitive-discursive level are revealed, which determines the relevance of our research. The analysis made it possible to reveal that the concept of “war” is a universal unit included in the spiritual code of the nation, has a dynamic semantic structure and is multidimensional in its content. As a result of a comparative analysis, it was found that the fundamental values of the moral order in the study of the concept of “war” are the same for both peoples. The speech embodiment of this concept in the Russian and Chuvash language pictures of the world is defined as a process that contradicts the human mind.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44656684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-379-393
Yulia S. Podlubnova
The article attempts to describe the literary space of Yekaterinburg in the late 2010s - early 2020s within the framework of the paradigm of Russian-language literature existing over the borders but structured around the center referred to as “conditional Moscow”. The research methodology combines the analysis of literary life, the socio-literary approach and the theory of place marketing. We are talking not just about agents of literary fields and actors within a literary situation but also about literary brands that help attract symbolic capital to a particular territory. The phenomena of genius loci of A.B. Salnikov, E.V. Simonova, the functioning of cultural institutions that form the literary space of the city, the work of a number of independent projects and initiatives are considered. Particular attention is paid to the levels of interaction between the literature of the city and the center “conditional Moscow”.
{"title":"Literary Life and Literary Brands of Yekaterinburg: the late 2010s - early 2020s","authors":"Yulia S. Podlubnova","doi":"10.22363/2618-897x-2023-20-2-379-393","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-379-393","url":null,"abstract":"The article attempts to describe the literary space of Yekaterinburg in the late 2010s - early 2020s within the framework of the paradigm of Russian-language literature existing over the borders but structured around the center referred to as “conditional Moscow”. The research methodology combines the analysis of literary life, the socio-literary approach and the theory of place marketing. We are talking not just about agents of literary fields and actors within a literary situation but also about literary brands that help attract symbolic capital to a particular territory. The phenomena of genius loci of A.B. Salnikov, E.V. Simonova, the functioning of cultural institutions that form the literary space of the city, the work of a number of independent projects and initiatives are considered. Particular attention is paid to the levels of interaction between the literature of the city and the center “conditional Moscow”.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48280115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-216-226
Fler F. Gilemshin
The study examines one of the important periods in the formation of the Tatar literary language - the 19th - the beginning of the 20th centuries. A detailed picture of the functioning and interaction of language variants is given, the important role of fiction in its formation is determined. The significance of the process of contacting languages, the dialogue of cultures, the coexistence of religious ideas, figurative and symbolic codes is shown on the example of monuments of literature. The special place of Arabic-Persian borrowings in the development of the literary language is emphasized. The question is raised about the intellectual status of the recipient, his potential ability to understand related Turkic languages and functional styles of the Tatar language. The great contribution of the national humanitarian intelligentsia to the enrichment of the literary language is shown, the phenomenon of the Tatar enlightenment is indirectly considered. The paramount importance of literary translation in the functional expansion of the styles of the Tatar language and the strengthening of its aesthetic component is indicated. Special attention is paid to the newspaper “Tarzhiman”.
{"title":"XIX - the Beginning of the XX Century as a Special Stage in the History of the Tatar literary language","authors":"Fler F. Gilemshin","doi":"10.22363/2618-897x-2023-20-2-216-226","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-216-226","url":null,"abstract":"The study examines one of the important periods in the formation of the Tatar literary language - the 19th - the beginning of the 20th centuries. A detailed picture of the functioning and interaction of language variants is given, the important role of fiction in its formation is determined. The significance of the process of contacting languages, the dialogue of cultures, the coexistence of religious ideas, figurative and symbolic codes is shown on the example of monuments of literature. The special place of Arabic-Persian borrowings in the development of the literary language is emphasized. The question is raised about the intellectual status of the recipient, his potential ability to understand related Turkic languages and functional styles of the Tatar language. The great contribution of the national humanitarian intelligentsia to the enrichment of the literary language is shown, the phenomenon of the Tatar enlightenment is indirectly considered. The paramount importance of literary translation in the functional expansion of the styles of the Tatar language and the strengthening of its aesthetic component is indicated. Special attention is paid to the newspaper “Tarzhiman”.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48096329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-394-400
Aleksey A. Arzamazov, E. Sozina
-
-
{"title":"The Phenomenon of Ural Literature","authors":"Aleksey A. Arzamazov, E. Sozina","doi":"10.22363/2618-897x-2023-20-2-394-400","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-394-400","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45653495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-368-378
Evgenia V. Panteleeva
The Russian-language creativity of national authors is one of the most relevant topics of modern research. The issue of the preserving their identity in a different language field is complex and is ambiguously covered in the scientific literature. The matter of manifestation of ethno-cultural markers in their Russian creativity is no less important. Based on the questions posed, the aim of the article was to study the imagery (on the material of Russian poetry by the Udmurt writer Vyacheslav Ar-Sergi). The analysis of his creative works is carried out on the examples of the imagines of the Sun and the Moon, which more accurately indicate the uniqueness of the religious and mythological thinking of the ethnos, as well as the level of interpenetration of different literary layers. We have found out that the dominate place is occupied by the imagine of the Sun personifying the Supreme God - Inmar in the Udmurt picture of the world. The Sun is often opposed to the Moon in Udmurt mythology. The comparative analysis has shown that the images of heavenly bodies are differently presented in the Russian-language works of V. Ar-Sergi. We have established that the Sun personifies life, rebirth, and the Moon becomes the embodiment of the mental state of lyrical subjects. Our research confirms that, in his Russian-language poetry, V. Ar-Sergi continues to broadcast intraethnic plots correlated with the narratives of world literature, mythology, culture.
{"title":"Sun vs Moon in the Mythopoetic Picture of the World of the Udmurt Bilingual Poet Vyacheslav Ar-Sergi","authors":"Evgenia V. Panteleeva","doi":"10.22363/2618-897x-2023-20-2-368-378","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-368-378","url":null,"abstract":"The Russian-language creativity of national authors is one of the most relevant topics of modern research. The issue of the preserving their identity in a different language field is complex and is ambiguously covered in the scientific literature. The matter of manifestation of ethno-cultural markers in their Russian creativity is no less important. Based on the questions posed, the aim of the article was to study the imagery (on the material of Russian poetry by the Udmurt writer Vyacheslav Ar-Sergi). The analysis of his creative works is carried out on the examples of the imagines of the Sun and the Moon, which more accurately indicate the uniqueness of the religious and mythological thinking of the ethnos, as well as the level of interpenetration of different literary layers. We have found out that the dominate place is occupied by the imagine of the Sun personifying the Supreme God - Inmar in the Udmurt picture of the world. The Sun is often opposed to the Moon in Udmurt mythology. The comparative analysis has shown that the images of heavenly bodies are differently presented in the Russian-language works of V. Ar-Sergi. We have established that the Sun personifies life, rebirth, and the Moon becomes the embodiment of the mental state of lyrical subjects. Our research confirms that, in his Russian-language poetry, V. Ar-Sergi continues to broadcast intraethnic plots correlated with the narratives of world literature, mythology, culture.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46110075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-206-215
S. A. Maksimov
The Besermans are a small people settled in northern Udmurtia. The unusual combination of the Turkic-Muslim self-designation with the Finno-Ugric language always caused genuine interest in this people. However, scientists still have not reached a consensus regarding the origin of the Besermans. The purpose of this work is to identify and systematize the Turkic names of the details of traditional Beserman clothing, which allows us to study more deeply the Beserman-Turkic relationships, and to obtain new data to unravel the ethnic genesis of the Besermans. In this regard, this work is relevant. The relevance of our work is also due to the possibility of using data in cultural, educational, museum work and in local history courses. The main sources of study are materials of T.I. Teplyashina card catalogue with field records of the Beserman speech. The study was conducted predominantly using a descriptive method. In general, our research confirms the hypothesis about including of the Turkic component in the Beserman ethnos as a result of interethnic marriages. The Chuvash component, which was later replaced by the Tatar superstratum, is quite clearly traced in the ethnogenesis of the Besermans. We have not identified lexical bulgarisms among the studied terminology however they could be replaced by analogous Chuvash word forms as a result of later interaction between ethnic groups.
{"title":"Beserman-Turkic Relationships: Based on the Names of Clothing Details","authors":"S. A. Maksimov","doi":"10.22363/2618-897x-2023-20-2-206-215","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-206-215","url":null,"abstract":"The Besermans are a small people settled in northern Udmurtia. The unusual combination of the Turkic-Muslim self-designation with the Finno-Ugric language always caused genuine interest in this people. However, scientists still have not reached a consensus regarding the origin of the Besermans. The purpose of this work is to identify and systematize the Turkic names of the details of traditional Beserman clothing, which allows us to study more deeply the Beserman-Turkic relationships, and to obtain new data to unravel the ethnic genesis of the Besermans. In this regard, this work is relevant. The relevance of our work is also due to the possibility of using data in cultural, educational, museum work and in local history courses. The main sources of study are materials of T.I. Teplyashina card catalogue with field records of the Beserman speech. The study was conducted predominantly using a descriptive method. In general, our research confirms the hypothesis about including of the Turkic component in the Beserman ethnos as a result of interethnic marriages. The Chuvash component, which was later replaced by the Tatar superstratum, is quite clearly traced in the ethnogenesis of the Besermans. We have not identified lexical bulgarisms among the studied terminology however they could be replaced by analogous Chuvash word forms as a result of later interaction between ethnic groups.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48902252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-298-311
A. M. Sharonov, E. A. Sharonova
In 1994, the Erzya epic “Mastorava” was published in the Erzya language. The success of this work made us think about the need for its translation into Russian. It was decided to entrust the translation to the author of “Mastorava” - Alexander Markovich Sharonov, who is equally fluent in Erzya and Russian. The relevance of the study is determined by the enduring interest in the phenomenon of bilingualism in the author’s translation of the national epic. A bilingual poet translating his own text is in a more difficult situation than a poet translating interlinear. For the former, hearing the music of both languages, seeks to harmonize it, to make its sounding adequate in the spaces of these languages. He is faced with the task of synchronizing the work of figurative and semantic series, preserving the authenticity of Erzya mythological and folklore images, moving them into the space of Russian images and meanings that instantly begin to appear with the first sounds of the Russian word, and arrange everything so that the national retains its uniqueness. This work is given to a bilingual translator with great effort precisely because he hears and feels both languages, he is aware of the nuances of meanings and semantic nuances. While the interlinear translator exists in the sound and semantic spaces of only one language and does not see the details. The translation of the text of a work of art is complicated by its metaphorical figurativeness, which allows for a variety of perceptions, and hence the difficulty in conveying its meaning, assumed by the author. However, high-quality translation moves a work from one language to another language, from one literature to another literature, expanding, enriching and complicating the scope of its existence. Research methods: descriptive, genetic, comparative.
{"title":"Bilingualism in the Author’s Translation of the National Epic: on the Material of “Mastorava”","authors":"A. M. Sharonov, E. A. Sharonova","doi":"10.22363/2618-897x-2023-20-2-298-311","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-298-311","url":null,"abstract":"In 1994, the Erzya epic “Mastorava” was published in the Erzya language. The success of this work made us think about the need for its translation into Russian. It was decided to entrust the translation to the author of “Mastorava” - Alexander Markovich Sharonov, who is equally fluent in Erzya and Russian. The relevance of the study is determined by the enduring interest in the phenomenon of bilingualism in the author’s translation of the national epic. A bilingual poet translating his own text is in a more difficult situation than a poet translating interlinear. For the former, hearing the music of both languages, seeks to harmonize it, to make its sounding adequate in the spaces of these languages. He is faced with the task of synchronizing the work of figurative and semantic series, preserving the authenticity of Erzya mythological and folklore images, moving them into the space of Russian images and meanings that instantly begin to appear with the first sounds of the Russian word, and arrange everything so that the national retains its uniqueness. This work is given to a bilingual translator with great effort precisely because he hears and feels both languages, he is aware of the nuances of meanings and semantic nuances. While the interlinear translator exists in the sound and semantic spaces of only one language and does not see the details. The translation of the text of a work of art is complicated by its metaphorical figurativeness, which allows for a variety of perceptions, and hence the difficulty in conveying its meaning, assumed by the author. However, high-quality translation moves a work from one language to another language, from one literature to another literature, expanding, enriching and complicating the scope of its existence. Research methods: descriptive, genetic, comparative.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48441702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.22363/2618-897x-2023-20-2-283-297
N. Starygina, R. A. Kudryavtseva
This research work has been done in the field of the current literary direction related to the study of local texts, the variety of which is the national text. The national literary text is considered by the authors of the article as a text containing information for the reconstruction by the reader / researcher of the nationally specific socio-cultural space of the people. The studies of the national text in literary translations, namely, the philological analysis of the Mari national text in Russian translations is given in the article. The research materials are the poems of Gennady Oyar, translated into Russian mainly by Gennady Smirnov. The methods of contextual, conceptual and structural-semantic analysis of local texts are used in the work. The article considers the literary techniques and means relevant for the formation of the national text (extra-textual elements, toponyms and anthroponyms, elements of the national landscape, portrait, interior, signs of national life, material and spiritual culture, linguistic inclusions, folklore and mythological images and motifs, etc.). The national text in Russian translations gives a fairly complete picture of the Mari as an ancient people, which has a unique culture, carefully preserves its native language, spiritual traditions, feels a blood connection with distant ancestors, paganism, making up the cultural core of the nation as a society, seeks to preserve spiritual purity and aspiration to the ideals of goodness and beauty.
{"title":"Mari National Text in Russian Translations: Based on the Poems of Gennady Oyar","authors":"N. Starygina, R. A. Kudryavtseva","doi":"10.22363/2618-897x-2023-20-2-283-297","DOIUrl":"https://doi.org/10.22363/2618-897x-2023-20-2-283-297","url":null,"abstract":"This research work has been done in the field of the current literary direction related to the study of local texts, the variety of which is the national text. The national literary text is considered by the authors of the article as a text containing information for the reconstruction by the reader / researcher of the nationally specific socio-cultural space of the people. The studies of the national text in literary translations, namely, the philological analysis of the Mari national text in Russian translations is given in the article. The research materials are the poems of Gennady Oyar, translated into Russian mainly by Gennady Smirnov. The methods of contextual, conceptual and structural-semantic analysis of local texts are used in the work. The article considers the literary techniques and means relevant for the formation of the national text (extra-textual elements, toponyms and anthroponyms, elements of the national landscape, portrait, interior, signs of national life, material and spiritual culture, linguistic inclusions, folklore and mythological images and motifs, etc.). The national text in Russian translations gives a fairly complete picture of the Mari as an ancient people, which has a unique culture, carefully preserves its native language, spiritual traditions, feels a blood connection with distant ancestors, paganism, making up the cultural core of the nation as a society, seeks to preserve spiritual purity and aspiration to the ideals of goodness and beauty.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48477648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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