Pub Date : 2022-03-16DOI: 10.22363/2618-897x-2022-19-1-98-106
T. V. Poplavskaya, Olga Anatol’evna Choumanskaya
The mixing of English with national languages in business communication is a consequence of global processes: the development of transnational corporations, modern technologies, the intensification of communication flows and the dominance of English in intercultural communication. Mixing and switching of language codes is quite often observed in the corporate media discourse of IT companies. For organizations in this sphere, English is the main language of business communication, but its use goes beyond professional slang and terminology, creating characteristic forms of language codes mixing. The purpose of the research presented in the article is to identify and analyze situations of mixing English and Russian in the corporate media discourse of IT companies. The research material was corporate media texts in Russian and English posted on the pages of official websites, corporate blogs and in the social networks Twitter and Facebook. In the analyzed texts in Russian, English inclusions (phrases, individual words and their parts) are often observed to denote work programs and tools, corporate events. As part of the professional slang of IT professionals, English words are transmitted using the Cyrillic alphabet and in accordance with the rules of Russian grammar. The influence of English on Russian media discourse in the IT field is also observed in the expansion of the meanings of some words. In Russian media texts, there are also phrases that are not typical for the Russian language, but represent a literal translation of English phrases. English-language sentences are used in Russian texts as mottos or slogans of the company, as congratulations or advice. As a result of the content analysis of the selected media texts, it was also found that along with the English language, the values typical for the discourse of American corporations are being borrowed. It was found that the value dominants of the corporate discourse of IT companies are change and progress, success, equality, partnership.
{"title":"Language Code Mixing in the Discourse of IT Companies","authors":"T. V. Poplavskaya, Olga Anatol’evna Choumanskaya","doi":"10.22363/2618-897x-2022-19-1-98-106","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-1-98-106","url":null,"abstract":"The mixing of English with national languages in business communication is a consequence of global processes: the development of transnational corporations, modern technologies, the intensification of communication flows and the dominance of English in intercultural communication. Mixing and switching of language codes is quite often observed in the corporate media discourse of IT companies. For organizations in this sphere, English is the main language of business communication, but its use goes beyond professional slang and terminology, creating characteristic forms of language codes mixing. The purpose of the research presented in the article is to identify and analyze situations of mixing English and Russian in the corporate media discourse of IT companies. The research material was corporate media texts in Russian and English posted on the pages of official websites, corporate blogs and in the social networks Twitter and Facebook. In the analyzed texts in Russian, English inclusions (phrases, individual words and their parts) are often observed to denote work programs and tools, corporate events. As part of the professional slang of IT professionals, English words are transmitted using the Cyrillic alphabet and in accordance with the rules of Russian grammar. The influence of English on Russian media discourse in the IT field is also observed in the expansion of the meanings of some words. In Russian media texts, there are also phrases that are not typical for the Russian language, but represent a literal translation of English phrases. English-language sentences are used in Russian texts as mottos or slogans of the company, as congratulations or advice. As a result of the content analysis of the selected media texts, it was also found that along with the English language, the values typical for the discourse of American corporations are being borrowed. It was found that the value dominants of the corporate discourse of IT companies are change and progress, success, equality, partnership.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48717266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-16DOI: 10.22363/2618-897x-2022-19-1-6-18
Ekaterina Sergeevna Oshepkova, N. Kartushina, A. Shatskaya
The article examines such an indicator of the development of language and culture as a childs elicited narrative. A narrative is a story created by a child based on a picture story or a series of pictures. The narrative allows to evaluate the childs coherent monologue speech. Narratives as primary forms of cultural texts reflect a certain national and cultural specifics. In the narrative, one can distinguish a macrostructure that determines its semantic completeness and adequacy, as well as a microstructure that assess lexical and grammatical accuracy. In our work, we studied the narratives of children from Moscow, the Republic of Sakha - Yakutia (Yakutsk and uluses) and the Republic of Tatarstan (Kazan). In addition, children performed a number of psychological tests, which made it possible to assess their level of development of executive functions and non-verbal intelligence. The main objective of the study was to identify how the factor of bilingualism influences the construction of the narrative and what other factors also influence. The study involved 765 children, including 327 boys and 438 girls ( M = 77.89 months, SD = 5.22). All children attended senior groups of kindergartens in Moscow ( n = 495), Kazan ( n = 115), the Republic of Sakha-Yakutia (Yakutsk and uluses) ( n = 155). As a result of a survey of educators and a short language test, the sample was divided into two groups: bilinguals ( n = 179 people) who communicate equally in Russian and national languages; and monolinguals (586 people) who communicate mainly or only in Russian. The results of statistical processing of the material showed that bilingualism is an important factor affecting the microstructure of narratives, however, to the greatest extent, both micro and macrostructure depend on auditory-verbal working memory. This is supported by both correlations and general linear models.
{"title":"Features of the Construction of Children Narratives in a Bilingual Environment","authors":"Ekaterina Sergeevna Oshepkova, N. Kartushina, A. Shatskaya","doi":"10.22363/2618-897x-2022-19-1-6-18","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-1-6-18","url":null,"abstract":"The article examines such an indicator of the development of language and culture as a childs elicited narrative. A narrative is a story created by a child based on a picture story or a series of pictures. The narrative allows to evaluate the childs coherent monologue speech. Narratives as primary forms of cultural texts reflect a certain national and cultural specifics. In the narrative, one can distinguish a macrostructure that determines its semantic completeness and adequacy, as well as a microstructure that assess lexical and grammatical accuracy. In our work, we studied the narratives of children from Moscow, the Republic of Sakha - Yakutia (Yakutsk and uluses) and the Republic of Tatarstan (Kazan). In addition, children performed a number of psychological tests, which made it possible to assess their level of development of executive functions and non-verbal intelligence. The main objective of the study was to identify how the factor of bilingualism influences the construction of the narrative and what other factors also influence. The study involved 765 children, including 327 boys and 438 girls ( M = 77.89 months, SD = 5.22). All children attended senior groups of kindergartens in Moscow ( n = 495), Kazan ( n = 115), the Republic of Sakha-Yakutia (Yakutsk and uluses) ( n = 155). As a result of a survey of educators and a short language test, the sample was divided into two groups: bilinguals ( n = 179 people) who communicate equally in Russian and national languages; and monolinguals (586 people) who communicate mainly or only in Russian. The results of statistical processing of the material showed that bilingualism is an important factor affecting the microstructure of narratives, however, to the greatest extent, both micro and macrostructure depend on auditory-verbal working memory. This is supported by both correlations and general linear models.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47707032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-16DOI: 10.22363/2618-897x-2022-19-1-28-35
Elaine S. Wong
In the mid-1940s, Taiwan underwent a change of ruling power from colonial Japan to the Kuomintang Party from China. Both governments implemented monolingualization on the Taiwanese population. In this article, we examine the situation translingual position in a historical aspect, dwelling in detail on the work of the outstanding Taiwanese poet Chen Qianwu. We come to several conclusions that may be useful to researchers in the field of translingual literature. 1. Taiwans translingual poets, born in the 1920s, found themselves in a situation of permanent code switching: using the local dialects of Hokkien and Hakka in everyday practice, they were trained in Japanese and used Japanese in a wider society. 2. Although the switch between one monolingual paradigm and another violated the creative result of translational authors, this did not exclude the experience of multilingual realities and interlingual influences that they experienced from the fragmentation of local identities, especially during the development and formation of Taiwanese linguistic consciousness. 3. The literary intermediaries between the paradigms were: the classical Chinese writing, brought with the first immigrants from China; vernacular Chinese writing, influenced by the New Literary Movement in the 1920s; Taiwanese writing based on the most common dialects, Hokkien and Hakka (the idea of speaking and writing in unison); Japanese writing, which was originally studied in school along with Chinese, but supplanted it. The switch from Japanese, the colonial official language, to Mandarin Chinese, the postcolonial official language, led to a so-called translingual generation of literary writers. While the switch from one monolingual paradigm to another disrupted the creative output of the translingual generation, it did not prevent these writers from developing a Taiwanese consciousness. As illustrated by the poet Chen Qianwu, language crossing experiences strengthened the translingual generations assertion of their local identities.
{"title":"Translingual Poets in Colonial and Postcolonial Taiwan","authors":"Elaine S. Wong","doi":"10.22363/2618-897x-2022-19-1-28-35","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-1-28-35","url":null,"abstract":"In the mid-1940s, Taiwan underwent a change of ruling power from colonial Japan to the Kuomintang Party from China. Both governments implemented monolingualization on the Taiwanese population. In this article, we examine the situation translingual position in a historical aspect, dwelling in detail on the work of the outstanding Taiwanese poet Chen Qianwu. We come to several conclusions that may be useful to researchers in the field of translingual literature. 1. Taiwans translingual poets, born in the 1920s, found themselves in a situation of permanent code switching: using the local dialects of Hokkien and Hakka in everyday practice, they were trained in Japanese and used Japanese in a wider society. 2. Although the switch between one monolingual paradigm and another violated the creative result of translational authors, this did not exclude the experience of multilingual realities and interlingual influences that they experienced from the fragmentation of local identities, especially during the development and formation of Taiwanese linguistic consciousness. 3. The literary intermediaries between the paradigms were: the classical Chinese writing, brought with the first immigrants from China; vernacular Chinese writing, influenced by the New Literary Movement in the 1920s; Taiwanese writing based on the most common dialects, Hokkien and Hakka (the idea of speaking and writing in unison); Japanese writing, which was originally studied in school along with Chinese, but supplanted it. The switch from Japanese, the colonial official language, to Mandarin Chinese, the postcolonial official language, led to a so-called translingual generation of literary writers. While the switch from one monolingual paradigm to another disrupted the creative output of the translingual generation, it did not prevent these writers from developing a Taiwanese consciousness. As illustrated by the poet Chen Qianwu, language crossing experiences strengthened the translingual generations assertion of their local identities.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46591721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-16DOI: 10.22363/2618-897x-2022-19-1-131-141
N. .. Afanasieva, S. Zakharchenko, I. Mogileva
In the article, the authors highlight one of the important aspects of teaching bilingual students the Russian language - teaching the culture of business speech. Special attention is paid to the tasks of teachers aimed at improving the level of professional communicative competence of foreign students. The article also emphasizes the important role of creating such an educational language situation that allows the student to choose certain lexical and syntactic means and offer the best options for creating an oral or written utterance. The article presents some types of educational tasks, their selection for a particular lesson is correlated with the language level of each group and provides a strictly individual approach to each student. The sections of vocabulary, morphology, and stylistics were selected, in which mistakes were made during the control student sections, and special tasks were developed in order to eliminate them and translate knowledge of theoretical material into practical skills.
{"title":"Business Culture in the Speech of Bilingual Students","authors":"N. .. Afanasieva, S. Zakharchenko, I. Mogileva","doi":"10.22363/2618-897x-2022-19-1-131-141","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-1-131-141","url":null,"abstract":"In the article, the authors highlight one of the important aspects of teaching bilingual students the Russian language - teaching the culture of business speech. Special attention is paid to the tasks of teachers aimed at improving the level of professional communicative competence of foreign students. The article also emphasizes the important role of creating such an educational language situation that allows the student to choose certain lexical and syntactic means and offer the best options for creating an oral or written utterance. The article presents some types of educational tasks, their selection for a particular lesson is correlated with the language level of each group and provides a strictly individual approach to each student. The sections of vocabulary, morphology, and stylistics were selected, in which mistakes were made during the control student sections, and special tasks were developed in order to eliminate them and translate knowledge of theoretical material into practical skills.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45712979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.22363/2618-897x-2022-19-2-226-236
Innayat Aslanbekovna Shormanova
The author of the article considers the metaconcepts “Caucasus” and “Asia” as the main ethno-cultural constructs of the work of the Russian-speaking writer Boris Chipchikov. The relevance of the stated topic lies in the fact that the artistic world of the bilingual author, being one of the significant fragments of the world picture, in particular the linguistic world picture, reflects the value system of the linguoculture of those ethnic groups in whose languages the works were created, in this case - the Karachay-Balkar and Russian linguocultures. The study revealed that the semantic core of the ethnic model of creativity of B. Chipchikov is composed of the metaconcepts “Caucasus” and “Asia” with a wide range of components that actualize a variety of associations that reflect the mental preferences, cognitive consciousness of the writer, his ambiguous attitude to the “native”/“to a stranger”. The work uses a number of scientific methods, including methods of conceptual, component, linguocognitive analysis (to characterize metaconcepts and concepts), the method of description (to decipher the results of the study). The results obtained can be used in the further development of the problems of bilingualism, translinguism and transculturation, which are of scientific interest to modern linguists.
{"title":"Metaconcepts “Caucasus” and “Asia” as Dominant Constructs of the Ethnic Picture of the World of the Russian-speaking Writer Boris Chipchikov","authors":"Innayat Aslanbekovna Shormanova","doi":"10.22363/2618-897x-2022-19-2-226-236","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-2-226-236","url":null,"abstract":"The author of the article considers the metaconcepts “Caucasus” and “Asia” as the main ethno-cultural constructs of the work of the Russian-speaking writer Boris Chipchikov. The relevance of the stated topic lies in the fact that the artistic world of the bilingual author, being one of the significant fragments of the world picture, in particular the linguistic world picture, reflects the value system of the linguoculture of those ethnic groups in whose languages the works were created, in this case - the Karachay-Balkar and Russian linguocultures. The study revealed that the semantic core of the ethnic model of creativity of B. Chipchikov is composed of the metaconcepts “Caucasus” and “Asia” with a wide range of components that actualize a variety of associations that reflect the mental preferences, cognitive consciousness of the writer, his ambiguous attitude to the “native”/“to a stranger”. The work uses a number of scientific methods, including methods of conceptual, component, linguocognitive analysis (to characterize metaconcepts and concepts), the method of description (to decipher the results of the study). The results obtained can be used in the further development of the problems of bilingualism, translinguism and transculturation, which are of scientific interest to modern linguists.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68282193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.22363/2618-897x-2022-19-2-334-341
I. Bekoeva
One of the most important tasks facing the translator is adequacy of the translation. The relevance and topicality of the present study is due to the need of: 1) developing a unified approach to the choice of translation strategies and methods of transferring ethnospecifically coloured sacral onyms by means of the Russian and English languages; 2) describing and analyzing the methods of interptetation of Ossetian precedent sacral onyms. The subject of the research is presented by the semantic, structural and functional characteristics of sacral onyms, as well as extra-linguistic factors of interlingual communication that influence the choice of translation correspondences by means of the target languages. The sources of the illustrative material of the study are presented by text fragments taken from Internet resources and reflecting the representativeness of the analyzed precedent onyms in social communication. The methodological basis of the research is the synchronous principle of linguistic description, which contributes to identifying the peculiarities of the formation of translation correspondences in the context of modern ideas about the strategies of translation of the onymic segment of vocabulary. The complex nature of the research has led to the use of a diverse set of research methods (the method of description, classification and systematization of linguistic material according to certain criteria for processing research materials; comparative analysis of the correspondent texts in different languages; component analysis).The results of the research consist in the systematization of the methods of finding translation correspondences, in order to determine the algorithm for solving the problems facing the translator.
{"title":"Variation in Translation of Ossetian Sacral Onyms by Means of the Russian and English Languages","authors":"I. Bekoeva","doi":"10.22363/2618-897x-2022-19-2-334-341","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-2-334-341","url":null,"abstract":"One of the most important tasks facing the translator is adequacy of the translation. The relevance and topicality of the present study is due to the need of: 1) developing a unified approach to the choice of translation strategies and methods of transferring ethnospecifically coloured sacral onyms by means of the Russian and English languages; 2) describing and analyzing the methods of interptetation of Ossetian precedent sacral onyms. The subject of the research is presented by the semantic, structural and functional characteristics of sacral onyms, as well as extra-linguistic factors of interlingual communication that influence the choice of translation correspondences by means of the target languages. The sources of the illustrative material of the study are presented by text fragments taken from Internet resources and reflecting the representativeness of the analyzed precedent onyms in social communication. The methodological basis of the research is the synchronous principle of linguistic description, which contributes to identifying the peculiarities of the formation of translation correspondences in the context of modern ideas about the strategies of translation of the onymic segment of vocabulary. The complex nature of the research has led to the use of a diverse set of research methods (the method of description, classification and systematization of linguistic material according to certain criteria for processing research materials; comparative analysis of the correspondent texts in different languages; component analysis).The results of the research consist in the systematization of the methods of finding translation correspondences, in order to determine the algorithm for solving the problems facing the translator.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68282534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.22363/2618-897x-2022-19-2-213-225
K. Khashir
Fable artifabulas, which are transhistorical in nature, have many ethnocultural refractions in the literature of different peoples of the world. In this article, with methodological support on the works of I.G. Herder, G.D. Gachev, as well as contemporary Caucasian scholars, the author explores the specifics of the Kabardian fable, taken in the dialectical unity of its stable, archetypal constants and nationally determined contexts. By the example of the fables of K. Atazhukin, A. Dymov, B. Zhanimov, B. Kagermazov, P. Tambiev, B. Tkhamokov, M. Khakuasheva, P. Shekikhachev, T. Sheretlokov, A. Shomakhov, H. Elberdov the law of correlation between moral values declared by poets and the postulates of the Kabardian ethical code “Adyghe Khabze” is shown. Within the framework of historical poetics, the author demonstrates three-stage evolutionary process associated with the transition of fabulists from the practice of borrowing classical subjects to national adaptation, and then to the creation of original texts. Much attention is paid to the decoding of symbolic images.
{"title":"Kabardian Fable: Archetypal Core and Ethnospecific Poetics","authors":"K. Khashir","doi":"10.22363/2618-897x-2022-19-2-213-225","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-2-213-225","url":null,"abstract":"Fable artifabulas, which are transhistorical in nature, have many ethnocultural refractions in the literature of different peoples of the world. In this article, with methodological support on the works of I.G. Herder, G.D. Gachev, as well as contemporary Caucasian scholars, the author explores the specifics of the Kabardian fable, taken in the dialectical unity of its stable, archetypal constants and nationally determined contexts. By the example of the fables of K. Atazhukin, A. Dymov, B. Zhanimov, B. Kagermazov, P. Tambiev, B. Tkhamokov, M. Khakuasheva, P. Shekikhachev, T. Sheretlokov, A. Shomakhov, H. Elberdov the law of correlation between moral values declared by poets and the postulates of the Kabardian ethical code “Adyghe Khabze” is shown. Within the framework of historical poetics, the author demonstrates three-stage evolutionary process associated with the transition of fabulists from the practice of borrowing classical subjects to national adaptation, and then to the creation of original texts. Much attention is paid to the decoding of symbolic images.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68282185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.22363/2618-897x-2022-19-2-175-192
K. Sultanov
The article traces the milestones of the creative biography of the novelist, painter, graphic artist Khalilbek Musayasul, who left Dagestan in the twenties of the twentieth century. His book “The Land of the Last Knights” appeared in German in 1936, and reached his father’s house with a delay of sixty-three years. For the first time in Dagestan culture, the idea of artistic synthesis, which presupposes an organic combination of verbal and visual, declared itself. The three watercolors and twenty-six graphic drawings placed in the text created a special atmosphere of mutual pollination of the word and the brush, when the descriptiveness was translated into the language of the visual image and vice versa. An attempt is made to analyze the value-semantic complementarity of ethno-cultural identity and sensitivity to transcultural innovations, identity and cultural universals. Two notable novels in the twenties of the last century - “Table Mountain” by Y. Slezkin and “Smile of Dionysus” by K. Gamsakhurdia - depict a young Khalilbek, already a “European”, as stated in the first of them. The East and the West came together in his personality and creativity in the sense that Europeanism declared itself not in the loss of dissimilarity, but in the inclusion in the dialogue of supra-ethnic artistic ideas. Meditative autobiographical prose has absorbed not only ethno-uniqueness, but also worldview breadth: the mutual attraction of the hearth-house and the image of the world initiated the “elevation of the small”, which does not lose sight of “the whole”, because “he needs the whole, the whole world... ” - let us refer to the lecture “The Art of the Novel” by T. Mann, a contemporary and interlocutor of Khalilbek (in the photo of 1927 He sits in a Circassian between T. Mann and F. Rubo). At the same time, the confession story, describing rituals, customs, rituals, is focused on the resilience of tradition as a counteraction to the erosion of the cultural and genetic code. The cosmos of national life opens up in its primordial ambiguity, combining the psychomental warehouse and features of mountain etiquette with finely stylized mythological plots, with an unobtrusive resurrection of archetypes and ancient customs of clearly pre-Islamic origin. The spiritual founder of the “Land of the Last Knights” was in no hurry to write off the precepts of ancestors and traditional values according to the department of archival memory, continuing to find in them the core of a positive identity.
{"title":"The Last Dagestan European: Nostalgic Myth in Prose and Painting by Khalilbek Musayasul","authors":"K. Sultanov","doi":"10.22363/2618-897x-2022-19-2-175-192","DOIUrl":"https://doi.org/10.22363/2618-897x-2022-19-2-175-192","url":null,"abstract":"The article traces the milestones of the creative biography of the novelist, painter, graphic artist Khalilbek Musayasul, who left Dagestan in the twenties of the twentieth century. His book “The Land of the Last Knights” appeared in German in 1936, and reached his father’s house with a delay of sixty-three years. For the first time in Dagestan culture, the idea of artistic synthesis, which presupposes an organic combination of verbal and visual, declared itself. The three watercolors and twenty-six graphic drawings placed in the text created a special atmosphere of mutual pollination of the word and the brush, when the descriptiveness was translated into the language of the visual image and vice versa. An attempt is made to analyze the value-semantic complementarity of ethno-cultural identity and sensitivity to transcultural innovations, identity and cultural universals. Two notable novels in the twenties of the last century - “Table Mountain” by Y. Slezkin and “Smile of Dionysus” by K. Gamsakhurdia - depict a young Khalilbek, already a “European”, as stated in the first of them. The East and the West came together in his personality and creativity in the sense that Europeanism declared itself not in the loss of dissimilarity, but in the inclusion in the dialogue of supra-ethnic artistic ideas. Meditative autobiographical prose has absorbed not only ethno-uniqueness, but also worldview breadth: the mutual attraction of the hearth-house and the image of the world initiated the “elevation of the small”, which does not lose sight of “the whole”, because “he needs the whole, the whole world... ” - let us refer to the lecture “The Art of the Novel” by T. Mann, a contemporary and interlocutor of Khalilbek (in the photo of 1927 He sits in a Circassian between T. Mann and F. Rubo). At the same time, the confession story, describing rituals, customs, rituals, is focused on the resilience of tradition as a counteraction to the erosion of the cultural and genetic code. The cosmos of national life opens up in its primordial ambiguity, combining the psychomental warehouse and features of mountain etiquette with finely stylized mythological plots, with an unobtrusive resurrection of archetypes and ancient customs of clearly pre-Islamic origin. The spiritual founder of the “Land of the Last Knights” was in no hurry to write off the precepts of ancestors and traditional values according to the department of archival memory, continuing to find in them the core of a positive identity.","PeriodicalId":52930,"journal":{"name":"Polylinguality and Transcultural Practices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68282114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.22363/2618-897x-2022-19-2-354-366
Z. A. Uzdenova
The article is based on the author’s hypothesis that the devalued “new time” Soviet novels of socialist realism actually contain valuable ethno-gender material. This position is theoretically substantiated and experimentally proved by the author as a result of the analysis of two historical and revolutionary novels “Murat” and “Northern Lights” by the Balkarian writer Minaldan Shavaeva. The main character Asiyat portrays the North Caucasian type of an emancipated woman who challenges patriarchal foundations and preaches the principle of “freedom of the heart”. Much attention is paid to related issues related to ethnocultural codes “kadar” (fate) “taukel” (soul is like a mountain), “cousin”, “leading woman”, “driven man”, “maiden braid”. In the context of gender transformation processes in the North Caucasus, the culture-forming role of the Russian language is also considered.
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Pub Date : 2022-01-01DOI: 10.22363/2618-897x-2022-19-2-322-333
Lana Alekseevna Agrba
The article is devoted to the analysis of axiological dominants actualized by the Abkhaz through the public speaking culture. The relevance of the study is determined by the fact that the consideration of oratory tradition is given through the prism of the axiological aspect reflected in it. We believe that a deep analysis of public speaking culture that has been mastered by the people living on the territory of Abkhazia over hundreds of centuries, can give an overall picture of its people and the values they share. In the proposed study through structural and semiotic analysis that helped to systematize and describe the axiological guidelines, we tried to identify value dominants of Abkhaz people. The classification of the values has been made. The study revealed a certain hierarchy of values that is reflected in the oratory tradition of Abkhazians.
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