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Kierkegaard Studies Yearbook最新文献

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„Mein Bestreben, das Martyrium zu verherrlichen…“ Zur Idee des Martyriums in Kierkegaards Journalen ab 1846 "自1846年起,我就追求这种荣耀
IF 0.1 Pub Date : 2020-08-18 DOI: 10.1515/kierke-2020-0007
Roman Winter
Abstract The article aims at analysing a long and unduly neglected concept in Kierkegaard’s thought: the concept of martyrdom. I argue that this is indeed of central concern for Kierkegaard, and, moreover, that he conceptualizes it in a semantically unified and consistent way. In order to prove this I will focus on the so-called NB journals and provide a comprehensive account of the terms martyrdom and martyr in the context of these sources. Upon closer scrutiny, Kierkegaard distinguishes between two basic types of martyrdom: immediate and reflective. All other forms, as they appear in the journals (and also in the pseudonymous authorship), can be traced back to these basic types.
本文旨在分析克尔凯郭尔思想中一个长期被忽视的概念:殉道概念。我认为这确实是克尔凯郭尔关心的中心问题,而且,他以一种语义上统一和一致的方式概念化了它。为了证明这一点,我将把重点放在所谓的NB期刊上,并在这些来源的背景下提供殉道和殉道者这两个术语的全面描述。仔细观察,克尔凯郭尔区分了两种基本类型的殉道:直接的和反思的。所有其他出现在期刊上的形式(也包括假名作者)都可以追溯到这些基本类型。
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引用次数: 0
Narrative Variation and the Mood of Freedom in Fear and Trembling 《恐惧与颤抖》中的叙事变异与自由情绪
IF 0.1 Pub Date : 2020-08-18 DOI: 10.1515/kierke-2020-0003
Alexander Jech
Abstract Kierkegaard is famous for his use of narrative set pieces to illustrate and make vivid his ideas to his reader. Less famous is his use of narrative variation, a technique deployed twice in Fear and Trembling, in which he takes a given narrative and introduces a series of variations on the narrative to explore the possibilities of selfhood made available to the narrative’s protagonist. In this paper I explore this technique, help determine the ends it serves, and then apply this understanding to the use of the device in the text to see how it functions to advance its argument.
摘要克尔凯郭尔以运用叙事套路来向读者阐述和生动地表达自己的观点而闻名。不太出名的是他对叙事变化的运用,这种技巧在《恐惧与颤抖》中使用了两次,他采用了一个给定的叙事,并在叙事中引入了一系列的变化,以探索叙事主角可以获得的自我可能性。在本文中,我将探索这种技术,帮助确定它所服务的目的,然后将这种理解应用于文本中该设备的使用,以了解它如何发挥作用以推进其论点。
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引用次数: 0
Title pages 标题页
IF 0.1 Pub Date : 2020-08-18 DOI: 10.1515/kierke-2020-frontmatter1
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引用次数: 0
Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death 希区柯克遇见克尔凯郭尔:《眩晕》和《致死之病》中绝望的自我和性别形式
IF 0.1 Pub Date : 2020-08-18 DOI: 10.1515/kierke-2020-0013
Hjördis Becker-Lindenthal
Abstract The development of Vertigo’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death, in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despair to dizziness both in Kierkegaard’s work and in Hitchcock’s film, and it examines the religious subtext of Vertigo. The dramatis personae of Judy and Scottie are analysed by applying Kierkegaard’s phenomenology of despair. They display a variety of failures to relate to their selves, like unconscious and conscious despair, possibility’s despair, despair over the earthly and despair of the eternal. Moreover, they epitomize the gendered types of despair as depicted in The Sickness unto Death: losing one’s self in relation to someone and obsessively striving for self-assertion at the cost of others.
《迷魂记》主要人物的发展为克尔凯郭尔《致死病》中所分析的绝望辩证法提供了详细的说明,特别是所谓的“男性”和“女性”类型的失败自我。本文展示了克尔凯郭尔作品和希区柯克电影中自我和绝望与眩晕的关系,并探讨了《眩晕》的宗教潜台词。运用克尔凯郭尔的绝望现象学对朱迪和斯科蒂的戏剧人物进行了分析。他们表现出各种与自我相关的失败,比如无意识的和有意识的绝望,可能性的绝望,对世俗的绝望和对永恒的绝望。此外,他们是《从病到死》中描述的性别绝望类型的缩影:在与某人的关系中失去自我,以牺牲他人为代价,痴迷地争取自我主张。
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引用次数: 0
Section 3:   Receptions and Reflections of Kierkegaard’s Thought 第三部分:克尔凯郭尔思想的接受与反思
IF 0.1 Pub Date : 2020-08-18 DOI: 10.1515/kierke-2020-0996
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引用次数: 0
Subjectivity 主体性
IF 0.1 Pub Date : 2020-03-01 DOI: 10.4135/9781483375519.n650
N. Mansfield
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引用次数: 96
INDEX 指数
IF 0.1 Pub Date : 2020-03-01 DOI: 10.2307/j.ctvzcz39b.22
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引用次数: 0
RELIGIOUSNESS 笃信
IF 0.1 Pub Date : 2020-03-01 DOI: 10.1007/978-1-4419-1428-6_5467
C. Looi, C. Patton, Wenli Chen, M. T. Baldassarre, G. Bruno, D. Caivano, V. N. Convertini, P. A. Linley, Chen Yu, Linda B. Smith, David M Schnyer, Jan Born, Sherri L. Horner, Oluwadamilare S. Adeyeri, R. Nieuwenhuis-Mark, Stuart Webb, Peter Iserbyt, P. Jin, Irene M. Pepperberg, A. Neuringer, L. Izquierdo, Segismundo S. Izquierdo, Elliot A. Ludvig, R. V. Florian, C. Rovee-Collier, Z. Markov, Alexandre d’Aspremont, Reem Al-Mahmood, Carmine Maiello, YuLung Wu, F. Davoli, Gianluca Massei, S. Zappatore, Kimmo Eriksson, Arja Piirainen-Marsh, Riikka Alanen, C. Morrison, T. Oates, S. Ainsworth, Richard Lowe, Alessandro Oltramari, A. Montuori, C. Fung, Michael S. Zelenak, Judy Huang, Andrew J. Martin, Raúl Jiménez, H. Lugo, M. San Miguel, Janette R. Hill, R. A. Carlson, Andrew G. Bennett, N. S. Rebello, D. Brooks, Nicole L. M. Pernat, D. Bernstein, P. Geibel, F. Wysotzki, Olivier Sigaud, J. Peters, S. Chernova, J. Broekens, Qiong Liu, Chunyuan Liao, R. Motschnig, Claus Rerup, C. Salvato, Slava Kalyuga, R. C. Honey
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引用次数: 5
STAGES 阶段
IF 0.1 Pub Date : 2020-03-01 DOI: 10.2307/j.ctvzcz39b.9
N. Nurra
Observations, measurements, dissections, and histological preparations were made daily of the eggs and larvae of Bathyplectes anurus (Thomson) while in their host, Hypera postica (Gyllenhal) (Coleoptera: Curculionidae). Observation of development began 24 h after oviposition and ended when parasite larvae emerged from their hosts. Parasite eggs doubled in length and width during their 3- to 4-day incubation period. Parasite larvae fed on hemolymph initially but later instars preferred the fat body and other tissues. B. anurus has five instars. From 18 to 21 days were required for the larvae to complete development and total development time was 21-25 days at 2121°C.
每日观察、测量、解剖和组织学准备的卵和幼虫的Bathyplectes anurus (Thomson),而在其宿主Hypera postica (Gyllenhal)(鞘翅目:Curculionidae)。从产卵后24小时开始观察发育,直到寄生虫幼虫从宿主中出来。在3至4天的潜伏期内,寄生虫卵的长度和宽度增加了一倍。寄生虫幼虫最初以血淋巴为食,但后来的幼虫更喜欢脂肪体和其他组织。B.羚羊有5颗星星。在2121℃条件下,幼虫发育完成需要18 ~ 21 d,总发育时间为21 ~ 25 d。
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引用次数: 0
EARLY DEVELOPMENT 早期发展
IF 0.1 Pub Date : 2020-03-01 DOI: 10.2307/j.ctvzcz39b.7
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引用次数: 0
期刊
Kierkegaard Studies Yearbook
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