Pub Date : 2020-08-18DOI: 10.1515/kierke-2020-0001
N. Petersen
Abstract While the only extensive discussion of music in Kierkegaard’s work is the famous treatise based on Mozart’s opera Don Giovanni in the first part of the pseudonymous Either/Or (1843), Kierkegaard did write other brief passages, in which he made comments on musical aspects. Two recent articles have pointed to attitudes toward music in such passages which seem to differ from the negative evaluation of music as a religious or theological medium in the first part of Either/Or by the fictitious aesthete A. With a point of departure in the two mentioned articles, I attempt to further discuss the possible relationship between the ethical and the aesthetic in Kierkegaard’s musical thought, involving passages from both parts of Either/Or as well as a few journal-entries. Finally, Erika Fischer-Lichte’s distinction between staging and performativity is brought to bear on these issues.
{"title":"A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered","authors":"N. Petersen","doi":"10.1515/kierke-2020-0001","DOIUrl":"https://doi.org/10.1515/kierke-2020-0001","url":null,"abstract":"Abstract While the only extensive discussion of music in Kierkegaard’s work is the famous treatise based on Mozart’s opera Don Giovanni in the first part of the pseudonymous Either/Or (1843), Kierkegaard did write other brief passages, in which he made comments on musical aspects. Two recent articles have pointed to attitudes toward music in such passages which seem to differ from the negative evaluation of music as a religious or theological medium in the first part of Either/Or by the fictitious aesthete A. With a point of departure in the two mentioned articles, I attempt to further discuss the possible relationship between the ethical and the aesthetic in Kierkegaard’s musical thought, involving passages from both parts of Either/Or as well as a few journal-entries. Finally, Erika Fischer-Lichte’s distinction between staging and performativity is brought to bear on these issues.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":"63 1","pages":"3 - 13"},"PeriodicalIF":0.1,"publicationDate":"2020-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86148333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-18DOI: 10.1515/kierke-2020-0003
Alexander Jech
Abstract Kierkegaard is famous for his use of narrative set pieces to illustrate and make vivid his ideas to his reader. Less famous is his use of narrative variation, a technique deployed twice in Fear and Trembling, in which he takes a given narrative and introduces a series of variations on the narrative to explore the possibilities of selfhood made available to the narrative’s protagonist. In this paper I explore this technique, help determine the ends it serves, and then apply this understanding to the use of the device in the text to see how it functions to advance its argument.
{"title":"Narrative Variation and the Mood of Freedom in Fear and Trembling","authors":"Alexander Jech","doi":"10.1515/kierke-2020-0003","DOIUrl":"https://doi.org/10.1515/kierke-2020-0003","url":null,"abstract":"Abstract Kierkegaard is famous for his use of narrative set pieces to illustrate and make vivid his ideas to his reader. Less famous is his use of narrative variation, a technique deployed twice in Fear and Trembling, in which he takes a given narrative and introduces a series of variations on the narrative to explore the possibilities of selfhood made available to the narrative’s protagonist. In this paper I explore this technique, help determine the ends it serves, and then apply this understanding to the use of the device in the text to see how it functions to advance its argument.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":"263 1","pages":"27 - 56"},"PeriodicalIF":0.1,"publicationDate":"2020-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77145315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-18DOI: 10.1515/kierke-2020-0013
Hjördis Becker-Lindenthal
Abstract The development of Vertigo’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death, in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despair to dizziness both in Kierkegaard’s work and in Hitchcock’s film, and it examines the religious subtext of Vertigo. The dramatis personae of Judy and Scottie are analysed by applying Kierkegaard’s phenomenology of despair. They display a variety of failures to relate to their selves, like unconscious and conscious despair, possibility’s despair, despair over the earthly and despair of the eternal. Moreover, they epitomize the gendered types of despair as depicted in The Sickness unto Death: losing one’s self in relation to someone and obsessively striving for self-assertion at the cost of others.
{"title":"Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death","authors":"Hjördis Becker-Lindenthal","doi":"10.1515/kierke-2020-0013","DOIUrl":"https://doi.org/10.1515/kierke-2020-0013","url":null,"abstract":"Abstract The development of Vertigo’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death, in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despair to dizziness both in Kierkegaard’s work and in Hitchcock’s film, and it examines the religious subtext of Vertigo. The dramatis personae of Judy and Scottie are analysed by applying Kierkegaard’s phenomenology of despair. They display a variety of failures to relate to their selves, like unconscious and conscious despair, possibility’s despair, despair over the earthly and despair of the eternal. Moreover, they epitomize the gendered types of despair as depicted in The Sickness unto Death: losing one’s self in relation to someone and obsessively striving for self-assertion at the cost of others.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":"577 1","pages":"285 - 300"},"PeriodicalIF":0.1,"publicationDate":"2020-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76259780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.1007/978-1-4419-1428-6_5467
C. Looi, C. Patton, Wenli Chen, M. T. Baldassarre, G. Bruno, D. Caivano, V. N. Convertini, P. A. Linley, Chen Yu, Linda B. Smith, David M Schnyer, Jan Born, Sherri L. Horner, Oluwadamilare S. Adeyeri, R. Nieuwenhuis-Mark, Stuart Webb, Peter Iserbyt, P. Jin, Irene M. Pepperberg, A. Neuringer, L. Izquierdo, Segismundo S. Izquierdo, Elliot A. Ludvig, R. V. Florian, C. Rovee-Collier, Z. Markov, Alexandre d’Aspremont, Reem Al-Mahmood, Carmine Maiello, YuLung Wu, F. Davoli, Gianluca Massei, S. Zappatore, Kimmo Eriksson, Arja Piirainen-Marsh, Riikka Alanen, C. Morrison, T. Oates, S. Ainsworth, Richard Lowe, Alessandro Oltramari, A. Montuori, C. Fung, Michael S. Zelenak, Judy Huang, Andrew J. Martin, Raúl Jiménez, H. Lugo, M. San Miguel, Janette R. Hill, R. A. Carlson, Andrew G. Bennett, N. S. Rebello, D. Brooks, Nicole L. M. Pernat, D. Bernstein, P. Geibel, F. Wysotzki, Olivier Sigaud, J. Peters, S. Chernova, J. Broekens, Qiong Liu, Chunyuan Liao, R. Motschnig, Claus Rerup, C. Salvato, Slava Kalyuga, R. C. Honey
{"title":"RELIGIOUSNESS","authors":"C. Looi, C. Patton, Wenli Chen, M. T. Baldassarre, G. Bruno, D. Caivano, V. N. Convertini, P. A. Linley, Chen Yu, Linda B. Smith, David M Schnyer, Jan Born, Sherri L. Horner, Oluwadamilare S. Adeyeri, R. Nieuwenhuis-Mark, Stuart Webb, Peter Iserbyt, P. Jin, Irene M. Pepperberg, A. Neuringer, L. Izquierdo, Segismundo S. Izquierdo, Elliot A. Ludvig, R. V. Florian, C. Rovee-Collier, Z. Markov, Alexandre d’Aspremont, Reem Al-Mahmood, Carmine Maiello, YuLung Wu, F. Davoli, Gianluca Massei, S. Zappatore, Kimmo Eriksson, Arja Piirainen-Marsh, Riikka Alanen, C. Morrison, T. Oates, S. Ainsworth, Richard Lowe, Alessandro Oltramari, A. Montuori, C. Fung, Michael S. Zelenak, Judy Huang, Andrew J. Martin, Raúl Jiménez, H. Lugo, M. San Miguel, Janette R. Hill, R. A. Carlson, Andrew G. Bennett, N. S. Rebello, D. Brooks, Nicole L. M. Pernat, D. Bernstein, P. Geibel, F. Wysotzki, Olivier Sigaud, J. Peters, S. Chernova, J. Broekens, Qiong Liu, Chunyuan Liao, R. Motschnig, Claus Rerup, C. Salvato, Slava Kalyuga, R. C. Honey","doi":"10.1007/978-1-4419-1428-6_5467","DOIUrl":"https://doi.org/10.1007/978-1-4419-1428-6_5467","url":null,"abstract":"","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":"9 8","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72598789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Observations, measurements, dissections, and histological preparations were made daily of the eggs and larvae of Bathyplectes anurus (Thomson) while in their host, Hypera postica (Gyllenhal) (Coleoptera: Curculionidae). Observation of development began 24 h after oviposition and ended when parasite larvae emerged from their hosts. Parasite eggs doubled in length and width during their 3- to 4-day incubation period. Parasite larvae fed on hemolymph initially but later instars preferred the fat body and other tissues. B. anurus has five instars. From 18 to 21 days were required for the larvae to complete development and total development time was 21-25 days at 2121°C.
{"title":"STAGES","authors":"N. Nurra","doi":"10.2307/j.ctvzcz39b.9","DOIUrl":"https://doi.org/10.2307/j.ctvzcz39b.9","url":null,"abstract":"Observations, measurements, dissections, and histological preparations were made daily of the eggs and larvae of Bathyplectes anurus (Thomson) while in their host, Hypera postica (Gyllenhal) (Coleoptera: Curculionidae). Observation of development began 24 h after oviposition and ended when parasite larvae emerged from their hosts. Parasite eggs doubled in length and width during their 3- to 4-day incubation period. Parasite larvae fed on hemolymph initially but later instars preferred the fat body and other tissues. B. anurus has five instars. From 18 to 21 days were required for the larvae to complete development and total development time was 21-25 days at 2121°C.","PeriodicalId":53174,"journal":{"name":"Kierkegaard Studies Yearbook","volume":"33 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76374066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：