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“The Greatest Sculptor”: Bertel Thorvaldsen According to Kierkegaard “最伟大的雕塑家”:Bertel Thorvaldsen据Kierkegaard说
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0017
G. Longo
Abstract The common ground where Thorvaldsen and Kierkegaard meet is Copenhagen. This essay focuses on the places—both physical and theoretical—in which the comparison between the two is made possible. First of all, the Vor Frue Kirke, where some of Thorvaldsen’s most important sculptures are displayed, as well as where Kierkegaard used to go both as a member of the community and as a preacher. This article presents a perspective on the intersection that exists in a horizontal sense for Thorvaldsen, and for Kierkegaard in a vertical sense, culminating at the feet of the altar from which their heartfelt messages emanate.
桑弗森和克尔凯郭尔的共同点是哥本哈根。这篇文章的重点是在物理和理论两个方面,使两者之间的比较成为可能。首先是克尔克教堂,那里陈列着桑弗森最重要的一些雕塑,克尔凯郭尔作为社区成员和传教士也曾去过那里。这篇文章呈现了一个交叉的视角,在水平意义上存在于桑弗森,在垂直意义上存在于克尔凯郭尔,在祭坛的脚下达到高潮,他们发自内心的信息从那里散发出来。
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引用次数: 0
Section 4:   Receptions and Reflections of Kierkegaard’s Thought 第四部分:克尔凯郭尔思想的接受与反思
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0996
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引用次数: 0
The Hidden Divine Experimenter: Kierkegaard on Providence 隐藏的神圣实验者:克尔凯郭尔论天意
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0008
N. Verbin
Abstract The paper is concerned with the nature of Kierkegaard’s commitment to God’s loving providence as it shows itself in his writings in general, and in his remarks on Governance’s Part in his Authorship in particular. I argue that, for Kierkegaard, God’s loving providence is not an objective fact that he discovers as intervening in nature, history or in his private life and authorship. Rather, God’s loving providence is fundamentally hidden in the wretchedness of existence. God is like a hidden experimenter who does not intervene in his experiment. Thus, the passion of faith determines the issue, for Kierkegaard. God’s loving Governance is realized in inwardness, in loving the neighbor, and in living this love in self-denial, obedience and suffering.
本文关注的是克尔凯郭尔对上帝的爱的天意的承诺的本质,因为它在他的一般作品中表现出来,特别是在他对《治理在作者中的作用》的评论中。我认为,对于克尔凯郭尔来说,上帝慈爱的天意并不是他在自然,历史,私人生活和创作中发现的客观事实。更确切地说,上帝慈爱的天意基本上隐藏在悲惨的存在之中。上帝就像一个隐藏的实验者,他不干预他的实验。因此,对于克尔凯郭尔来说,信仰的激情决定了问题。上帝慈爱的治理是在内心中实现的,是在爱邻居中实现的,是在克己、顺服和受苦中活出这种爱。
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引用次数: 0
Between Deception and Authority: Kierkegaard’s Use of Scripture in the Discourses, “Thoughts That Wound from Behind—for Upbuilding” 在欺骗与权威之间:克尔凯郭尔在《为建设而从背后缠绕的思想》论述中对圣经的运用
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0004
Kevin M. Storer
Abstract This paper explores the tension in Kierkegaard’s Christian discourses between Kierkegaard’s overt emphasis on Scriptural authority and Kierkegaard’s imaginative Scriptural use, through an analysis of the discourse series, “Thoughts That Wound from Behind—for Upbuilding.” The paper argues that Kierkegaard employs Scriptural language both imaginatively to create distanciation and directly to create confrontation, without differentiating how Scriptural authority functions in these two uses. The paper concludes that when Kierkegaard emphasizes Scriptural authority, he is really emphasizing the authority of “Christian concepts” stabilized in Christian tradition, and that he utilizes Scripture freely and imaginatively to challenge readers with those authoritative concepts.
摘要:本文通过对克尔凯郭尔的基督教话语系列《从背后受伤的思想——为了建设》的分析,探讨了克尔凯郭尔对圣经权威的公开强调与克尔凯郭尔对圣经的想象性运用之间的紧张关系。本文认为,克尔凯郭尔运用《圣经》语言既富有想象力地制造距离,又直接制造对抗,而没有区分《圣经》权威在这两种用法中的作用。本文的结论是,克尔凯郭尔在强调《圣经》的权威时,实际上是在强调那些稳定在基督教传统中的“基督教概念”的权威,他自由而富有想象力地利用《圣经》,用这些权威概念挑战读者。
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引用次数: 0
Philosophy Lost and Found: Irony and Renewal in Kierkegaard’s Philosophical Fragments 哲学的失而复得:克尔凯郭尔《哲学片段》中的反讽与更新
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0003
Daniel W. Conway
Abstract Readers of Kierkegaard’s Philosophical Fragments witness the development of Johannes Climacus from an initial posture of aesthetic detachment to a mutually elevating partnership with his unnamed interlocutor. Despite his (exaggerated) suspicions of philosophy, Johannes cautiously assents in Chapters IV and V of the Fragments to the philosophical innovations suggested by his unnamed critic. As he does so, he not only exposes the limitations of the Socratic account of recollection, which is what he set out to do, but also, and inadvertently, reveals the limitations of his own “thought-project.” As it turns out, the most notable (and persistent) of these limitations is his own fear of (ethical) commitment, which he associates with a union so toxic that one who is ill wed may crave the hangman’s noose. Despite the success he enjoys in developing his “thought-project,” and the camaraderie he experiences with his former adversary, Johannes concludes Fragments by retreating to the safety of the aesthetic nook from which he ever-so-briefly emerged. Fascinated by philosophy but frightened by (what he takes to be) its serious implications, he contents himself with the “fragments” and “crumbs” of which his philosophical diet consists.
克尔凯郭尔的《哲学片段》的读者见证了约翰内斯·克里马库斯的发展,从最初的审美超然的姿态到与他的无名对话者相互提升的伙伴关系。尽管约翰内斯(夸张地)怀疑哲学,但他在《碎片》的第四章和第五章中谨慎地同意了这位未具名评论家提出的哲学创新。当他这样做的时候,他不仅暴露了苏格拉底式的回忆理论的局限性,这也是他所要做的,而且无意中也暴露了他自己的“思想计划”的局限性。事实证明,这些限制中最显著(也是最持久)的是他自己对(道德)承诺的恐惧,他把这种恐惧与一种毒性如此之大的结合联系在一起,以至于一个生病的人可能会渴望上绞索。尽管约翰内斯在发展他的“思想项目”方面取得了成功,并且与他的前对手建立了同志情谊,但他在《碎片》的结尾退回到他曾经短暂出现的美学角落的安全地带。他对哲学着迷,但又被哲学的严肃含义(他认为是什么)吓坏了,他满足于他的哲学饮食所包含的“碎片”和“碎屑”。
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引用次数: 0
The Concept of State in Kierkegaard’s Papers 克尔凯郭尔文集中的国家概念
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0006
Matías Tapia Wende
Abstract In this paper, I aim to show the evolution of Kierkegaard’s views on the state scattered in his Papers. To do this, I will carry out an analysis divided into chronological periods, and I will characterize each period in terms of its main features. The goal is to give a comprehensive account of Kierkegaard as a champion of the monarchical and authoritative state, who loses his patience and attacks the established order only when he thinks that Christianity’s truth is at the greatest risk. This interpretation contrasts both with a mere despotic Kierkegaard and with a more liberal one.
在本文中,我旨在展示克尔凯郭尔分散在他的论文中关于国家的观点的演变。为了做到这一点,我将进行一个按时间顺序划分的分析,我将根据其主要特征来描述每个时期。本书的目标是全面描述克尔凯郭尔作为君主和权威国家的捍卫者,只有当他认为基督教的真理面临最大风险时,他才会失去耐心,攻击既定秩序。这种解释既与纯粹专制的克尔凯郭尔形成对比,也与更为自由的克尔凯郭尔形成对比。
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引用次数: 1
In Search of “That Archimedean Point”: The Development of Selfhood in Kierkegaard’s Journal of Gilleleje 寻找“那个阿基米德点”:克尔凯郭尔《吉列杰杂志》中自我的发展
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0002
Nassim Bravo
Abstract This article offers a philosophical account of the so-called journal of Gilleleje. I would like to argue that in this text from 1835 one can trace the early philosophical musings of Kierkegaard on the existential question of the discovery of the self and the development of selfhood, one of the main motifs in the authorship of the Dane. Additionally, I discuss the literary trends of the 1830s in Golden Age Denmark, particularly the boom of the Danish short novel and Heiberg’s admiration of Goethe, analyzing in what way this local context impacted Kierkegaard’s ideas in the journal of Gilleleje.
摘要本文对所谓的《吉列杰日记》进行了哲学解读。我想说的是,在1835年的这篇文章中,我们可以追溯到克尔凯郭尔早期的哲学思考,关于自我发现和自我发展的存在问题,这是丹麦人写作的主要主题之一。此外,我还讨论了19世纪30年代丹麦黄金时代的文学趋势,特别是丹麦短篇小说的繁荣和海伯格对歌德的崇拜,并分析了这种当地背景如何影响克尔凯郭尔在《吉列耶》杂志上的思想。
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引用次数: 0
Section 1:   Interpreting Kierkegaard’s Authorship 第一节:解读克尔凯郭尔的作者身份
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0999
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引用次数: 0
Section 3:   Kierkegaard’s Sources and Historical Context 第三部分:克尔凯郭尔的来源和历史背景
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0997
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引用次数: 0
Ecophilosophy and the Ambivalence of Nature: Kierkegaard and Knausgård on Lilies, Birds and Being 生态哲学与自然的矛盾心理:克尔凯郭尔与克瑙斯<s:1>论百合、鸟与存在
IF 0.1 0 PHILOSOPHY Pub Date : 2021-08-11 DOI: 10.1515/kierke-2021-0014
M. Mjaaland
Abstract In The Lily in the Field and the Bird of the Air (1849), Kierkegaard presents a succinct critique of Romantic aesthetics, in line with contemporary critiques of ecocriticism and ecophilosophy, e.g. by Timothy Morton. Whereas Romantic poets see nature as a mirror of their inner thoughts and pathos, thereby divinising themselves and their creativity, Kierkegaard emphasises the authority of the Creator and the exteriority of nature. He identifies the consequences of such Romantic self-infatuation on all levels of discourse: aesthetics, ethics, epistemology and ontology, and seeks to formulate an alternative. I argue that the discourses thus represent an alternative philosophy of nature, revealing an immediate joy for the gift of being-there. Being human thus means being dependent on and embedded in nature. This makes Kierkegaard a highly relevant interlocutor for contemporary ecophilosophy and ecocriticism, as revealed by Knausgård’s novel Morgenstjernen (2020).
在《田野里的百合花和空中的鸟》(1849)一书中,克尔凯郭尔对浪漫主义美学进行了简洁的批判,这与蒂莫西·莫顿等当代生态批评和生态哲学的批判是一致的。浪漫主义诗人将自然视为他们内心思想和情感的镜子,从而将自己和自己的创造力神化,而克尔凯郭尔则强调造物主的权威和自然的外在性。他在美学、伦理学、认识论和本体论的各个层面上识别了这种浪漫主义自我迷恋的后果,并试图制定一种替代方案。我认为,这些论述因此代表了另一种自然哲学,揭示了对存在的礼物的直接喜悦。因此,作为人意味着依赖自然,融入自然。这使得克尔凯郭尔成为当代生态哲学和生态批评的高度相关的对话者,正如knausg的小说《Morgenstjernen》(2020)所揭示的那样。
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引用次数: 1
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Kierkegaard Studies Yearbook
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