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Imagining Infrastructure in Urban Jamaica 设想牙买加城市的基础设施
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-07-12 DOI: 10.1080/2373566X.2021.1925575
R. Jaffe, L. Evans
This article presents a preliminary outline of what an infrastructural humanities might involve. We ask how the established body of work in the geohumanities, including literary geography and related fields, might incorporate the infrastructural turn that has been emerging in geography and anthropology. Studying literary and cultural imaginings of infrastructure, we suggest, extends considerations of spatiality by emphasizing how spatial connections and disconnections are constructed through material and technological means. In seeking to demonstrate the potential of attending to the imagination of infrastructure, we focus our analysis on one specific case: the infrastructure of gullies in Kingston, Jamaica. Kingston’s gullies—an extensive system of open drains meant to quickly channel rainwater to the city’s harbor—occupy an important if largely unexamined space in the Jamaican capital’s urban imaginary. In this article, we read the gully not just as a specific spatial imaginary, but as a form of infrastructure. How are Kingston’s gullies imagined in Jamaican popular music, literature, and visual culture? How do these forms of cultural production convey and evoke infrastructure’s aesthetic and affective dimensions? How do writers, musicians, and filmmakers engage with infrastructure both to assess urban dis/connections, and to reimagine these relations otherwise? We address these questions across a range of cultural texts to illustrate how a direct engagement with infrastructure might extend work on spatiality by highlighting the cultural politics of materiality and technology.
本文提出了基础人文学科可能涉及的内容的初步概述。我们要问的是,在地理人文学科中,包括文学地理学和相关领域的现有工作,如何将地理学和人类学中出现的基础设施转变纳入其中。我们建议,通过研究文学和文化对基础设施的想象,通过强调如何通过材料和技术手段构建空间连接和断开来扩展对空间性的考虑。为了展示参与基础设施想象的潜力,我们将分析重点放在一个具体案例上:牙买加金斯顿的沟渠基础设施。金斯敦的沟渠——一个广泛的露天排水系统,旨在迅速将雨水引导到城市的港口——在牙买加首都的城市想象中占据了一个重要的空间,尽管很大程度上没有得到重视。在本文中,我们不仅将沟壑视为特定的空间想象,还将其视为一种基础设施形式。牙买加流行音乐、文学和视觉文化如何描绘金斯顿的沟壑?这些形式的文化生产如何传达和唤起基础设施的审美和情感维度?作家、音乐家和电影制作人如何与基础设施打交道,以评估城市的脱节/联系,并重新想象这些关系?我们通过一系列文化文本来解决这些问题,以说明与基础设施的直接接触如何通过突出物质和技术的文化政治来扩展空间性的工作。
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引用次数: 1
Becoming the Monsoon Forest - Emergence in the Breakdown of Categories. 成为季风森林-在分类中出现。
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-07-09 eCollection Date: 2021-01-01 DOI: 10.1080/2373566X.2021.1904786
Harshavardhan Bhat

How do we understand more-than-human vegetal emergence in/with/under monsoonal transformation. I often like to introduce the monsoon to people by telling them that it is the change in the direction of the wind that carries the ocean to the sky, blanketing the geological spatio-temporality of the Indian subcontinent, transforming its air and everything in its temporal wake with the possibility of life. This paper thinks through the invasive vilayati kikar which has overwhelmed native monsoon forests and arid ecologies. Drawing from fieldwork in the Delhi region conducted during monsoon 2018, 2019 and the winter of 2018, and by thinking with literature and reports from ecology, biology, politics, anthropology and natural science-I attempt a brief situated narrative that explores the vegetal emergence of the plant, its natureculture spirits and embodiment in/with the monsoon-finally, closing this work with an argument and discussion on the monsoon and its ontological stickiness.

我们如何理解超越人类的植物在季风转变中/伴随/下的出现。我经常喜欢向人们介绍季风,告诉他们这是风的方向的变化,把海洋带到天空,覆盖了印度次大陆的地质时空,把空气和它的时间尾迹中的一切都变成了生命的可能性。本文通过对入侵的山竹对当地季风森林和干旱生态造成的破坏进行了思考。根据2018年、2019年和2018年冬季季风期间在德里地区进行的田野调查,通过对生态学、生物学、政治学、人类学和自然科学的文献和报告的思考,我试图用一种简短的叙事方式来探索植物的植物出现、它的自然文化精神和在季风中的体现——最后,以对季风及其本体论粘性的论证和讨论来结束这项工作。
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引用次数: 2
Poetry: A Means of Creating Deeper Place Connections 诗歌:一种创造更深地方联系的手段
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-07-06 DOI: 10.1080/2373566X.2021.1926307
Alison B. Brown
The article shares poems written by 13 to 14 years old Year 9 UK geography students to communicate a sense of place. Poetry writing forms part of an exploratory investigation into ways of engaging a geography class with the study of a place. The students glean their contextual understanding from research and a day’s multisensory fieldwork. Poetry writing through its careful choice of words supports the students to represent the individual ways in which they connect with a place’s past, present, and in some instances consider its future. The activity encourages the students to express their affective and cognitive place understanding. The students use different modes to support the representation of their poems. The process of creatively representing their poems reinforces the students’ ability to communicate their unique place messages. Poetry writing allows the students to engage with a place and informs their conceptual understanding of its diverse elements.
这篇文章分享了13到14岁的英国九年级地理学生写的诗歌,以传达一种地方感。诗歌写作是对地理课上对一个地方进行研究的探索性调查的一部分。学生们从研究和一天的多感官实地考察中收集他们的背景理解。诗歌写作通过对词汇的精心选择,支持学生们以不同的方式表达他们与一个地方的过去、现在联系在一起,在某些情况下还会考虑它的未来。该活动鼓励学生表达他们的情感和认知的地方理解。学生们使用不同的模式来支持他们的诗歌的表现。创造性地表达他们的诗歌的过程加强了学生交流他们独特的地方信息的能力。诗歌写作让学生与一个地方接触,并告知他们对其不同元素的概念性理解。
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引用次数: 0
A Caring Confrontation: Re-Ordering as a Design Research Strategy Toward a Circular City 关怀的对抗:循环型城市的重新排序设计研究策略
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-06-21 DOI: 10.1080/2373566X.2021.1915700
David Hamers, Ester van de Wiel, J. Adriaanse, G. Verstraete
Entering a “re- era” in which cities use available resources again and again requires developing and testing new “re- strategies.” This article elaborates “re-ordering”: a redirecting of the flow of residual concrete pavement stones using time as a structuring element. In a two-year design research project, through a “bisociation” of design practices and urban/municipal practices in Rotterdam, different types of knowledge and skills confronted each other. Not in a head-on collision, but rather in the form of a “caring confrontation” that allows for operating in different contexts, in a variety of places and with a variety of people, products and protocols.
进入一个城市一次又一次利用现有资源的“再时代”,需要开发和测试新的“再战略”。这篇文章详细阐述了“重新排序”:将时间作为结构元素,对剩余混凝土路面石块的流动进行重新定向。在一个为期两年的设计研究项目中,通过将鹿特丹的设计实践和城市/市政实践“结合”起来,不同类型的知识和技能相互对抗。不是正面冲突,而是以“关怀对抗”的形式,允许在不同的环境、不同的地点、不同的人、产品和协议中操作。
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引用次数: 0
Time Horizon: Intersections of Deep Time and Biographical Time on the West Shore, Stromness, Orkney 《时间视界:深时间与传记时间在西海岸的交叉点》,斯特罗姆斯,奥克尼
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-06-21 DOI: 10.1080/2373566X.2021.1910534
R. Irvine, Niamh Downing, Anne Bevan, C. Fearnley
What is the significance of a human life in relation to the timespan of the geological processes that shape and reshape the terrain under our feet? Here, we ask how we might think on a planetary scale while being grounded in the everyday, tracing the relationship between biographical time and geological formation. Examining social relationships through the materiality of sandstone, uranium, and concrete, this paper presents a collaborative deep time practice, realized through the iterative process of walking, reading and inscribing a specific site, the West Shore of Stromness, Orkney.
与塑造和重塑我们脚下地形的地质过程的时间跨度相比,人类生命的意义是什么?在这里,我们问我们在日常生活中如何在行星尺度上思考,追踪传记时间和地质构造之间的关系。通过砂岩、铀和混凝土的物质性来审视社会关系,本文提出了一个合作的深度时间实践,通过步行、阅读和铭文的迭代过程来实现一个特定的地点,奥克尼群岛的斯特罗姆内斯西岸。
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引用次数: 1
Geopoetics as Disruptive Aesthetics: Vignettes from Cairo 作为破坏性美学的地学:来自开罗的小插曲
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-06-21 DOI: 10.1080/2373566x.2021.1913436
Aya Nassar
In this paper, I perform an approach for a material and affective geography of the postcolonial city that is developed from within the spaces of Cairo and its archives. I propose storytelling the c...
在本文中,我对后殖民城市的物质和情感地理进行了研究,这种研究是从开罗的空间及其档案中发展起来的。我建议讲故事…
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引用次数: 5
The Relational Materiality of Groundwater. 地下水的关系物质性。
IF 1 Q3 GEOGRAPHY Pub Date : 2021-06-21 eCollection Date: 2021-01-01 DOI: 10.1080/2373566X.2021.1925574
Anthony Powis

This paper is part of a larger research project which draws out ways of knowing and thinking with groundwater from Chennai, south India. The (under)ground or (sub)terranean environment is a thick and complex, three-dimensional space of "nothing but change," but whose utility is essential to sustaining urban life above it. This paper looks at multiple, specific, and contradictory ways in which the materiality of groundwater is understood and intervened in. Using the case of the ongoing Chennai Metro Rail construction project, and its disciplinary cultures of representation, I bring attention to the ground and its waters as a composite system in both balance and unrest, and an active, vital component of the city. Through unpacking established concepts of strata, porosity, and pressure, I will cast groundwater not as an objective fact, always pictured by, and relative to, a human subject, but as an actual being which humans (and others beyond) perceive, relate to, and come into contact with. I close by drawing from this account a possible further set of concepts which groundwater generates-dynamic states which are common to human and material life-suggesting that a relational theory of groundwater materiality, based on leaking as opposed to bordering, might better respond to the ways in which groundwater troubles knowledge.

本文是一个大型研究项目的一部分,该项目从印度南部钦奈的地下水中汲取认识和思考的方法。地下)或(地下)环境是一个厚重而复杂的三维空间,"除了变化还是变化",但它的实用性对于维持地面上的城市生活至关重要。本文探讨了理解和干预地下水物质性的多种具体且相互矛盾的方式。通过正在进行的钦奈地铁建设项目及其学科表述文化,我提请人们注意地下水及其水体是一个既平衡又动荡的复合系统,也是城市中一个活跃而重要的组成部分。通过对地层、孔隙度和压力等既定概念的解读,我将不再把地下水描绘成总是由人类主体描绘并与之相对的客观事实,而是将其描绘成人类(以及人类以外的其他人)所感知、与之相关并与之接触的实际存在物。最后,我将从这一论述中引出地下水可能产生的另一套概念--人类和物质生活中共同的动态状态--并提出一种基于渗漏而非接壤的地下水物质性关系理论,或许能更好地应对地下水给知识带来的困扰。
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引用次数: 0
Assembling Researchers in Design and the Humanities in a Circular Ecology 循环生态中的设计与人文研究人员
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-06-21 DOI: 10.1080/2373566X.2021.1915699
G. Verstraete, J. Adriaanse, Ester van de Wiel, David Hamers
This contribution aims at reframing the concept of circular economy (CE) through an experiment with, and reflection on, research-through-design practices. We depart from CE as an efficient process of tidying up or closing circles to open up a discussion of ways cities can productively engage with flows of residual materials as resources in a social-material context. Taking an ecological approach, we investigate interconnected flows of things, people, and perspectives in concrete situations in the city of Rotterdam, the Netherlands. To that end we lean on the logic of assemblage, as developed in Actor- Network Theory, and discuss visualizing tools for putting theory into practice and for assembling researchers in design and the humanities in a circular ecology.
这一贡献旨在通过对设计研究实践的实验和反思来重新构建循环经济的概念。我们从CE作为一个有效的整理或关闭圈子的过程出发,开始讨论城市如何在社会-物质背景下有效地利用剩余材料流作为资源。采用生态学的方法,我们在荷兰鹿特丹市的具体情况下调查了物、人和观点的相互联系的流动。为此,我们依靠在行动者网络理论中发展的组合逻辑,并讨论将理论付诸实践的可视化工具,以及将设计和人文学科的研究人员聚集在一个循环生态中。
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引用次数: 1
Normalized Alterity: Visualizing Black Spatial Humanities 规范化的另类:黑人空间人文的可视化
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-06-07 DOI: 10.1080/2373566X.2021.1904788
Darius Scott
This article aims to envision more just visual representations of Black spatial collectivity. In light of transformative work in critical cartography and recent turns to narrative cartography, digital mapping has arguably come to offer an opportunity for radical and democratized visualizations. However, the historical and contemporary anti-Blackness of mapping urges caution. Moreover, prominent critical cartographic urges to eschew normativity risk advancing diminished and distorted representations of historically Black communities. In turn, this article questions the extent to which visually countering the ongoing anti-Black work of dominant maps (e.g. erasure of Black communities) might avoid altogether appropriating the medium. Presented are animations created with audio clips from oral histories collected in rural Southern (US) communities. Created in collaboration with a professional animator, these brief animated clips do the work of countering historic erasure without reinforcing the hegemonic legibility of dominant cartographic productions.
本文旨在设想黑人空间集体的更公正的视觉表现。鉴于批判性地图学的变革工作和最近转向叙事地图学,数字地图可以说已经为激进和民主化的可视化提供了机会。然而,历史和当代地图的反黑人性促使人们谨慎行事。此外,突出的关键制图敦促避免规范性风险推进历史上黑人社区的减少和扭曲的表现。反过来,这篇文章质疑,在视觉上对抗主流地图正在进行的反黑人工作(例如,抹去黑人社区)可能会避免完全占用媒体的程度。呈现的是用从美国南部农村社区收集的口述历史的音频剪辑制作的动画。这些简短的动画片段是与专业动画师合作制作的,在不加强主导地图制作的霸权易读性的情况下,对抗历史的抹去。
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引用次数: 1
Black Protest and the Man on Horseback: Race, Animality, and Equestrian Counter-Conduct 黑人抗议和马背上的人:种族、兽性和马术反行为
IF 0.7 Q3 GEOGRAPHY Pub Date : 2021-06-04 DOI: 10.1080/2373566X.2021.1907208
P. Howell, Ilanah Taves
This paper explores the history and political significance of black horsemen and horsewomen, using the appearance of mounted protesters at the 2020 Black Lives Matter rallies in the US to consider the role of the horse as both an adjunct of authority, in symbol and in material power, and as a partner in forms of protest and resistance. This paper begins with the brute power of the horse, and through its military and policing duties, its role supporting state authority. But we underline the racial framing of “the man on horseback,” using this figure not merely as a metaphor for military authority but as a representation of racialized power and as an adjunct to racial regimes. The significance of this figure is explored through the history of black horse riders and the “threat” that the image of the black rider poses to majority white culture. We examine the political value of placing black horse riders in the position of authority long claimed by white men and celebrated in public statuary and in art. The final section considers the black horsewoman, however, warning against disconnecting the martial model of masculinity from gender privileges as well as racial ones. The paper uses the example of black horsewomanship to argue for a better understanding of the partnership between human and nonhuman. In the performative politics of assembly that we call “political dressage” we suggest a distinctively more-than-human variety of “counter-conduct.”
本文探讨了黑人骑手和女骑手的历史和政治意义,利用2020年美国黑人生命问题集会上骑着马的抗议者的出现来考虑马的角色,既是权威的附属品,在象征和物质力量方面,也是抗议和抵抗形式的合作伙伴。本文从马的蛮力开始,通过它的军事和治安职责,它支持国家权威的作用。但我们强调了“马背上的人”的种族框架,使用这个人物不仅作为军事权威的隐喻,而且作为种族化权力的代表,作为种族政权的附属物。这个人物的意义是通过黑马骑手的历史和黑人骑手的形象对多数白人文化构成的“威胁”来探索的。我们考察了将黑马骑手置于白人长期占据的权威地位,并在公共雕像和艺术中受到颂扬的政治价值。然而,最后一部分考虑了黑人女骑士,警告不要将男性气概的军事模式与性别特权和种族特权分开。这篇论文用黑女骑士的例子来论证更好地理解人类和非人类之间的伙伴关系。在集会的表演政治中,我们称之为“政治盛装舞步”,我们提出了一种比人类更独特的“反行为”。
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引用次数: 0
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Geohumanities
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