Geohumanities最新文献

英文中文

How to Become Erasure Proof 如何防擦

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-08-24 DOI: 10.1080/2373566x.2021.1960179

Amy Shimshon-Santo

“If we possess the land,” cultural activist Ben Caldwell said, “we can become erasure proof.” The essay reveals how BIPOC community arts spaces negotiate spatial sovereignty that fortify ecologies of culture and place. The work analyzes a culminating activity in a participatory action research process structured around the themes of land, story, memory, and leadership. The axis of the paper is an intergenerational conversation with cultural producers and arts administrators at Self Help Graphics & Art in the Latinx neighborhood of Boyle Heights, Kaos Network the African-American neighborhood of Leimert Park, and Visual Communications in the Asian Pacific Islander led neighborhood of Little Tokyo. The conversation is set in Los Angeles—a megalopolis on the Pacific Rim recognized globally for its creative and cultural production. “How to Become Erasure Proof” provides a robust conceptual framework, and highlights BIPOC strategies for community organizing that cherish culture and land. The discussion contributes to broader movements centering BIPOC imaginaries, creative flourishing, and organizing for spatial justice.

“如果我们拥有这片土地，”文化活动家本·考德威尔(Ben Caldwell)说，“我们就能防止被擦除。”本文揭示了BIPOC社区艺术空间如何协商空间主权，巩固文化和地方生态。这项工作分析了参与性行动研究过程中围绕土地、故事、记忆和领导力主题的最终活动。本文的轴心是与文化制作人和艺术管理人员的代际对话，这些文化制作人和艺术管理人员分别来自Boyle Heights拉丁裔社区的Self - Help Graphics & Art, Leimert Park非洲裔社区的Kaos Network，以及小东京亚太岛民社区的视觉传播。对话发生在洛杉矶——一个环太平洋地区的大都市，以其创意和文化生产而闻名于世。“如何成为防擦除”提供了一个强大的概念框架，并强调了BIPOC社区组织珍惜文化和土地的战略。讨论有助于围绕BIPOC想象，创造性繁荣和空间正义组织的更广泛的运动。

引用次数: 0

“Have Car, Can Travel”: Journalistic Practice, Oil Entanglements and Climate Reportage in Aberdeen, Scotland “有车，能行”:苏格兰阿伯丁的新闻实践、石油纠葛和气候报告文学

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-08-13 DOI: 10.1080/2373566X.2021.1942128

Dominic Hinde

This article recounts the practice of producing a commercial newspaper feature for a major American outlet on energy transition and the end of the oil boom in Aberdeen, Scotland. Speaking to both media and energy geographies, it pursues journalistic practice as a form of energy ethnography, exposing how entangled journalism practitioners are with the systems they report with reference to the concept of petroculture. Narrating 48 hours spent on the ground in the oil city, it discusses the invisible processes behind the commercial publication of a transition narrative and the experience of working in the field to construct the story. By focusing on questions of transnational power and gatekeeping, the concept of the energy city, and the role of oil in both visible and invisible forms, it uses its unique dual practitioner/academic perspective to speculate on the possibility of moving beyond market friendly “good news” transition narratives to more meaningful interrogations of energy.

本文讲述了在苏格兰阿伯丁为一家美国主要媒体制作商业报纸特稿的实践，内容涉及能源转型和石油繁荣的终结。在谈到媒体和能源地理时，它将新闻实践作为能源人种志的一种形式，揭示了新闻从业者与他们根据石油文化概念报道的系统之间的纠缠。它讲述了在石油城市的地面上度过的48小时，讨论了过渡叙事的商业出版背后的无形过程以及在现场工作以构建故事的经历。通过关注跨国权力和把关问题，能源城市的概念，以及石油在可见和不可见形式中的作用，它使用其独特的实践者/学者双重视角来推测从市场友好的“好消息”过渡叙事转向更有意义的能源质疑的可能性。

引用次数: 0

The Battle of Hastings, A Cartographic Narrative 黑斯廷斯战役，地图叙事

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-08-12 DOI: 10.1080/2373566X.2021.1942126

C. Hewitt

The Battle of Hastings (1066) is one of the most widely studied battles in medieval history. Yet despite the importance that research shows geography to play in the outcome of such conflicts, academic studies on the battle have yet to provide a researched-based cartographic analysis of the battle. This study, consequently, seeks to map the battle to scale to examine the size and impact of geographic factors in understanding the events that shaped the battle. The analysis was undertaken using a geographic information system (GIS) with qualitative and quantitative techniques. Historical and current data were combined in a series of detailed state of the art maps to bring an entirely new perspective to the nearly millennium long literature on the battle. Factors considered in the study included previous interpretations of battlefields, literary GIS, cartographic depictions of units and a cartographic narrative of the battle. Among the findings of this study were a firm demonstration of the importance of cartographic-based analysis in understanding the size of a medieval battlefield and the development of a literary military account.

黑斯廷斯战役(1066年)是中世纪历史上研究最广泛的战役之一。然而，尽管研究表明地理在此类冲突的结果中发挥了重要作用，但关于这场战斗的学术研究尚未对这场战斗提供基于研究的地图分析。因此，本研究试图绘制战争的规模图，以检查地理因素的规模和影响，以了解塑造战斗的事件。使用地理信息系统(GIS)进行了定性和定量分析。历史和当前的数据被结合在一系列详细的最先进的地图中，为近千年的战争文献带来了一个全新的视角。研究中考虑的因素包括以前对战场的解释、文学GIS、单位的地图描绘和战斗的地图叙述。这项研究的发现有力地证明了基于地图的分析在理解中世纪战场的规模和文学军事叙述的发展方面的重要性。

引用次数: 0

On Aqueducts and Anxiety: Water Infrastructure, Ruination, and a Region-Scaled Anthropocene Imaginary 关于沟渠和焦虑:水基础设施，破坏，和一个区域尺度的人类世想象

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-08-11 DOI: 10.1080/2373566X.2021.1942129

Sayd Randle

This paper explores popular expectations for and meanings of the U.S. West’s environmental future, as articulated through recent artistic representations of the Los Angeles’s expansive water provision network. Weaving together material from participant observation and readings of creative works, I show how infrastructural imagery is used to index anxieties about a future of water scarcity. Presenting familiar, currently functional water infrastructures as ruins-in-the-making, these artists use the physical stuff of water provision networks to advance critiques of longstanding modes of development and the material basis of urban-rural relations in the U.S. West. Doing so, these imagined ruins draw the global-scale threat of climate change into a protracted regional story of landscape-making (and ruining). These works suggest the potential power of such a meso-scale approach to the Anthropocene concept for orienting empirical scholarship, enabling analysts to explore how global processes and local histories co-produce regional imaginaries and landscapes alike.

本文探讨了大众对美国西部环境未来的期望和意义，通过最近对洛杉矶广阔的供水网络的艺术表现来表达。我将参与者观察到的材料和对创意作品的阅读结合在一起，展示了如何利用基础设施图像来索引对未来水资源短缺的担忧。这些艺术家将人们熟悉的、目前仍在发挥作用的供水基础设施描绘为正在形成的废墟，他们利用供水网络的物质材料，对美国西部长期存在的发展模式和城乡关系的物质基础提出了批评。这样一来，这些想象中的废墟就把全球范围的气候变化威胁变成了一个旷日持久的地区景观创造(和破坏)故事。这些工作表明，这种中尺度方法对人类世概念的潜在力量可以指导经验学术，使分析人员能够探索全球过程和地方历史如何共同产生区域想象和景观。

引用次数: 2

Drinking the Winds: Monsoon as Atmospheric Spring. 饮风:季风作为大气之泉。

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-07-14 eCollection Date: 2021-01-01 DOI: 10.1080/2373566X.2021.1929384

Christina Leigh Geros

This paper explores monsoons as a set of atmospheric-orographic dynamics productive of water resources and as a site of actionable concern for landscape practice. From study to representation to design, the term "landscape practice" is used to describe a way of positioning environments as both subject and object of concern. While monsoons are constituents of many geographies, dynamics, materials and experiences, this paper focuses on the South Asian monsoon and its relationship with the Tibetan Plateau. In this region, freshwater resources are dependent on the monsoon; however, as rising global temperatures and rapid urban development significantly impact the behavior of the monsoon and the Plateau's ability to store freshwater, the monsoon-as a kinetic body of freshwater-becomes the focal point of visual media productions and extractive technologies that require a shifting of perspective from one that privileges land to one that centers the atmosphere. The inclusion of meteorological and atmospheric material and dynamics within the space of landscape practice, constructively challenges the spatial discipline's engagement with exploitable resources; and the monsoon provides a tangible site and set of conditions that is in urgent need of this exploration.

本文探讨了季风作为一组产生水资源的大气地形动力学，并作为景观实践中可操作的关注点。从研究到表现再到设计，“景观实践”一词被用来描述一种将环境定位为关注的主体和客体的方式。虽然季风是许多地理、动力、物质和经验的组成部分，但本文的重点是南亚季风及其与青藏高原的关系。在这个地区，淡水资源依赖于季风;然而，随着全球气温的上升和城市的快速发展对季风的行为和高原储存淡水的能力产生了重大影响，季风作为一个动态的淡水体，成为视觉媒体制作和提取技术的焦点，这需要从优先考虑土地的角度转变为以大气为中心的角度。在景观实践空间中包含气象和大气材料和动态，建设性地挑战了空间学科与可开发资源的接触;季风提供了一个切实可行的地点和一系列迫切需要进行探索的条件。

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引用次数: 2

Imagining Infrastructure in Urban Jamaica 设想牙买加城市的基础设施

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-07-12 DOI: 10.1080/2373566X.2021.1925575

R. Jaffe, L. Evans

This article presents a preliminary outline of what an infrastructural humanities might involve. We ask how the established body of work in the geohumanities, including literary geography and related fields, might incorporate the infrastructural turn that has been emerging in geography and anthropology. Studying literary and cultural imaginings of infrastructure, we suggest, extends considerations of spatiality by emphasizing how spatial connections and disconnections are constructed through material and technological means. In seeking to demonstrate the potential of attending to the imagination of infrastructure, we focus our analysis on one specific case: the infrastructure of gullies in Kingston, Jamaica. Kingston’s gullies—an extensive system of open drains meant to quickly channel rainwater to the city’s harbor—occupy an important if largely unexamined space in the Jamaican capital’s urban imaginary. In this article, we read the gully not just as a specific spatial imaginary, but as a form of infrastructure. How are Kingston’s gullies imagined in Jamaican popular music, literature, and visual culture? How do these forms of cultural production convey and evoke infrastructure’s aesthetic and affective dimensions? How do writers, musicians, and filmmakers engage with infrastructure both to assess urban dis/connections, and to reimagine these relations otherwise? We address these questions across a range of cultural texts to illustrate how a direct engagement with infrastructure might extend work on spatiality by highlighting the cultural politics of materiality and technology.

本文提出了基础人文学科可能涉及的内容的初步概述。我们要问的是，在地理人文学科中，包括文学地理学和相关领域的现有工作，如何将地理学和人类学中出现的基础设施转变纳入其中。我们建议，通过研究文学和文化对基础设施的想象，通过强调如何通过材料和技术手段构建空间连接和断开来扩展对空间性的考虑。为了展示参与基础设施想象的潜力，我们将分析重点放在一个具体案例上:牙买加金斯顿的沟渠基础设施。金斯敦的沟渠——一个广泛的露天排水系统，旨在迅速将雨水引导到城市的港口——在牙买加首都的城市想象中占据了一个重要的空间，尽管很大程度上没有得到重视。在本文中，我们不仅将沟壑视为特定的空间想象，还将其视为一种基础设施形式。牙买加流行音乐、文学和视觉文化如何描绘金斯顿的沟壑?这些形式的文化生产如何传达和唤起基础设施的审美和情感维度?作家、音乐家和电影制作人如何与基础设施打交道，以评估城市的脱节/联系，并重新想象这些关系?我们通过一系列文化文本来解决这些问题，以说明与基础设施的直接接触如何通过突出物质和技术的文化政治来扩展空间性的工作。

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引用次数: 1

Becoming the Monsoon Forest - Emergence in the Breakdown of Categories. 成为季风森林-在分类中出现。

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-07-09 eCollection Date: 2021-01-01 DOI: 10.1080/2373566X.2021.1904786

Harshavardhan Bhat

How do we understand more-than-human vegetal emergence in/with/under monsoonal transformation. I often like to introduce the monsoon to people by telling them that it is the change in the direction of the wind that carries the ocean to the sky, blanketing the geological spatio-temporality of the Indian subcontinent, transforming its air and everything in its temporal wake with the possibility of life. This paper thinks through the invasive vilayati kikar which has overwhelmed native monsoon forests and arid ecologies. Drawing from fieldwork in the Delhi region conducted during monsoon 2018, 2019 and the winter of 2018, and by thinking with literature and reports from ecology, biology, politics, anthropology and natural science-I attempt a brief situated narrative that explores the vegetal emergence of the plant, its natureculture spirits and embodiment in/with the monsoon-finally, closing this work with an argument and discussion on the monsoon and its ontological stickiness.

我们如何理解超越人类的植物在季风转变中/伴随/下的出现。我经常喜欢向人们介绍季风，告诉他们这是风的方向的变化，把海洋带到天空，覆盖了印度次大陆的地质时空，把空气和它的时间尾迹中的一切都变成了生命的可能性。本文通过对入侵的山竹对当地季风森林和干旱生态造成的破坏进行了思考。根据2018年、2019年和2018年冬季季风期间在德里地区进行的田野调查，通过对生态学、生物学、政治学、人类学和自然科学的文献和报告的思考，我试图用一种简短的叙事方式来探索植物的植物出现、它的自然文化精神和在季风中的体现——最后，以对季风及其本体论粘性的论证和讨论来结束这项工作。

引用次数: 2

Poetry: A Means of Creating Deeper Place Connections 诗歌:一种创造更深地方联系的手段

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-07-06 DOI: 10.1080/2373566X.2021.1926307

Alison B. Brown

The article shares poems written by 13 to 14 years old Year 9 UK geography students to communicate a sense of place. Poetry writing forms part of an exploratory investigation into ways of engaging a geography class with the study of a place. The students glean their contextual understanding from research and a day’s multisensory fieldwork. Poetry writing through its careful choice of words supports the students to represent the individual ways in which they connect with a place’s past, present, and in some instances consider its future. The activity encourages the students to express their affective and cognitive place understanding. The students use different modes to support the representation of their poems. The process of creatively representing their poems reinforces the students’ ability to communicate their unique place messages. Poetry writing allows the students to engage with a place and informs their conceptual understanding of its diverse elements.

这篇文章分享了13到14岁的英国九年级地理学生写的诗歌，以传达一种地方感。诗歌写作是对地理课上对一个地方进行研究的探索性调查的一部分。学生们从研究和一天的多感官实地考察中收集他们的背景理解。诗歌写作通过对词汇的精心选择，支持学生们以不同的方式表达他们与一个地方的过去、现在联系在一起，在某些情况下还会考虑它的未来。该活动鼓励学生表达他们的情感和认知的地方理解。学生们使用不同的模式来支持他们的诗歌的表现。创造性地表达他们的诗歌的过程加强了学生交流他们独特的地方信息的能力。诗歌写作让学生与一个地方接触，并告知他们对其不同元素的概念性理解。

引用次数: 0

A Caring Confrontation: Re-Ordering as a Design Research Strategy Toward a Circular City 关怀的对抗:循环型城市的重新排序设计研究策略

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-06-21 DOI: 10.1080/2373566X.2021.1915700

David Hamers, Ester van de Wiel, J. Adriaanse, G. Verstraete

Entering a “re- era” in which cities use available resources again and again requires developing and testing new “re- strategies.” This article elaborates “re-ordering”: a redirecting of the flow of residual concrete pavement stones using time as a structuring element. In a two-year design research project, through a “bisociation” of design practices and urban/municipal practices in Rotterdam, different types of knowledge and skills confronted each other. Not in a head-on collision, but rather in the form of a “caring confrontation” that allows for operating in different contexts, in a variety of places and with a variety of people, products and protocols.

进入一个城市一次又一次利用现有资源的“再时代”，需要开发和测试新的“再战略”。这篇文章详细阐述了“重新排序”:将时间作为结构元素，对剩余混凝土路面石块的流动进行重新定向。在一个为期两年的设计研究项目中，通过将鹿特丹的设计实践和城市/市政实践“结合”起来，不同类型的知识和技能相互对抗。不是正面冲突，而是以“关怀对抗”的形式，允许在不同的环境、不同的地点、不同的人、产品和协议中操作。

引用次数: 0

Time Horizon: Intersections of Deep Time and Biographical Time on the West Shore, Stromness, Orkney 《时间视界:深时间与传记时间在西海岸的交叉点》，斯特罗姆斯，奥克尼

IF 0.7 Q2 Arts and Humanities

Geohumanities

Pub Date : 2021-06-21 DOI: 10.1080/2373566X.2021.1910534

R. Irvine, Niamh Downing, Anne Bevan, C. Fearnley

What is the significance of a human life in relation to the timespan of the geological processes that shape and reshape the terrain under our feet? Here, we ask how we might think on a planetary scale while being grounded in the everyday, tracing the relationship between biographical time and geological formation. Examining social relationships through the materiality of sandstone, uranium, and concrete, this paper presents a collaborative deep time practice, realized through the iterative process of walking, reading and inscribing a specific site, the West Shore of Stromness, Orkney.

与塑造和重塑我们脚下地形的地质过程的时间跨度相比，人类生命的意义是什么?在这里，我们问我们在日常生活中如何在行星尺度上思考，追踪传记时间和地质构造之间的关系。通过砂岩、铀和混凝土的物质性来审视社会关系，本文提出了一个合作的深度时间实践，通过步行、阅读和铭文的迭代过程来实现一个特定的地点，奥克尼群岛的斯特罗姆内斯西岸。

引用次数: 1

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