Cette contribution offre un témoignage à la première personne sur l’expérience du vieillissement dans le monde du théâtre, livré par une professionnelle du théâtre plus âgée qui travaille comme metteure en scène, interprète et artiste communautaire avec des non professionnels de divers âges.
{"title":"Being Old, Working with the Old, Performing Oldness","authors":"L. Spry","doi":"10.3138/tric.42.2.f01","DOIUrl":"https://doi.org/10.3138/tric.42.2.f01","url":null,"abstract":"Cette contribution offre un témoignage à la première personne sur l’expérience du vieillissement dans le monde du théâtre, livré par une professionnelle du théâtre plus âgée qui travaille comme metteure en scène, interprète et artiste communautaire avec des non professionnels de divers âges.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74526580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Selena Couture, Against the Current and Into the Light: Performing History and Land in Coast Salish Territories and Vancouver’s Stanley Park","authors":"Kacey Dool","doi":"10.3138/tric.42.2.b01","DOIUrl":"https://doi.org/10.3138/tric.42.2.b01","url":null,"abstract":"","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80083953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kailin Wright, Political Adaptation in Canadian Theatre","authors":"J. Stephenson","doi":"10.3138/tric.42.2.b04","DOIUrl":"https://doi.org/10.3138/tric.42.2.b04","url":null,"abstract":"","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76784549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cette conversation entre Caroline Howarth, Mieko Ouchi et Kelsie Acton porte sur l’experience de la creation et de la mise en scene de Songs My Mother Never Sung Me, un opera en langue des signes a...
Caroline Howarth, Mieko Ouchi和Kelsie Acton之间的对话是关于创作和导演《Songs My Mother Never Sung Me》的经验，这是一部用手语创作的歌剧。
{"title":"A Conversation about Songs My Mother Never Sung Me","authors":"C. Howarth, Mieko Ouchi, Kelsie Acton","doi":"10.3138/tric.41.2.f05","DOIUrl":"https://doi.org/10.3138/tric.41.2.f05","url":null,"abstract":"Cette conversation entre Caroline Howarth, Mieko Ouchi et Kelsie Acton porte sur l’experience de la creation et de la mise en scene de Songs My Mother Never Sung Me, un opera en langue des signes a...","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80785194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Références Les textes soumis peuvent être de différentes natures : article classique (40-50 000 signes blancs inclus), compte rendu de lecture (7-8 000 signes blancs inclus correspondant à une page papier de la revue sans marge), note bibliographique (jusqu'à 15 000 signes, idéalement pour plusieurs ouvrages et comportant quelques références bibliographiques). Les articles peuvent être rédigés en français et en anglais. Sur un fichier séparé, le titre de l'article doit être suivi du nom de l'auteur, de son rattachement institutionnel. Les auteurs veilleront à indiquer leurs coordonnées complètes, y compris leur adresse électronique, qui seront indiquées à la fin de chaque article. Sur ce fichier figureront obligatoirement les résumés en français et en anglais de 800 signes et blancs environ (pour les articles en anglais, prévoir un résumé en français plus étoffé, jusqu'à 2 000 signes). Les résumés doivent être accompagnés de mots clés. Sur le fichier principal, sans mention d'auteur, l'article proprement dit sera présenté, à la suite de son titre et de ses résumés. Pour les articles, le volume optimum est compris entre 40 000 et 50 000 signes (blancs inclus). La rédaction se réserve la possibilité de rejeter les articles dépassant 60 000 signes (pour une illustration d'une page, enlever 5000 signes environ). Lors de la première soumission, les figures sont intégrées à l'article, à leur place, avec numéro de figure, légende et crédits. Lors de la soumission finale, les figures seront adressées dans des fichiers séparés.
{"title":"Soumettre un article","authors":"","doi":"10.3138/tric.41.2.328","DOIUrl":"https://doi.org/10.3138/tric.41.2.328","url":null,"abstract":"Références Les textes soumis peuvent être de différentes natures : article classique (40-50 000 signes blancs inclus), compte rendu de lecture (7-8 000 signes blancs inclus correspondant à une page papier de la revue sans marge), note bibliographique (jusqu'à 15 000 signes, idéalement pour plusieurs ouvrages et comportant quelques références bibliographiques). Les articles peuvent être rédigés en français et en anglais. Sur un fichier séparé, le titre de l'article doit être suivi du nom de l'auteur, de son rattachement institutionnel. Les auteurs veilleront à indiquer leurs coordonnées complètes, y compris leur adresse électronique, qui seront indiquées à la fin de chaque article. Sur ce fichier figureront obligatoirement les résumés en français et en anglais de 800 signes et blancs environ (pour les articles en anglais, prévoir un résumé en français plus étoffé, jusqu'à 2 000 signes). Les résumés doivent être accompagnés de mots clés. Sur le fichier principal, sans mention d'auteur, l'article proprement dit sera présenté, à la suite de son titre et de ses résumés. Pour les articles, le volume optimum est compris entre 40 000 et 50 000 signes (blancs inclus). La rédaction se réserve la possibilité de rejeter les articles dépassant 60 000 signes (pour une illustration d'une page, enlever 5000 signes environ). Lors de la première soumission, les figures sont intégrées à l'article, à leur place, avec numéro de figure, légende et crédits. Lors de la soumission finale, les figures seront adressées dans des fichiers séparés.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75897828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recognizing That There'S No Single Solution For Decarbonized Transport Yet, Mazda'S First Electric Car Is Striking A Difficult Balance Between Lifecycle Environmental Impact And The Broad Customer Demands Of Its Biggest Market
{"title":"Balancing Act","authors":"Lisa Marie DiLiberto","doi":"10.3138/tric.41.2.f07","DOIUrl":"https://doi.org/10.3138/tric.41.2.f07","url":null,"abstract":"Recognizing That There'S No Single Solution For Decarbonized Transport Yet, Mazda'S First Electric Car Is Striking A Difficult Balance Between Lifecycle Environmental Impact And The Broad Customer Demands Of Its Biggest Market","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73788576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Présentation","authors":"R. Knowles","doi":"10.7202/1068254ar","DOIUrl":"https://doi.org/10.7202/1068254ar","url":null,"abstract":"<jats:p />","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75138020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Irena R. Makaryk and Kathryn Prince, eds. “Shakespeare in Canada: Remembrance of Ourselves”","authors":"Wes D. Pearce","doi":"10.7202/1068268ar","DOIUrl":"https://doi.org/10.7202/1068268ar","url":null,"abstract":"<jats:p />","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73761181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ecology and Site-specificity in Festival Production","authors":"Laura Levin","doi":"10.7202/1068262ar","DOIUrl":"https://doi.org/10.7202/1068262ar","url":null,"abstract":"<jats:p />","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73750302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of race does not often breach the surface of contemporary theatre in Newfoundland. When it does, racial prejudice tends to be presented in ways that absolve white Newfoundlanders of guilt while echoing Canadian nationalist sentiments that position racism, especially anti-black racism, outside the country’s borders (see Robert Chafe’s play Oil and Water). This kind of narrative oversimplifies Newfoundland’s complicated history, creating its own racist paradigms of ignorance that fail to acknowledge the institutional discrimination, international influences, and local prejudices that inform racial construction on the island.
{"title":"Performing Blackface on the Newfoundland Stage: The Rossleys, Transnational Connections, and Early Twentieth Century Theatre in St. John’s","authors":"Colleen Quigley, Melissa Templeton","doi":"10.3138/TRIC.41.1.64","DOIUrl":"https://doi.org/10.3138/TRIC.41.1.64","url":null,"abstract":"The subject of race does not often breach the surface of contemporary theatre in Newfoundland. When it does, racial prejudice tends to be presented in ways that absolve white Newfoundlanders of guilt while echoing Canadian nationalist sentiments that position racism, especially anti-black racism, outside the country’s borders (see Robert Chafe’s play Oil and Water). This kind of narrative oversimplifies Newfoundland’s complicated history, creating its own racist paradigms of ignorance that fail to acknowledge the institutional discrimination, international influences, and local prejudices that inform racial construction on the island.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77718616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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